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Picture of TTP

We have sold out of signed copies.  Orders accepted for unsigned copies only.

Publisher’s Description

TTP is a series of photographs made from the window of Hayahisa Tomiyasu's eighth-floor student apartment in the German city of Leipzig. His southfacing view encompasses a public park with a ping pong table, which is the focus of his deadpan pictures. Each image is similarly composed, while the times of day, the seasons and the visitors to the table change. As we turn the page the function of the table mutates, from a tischtennisplatte (table tennis table) to a sun bed, a skate obstacle, a laundry counter, a kids' climbing frame, a work-out meeting spot, and a refuge from busy streets, among numerous other uses. Thanks to Tomiyasu's sustained curiosity, we observe the habits, humour and idiosyncrasies of human behaviour at the foot of this humble table.

Hayahisa Tomiyasu was born in 1982 Kanagawa,Japan. After studying photography at Tokyo Polytechnic University, he moved to Leipzig, Germany to study under Peter Piller. He currently lives between Leipzig and Zurich, where he now teaches.

Awards: First Book Award Winner 2018

Publisher:

Size: 200 x 270 mm

260 pages

Hayahisa Tomiyasu
TTP is a series of photographs made from the window of Hayahisa Tomiyasu's eighth-floor student apartment in the German city of Leipzig.
£27.00

Picture of she dances on Jackson (Signed)

Publisher's Description

The reprint of this hugely successful 2013 book coincides with a retrospective of the work of Vanessa Winship at the Barbican Art Gallery in London from June to September 2018.

In 2011 Vanessa Winship was the recipient of the Henri Cartier Bresson Award which funds an artist to pursue a new photographic project. For over a year Winship travelled across the United States, from California to Virginia, New Mexico to Montana, in pursuit of the fabled ‘American dream’. she dances on Jackson presents a conversation, a lyrical and lilting interaction between landscape and portrait exploring the vastness of the United States and attempting to understand the link between a territory and its inhabitants. For Winship this relationship is inextricable; places accrue particular meanings according to the people she meets, what she sees, and by what's happening to her personally. Each human encounter, sound and smell adds extra dimensions to her work and the resulting photographs.

she dances on Jackson marks a progression. Stylistically similar to her previous work using black and white film and a large format camera, Winship’s portraits remain arresting and unnerving but this body of work reveals her to also be a skilled landscape photographer. For Winship photography is a process of literacy, a path by which she understands life. Her intimate approach enables the reader to glimpse the world as she sees it, if only for a moment.

Publisher: Mack Books

Size: 240 x 270 mm

144 pages, 64 tritone plates



Vanessa Winship
The reprint of this hugely successful 2013 book.
£40.00

Picture of Settlements (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

How should we live on this planet? Can we lead fulfilling lives whilst sustaining the environment on which we depend for our wellbeing and sustenance?

In a world increasingly dedicated to material consumption, driven by a sense of entitlement to exploit nature without limit, these questions have become critical.

Settlements is a photographic record of a small number of communities and individuals, based in Britain, who are quietly building and exploring alternative land-based, low impact ways of living, that address these issues and dilemmas.

Taken between 2004 and 2015, the photographs chart a period in their evolution and growth seen through their homes, infrastructure and community portraits. They are accompanied by introductions written by the communities, and texts by the author that explore connected historical and contemporary issues.

Together they reveal a way of life that challenges the mainstream, suggesting different narratives for the future and contributing to our collective imagination.

Size: 240 x 290 mm

256 pages, 151 colour photographs

David Spero
Settlements is a photographic record of a small number of communities and individuals, based in Britain, who are quietly building and exploring alternative land-based, low impact ways of living, that address these issues and dilemmas.
£35.00

Picture of Selfpolaroids

Publisher's Description

selfpolaroids is a special box set, bringing together 32 large format postcards of the artist's polaroid selfies (4C), 1 book of Tokyo Rumando's new Peel Apart series (24 pages, 4C), and a sealed pack of the artist's personal belongings or stage props (unique to each box) all housed together in a luxurious printed clamshell box.

Please note: the vacuum-sealed personal belongings included with each copy of selfpolaroids are one-of-a-kind items. Please see the gallery above for three examples of items included with each box.

"I was a highschool student when I first got the polaroid camera. It was a fun gadget to play with friends, as it could quickly capture the moment.
This box set includes a selection of my polaroid works from 2005 until now.
I used to use the polaroid camera to do testing for my self portraits.
Polaroids are like a documentation of reality for me, as I make works that interconnect the present, past, and future.
When I look into their unique colours, I can see many beautiful colour particles like the universe - it gives me an unexplainable sense of exaltation."

― Tokyo Rumando

Publisher: Zen Foto Gallery

Size: 220 x 40 mm

24 pages

Polaroid photo cards

32 cards (colour print with UV screen thick varnish)

Including vacuum-sealed personal belongings by the artist

Colour photo booklet

Language: Japanese, English

Limited edition: 700

Tokyo Rumando
New, signed, limited edition, including unique personal items
£60.00

Picture of Hill and Adamson's photographs of Linlithgow (Signed)


Publisher: West Lothian History and Amenity Society (2002)

Size: 204 x 146 mm

70 pages

Roddy Simpson


Publisher: West Lothian History and Amenity Society (2002)

Size: 204 x 146 mm

70 pages

£5.00

Picture of Neither Here Nor There

Publisher's Description

poems by Walt Whitman, "Leaves of Grass"
No Small Lives - an infinity of moments, essay by Robin Titchener

"Neither here Nor There" is a conversation about seeing the moments between moments.

"It is these quiet moments that Dennis Neal Vaughn specializes in. Traversing the streets and surrounding countryside of his adopted San Francisco, he photographs what he knows and what he sees with eyes that are open and sensitive to all manner of the beauty that surrounds him." — Robin Titchener

Size: 8.5 x 8.5"

102 pages, 77 color plates,

Limited edition of 100
First edition of 100 signed and numbered with an original archival pigment print included exclusive to the book.

Dennis Neal Vaughn
"Neither here Nor There" is a conversation about seeing the moments between moments.
£20.00

Picture of War Primer 2 (Signed)

Publisher's Description

Published in paperback to coincide with a major exhibition at the Pompidou Centre dedicated to the work of Broomberg & Chanarin, War Primer 2 was originally released as a limited edition book in 2011. The book inhabits the pages of Bertolt Brecht’s remarkable 1955 publication War Primer.

Brecht’s publication is a collection of newspaper clippings, each accompanied by a four-line poem that he called Photo-epigrams. It was the culmination of almost three decades of intermittent activity. The title deliberately recalls the textbooks used to teach elementary school children how to read; Brecht’s book is a practical manual, demonstrating how to “read” or “translate” press photographs. Brecht was profoundly uneasy about the affirmative role played by the medium within the political economy of capitalism and referred to press photographs as heiroglyphics in need of decoding.

War Primer 2 is the belated sequel. While Brecht’s War Primer was concerned with images of the Second World War, War Primer 2 is concerned with the images of conflict generated by both sides of the so-called “War on Terror”.

Customer comment: "I’m very pleased with the book. If any of your customers are interested to know, War Primer 2 is excellent especially when matched up with Brecht’s War Primer 1 as republished by Verso." (David Beale)

Publisher: Mack Books

Size: 240 x 290 mm

200 pages, 114 colour plates

Adam Broomberg & Oliver Chanarin
Published in paperback to coincide with a major exhibition at the Pompidou Centre dedicated to the work of Broomberg & Chanarin, War Primer 2 was originally released as a limited edition book in 2011. The book inhabits the pages of Bertolt Brecht’s remarkable 1955 publication War Primer.
£30.00

Picture of ToiletMartin PaperParr Magazine | Collector's Edition  (Signed)

Publisher's Description

'ToiletMartin PaperParr' is a new, special edition of 'Toiletpaper' that presents a back-to-back of images made in collaboration with Maurizio Cattelan and Pierpaolo Ferrari on the one side and Martin Parr on the other.

'ToiletMartin PaperParr | Collector's Edition' limited to 1000 numbered copies, includes the magazine and the 'ToiletMartin PaperParr' bag printed on the two sides with the front and back cover of the magazine.

ToiletMartin PaperParr Magazine' is a new, special edition of 'Toiletpaper' published by Damiani. This unique edition celebrates a new suite of pictures presenting a back-to-back of images made in collaboration with Maurizio Cattelan and Pierpaolo Ferrari on the one side and Martin Parr on the other.

The recipe is very tasty: the founders of 'Toiletpaper' hosted Martin Parr as a special guest and asked him to form a dialogue with 'Toiletpaper' images, coming back to them with a photograph from his archive for each image. The result is a rapid succession of images in which irony, subversion and provocation force the viewer to the impelling discovery of the next pair of images.

And if you are not yet satiated by the end of this issue, you have only to start once more at the beginning.

About Toiletpaper Magazine

'Toiletpaper' is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, 'Toiletpaper' has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Publisher: Damiani

40 pages, 22 illustrations

Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari
Collector's Edition of 1000 numbered copies plus the exclusive 'ToiletMartin PaperParr' bag printed with the front and back covers of the magazine on the two sides.ToiletMartin PaperParr Magazine | Collector's Edition Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari
£40.00

Picture of Opening (Special Edition)

Publisher's Description

A special edition of 25 copies featuring an exhibition quality original print handmade, numbered and signed by the artist, and presented with a copy of the book in a custom clamshell box.

Following up on her widely-acclaimed book Everglades, published by Nazraeli Press in 2016, Jungjin Lee has created a true artist’s book with this series of desert and mountain landscapes entitled Opening. Made in some of her favorite places in Arizona, New Mexico and Canada, these images inspire a sense of the deep and quiet interaction between the beholder and the landscape, and the physical presence of earth, stone, tree and sky.

Limited to 2,000 slipcased copies, Opening features an accordion binding which creates two back-to-back panoramas each measuring some 11 feet long when fully spread out.

Publisher: Nazraeli Press

Size: 400 x 200 mm

56 pages, 28 duotone plates

Jungin Lee
A special edition of 25 copies featuring an exhibition quality original print handmade, numbered and signed by the artist, and presented with a copy of the book in a custom clamshell box.
£1,100.00

Picture of Good Goddamn
 (Signed)

2nd edition, October 2018

Publisher's Description

Good Goddamn is a short photobook about a man from rural Texas and his last few days of freedom before going to prison.

First edition limited to 750 copies.

Size: 9x12"

44 pages. 27 duotone reproductions on Mohawk Superfine uncoated paper.

Bound with carton staples.

15x20.25" foldout poster included. ISBN 978-0-692-94637-4.

Sample images

Bryan Schutmaat
Good Goddamn is a short photobook about a man from rural Texas and his last few days of freedom before going to prison.
£35.00

Picture of Self/Portrait Artists’ book (Signed and numbered
)

Publisher's Description

Teresa Eng spent time as an artist in resident in China in 2012 and 2015, observing the rapid development the cities and its surroundings.
In “Self/Portrait”, Teresa presents portraits of Chinese millenials that she approached in a shopping centre alongside one of their selfie from their mobile phone. The portraits, introspective by nature, are lit by the bright LED advertisements. In contrast, each subject’s selfie reveals details of their lives and interests as well as how they want to be seen. “Self/Portrait” speaks of individualisation in a transitioning capitalist society as well as the need to belong.
 
Signed and numbered



Size: 215mm x 265mm


36 pages plus 15 throwouts
, 69 colour images

Housed in a dichroic slipcase


Each with a 8 x 10″ lambda print (signed & numbered), certificate of authenticity and envelope

Teresa Eng
In “Self/Portrait”, Teresa presents portraits of Chinese millenials that she approached in a shopping centre alongside one of their selfie from their mobile phone.
£195.00

Picture of Homing In | B-sides Box Set (Signed)

Publisher's Description

We are happy to announce Todd Hido has produced his 2nd B-Sides Box Set. His new Box Set, Homing In, offers a new glimpse into Hido's highly prolific process and unveils unpublished House Hunting photographs, overlooked images of his muse Khrystyna, and even brand new work made this year from the original set of Twin Peaks.
 
50 individual cards, 47 photographs

Numbered edition of 2000

Size: 3-7/8 x 2-7/8 x 1-1/8" two-piece archival acrylic box

Todd Hido
3-7/8 x 2-7/8 inch cards in a two-piece archival acrylic box
£45.00

Picture of A Pink Flamingo

Edition of 750. Signed copies.

Travelling is the broadening of horizons in hope of betterment. In the story of American settlement this process is both physical and metaphorical. Settlers struck out in search of new horizons; visions of a landscape from which they hoped to enclose a new life. The Oregon Trail was one such journey.

Now the landscape is fenced, with the people in it, the terrain has been charted and limitless opportunity capped, but yearning remains. In a sense America has never stopped travelling west; whilst the pursuit of happiness leads toward an ever-receding goal, people wait for greener grass.

with essay by Dai George

104 pages
49 Colour Plates
22.86 cm x 27.94 cm
Embossed Hardcover
Designed by Stanley James Press


Jack Latham

Edition of 750. Signed copies.

Travelling is the broadening of horizons in hope of betterment. In the story of American settlement this process is both physical and metaphorical. Settlers struck out in search of new horizons; visions of a landscape from which they hoped to enclose a new life. The Oregon Trail was one such journey.

Now the landscape is fenced, with the people in it, the terrain has been charted and limitless opportunity capped, but yearning remains. In a sense America has never stopped travelling west; whilst the pursuit of happiness leads toward an ever-receding goal, people wait for greener grass.

with essay by Dai George

104 pages
49 Colour Plates
22.86 cm x 27.94 cm
Embossed Hardcover
Designed by Stanley James Press


£35.00

Picture of The Englishman and the Eel (Signed)

Publisher's Description

The Englishman and the Eel is a journey into that most London of institutions, the Eel, Pie and Mash shop. Today, these simple spaces hold within them the memories of a rich, largely undocumented cultural heritage of generations of working-class Londoners in a city whose only constant is change.

Stuart Freedman grew up in East London in the 1970s, then a byword for poverty now a metaphor for gentrification. The streets were navigated by pubs, rough, cheap cafés and Eel, Pie and Mash shops. Often elaborately decorated with ornate Victorian tiling, many sold live eels in metal trays that faced out onto the street to the fascination (and sometimes horror) of passersby. Inside, warmth and comfort. Steam. Tea. Laughter. Families.

Now few in number, the shops are havens for what the East End once was – but this is no rosy description of the Cockney – that music hall, heart-of-gold caricature but an affectionate and serious look at what that culture and its people have evolved into. The Englishman and the Eel is not an encyclopaedic record of every shop. Rather, a document of the most interesting and significant ones to make a book that is a tribute to a timeless institution. For Stuart Freedman the eel and its decline is a metaphor of the cultural change that has enveloped the East End. What remains is a tenacious and rare creature – endangered – but still surviving.

Publisher: Dewi Lewis

Size: 220mm x 165mm

224 pages, 80 colour plates

Stuart Freedman
The Englishman and the Eel is a journey into that most London of institutions, the Eel, Pie and Mash shop. Today, these simple spaces hold within them the memories of a rich, largely undocumented cultural heritage of generations of working-class Londoners in a city whose only constant is change.
£29.00

Picture of My Kingdom

Publisher's Description

My Kingdom by Catalan photographer Txema Salvans offers a sharp-witted insight into contemporary Spanish society, and a wry comment on the climate of power in the artist’s home country. Salvans splices together blackand-white photographs of ordinary citizens enjoying the Mediterranean coast, with citations from the political rhetoric of former King of Spain, Juan Carlos I (1975–2015). Drenched in authority and affect, his speech conveys a King playing the role of a good-natured sovereign, the tender ruler of a democratic monarchy.

In Salvans’ subversive combination of image and text, the language acts like a socio-political filter, through which the gestures and emotions of the beach-goers are seen – the hopes, the indolence, and the aggression of people parading their own small sovereignties: the freedom to nap, eat, sunbathe, play, love and suffer, and display their human uniqueness. Power, as something embodied and enacted, permeates the king’s speech and the interactions of ordinary Spaniards, on the beaches and residential development of ‘real’ Spain.

Accompanying My Kingdom is a booklet containing extracts of fervent speeches by political figures including Thatcher, Mussolini, Churchill and Chaplin the Dictator, all proclaiming the authoritarian power of the state over people.
 

Publisher: Mack Books

Size: 150 x 230 mm

104 pages

Txema Salvans
My Kingdom by Catalan photographer Txema Salvans offers a sharp-witted insight into contemporary Spanish society, and a wry comment on the climate of power in the artist’s home country.
£30.00

Picture of Merrie Albion: Landscape Studies of a Small Island (Signed)

Due to publish 16 November 2017

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher’s Description

Introduced by David Chandler 
With texts by A L Kennedy, Alex Vasudevan, Carol Ann Duffy, David Matless, Frank Cottrell-Boyce, Ian Jeffrey, Irenosen Okojie, Nikesh Shukla and Tristram Hunt

For over a decade, Simon Roberts has photographed events and places across Britain that have drawn people together in public, communal experiences. This has often been an implicit theme of his work, the apparent desire for common presence and participation and the need to share a sense of belonging, suggesting something distinctive about our national character and identity.

Whilst Roberts’s interests have often gravitated towards evolving patterns of leisure, and the consumption and commodification of history, he has also chosen to photograph events and places that have a more immediate, topical significance in the turning of Britain’s recent history, and which – summoning the sense of a national survey – collectively form a visual chronicle of the times in which we live.

Merrie Albion ranges across several of his projects from the last decade, projects that have explored not only our leisure landscape but also our social and political landscape. The book registers a distinct shift in approach, and tone, from his work in We English. Roberts has exchanged the element of discovery and revelation evident in his earlier travels through England, for a form of ‘reporting’, in which he responds to subjects and places that are already firmly positioned within the public consciousness – defining locations in our recent national story.

Recognised internationally as one of the UK’s leading photographers, Simon Roberts deals with our relationship to landscape and notions of identity and belonging. He examines contemporary economic, cultural and political landscapes, often through expansive tableaux photographs. Selected as the 2010 British Election Artist, he has exhibited widely with solo shows at National Media Museum in Bradford (UK), the Museo d'Arte Contemporanea di Roma (Italy), and the Multimedia Art Museum in Moscow (Russia) amongst others. His work is in major collections including George Eastman House, Deutsche Börse Collection and Wilson Centre for Photography. His previous books include Motherland (Chris Boot, 2007), We English (Chris Boot, 2009), and Pierdom (Dewi Lewis Publishing, 2013).

Merrie Albion is designed by Ben Weaver, and made possible thanks to the generous support of The Incite Project. www.inciteproject.com
An exhibition of Merrie Albion will launch at Flowers Gallery, London & New York in 2018.

Publisher: Dewi Lewis Publishing

Size: 340 x 283mm

152 pages, 66 colour plates

Simon Roberts
For over a decade, Simon Roberts has photographed events and places across Britain that have drawn people together in public, communal experiences. This has often been an implicit theme of his work, the apparent desire for common presence and participation and the need to share a sense of belonging, suggesting something distinctive about our national character and identity.
£45.00

Picture of Internat (Signed)

Publisher’s Description

At the end of a rutted road on the outskirts of Ternopil, surrounded by a wall as thick as the trees of the Petrykiv forest, lies a secluded estate. Seventy women, reportedly ill, none older than thirty-five, reside within its boundaries. When not occupied by daily chores, they play the roles of mother, daughter, queen, wolf, monster, and pixie.

The series was made in Ukraine at a Soviet-era orphanage designed to protect and provide shelter to girls marked as disabled. I actively collaborated with the residents, drawing ideas from fairy tales, and seeing where our joint aspirations led while passing time in the seclusion of the institution. Nature, real-life activities, and the thick walls surrounding the facility became vehicles for exploring questions about invisibility, creativity, and the construction of normal female behavior.

The artwork that opens and closes the book is made over the pages of a book about Taras Shevchenko, a 19th century Ukrainian artist, ethnographer, serf, peasant, poet and imprisoned political figure who is widely revered today. I invited the women to paint on the artwork made by Shevchenko and his male contemporaries, re-imaging the published pages of history. In doing so they became artists, creators, ethnographers, and designers themselves.

The images were made between 2014 and 2016, but my involvement with the women began years earlier when I was living in the region and first met and photographed them as children. I returned in 2014, expecting that the girls would have graduated out of the orphanage, but found most of them still living there.

Design by SYB. Lithography by Colour & Books. Printed by Wilco Art Books. Binding by Fopmawier Boekbinderij. 2017.

First Edition: 500 signed and numbered books with hand-colored spine.

Size: 170 x 240 mm

122 pages



Carolyn Drake
At the end of a rutted road on the outskirts of Ternopil, surrounded by a wall as thick as the trees of the Petrykiv forest, lies a secluded estate. Seventy women, reportedly ill, none older than thirty-five, reside within its boundaries. When not occupied by daily chores, they play the roles of mother, daughter, queen, wolf, monster, and pixie.
£70.00

Picture of Huangshan: The Yellow Mountain (Special Edition)

In stock. Quantity very limited.

Standard edition also available

Publisher’s Description

Signed and numbered edition of 100 copies, presented in a custom greyboard slipcase.

Huangshan, also known as The Yellow Mountain, is an exquisite one hundred and sixty-square mile mountain range in Anhui province in eastern China. The range is particularly known for its seventy-two uniquely-shaped granite peaks, the ubiquitous pine trees that literally grow right out of the rock faces, and the ever-changing configurations of flowing clouds as seen from above. Originally named Yishan (Yi Mountain), legend has it that the mountain was renamed after the Yellow Emperor (Huang Di) ascended to heaven there in 747 AD. Huangshan has been, and continues to be, the subject of numerous traditional Chinese paintings and literature, and was named a UNESCO World Heritage Site in 1990. Today, it is one of China’s most popular tourist attractions.

In 2007, Michael Kenna made his first pilgrimage to Huangshan, and three years later Nazraeli Press published a monograph of the photographs he made on this and subsequent visits. The first edition of Huangshan sold out quickly, so we are pleased to announce a new, expanded edition of the book published on the tenth anniversary of Kenna’s first visit to the site. Huangshan: The Yellow Mountain includes fourteen new, previously unpublished photographs as well as the original forty-six.

Sample images

Publisher: Nazraeli Press

Size: 290 x 216 mm

84 pages, 60 duotone plates





Michael Kenna
Signed and numbered edition of 100 copies, presented in a custom greyboard slipcase.
£125.00

Picture of Kaos (Signed)

Overseas deliveries  Please note that, as this is an extremely heavy item, overseas postage will be charged at three times our standard rates.

Publisher’s Description

What makes Albert Watson one of the world’s most revered photographers, hailed by peers, critics, and collectors alike? Is it his unparalleled portfolio of celebrity portraits? Breathtaking landscapes? Sensual nudes, still lifes, illustrious fashion shoots?

KAOS presents a kaleidoscopic overview of Watson’s career to date and the dazzling array of subjects, objects, people, and places he has encountered along the way. A skillfully curated survey of a uniquely diverse, dynamic portfolio, it spans nearly half a century of photography to encounter stars, statesmen, women, and strangers; bound through neon-blazing cities; find figures poised, gymnastic, or shimmering with nude eroticism; roam the bright lights and the backstreets; soak up extravagant sunsets; enter the controlled studio environment; and breathe in the elemental wilds of the photographer’s native Scotland.

From Watson’s breakthrough portrait of Alfred Hitchcock for the Christmas 1973 edition of Harper’s Bazaar to a 2016 shot of Kanye West, each photograph reverberates with tightly coiled power, tension, and poetry. Whether it’s a portrait of a Las Vegas dominatrix, Elvis’s gold suit, a chimpanzee, or a street scene in China, Watson excels in capturing the surface seamlessly and probing its myriad depths. Along the way, his celebrity portraiture, including the likes of David Bowie, Jay Z, Mick Jagger, Michael Jackson, Jack Nicholson, Steve Jobs, and Andy Warhol, shows a particular interest in the private person behind the iconic façade.

This remarkable collection is accompanied by an essay from the recently retired head of photographs at Christie’s, Philippe Garner, and extensive quotes from Watson, as well as dozens of previously unpublished Polaroids, culled from Watson’s personal archives. The result is a defining document of the “photographer’s photographer,” iridescent in its graphic, often cinematic allure, and irresistible in its eclectic glory.

Collector’s Edition of 1,000 copies (No. 201-1,200), each numbered and signed by Albert Watson.

Sample images

Publisher: Taschen

Size:372 x 500 mm

408 pages

Albert Watson
Collector’s Edition of 1,000 copies (No. 201-1,200), each numbered and signed by Albert Watson.
£1,150.00

Picture of 1212 Palms (Signed)

Signed copies

Publisher's Description

From the artist: “For many years now, my work has been concerned with offering an understanding of the American West as a palimpsest of cultural and natural histories. Dusk and Dog Houses may best be described as chapters of a much larger project entitled Message from the Exterior, while 1212 Palms is a complete work representing my long-term interest in place names and a conceptual approach to landscape photography. 1212 Palms is a set of nine black and white photographs of locations in the California deserts that were named for a certain number of palm trees. From Una Palma to Thousand Palms Oasis, the nine names add up to one thousand two hundred and twelve, although the number of trees depicted do not.” Mark Ruwedel was one of the featured artists for the Discovery Award at the 2011 Rencontres d’Arles photography festival.

RAM publishers

March 2010 / Hardcover

Size: 284 x 367 mm

Mark Ruwedel
"1212 Palms is a complete work representing my long-term interest in place names and a conceptual approach to landscape photography"
£60.00

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