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Picture of Confabulations

Publisher's Description

A dictionary will tell you that confabulations are memory disturbances; the production of fabricated, distorted memories about oneself and the world, but without a conscious intention to deceive.

“Subjectivity is not the master signifier of the image,” writes Ina Blom of Rødland’s work, “Nor is it lost in a vortex of abstractions: it is quite simply one point of connectivity among many. The camera, with its associated range of lenses, aperture settings, lighting devices, and film types, is another. […] The emphatic sheen, sleek glamour and casual perversity still thrive, but they take on an independent existence as new textural realities – as if to speak of a material world that we can never fully know."

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

Publisher; MACK

Signed copies

Size: 216 x 280 mm

112 pages, 64 colour plates

Torbjørn Rødland
Signed copy. With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies.
£35.00

Picture of Dozen Failures, A (Signed)

Publisher's Description

A Dozen Failures is both a singular statement as a photobook and a commentary on a life spent making some of the classic photobooks of our time, among them The Pond, There and Gone, The Romance Industry, and Berlin in the Time of the Wall.

Every photograph is in some way perfect (as a technical feat) and in another way a failure (as representational “residue”). So what makes a picture a “failure” – something worthy of further contemplation? It goes far deeper than merely being a mistake. Failures teach us about life and the self in ways as powerful as – and far more confoundingly than – successes.

Or, as Gossage says, they show us “a love lost through lack of skill and misunderstanding.”

Publisher: TIS Books

Size: 9.5 x 11.5"

48 pages, 18 tritone plates, one fold out tritone poster(17 x 21")

EDITION OF 700

John Gossage
A Dozen Failures is both a singular statement as a photobook and a commentary on a life spent making some of the classic photobooks of our time, among them The Pond, There and Gone, The Romance Industry, and Berlin in the Time of the Wall.
£55.00

Picture of Chernobyl (Signed with Original Photograph)

Publisher's Description

This book includes an original certified, printed on photo paper Hahnemühle Luster 30cm x 26.7cm. Once the purchase, you will receive the contact sheets so you can pick your picture (exist only 20 copies of each photograph).

Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.

ИВАН И МЭРИ 30 years after Chernobyl searches human experience through ruins and its geography, beyond explosion impact. Living in such a landscape, setting up a home in the middle of somewhere that was a crucial point of the country, today drifting away in oblivion; not only as an urban place or industrial, but also a historical oblivion. As if letting nature consume its ruins would erase it from the human misfortune pages.

This book travels through a journey that goes from religious to human and from pristine nature to still life. It’s about human life fragility and the abilities to build up a home among ruins of our own civilization.

Size: 200 x 280 mm

92 pages

Edition: 50

Ricardo Arispe
This book includes an original certified, printed on photo paper Hahnemühle Luster 30cm x 26.7cm.
£100.00

Picture of Chernobyl (Signed)

Publisher's Description

Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.

ИВАН И МЭРИ 30 years after Chernobyl searches human experience through ruins and its geography, beyond explosion impact. Living in such a landscape, setting up a home in the middle of somewhere that was a crucial point of the country, today drifting away in oblivion; not only as an urban place or industrial, but also a historical oblivion. As if letting nature consume its ruins would erase it from the human misfortune pages.

This book travels through a journey that goes from religious to human and from pristine nature to still life. It’s about human life fragility and the abilities to build up a home among ruins of our own civilization.

Numbered, stamped and signed.

Size: 200 x 250 mm

92 pages

Edition: 150

Ricardo Arispe
Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.
£37.50

Picture of Topical Times for these Times Book of Liverpool Football (Special Edition - with signed print)

Publisher's Description

Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city. From youth games and local bar teams playing in district park leagues, to the weekly rituals of match days at Liverpool and Everton, he has photographed the sport - and the city’s relationship with it - in all its forms. Rarely going inside the stadia, he has instead photographed in the streets and bars outside, at the pitch sides and on buses across the city over decades.

With football serving as a central thread in the working and social lives of his contemporaries, it has always been an element of Grant’s wider work about the city. This book brings together his pictures of the game, the land and the people who populate it. A Topical Times for these Times, taking its title from boys sports annuals and the football yearbooks that prospered and inspired in the 1970s and 80s, draws on the changing landscape of Liverpool as it negotiated success and tragedy, and as a new commercial era took hold. The book is a devoted appreciation of football in the city, the game itself and those who are part of each.

An essay by the writer Niall Griffiths and a short piece by Ken Grant accompany the photographs.

Publisher: RRB Photobooks Publishing

Size: 195 x 230 mm

176 pages, 170 images

Edition of 100

Ken Grant
Limited Edition with signed print
£75.00

Picture of Topical Times for these Times Book of Liverpool Football

Publisher's Description

Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city. From youth games and local bar teams playing in district park leagues, to the weekly rituals of match days at Liverpool and Everton, he has photographed the sport - and the city’s relationship with it - in all its forms. Rarely going inside the stadia, he has instead photographed in the streets and bars outside, at the pitch sides and on buses across the city over decades.

With football serving as a central thread in the working and social lives of his contemporaries, it has always been an element of Grant’s wider work about the city. This book brings together his pictures of the game, the land and the people who populate it. A Topical Times for these Times, taking its title from boys sports annuals and the football yearbooks that prospered and inspired in the 1970s and 80s, draws on the changing landscape of Liverpool as it negotiated success and tragedy, and as a new commercial era took hold. The book is a devoted appreciation of football in the city, the game itself and those who are part of each.

An essay by the writer Niall Griffiths and a short piece by Ken Grant accompany the photographs.

Publisher: RRB Photobooks Publishing

Size: 195 x 230 mm

176 pages, 170 images

Edition of 1000

Ken Grant
Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city.
£31.50

Picture of Lotus (Signed)

In the series Lotus, Max Pinckers and Quinten De Bruyn document the world of transsexuals in Thailand. The gender crisis that the so-called ladyboys face is transformed into a visual metaphor about the identity crisis that contemporary documentary photography currently encounters, when it dares to reflect upon itself in a critical way, and expose its internal paradoxes.

The documentary photographer that captures reality as ‘a fly on the wall’ can’t deny his or her directive and manipulative role any longer. The anonymity, the seeming absence is merely a pose. In the end, they are the ones that hold all the power and choose a ‘the decisive moment’. The tableaux that the photographer captures are not lies, but enfold themselves within the studio that he or she creates from reality

Sample images

Publisher: Lyre Press

Size: 195 x 270 mm

152 pages

Max Pinckers & Quinten De Bruyn

In the series Lotus, Max Pinckers and Quinten De Bruyn document the world of transsexuals in Thailand. The gender crisis that the so-called ladyboys face is transformed into a visual metaphor about the identity crisis that contemporary documentary photography currently encounters, when it dares to reflect upon itself in a critical way, and expose its internal paradoxes.

The documentary photographer that captures reality as ‘a fly on the wall’ can’t deny his or her directive and manipulative role any longer. The anonymity, the seeming absence is merely a pose. In the end, they are the ones that hold all the power and choose a ‘the decisive moment’. The tableaux that the photographer captures are not lies, but enfold themselves within the studio that he or she creates from reality

Sample images

Publisher: Lyre Press

Size: 195 x 270 mm

152 pages

£40.00

Picture of Another Black Darkness (Signed)

Publisher's Description

The works in the “Another Black Darkness” series that is featured in this exhibition are results of Nomura’s first ever experiments with the technique of solarization.

Beautifully printed work on lovely matt paper stock.

Nomura’s works received acclaim from audiences from around the world as part of the exhibition “Another Language” at last year’s Rencontres d'Arles International Photography Festival in France.

Publisher: Akio Nagasawa Publishing

104 pages

182*257 cm


Sakiko Nomura
The works in the “Another Black Darkness” series that is featured in this exhibition are results of Nomura’s first ever experiments with the technique of solarization.
£120.00

Picture of NZ Library | Set Two (Complete - Signed)

Overseas deliveries  Please note that, as this is an extremely heavy item, overseas postage will be charged at three times our standard rates.

Publisher's Description

Each title in the NZ Library is limited to 350 numbered, signed and individually slipcased copies. Books measure  approximately 380 x 305mm.  The retail price for single copies is £150; when purchased as a set, a generous discount is extended, for a per-title price of £100.
NZ Library: Set Two includes the following six titles:

    •    ROBBERT FLICK | LA Diary
    •    KAZUO KITAI | Tsugaru / Shimokita
    •    PHILIP MELNICK | Nineteen Seventies California
    •    JOHN SCHOTT | Mobile Homes 1975-1976
    •    TOSHIO SHIBATA | Yodaka
    •    MARK STEINMETZ | Angel City West
.

Publisher: Nazraeli Press


Each title in the NZ Library is limited to 350 numbered, signed and individually slipcased copies.
£540.00

Picture of Yodaka (SIgned)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

“The end of the 1970s saw the completion of Japan's postwar construction, as well as a withering of the student movement and the various terrorist acts that had shaken the global community. The early 1980s was a brief interlude of calm, anticipating the end of the long Showa era, before Japan was deluged by the bubble economy. 



I had just returned to Japan in 1980, after studying for four years in Flanders where time moves slowly, and the atmosphere is very relaxed. In addition to the rapidly advancing westernization, the reality of this new Tokyo, where old pre-war Showa is blended with modern Showa (post-war) looked disorderly and chaotic to me, and it was not easy to capture it visually. I struggled to realize my own mode of expression in this home country of mine, and began by chasing lights of the night-time to deflect this chaos.” – Toshio Shibata, from the Afterword



Born in Japan in 1949, Toshio Shibata entered the painting department of the University of Arts of Tokyo in 1968. He later decided to continue his studies in Europe at the Royal Academy of Fine Arts in Gant (Belgium) where he turned to photography. It was upon his return to Japan in 1980 that he made the haunting, nighttime photographs of Tokyo presented here for the first time.

Sample images

Publisher: Nazraeli Press

Size: 380 x 305 mm

48 pages, 41 duotone plates


Toshio Shibata

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

“The end of the 1970s saw the completion of Japan's postwar construction, as well as a withering of the student movement and the various terrorist acts that had shaken the global community. The early 1980s was a brief interlude of calm, anticipating the end of the long Showa era, before Japan was deluged by the bubble economy. 



I had just returned to Japan in 1980, after studying for four years in Flanders where time moves slowly, and the atmosphere is very relaxed. In addition to the rapidly advancing westernization, the reality of this new Tokyo, where old pre-war Showa is blended with modern Showa (post-war) looked disorderly and chaotic to me, and it was not easy to capture it visually. I struggled to realize my own mode of expression in this home country of mine, and began by chasing lights of the night-time to deflect this chaos.” – Toshio Shibata, from the Afterword



Born in Japan in 1949, Toshio Shibata entered the painting department of the University of Arts of Tokyo in 1968. He later decided to continue his studies in Europe at the Royal Academy of Fine Arts in Gant (Belgium) where he turned to photography. It was upon his return to Japan in 1980 that he made the haunting, nighttime photographs of Tokyo presented here for the first time.

Sample images

Publisher: Nazraeli Press

Size: 380 x 305 mm

48 pages, 41 duotone plates


£180.00

Picture of Mobile Homes 1975-1976 (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

“Encountering the American west for the first time in the early 1970s, I became fascinated with the landscapes and iconography of mobile homes. In a previous century Americans migrated west in Prairie Schooners to become farmers or shopkeepers. After the Second World War they continued this ‘Westward Ho!’, but now in commercially-fabricated mobile homes, often to retirement. These new pioneers clustered in communities that transformed the western landscape and its built environment through a new architecture of mobility.

Mobile home manufacturers produce a range of styles with architectural references that animate cultural aspirations or memories of home and community left behind. After choosing a basic style, new owners make individual touches to the exterior and lawn that transform the generic into the personal. Viewed from a surrounding hillside, mobile home parks look like arabesques of uniform aluminum boxes. On close observation, however, they reveal a rich flora and fauna of personal expression and longing for both individuality and community.” – John Schott, from the Preface

The images in Mobile Homes 1975-1976 were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976. This project followed photographs of Route 66 motels in 1973 and 1974, work which was included in “New Topographics: Photographs of a Man-Altered Landscape”, at George Eastman House in 1975 and John Schott | Route 66: 1973–1974, Nazraeli Press, 2014 (NZ Library: Set 1).

Sample images

Publisher: Nazraeli Press

Size: 380 x 305 mm

64 pages, 54 duotone plates

John Schott
The images in Mobile Homes 1975-1976 were made with an 8x10-inch Deardorff view camera in California during 1975 and 1976.
£135.00

Picture of Nineteen Seventies California (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Born in Chicago, Illinois, in 1935, Philip Melnick grew up in Los Angeles, where he attended the University of California. In the 1970s, shooting with a medium format camera, Melnick made black-and-white photographs of his surroundings, exploring the unique sense of style found in the Southern California urban landscape. Nineteen Seventies California offers a beautifully presented selection of Melnick’s most striking work from this period, in which he displays a keen eye for the character of its vernacular architecture and the distinctive look of its streets: the quirky confluence of a single parked car with a street facing wall and a fragmented apartment building; the intersection of street, fence and another non-descript apartment house. He isolates the intricate pattern of a wall, creating arresting fusions of everyday sights and geometric abstraction. “Melnick’s images emphasize a push-pull, hard-soft tension that give his pictures distinguished style and great beauty,” wrote the late Fred McDarrah, who was himself a photographer for The Village Voice, as well as a writer, during the years that this series was produced.

Sample images

Publisher: Nazraeli Press

Size: 380 x 305 mm

48 pages, 31 duotone plates

ISBN 978-1-59005-438-3

Philip Melnick
Nineteen Seventies California offers a beautifully presented selection of Melnick’s most striking work
£135.00

Picture of Tsugaru | Shimokita (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Kazuo Kitai dropped out six months into his first year of art school, revealing a rebellious streak that led him to become involved in the protest movements of 1960s Japan. His first photography book, “Resistance”, was self-published in 1965. For the rest of the 1960s he continued to follow radical student protests, producing Barricade, Agitators and finally Sanrizuka in 1971.

As the 1960s came to a close, Kitai became disillusioned with political themes and turned to the everyday life of ordinary people. Kitai`s first journey was to one of the most remote parts of Japan, the Shimokita Peninsula, and photographs from this journey to Shimokita in 1970 make up the first half of this book. In 1972 and 1973 Kitai traveled again to this most northerly part of Honshu, to the neighboring area of Tsugaru, and this makes up the other half of this book.

These regions of Shimokita and Tsugaru had been very isolated and barren, with bitterly cold winters. Local language, legends and ancient beliefs had survived into the modern era. The region was known for shamanism and communion with the dead spirits gathering around the holy mountain of Osorezan.

During the rest of the 1970s, Kitai was to continue his exploration of rural areas of Japan, for which, in 1976, he received the award of the inaugural Ihei Kimura Prize, Japan`s most prestigious award for photography.

Sample images

Publisher: Nazraeli Press

Size: 380 x 305 mm

48 pages, 40 duotone plates

Kazuo Kitai
Kazuo Kitai dropped out six months into his first year of art school, revealing a rebellious streak that led him to become involved in the protest movements of 1960s Japan.
£135.00

Picture of LA Diary (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Robbert Flick, born in Holland in 1939, is a Southern California artist who uses photography as his primary medium. This gorgeous new monograph presents an important, early body of work that would inform Flick’s approach to all of his subsequent artistic activities: 

"The late 1960s was an open-ended time with very few boundaries. I was interested in rendering my photographic experience of Los Angeles, and wanted to emphasize the process of that experience. Rather than framing a moment, it became important to acknowledge it. This meant that the act of photographing became a gesture. I was also quite poor and had a limited amount of film. I kept some several dozen self-rolled films in a shoebox; whenever I went out I would reach in for four or five of them, and return them back into the box when exposed, leaving a snippet of leader so the film could be reused. I would have absolutely no idea what was on which film I put in my camera.

At the time I would think of film as an endless continuum, and there was a wish to acknowledge that aspect visually … the idea of multiple exposures was linked to ideas about simultaneity, the use of the “I Ching”  and “there is no such thing as accident”. I photographed in this manner for a period of three years."

One of the images on the cover of the book captures a moment from an Ortiz destruction event: where a piano filled with blood was hammered apart with an axe and subsequently a large number of mice were set free in mousetrap-filled areas on the floor. This Destruction Performance very much summarized the political conditions of the time and the senseless destruction of human life and landscapes engendered by the Vietnam war.

Sample images

Publisher: Nazraeli Press

Size: 380 x 305 mm

64 pages, 29 duotone plates

Robbert Flick
Robbert Flick, born in Holland in 1939, is a Southern California artist who uses photography as his primary medium. This gorgeous new monograph presents an important, early body of work that would inform Flick’s approach to all of his subsequent artistic activities.
£135.00

Picture of English Cathedral (Collector's Edition - with signed print)

Publisher's Description

A special collector's edition comprising a blocked, cloth-bound hardback edition of the book and a signed, hand-finished print, 30.5 x 25.4 cm, placed together in a handmade, blocked, cloth-bound slip case.

A unique opportunity to own a print by Magnum photographer Peter Marlow

Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. No one can fail to marvel at Durham’s incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. In this breathtaking book, available for the first time in a compact hardback edition, award-winning Magnum photographer Peter Marlow has captured the nave of each of England’s 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east window, these remarkable images bring into sharp relief the full splendour of the architecture, whatever the style. Marlow’s spellbinding photographs are accompanied by his commentary on the project, including sketches, preparatory shots and technical notes; an introduction by curator Martin Barnes on the tradition of church architecture in England, particularly the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall.

  • A unique photographic record of the Anglican cathedrals of England
  • A new compact edition of this superbly produced, critically acclaimed book
  • With an overview of the architectural importance of each cathedral, and an introduction on ecclesiastical photography
  • Essential for anyone interested in architectural photography, church architecture or the heritage of England

Publisher: Merrell

Size: 290 x 235 mm

128 pages, 50 illustrations, 45 in colour, 1 map
 

Peter Marlow
A special collector's edition comprising a blocked, cloth-bound hardback edition of the book and a signed, hand-finished print, placed together in a handmade, blocked, cloth-bound slip case.
£85.50

Picture of 12 Months of Winter (Issue 2 - Signed)

Publisher's Description

12 Months of Winter is the new Jacob Aue Sobol catalogue collection. A new limited edition catalogue will be published every month.

Size: 240 x 320 mm

40 pages, 19 images

Jacob Aue Sobol
12 Months of Winter is the new Jacob Aue Sobol catalogue collection. A new limited edition catalogue will be published every month.
£22.00

Picture of Real Food (Signed)

Publisher's Description

A fun collection of Martin Parr's food pictures, which documents the simple notion that 'we are what we eat'.

Real Food celebrates all things food through the eyes of the renowned British photographer Martin Parr - a kaleidoscope of foods the world over, from hot dogs to sticky buns and langoustine to lemon meringue pie.

Featuring photographs taken throughout Martin Parr's prolific career to-date, Real Food will comprise the very best of Parr's iconic imagery - a collection of close-up food shots, in typical garish colour, taken by Parr throughout his travels across the world.

Introduced with an essay by Fergus Henderson, British chef and founder of the restaurant St John's in London, which considers Parr's photographs in the context of global cuisine, and Parr's fascination with the social aspect of food that is at the heart of these photographs.

Sample images

Publisher: Phaidon

Size: 150 x 210 mm

208 pages, 250 colour illustrations

Martin Parr
A fun collection of Martin Parr's food pictures, which documents the simple notion that 'we are what we eat'.
£14.95

Picture of With You (Signed)

Publisher's Description

Catalog with 16 images and 22 pages.

Size: 315 x 220 mm

Printed by Jacob Aue Sobol Studio

All catalogues are signed.

Jacob Aue Sobol
Signed catalog with 16 images and 22 pages.
£37.50
£25.00

Picture of 12 Months of Winter (Issue 1 - Signed)

Publisher's Description

12 Months of Winter is the new Jacob Aue Sobol catalogue collection. A new limited edition catalogue will be published every month.

Size: 240 x 320 mm

40 pages, 19 images

Jacob Aue Sobol
12 Months of Winter is the new Jacob Aue Sobol catalogue collection. A new limited edition catalogue will be published every month.
£22.00

Picture of Prospect of Immortality, The (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

“Would you like to live forever and ever, here on earth? In the near future this may become a real possibility. The Prospect of Immortality is a sober, scientific, and logical argument founded on the undeniable fact: that a body deep-frozen stands a better chance of being revived than of one rotting in the ground; and that many people who died fifty or a hundred years ago of ‘incurable’ diseases would today be cured.” Robert C. W. Ettinger, The Prospect of Immortality

In 1962, Robert C. W. Ettinger published ’The Prospect of Immortality’, the book that gave birth to the idea of ‘cryonics’ – the process of freezing a human body after death in the hope that scientific advances might one day restore life. Photographer Murray Ballard has undertaken a ten year extensive investigation into the practice Ettinger inspired.

The photographs in this new book document the small but dedicated international cryonics community from the English seaside retirement town of Peacehaven; through the high-tech laboratories of Arizona; to the rudimentary facilities of KrioRus, on the outskirts of Moscow. Worldwide there are approximately 200 patients stored permanently in liquid nitrogen, with a further two thousand people signed up for cryonics after death.

The project combines photographs of the technical processes involved, alongside portraits of the people engaged in the quest to overcome the ‘problem of death’. Whilst members have often been ridiculed for their views, Ballard has tried to take an objective stance, allowing the viewer to consider the ethics of the practice, and to decide whether members are caught up in a fantasy world of science fiction, or genuine scientific innovation.

Publisher: 

Size: 216 x 280 mm

185 pages

Murray Ballard
The photographs in this new book document the small but dedicated international cryonics community from the English seaside retirement town of Peacehaven; through the high-tech laboratories of Arizona
£35.00

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