Beyond Words
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Picture of Seaworks 1998-2013 (Luxury Edition)

Publisher's Description

Paul has for many years made studio works using material gathered from the landscape, stones, shells, and driftwood. In common with many people, always taking home treasures from the sea. For him, they act as an aide – memoir, bringing the landscape into the studio, a mere glimpse or touch recalling the feelings of being alone, being remote. Over many years Paul has been developing this project, this body of work, for the first time a full account of this ever developing art is being published in book form, Paul calls them Seaworks.

‘The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object.’
 Paul Kenny


30 available with two Jack Lowe printed A3 print of #80 edition & #30 edition – book and both prints embossed and signed. In limited edition slipcase.

Publisher: Triplekite

Size 270 x 345 mm

160 pages

Pail Kenny
30 available with two Jack Lowe printed A3 print of #80 edition & #30 edition – book and both prints embossed and signed. In limited edition slipcase.
£265.00

Picture of Seaworks 1998-2013 (Special Edition)

Publisher's Description

Paul has for many years made studio works using material gathered from the landscape, stones, shells, and driftwood. In common with many people, always taking home treasures from the sea. For him, they act as an aide – memoir, bringing the landscape into the studio, a mere glimpse or touch recalling the feelings of being alone, being remote. Over many years Paul has been developing this project, this body of work, for the first time a full account of this ever developing art is being published in book form, Paul calls them Seaworks.

‘The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object.’
 Paul Kenny


50 available with Jack Lowe printed A3 print of #80 edition – book and print embossed and signed. In limited edition slipcase.

Publisher: Triplekite

Size 270 x 345 mm

160 pages

Paul Kenny
50 available with Jack Lowe printed A3 print of #80 edition – book and print embossed and signed. In limited edition slipcase.
£160.00

Picture of Beyond Drifting (Signed)

Publisher's Description

Beyond Drifting: Imperfectly Known Animals encapsulates in miniature the much larger environmental problems of an imperfect world. This work presents a unique collection of plankton specimens related to the pioneering discoveries made by naturalist JV Thompson in Cork Harbour during the 1800s. These recently found specimens are deceptive, however, and mysteriously conceal their true origin.

Plankton form a diverse group of microscopic marine organisms that are unable to swim against powerful ocean currents; they exist in a drifting, floating state, enveloped in the black deep.

As fragile as they are, current scientific research shows that plankton ingest microplastic particles, mistaking them for food. Plankton are a crucial source of food for larger creatures up the food chain – compounding the grave impact of plastics on marine life and, ultimately, humans. Plastic debris is now ubiquitous in the Anthropocene, the period since humanity has had a significant impact on our global environment, and today nearly all living creatures are affected by its widespread contamination.

The plankton specimens in this work are beautifully photographed objects of marine plastic debris, recovered from the same location as naturalist John Vaughan Thompson’s plankton samples from 200 years ago. Long-exposure photographs record movements of recovered plastic objects floating in a black void, captured on expired film and with faulty cameras. Film grain is intentionally visible, alluding to microplastic particles being ingested. Each specimen has a new scientific name reflecting early Latin origins and containing the word ‘plastic’ hidden within its title.

Designed by Mandy Barker + Tiffany Jones

TRADE EDITION Hardcover, 104 pages, 23 x 17.5 cm portrait
Section-sewn binding with book ribbon; interior tip-in; dust jacket; hand finishes
59 colour photographs + illustrations throughout
Published 1 May 2017 

Mandy Barker

Publisher's Description

Beyond Drifting: Imperfectly Known Animals encapsulates in miniature the much larger environmental problems of an imperfect world. This work presents a unique collection of plankton specimens related to the pioneering discoveries made by naturalist JV Thompson in Cork Harbour during the 1800s. These recently found specimens are deceptive, however, and mysteriously conceal their true origin.

Plankton form a diverse group of microscopic marine organisms that are unable to swim against powerful ocean currents; they exist in a drifting, floating state, enveloped in the black deep.

As fragile as they are, current scientific research shows that plankton ingest microplastic particles, mistaking them for food. Plankton are a crucial source of food for larger creatures up the food chain – compounding the grave impact of plastics on marine life and, ultimately, humans. Plastic debris is now ubiquitous in the Anthropocene, the period since humanity has had a significant impact on our global environment, and today nearly all living creatures are affected by its widespread contamination.

The plankton specimens in this work are beautifully photographed objects of marine plastic debris, recovered from the same location as naturalist John Vaughan Thompson’s plankton samples from 200 years ago. Long-exposure photographs record movements of recovered plastic objects floating in a black void, captured on expired film and with faulty cameras. Film grain is intentionally visible, alluding to microplastic particles being ingested. Each specimen has a new scientific name reflecting early Latin origins and containing the word ‘plastic’ hidden within its title.

Designed by Mandy Barker + Tiffany Jones

TRADE EDITION Hardcover, 104 pages, 23 x 17.5 cm portrait
Section-sewn binding with book ribbon; interior tip-in; dust jacket; hand finishes
59 colour photographs + illustrations throughout
Published 1 May 2017 

£35.00

Picture of Abruzzo (Limited Signed and Numbered Edition)

Publisher's Description

Signed and numbered edition of 100 copies, presented in a custom clamshell box.

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. 

In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. As Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de Pompeis writes in the book’s introduction,  “Abruzzo’s heritage, together with its impressive natural scenery, brings to mind romantic connotations that have historically attracted many international landscape artists, particularly in the 19th century. Michael Kenna fits perfectly into this rich historical vein of celebrated landscape artists who have worked in Abruzzo. Kenna’s work often evokes the influences of Romanticism. In his photographs of historic rural landscapes, for example, there is an air of melancholy, which accompanies memories from the past. His images of ruins stir up feelings of passing time, of the constantly evolving  ties between history and nature.” 

Sample images

Publisher: Nazraeli Press

Size: 320 x 300mm

80 pages, 65 duotone plates

Michael Kenna
Signed and numbered edition of 100 copies, presented in a custom clamshell box.
£200.00

Picture of Indian Bingo (One Picture Book #53)

Publisher's Description

In 1983, as the inland basin of southern California was being subdivided by developers and filled in with new waves of residents, a sign at its outskirts appeared that was unusual both in meaning and appearance. The sign, “Indian Bingo,” came into view as you emerged from the basin traveling east through the San Gorgonio Pass into the Coachella Valley headed for Palm Springs. .

Publisher: Nazraeli Press

Size: 5 1/2 x 7 1/4"

16 pages, 4 duotone plates, 1 original print

Joe Deal
Includes print
£80.00

Picture of Nothing's in Vain

Publisher's Description

In 2011 Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. Nothing’s in Vain is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. Embracing the chaos of an unfamiliar world, the artist takes us on an exploratory journey through a metropolis in constant flux between construction and deconstruction. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.

Nothing’s in Vain is the winner of the MACK First Book Award 2017. The First Book Award 2017 is published with support from Wilson Centre for Photography, Kraszna-Krausz Foundation and optimal media.

British Journal of Photography Awards - Winner of the First Book Award 2017

Publisher: Mack

Size: 212 x 280 mm

112 pages, 54 colour plates, 20 duotone plates

Emmanuelle Andrianjafy
Nothing’s in Vain is the winner of the MACK First Book Award 2017. The First Book Award 2017 is published with support from Wilson Centre for Photography, Kraszna-Krausz Foundation and optimal media.
£18.00

Picture of Fortællinger / Stories (Signed)

Publisher's Description

Featuring 22 photographs from the series: Sabine (2000-2002), I, Tokyo (2006-2008), Bangkok Encounter (2007-2008) and Home (2009-2001) by Jacob Aue Sobol

All catalogues are signed by Jacob Aue Sobol

The catalogue is published in conjunction with the exhibition Fortællinger / Stories

Publisher: Kolofon / Colophone

Size: 180 x 120 mm

48 pages

Signed copy

Jacob Aue Sobol
Featuring 22 photographs from the series: Sabine (2000-2002), I, Tokyo (2006-2008), Bangkok Encounter (2007-2008) and Home (2009-2001) by Jacob Aue Sobol
£17.00

Picture of Edit Beijing (Limited Edition with Signed Print)

Publisher's Description

Design by Sybren Kuyper aka SYB. The book comes inside a simple slipcase.

Limited Edition of 500 copies + signed C Print

Guy Tillim
Design by Sybren Kuyper aka SYB. The book comes inside a simple slipcase.
£70.00

Picture of Think of Scotland (Limited Edition)

Publishing Sept 2017 - advance ordering recommended as only 50 copies available worldwide.

Publisher's Description

This stunning limited edition of 50 copies includes a print numbered and signed by Martin Parr. The image is entitled Gourock Lido, 2004 , and features the Gourock Outdoor Pool, which is a salt water public lido in Gourock, Renfrewshire, Scotland. It is the oldest heated swimming pool in Scotland. Ian Galt, the swimmer in the print of Gourock lido says about Martin Parr’s photograph: “It must have been a particularly wild night – there’d obviously just been a rainstorm. The colours work beautifully – that grey against that aquamarine – and the photograph captures something of our Scottish eccentricity: the storm clouds and the rain, and the eccentric local who decided to go swimming when no one else would.”

For over 25 years Martin Parr has been taking photographs in Scotland. From the streets of Glasgow, to an island agricultural show in Orkney, Parr has built a huge archive of photographs. This body of work is Parr’s largest archive that has remained unpublished and weaves together some of the expected visual iconography of Scotland such as highland games and stunning landscapes, but all given the Parr twist that makes the expected look so unfamiliar.

Publisher: Damiani

Martin Parr
This stunning limited edition of 50 copies includes a print numbered and signed by Martin Parr. The image is entitled Gourock Lido, 2004 , and features the Gourock Outdoor Pool. Publishing Sept 2017 - advance ordering recommended as only 50 copies available worldwide.
£400.00
£380.00

Picture of Tyre Choice (Signed)

Johansson's witty selection of photos of vehicle tyres, some in expected locations, some incongruous - exploring their accidental sculptural qualities

Publisher's Description

Tyre Choice [taɪə tʃɔɪs] is a term mostly used in the world of motor racing. To make the right tyre choice for the circumstances – at the right time – is essential for success. It can make the difference between winning and being lapped by the winner.

Choosing Tyres [chü-ziŋ tʃɔɪs] choosing the ‘right’ tyres. Different tyres can be right for different purposes. For instance, the American artist Robert Rauschenberg choose a high profile cross-ply tyre to fit around a goat in his installation “Monogram” from 1955–1959.

Getting Tyred [gä-tən tajɚd] having the tyres fitted by someone else. If “tire”, the American spelling of tyre, beware of misunderstanding.

Photographs made between 1962 and 2016 in Sweden, Mongolia, USA, Japan, Spain and Germany.

The extent of its special edition and the amount of images is an homage to the 107% rule, which indicates that twenty four cars can take the start of a Formula 1® race, and the fact that each driver was limited to twelve laps per qualifying session, traditionally before 1996.

Signed copies

Sample images

Publisher: Libraryman

Size: 245 x 305 mm

36 pages. 24 duotone plates.

First edition of 400 copies, numbered.

Duotone offset printed paperbound hardcover. Linen thread bound.

Authentic tip-in image on front cover with typography in white foil. Spine text in white foil and blind embossed illustration on back cover.

Gerry Johansson
First edition of 400 copies, numbered.
£40.00

Picture of Deep Springs (Signed)

Publisher's Description

Contis’s photographs capture the strange beauty of macro and microcosmic views in the high desert. The indistinguishableness of earth and body and the sensual echoes of human and animal give her works an Ovidian sense of imminent metamorphoses. - Lawrence Rinder

The images in Sam Contis's Deep Springs were made in a remote desert valley east of the Sierra Nevada. The work centres on a small, all-male liberal arts college, founded in 1917 by the educational pioneer L. L. Nunn.

The college and its surroundings provide a stage on which Contis explores the construction of myth, place, and masculine identity. Bringing together new photographs with pictures made by the first students at the college a century ago, Deep Springs engages with the enduring image of the American West––one that Hollywood, mass media, and the history of American photography have imprinted into the collective psyche.

Sam Contis (b.1982) lives and works in California. Her work is represented in the collections of LACMA and the Yale University Art Gallery, and has recently been exhibited at the Fotomuseum Antwerp, Gallery Luisotti in Los Angeles, and Klaus von Nichtssagend Gallery in New York. She holds an MFA from Yale University and a BFA from New York University. In 2017 she will have her first solo museum show at the Berkeley Art Museum. Deep Springs is her first book.

Signed copies

152 pages

24 cm x 28.8 cm

Sam Contis
The images in Sam Contis's Deep Springs were made in a remote desert valley east of the Sierra Nevada. The work centres on a small, all-male liberal arts college, founded in 1917 by the educational pioneer L. L. Nunn.
£35.00

Picture of Kochi Diary (Signed)

Publisher's Description

Kochi Diary is the 5th book in the City Diary Series by Peter Bialobrzeski.

"1st August 2016: The Wear Helmet, Get Petrol, Be Safe campaign starts today. That doesn’t mean, of course, that you’ll be refused petrol if you aren’t wearing protective gear. Instead you’ll be handed a campaign leaflet by the pump–operator. In the Kochi–Ernakulam area there have been 17,000 two wheeler accidents in the past three years, with more than 1,200 motorists dead. The Hindu states: “Besides poor road conditions, the presence of young brats with snazzy new super bikes ... is proving to be a major cause of concern.”

Peter Bialobrzeski is a world-renowned photographer and the recipient of several awards including the prestigious “World Press Photo Award” in 2003 and 2010. He is also the author of over ten photobooks, including “Neon Tigers”, “Heimat”, “Lost in Transition” and “Paradise Now”.

Publisher: Velvet Cell

Size: 140 x 210 mm

112 pages

Limited Edition of 50

[Signed Ed. of 50] Kochi Diary - Peter Bialobrzeski

Peter Bialobrzeski
Kochi Diary is the 5th book in the City Diary Series by Peter Bialobrzeski.
£25.00

Picture of Moment (Signed)

Publisher's Description

Moment, by Wolfgang Hildebrand, uses numerous photographs–taken at different times during day and night–to transform ordinary places into something between fiction and reality. Hildebrand is attracted to the constantly changing environments in cities, and this project explores the idea of the undefined moment or series of moments within a single frame.

Publisher: Velvet Cell

Size: 210 x 260 mm

64 pages

Limited Edition of 50

Wolfgang Hildebrand
Moment, by Wolfgang Hildebrand, uses numerous photographs–taken at different times during day and night–to transform ordinary places into something between fiction and reality.
£35.00

Picture of Tales from Beneath the Arches (Signed)

Publisher's Description

Tales from Beneath the Arches explores the transformation of ‘non-places’ created by the mass building of elevated highways and expressways in Taiwanese cities. This project examines how such spaces have been repurposed by people to suit their needs. It is in these spaces that we can see the interaction between people and the built environment in one of the densest urban landscapes in the world.

Publisher: Velvet Cell

Size: 210 x 260 mm

80 pages

Limited Edition of 500


Éanna de Fréine
Tales from Beneath the Arches explores the transformation of ‘non-places’ created by the mass building of elevated highways and expressways in Taiwanese cities.
£35.00

Picture of  Terra Nostra (Signed)

Publisher's Description

In Terra Nostra, Sicilian born photographer Mimi Mollica explores the effects of the Mafia on his homeland. He document the scars inflicted by Cosa nostra on both the physical and social landscape of the island as a result of a system strongly rooted in both fear and corruption.

Mollica began shooting Terra Nostra in 2009. For him the biggest challenge was to convey the legacy that Cosa nostra has imposed both on the Sicilian people and on the land itself, with its coastline blighted by illegal speculative building. Here is a system based on extortion and the corruption of public office, and an unsustainable economy overseen by the capitalist monopoly of the crime families. For Mollica there is an overwhelming sense of claustrophobia, and a lack of freedom that seems to permeate every aspect of Sicilian life.

Terra Nostra is introduced by the respected Sicilian judge, Roberto Scarpinato who, since 1989, has been involved in some of the most important trials against the Mafia. He has been under police protection for over twenty years.

Sean O’Hagan, photography critic at The Guardian and The Observer, also contributes an insightful text which looks at the context of Mollica’s work.

Introduction by Roberto Scarpinato
Afterword by Sean O'Hagan

Publisher: Dewi Lewis

Size: 235 x 170 mm

128 pages

Mimi Mollica
In Terra Nostra, Sicilian born photographer Mimi Mollica explores the effects of the Mafia on his homeland. He document the scars inflicted by Cosa nostra on both the physical and social landscape of the island as a result of a system strongly rooted in both fear and corruption.
£35.00

Picture of Belgravia (Limited Edition)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Artist's edition of Karen Knorr's Belgravia, which includes a 28x35cm signed and numbered print from the series, presented alongside a copy of the book, in an elegant bespoke clamshell case.

Of the photograph Knorr recalls "In Belgravia, there are two photographs of the same very charming subject, a deb’s delight. One is on the cover, and the other inside the book accompanying the quote on the back cover of the book. Both photographs were taken on the same afternoon in 1979. He was confident of his charms and definitely a perfect “dish” or debs to bag. He appears in the first photograph the cover: tall, handsome, rosy cheeked gazing lovingly at his own reflection (emulating his hero, Brian Ferry) he poses legs apart, in the hall way of his parent’s 1960’s penthouse flat. In the other photograph (offered as a special edition print), taken in the dining area, he lounges back in his black bow tie, white smoking jacket and tuxedo trousers, striped socks peek above his loafers. He is almost pouting as he sits foot resting on the classic Eames chair. The penthouse was the perfect stage. Apparently it had been originally designed for Elizabeth Taylor, while filming Cleopatra in London in 1963."

The edition is strictly limited to 30, and sold on a first come first served basis.

Publisher: Stanley Barker

Size: 280 x 350 mm

Karen Knorr
Artist's edition of Karen Knorr's Belgravia, which includes a 28x35cm signed and numbered print from the series, presented alongside a copy of the book, in an elegant bespoke clamshell case.
£360.00

Picture of Trad (Signed)

Signed copies of a limited edition from Libraryman of a new book by the great Swedish photographer Gunnar Smoliansky. A large-format publication with twenty-five beautiful reproductions of Smoliansky’s duotone photographs of trees. This is an edition of only 500 numbered copies.

Publisher's Description

“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”

 Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)

First edition of 500 copies, numbered.

Sample images

Publisher: Libraryman

Size: 300 x 360 mm

40 pages. 25 duotone plates.

Duotone offset printed clothbound hardcover. Linen thread bound.

Uncoated tip-in frame on front cover, with typography in gold foil and spine text in gold foil.

Gunnar Smoliansky
Gunnar Smoliansky’s studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity.
£85.00

Picture of London Ends (Signed)

Philipp Ebeling takes us on a fascinating trek through the hinterland of London, the result as he describes of a doughnut-shaped 250km walk through the undervalued areas between the city centre and the leafy suburbs. Though the scenes are more intimate, it is perhaps close in spirit to Simon Roberts’ We English. Signed copies.

Publisher's Descriptio

London’s ends aren’t on the edge, where the map shows the city ends or where the M25 ring road runs. London’s ends lie like a doughnut around the city centre. Too far from the inner city to feature in the story of London, not far enough out to be leafy suburb and commuter land. Via an epic 250 kilometer walk, the book explores a swathe of largely overlooked in-between land, ever present as soon as you travel out from the centre.

‘Coming to London from a small village in Germany, I was both overwhelmed and bewitched.’ he writes ‘I felt compelled to know every last corner of the place, to understand it as fully as I could. For years I crisscrossed the city on my bike, finding new routes to places, exploring new neighbourhoods, getting lost and soaking up every detail. One afternoon I returned to my home in Whitechapel during a freak snowstorm. I rushed into the house to get my camera and started to photograph the local market on my doorstep. These pictures of Whitechapel in the snow started a process of documenting the city.’

Eventually the places he had visited and photographed began to look on the map like a doughnut and Ebeling set out to join the dots with one long walk around the city, avoiding the centre. Leaving his home in Hackney and heading east, he circled London, arriving back ten days and 250km later.

Taking in the Chiselhurst Caves, plane-spotters at Heathrow Airport, Brimsdown and Tottenham, Ebeling photographed places that are normally overlooked in the story of the capital. Shifting from the industrial to the idyllic, day to night, from crowds to solitude, intimate interior to boundless landscape, these photographs depict both the rhythm and contrasts of life on the peripheries of the city. Linking them together, Ebeling presents the vast and varied expanses of the landscape of Outer London.

The photographs in this book were made both on the walk and on other explorations in the city.

They are accompanied by a diary of observations made on the walk itself.

Publisher: Fishbar

Size: 285 x 250 mm

96 pages, 54 colour images.

every book comes with a wrap around double sided poster 96 x 68 cms.

Edition of 1000


Philipp Ebeling
London’s ends aren’t on the edge, where the map shows the city ends or where the M25 ring road runs. London’s ends lie like a doughnut around the city centre. Too far from the inner city to feature in the story of London, not far enough out to be leafy suburb and commuter land. Via an epic 250 kilometer walk, the book explores a swathe of largely overlooked in-between land, ever present as soon as you travel out from the centre.
£35.00

Picture of The Story of Sam (Signed)

Dogs have featured large in Lyon’s life and photographic work.  The Story of Sam purports to be an autobiographical screenplay by his dog Sam. Signed copies.

Publisher's Description

Danny Lyon's newest work of fiction and photographs is a screen play written by an Australian Shepard named Sam. Beautifully illustrated with photographs of Sam and his two Brittany Spaniel companions, Nanook, and Lily, The Story of Sam is both heroic and heart breaking as Sam re-creates his life from his birth in the Hudson Valley, to "his favorite scene", the death scene, in a parking lot by a New Mexico highway. Sam is the first canine to be inducted into the American Academy of the Arts and Sciences. Inspired by Kafka's A Report to an Academy.

The Story of Sam contains a pencil notation printed on the back cover of each book.

Publisher: Bleak Beauty

87 pages, colour and black-and-white illustrations.

Danny Lyon
Danny Lyon's newest work of fiction and photographs is a screen play written by an Australian Shepard named Sam.
£35.00

Picture of Burn Zone (Signed)

Signed copies. Burn Zone  is a polemical piece in which Lyon tells the story of his return to New Mexico and the dramatic changes caused by the use of fossil fuels. It contains previously unpublished black and white images of New Mexico's 2011 Las Conchas fire and names fifty “climate criminals”.

Publisher's Description

Burn Zone, along with Story of Sam, is Danny Lyon's newest work. Burn Zone is a Cri de Coeur directed at the artist community and our youth asking them to join the fight to save planet Earth. Lyon tells the story of his return to New Mexico and the dramatic changes caused by the use of fossil fuels. Illustrated with new black and white images of New Mexico's 2011 Las Conchas fire, Burn Zone includes a list of fifty climate criminals, all of whom have received massive amounts of money from the fossil fuel industry.

Publisher: Bleak Beauty

53 pages, color and black-and-white illustrations.

Danny Lyon
Lyon tells the story of his return to New Mexico and the dramatic changes caused by the use of fossil fuels. Illustrated with new black and white images of New Mexico's 2011 Las Conchas fire, Burn Zone includes a list of fifty climate criminals, all of whom have received massive amounts of money from the fossil fuel industry.
£25.00

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