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Picture of Looking at Images

Publisher's Description

A deeper look at 120 selected photographs published in LensWork and LensWork Extended

  • Short, thought-provoking discussions about photography and the creative process
  • Encompassing aspects of image content, context, composition, and artmaking
  • Improve your photography and deepen your aesthetic eye by learning to see, feel, understand, think, and speak about images.
  • A dynamic teaching tool and study aid — including expanded Table of Contents and 4-page detailed Index
  • State-of-the-art, museum-book quality duotone printing

Brooks Jensen’s in-depth commentaries are not critiques, but instead discuss aspects of photography through image content, context, and composition. Looking at Images is a study aid — an engaging look at images as a platform to think about photography and the creative process. The intent is to provide photographers with tools to help them think about their own creative work. For the first time, these commentaries are available in book form!

Includes color images as well as black-and-white!

Publisher: Lenswork

Size: 9 x 8” 

264 Pages



Brooks Jensen
A deeper look at 120 selected photographs published in LensWork and LensWork Extended
£30.95

Picture of Imprint: Visual Narratives in Books and Beyond

Publisher's Description

In times when cameras are ubiquitous and the general public is experimenting with the narrative possibilities of photography more than ever before, a survey of the current status and potential of the photobook is highly relevant. Not only does the photobook constitute an alternative means of display to gallery exhibitions, the book format also challenges photography’s instantaneousness, and allows for an exploration of the photographic language. Books have been seminal in the distribution of avant-garde conceptual photography, as well as social documentary and political statements. But what is the status of the photobook today? Is it primarily a mainstream medium, a collector’s item, or a platform for artistic experiments? Imprint is a collection of essays that delve into current practices and address the phenomenological, technological, and aesthetical possibilities for communicating through photobooks, both printed and digital.

Contributors
Gerry Badger
David Bate
Bettina Lockemann
Michael Mack

Publisher: Art and Theory Publishing

224 pages, 60 illustrations

Gerry Badger David Bate Bettina Lockemann Michael Mack
Imprint is a collection of essays that delve into current practices and address the phenomenological, technological, and aesthetical possibilities for communicating through photobooks, both printed and digital.
£21.50

Picture of Genius of Photography

Publisher's Description

The Genius of Photography sets out to explore – through some of the key events, personalities and images that have marked the development of the medium – what the essence of the part-art, part-science is. Six short chapters set the evolution of photography in its social context, but at the heart of the book is a quest to understand what makes a truly great photograph. And the twenty or so iconic images chosen to illustrate each chapter are examined and explained in essays that place them within the many unfolding stories of photography while illuminating the underlying issues the book addresses. Can we ‘believe’ what a photograph shows us? Why is a photograph more than the sum of its subject-matter? How does the photographer deal with history? Why is photography the melancholy art?

Provocative and enlightening by turns, Gerry Badger’s critical perspective and keen aesthetic sense will make this a landmark book for anyone who wants to know more about one of the most important artforms of the twenty-first century. The Genius of Photography was originally published to tie-in with a BBC series, produced by Wall to Wall Media'.

Publisher: Quadrille

Size: 225 x 290 mm

256 pages, over 120 illustrations

Gerry Badger
Provocative and enlightening by turns, Gerry Badger’s critical perspective and keen aesthetic sense will make this a landmark book for anyone who wants to know more about one of the most important artforms of the twenty-first century.
£15.29

Picture of Pandora's Camera

Publisher's Description

This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the motif of Pandora’s box to conceptualise the capricious nature of photography, its fickle relationship to truth – employing the Greek myth concerning a large jar containing myriad forms of human unhappiness, or blessings, depending on the version you read. As Pandora’s camera, digital technology spells calamity to some and liberation to others; it is blamed for irretrievably discrediting veracity, but at the same time it introduces a new degree of truth.

In his signature ironic style and playful tone, Fontcuberta examines the new principles that have arisen within the digital ecosystem, in jocular essays such as ‘I Knew the Spice Girls’ or 'The Mystery of the Missing Nipple'. His critical reflections and poetic evocations are inspired by the hope that still remains in the notion of a postmodern Pandora’s camera – one that might not only describe our environment, but also bring transparency to it.

Publisher: Mack Books

Size: 150 x 228 mm

192 pages

Joan Fontcuberta
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years.
£13.50

Picture of Screendump 2: on the appropriation of photos found online

Publisher's Description

The Screendump project is an ongoing investigation and exploration of photography in the virtual world. In Screendump #1 (2011) the use of Google Street View was examined as a source of material for artists. In Screendump #2, the authors continue their exploration of the virtual photography with a closer look on the appropriation of photos found online. The publication shows the work of artists that run off with footage from amateurs.

The overwhelming amount of online pictures changes the way we look at photography, the value we assign to photos and the role they occupy in our existence. Due to the arrival of smartphones the act of photographing has become a evident part of our daily lives. Photography is no longer the exclusive domain of journalists, artists and specialists: photography belongs to everyone.

Screendump #2 contains works by Willem Popelier, Corinne Vionnet, Peter Mann, Penelope Umbrico and Joachim Schmid.

20 x 27 cm | 64 p. | paperback | ENG/NL | 20
text: Suzan Geldhoff & Karin Krijgsman
design: Rob van Hoesel

edition: 500


A close look at the appropriation of photos found online. The publication shows the work of artists that run off with footage from amateurs.
£21.50
£20.99

Picture of Photography Today

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates

Publisher's Description

This major new survey of contemporary photography considers the work of 80–100 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary. It traces the development of photography as an art form in each of these genres individually and also looks at the ties and links between them. What is revealed is a complex story with numerous tangents. Mark Durden's narrative, combined with rich illustrative content and an easily accessible design, guides a clear path through this story, showcasing the work of great individual photographers while also being able to place this into the larger narrative of the medium's development.

Publisher: Phaidon

Size: 290 x 250 mm

464 pages, 500 illustrations/p>

Mark Durden
This major new survey of contemporary photography considers the work of 80–100 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary.
£40.50

Picture of Words Not Spent Today Buy Smaller Images Tomorrow: Essays on the Present and Future of Photography

Publisher's Description

At this transitional moment in the field of photography, how should we consider what is to come for the medium? Can its past and present practitioners help guide us, both as creators and as observers? David Levi Strauss—eminent author, critic, and teacher—rises to the challenge of these questions and more in Words Not Spent Today Buy Smaller Images Tomorrow: Essays on the Past and Future of Photographs.


In the course of twenty-five essays, some of which appear for the first time in this volume, Strauss discusses the work of artists who provoke us with revealing, clear-eyed investigations of the ostensibly patent world in front of us, and others who transport us to new realms, poetic and unreal—creative minds ranging from Frederick Sommer, Helen Levitt, Daido Moriyama, and Joseph Beuys to contemporary photographers Sally Mann, James Nachtwey, Susan Meiselas, Tim Davis, and many others. Also considered are the groundbreaking theoretical writings of Susan Sontag and Jean-Luc Nancy, the films of Chris Marker and Stan Brakhage, and issues and events that have irrevocably altered the way we consider the medium of photography and how it communicates: 9/11, Abu Ghraib, the death of Osama bin Laden, the Arab Spring, and Occupy Wall Street.


Words Not Spent Today is an incisive exploration of photography’s changing role as a tool of evidence and conscience as we move forward into—can we say it?—a post-photographic era.

Publisher: Aperture

Size: 6 x 8 1/2"

192 pages, 25 color and black-and-white images/p>

David Levi Strauss
In the course of twenty-five essays, some of which appear for the first time in this volume, Strauss discusses the work of artists who provoke us with revealing, clear-eyed investigations of the ostensibly patent world in front of us, and others who transport us to new realms, poetic and unreal
£17.96

Picture of The Commissar Vanishes: The Falsification of Photographs and Art

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

A chilling look at how Joseph Stalin manipulated the science of photography to advance his own political career and to erase the memory of his victims. On Stalin's orders, purged rivals were airbrushed from group portraits, and crowd scenes were altered to depict even greater legions of the faithful. In each case, the juxtaposition of the original and the doctored images yields a fascinating - and often terrifying and tragic - insight into one of the darkest chapters of modern history.

Publisher: Tate Publishing

Size: 288 x 246 mm

192 pages

David King
A chilling look at how Joseph Stalin manipulated the science of photography to advance his own political career and to erase the memory of his victims.
£17.99

Picture of on Street Photography and the Poetic Image

Publisher's Description

Photography deepens our connections to the world around us, to ourselves, and to one another. In this new and innovative series, Aperture works with the world’s top photographers, many of whom also teach, to publish their core thinking on photography—making their experience, insight, and knowledge accessible to a wider audience, including students. Each title in the series will provide an essential primer on the photographer’s area of expertise and creative process. The key points of their practice are presented in the photographer’s own words, and will answer the questions they are asked most frequently. The commentary will accompany a selection of fifty photographs - iconic images by each featured photographer, as well as key images by others that have influenced their thinking and work. Both individually and collectively, each book in the series functions as a “workshop in a book,” serving as an indispensable tool for students, teachers, and everyone who wants to take better pictures or learn to look at them in a more informed way.

Renowned photographers and teachers Alex Webb and Rebecca Norris Webb guide readers on a creative journey through the world of street photographyand the poetic image as a path toward deepening a unique photographic vision. Based on their popular workshop, this creative couple combines insight with stories that reveal their own processes and influences. They cover a variety of issues essential to photographers of all levels, including how to photograph in cultures other than your own, how to work with color in a way that adds emotion to photographs, how complexity and creative tension affect the frame, and how to hone a personal vision in an intuitive and meaningful way. This book provides rare access to the teaching and practice of two leading photographers.

Publisher: Aperture

Size: 7 1/2 x 10"

128 pages, 50 duotone and four-colour images

Alex Webb and Rebecca Norris Webb
Renowned photographers and teachers Alex Webb and Rebecca Norris Webb guide readers on a creative journey through the world of street photography and the poetic image.
£17.96

Picture of Photography Beyond Technique

Publisher's Description

Photography is not dying and has not died. It has been an ever-changing medium since its earliest days, and while near-obsession with the technology of the day may have defined photography over the course of its existence, photography is so much more than hardware and software. Photography is communication, whether chemical or digital, tangible or ephemeral in form.

Photography Beyond Technique is a compelling selection of essays and images that reveal the thoughts and methods of some of today’s most exciting contemporary photographers. These artists employ alternative, historical, or handmade processes and techniques, and they share a comprehensive view of the medium: that the choice of photographic process is just as important as the selection of subjects. While other books concentrate solely on process, or theory, or artistic intent, none focus on photography in which these decisions are considered inseparable.

These 20 essays, originally presented at the annual F295 symposium and seminar series, provide a thought-provoking read for anyone interested in photography as an art form and as a medium through which to view the world. Includes:

  • "Looking Backward, Seeing Forward: Reframing Visual History" by Robert Hirsch
  • "Mystery, Memory, and Narrative" by Martha Casanave
  • "Finding Confidence: Combining Process with Purpose" by Mark Osterman
  • "Photograph, Material, and Metaphor" by Jerry Spagnoli

Publisher: Focal Press

240 pages

Edited by Tom Persinger
Photography Beyond Technique is a compelling selection of essays and images that reveal the thoughts and methods of some of today’s most exciting contemporary photographers.
£26.09

Picture of Photobook: A History Volume III SIGNED

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher Description

Following the success of volumes I and II of The Photobook: A History (published in 2004 and 2009 respectively), this is the third volume bringing this study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new 'layered' photobook approach. 

While the history of photographs is a well-established canon, less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. Volume III, co-edited by Martin Parr and Gerry Badger, expands this study and history of the photobook further. It explores the symbiotic relationship between the contemporary propaganda book vs. the protest photobook, sex and youth culture, photographers examining their own environments and the impact of the Internet and social media on the nature of the photobook, among much else. 

The book is divided into 9 thematic chapters, each featuring general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The introductory chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown.

SIGNED BY GERRY BADGER AND MARTIN PARR

Publisher: Phaidon

290 x 250 mm

320 pages, 900 colour illustrations

Martin Parr and Gerry Badger
Following the success of volumes I and II of The Photobook: A History this is the third volume bringing this study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook.
£59.95

Picture of Inside Photography

Publisher's Description

Inside Photography, a collaboration between the writer/editor, David Brittain and graphic artist, Clinton Cahill, is a book of interviews that sheds light on the art photography magazine. Inciteful and often irreverent, the book demonstrates how this critically overlooked type of publication can be an invaluable resource for creative and historical investigations.

Publisher: Dewi Lewis

Size: 235 x 155 mm

160 pages

David Brittain with Clinton Cahill
Inciteful and often irreverent, the book demonstrates how this critically overlooked type of publication can be an invaluable resource for creative and historical investigations.
£11.69

Picture of Marcel Duchamp at the Age of 85 An Icon of Conceptual Photography

Publisher's Description

In 1945 Marcel Duchamp published a photographic self-portrait in the American magazine View, which depicts him, according to the caption, 'at the age of 85.' In reality he was, at the time, only 58 years old. Thus far the circumstances surrounding this 'staged photograph' were unknown.

A recently discovered script by Friedrich Kiesler is published in this book for the first time, in which he describes in full detail how he assisted his friend Marcel Duchamp to style himself as a senile artist-philosopher in front of the camera of New York photographer Percy Rainford.

The well-known Duchamp expert Herbert Molderings interprets Duchamp's self-portrait as an innovative, conceptual use of photography. The camera was used as a 'time machine', but not, as customary, to capture a present moment, but rather to look into the future.

Publisher: Walther Koenig

Size: 190 x 125 mm

144 pages, 20 colour illustrations

Friedrich Kiesler, Dieter Bogner, Herbert Molderings
The well-known Duchamp expert Herbert Molderings interprets Duchamp's self-portrait as an innovative, conceptual use of photography. The camera was used as a 'time machine', but not, as customary, to capture a present moment, but rather to look into the future.
£17.10

Picture of Pirates and Farmers: Essays on Taste

Publisher's Description

Arguably one of the most astute art and cultural critics working today, Hickey’s collection of essays questions and challenges the cultural status quo.

He recently announced his retirement from the field of criticism due to the new extreme popularity and over-simplification and commoditisation of art, he said ‘I miss being an elitist and not having to talk to idiots.’

Author of popular books such as Air Guitar: Essays on Art & Democracy and The Invisible Dragon: Four Essays on Beauty, Hickey’s newest body of essays looks at the super collectors, the trope of the biennale, the loss of looking and much, much more!

Publisher: Ridinghouse

Size: 225 x 150 mm

192 pages


Dave Hickey
Arguably one of the most astute art and cultural critics working today, Hickey’s collection of essays questions and challenges the cultural status quo.
£14.36

Picture of Understanding a Photograph

Publisher's Decription

John Berger's essays on photography are some of the most stimulating and original of the twentieth century. Like Susan Sontag and Roland Barthes, Berger created a distinctive, highly personal way of thinking and writing about the medium  but he also went an important step further. With long-time collaborator Jean Mohr, photographer and writer combined images and text in a series of innovative and ground-breaking books.


Arranged chronologically, this selection contains essays from books by Berger and previously uncollected pieces written for exhibitions and catalogues. Displaying the fierce engagement that marks his writing on painting and the human sympathy of his fiction, Berger probes the work of photographers  including Henri Cartier-Bresson and W. Eugene Smith  and the lives of those photographed. Interrogating the visible, Berger proceeds with the intensity and tenderness urged by D. H. Lawrence: 'gazing on to the face of life, and reading what can be read.'

The selection is made and introduced by Geoff Dyer, author of the critically acclaimed, award-winning book on photography, The Ongoing Moment.

'One of the most influential intellectuals of our time' Observer

'Berger handles thoughts the way an artist handles paint' Jeanette Winterson

Publisher: Penguin

240 pages

John Berger
A selection of John Berger's writings on photography, including astonishing images, edited and selected by Geoff Dyer.
£8.99

Picture of Ping-Pong Conversations

Publisher's Description

Storytelling and the use of color and black and white, staged and candid approaches, and personal and political issues are just a few of the many arguments that the American photographer Alec Soth discusses with critic Francesco Zanot, resulting in a combination of words and images that constitutes both a complex examination of Alec Soth's work and a manual on that reading of photography itself.

Publisher: Contrasto

Size: 216 x 154 mm

180 pages

Alec Soth
Storytelling and the use of color and black and white, staged and candid approaches, and personal and political issues are just a few of the many arguments that the American photographer Alec Soth discusses with critic Francesco Zanot.
£17.10

Picture of Edge of Vision: The Rise of Abstraction in Photography

Publisher's Description

Abstraction has been, and remains, intrinsic to photography. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of its pioneers believed the camera might reveal other aspects of reality. He traces subsequent explorations—from the Photo Secessionists, who emphasized emotional expression over observed reality, to Modernist and Surrealist experiments. From the 1940s through the 1980s, a multitude of photographers—Edward Weston, Aaron Siskind, and Barbara Kasten, among them—took up abstraction. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists—most prominently Silvio Wolf, Marco Breuer, and Ellen Carey—reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing.

In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from key practitioners and critics, such as László Moholy-Nagy, and James Welling.

Publisher: Aperture

Size: 8 x 10"

292 pages, 180 four-color images

Lyle Rexer
Abstraction has been, and remains, intrinsic to photography. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context
£22.50

Picture of William Henry Fox Talbot : Beyond Photography

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Desription

William Henry Fox Talbot (1800–1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age—a time that saw many political, social, intellectual, technical, and industrial changes. His manuscripts, now in the archive of the British Library, reveal the connections and contrasts between his photographic innovations and his investigations into optics, mathematics, botany, archaeology, and classical studies.

Drawing on Talbot’s fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science.

Publisher: Yale University Press

Size: 7 x 10"

328 pages, 100 color illus.

William Henry Fox Talbot
Drawing on Talbot’s fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science.
£45.00

Picture of From here on. Postphotography in the Age of Internet and the Mobile Phone

Publisher's Description

The transit from the analog to the digital image and the globalization of access to internet and mobile telephones has radically changed the world of photography, taking it past the point of no return. This new technological potential offers still unexplored creative consequences and has shaken up key concepts such as that of authorship and original work. All over the world, many new artists of the image are exploring the ramifications of this genuine creative revolution.

This catalogue-book published by RM on the occasion of the exhibition From Here On, held at Arts Santa Monicà in Barcelona, Spain, deals precisely with the evolution of the image as a result of the use of new technologies. It constitutes an invaluable resource, not only because of the texts included—really a series of manifestos—but also because of the conscientious selection of artists and images offered to the reader.

Publisher: Editorial RM

Size: 9.2 x 4.5"

136 pages, 177 photographs

Spanish, english, catalan edition

Joan Fontcuberta, Martin Parr, Erik Kessels, Clément Chéroux, Joachim Schmid
This catalogue-book published deals with the evolution of the image as a result of the use of new technologies.
£20.25

Picture of Photography and Exploration

Publisher's Description

When Ferdinand Magellan set out to circumnavigate the globe in 1519, he wasn’t able to take a digital camera or a smartphone with him. Yet, as the eagerly awaited images from the Mars Rover prove, modern exploration is inconceivable without photography. Since its invention in 1839, photography was integral to exploration and used by explorers, sponsors and publishers alike, and in the early twentieth century, advances in technology – and photography’s newfound cultural currency as a truthful witness to the world – made the camera an indispensable tool. In Photography and Exploration, James R. Ryan uses a variety of examples from polar journeys to space missions to show how exploration photographs have been created, circulated and consumed as objects of both scientific research and art.

Examining a wide range of photographs and expeditions, Ryan considers how nations have often employed images as a means to scientific advancement or territorial conquest. He argues that, because exploration has long been bound up with the construction of national and imperial identity, expeditionary photographs have often been used to promote claims to power – especially by the West. These images also challenge the way audiences perceive the world and their place within it. Richly illustrated, Photography and Exploration shines new light on how photography has shaped the image of explorers, expeditions and the worlds they discovered.

Publisher: Reaktion Books

Size: 220 x 190 mm

192 pages, 100 illustrations, 50 in colour

James R. Ryan
In Photography and Exploration, James R. Ryan uses a variety of examples from polar journeys to space missions to show how exploration photographs have been created, circulated and consumed as objects of both scientific research and art.
£16.16

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