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Picture of  Terra Nostra (Signed)

Publisher's Description

In Terra Nostra, Sicilian born photographer Mimi Mollica explores the effects of the Mafia on his homeland. He document the scars inflicted by Cosa nostra on both the physical and social landscape of the island as a result of a system strongly rooted in both fear and corruption.

Mollica began shooting Terra Nostra in 2009. For him the biggest challenge was to convey the legacy that Cosa nostra has imposed both on the Sicilian people and on the land itself, with its coastline blighted by illegal speculative building. Here is a system based on extortion and the corruption of public office, and an unsustainable economy overseen by the capitalist monopoly of the crime families. For Mollica there is an overwhelming sense of claustrophobia, and a lack of freedom that seems to permeate every aspect of Sicilian life.

Terra Nostra is introduced by the respected Sicilian judge, Roberto Scarpinato who, since 1989, has been involved in some of the most important trials against the Mafia. He has been under police protection for over twenty years.

Sean O’Hagan, photography critic at The Guardian and The Observer, also contributes an insightful text which looks at the context of Mollica’s work.

Introduction by Roberto Scarpinato
Afterword by Sean O'Hagan

Publisher: Dewi Lewis

Size: 235 x 170 mm

128 pages

Mimi Mollica
In Terra Nostra, Sicilian born photographer Mimi Mollica explores the effects of the Mafia on his homeland. He document the scars inflicted by Cosa nostra on both the physical and social landscape of the island as a result of a system strongly rooted in both fear and corruption.
£35.00

Picture of Belgravia (Limited Edition)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Artist's edition of Karen Knorr's Belgravia, which includes a 28x35cm signed and numbered print from the series, presented alongside a copy of the book, in an elegant bespoke clamshell case.

Of the photograph Knorr recalls "In Belgravia, there are two photographs of the same very charming subject, a deb’s delight. One is on the cover, and the other inside the book accompanying the quote on the back cover of the book. Both photographs were taken on the same afternoon in 1979. He was confident of his charms and definitely a perfect “dish” or debs to bag. He appears in the first photograph the cover: tall, handsome, rosy cheeked gazing lovingly at his own reflection (emulating his hero, Brian Ferry) he poses legs apart, in the hall way of his parent’s 1960’s penthouse flat. In the other photograph (offered as a special edition print), taken in the dining area, he lounges back in his black bow tie, white smoking jacket and tuxedo trousers, striped socks peek above his loafers. He is almost pouting as he sits foot resting on the classic Eames chair. The penthouse was the perfect stage. Apparently it had been originally designed for Elizabeth Taylor, while filming Cleopatra in London in 1963."

The edition is strictly limited to 30, and sold on a first come first served basis.

Publisher: Stanley Barker

Size: 280 x 350 mm

Karen Knorr
Artist's edition of Karen Knorr's Belgravia, which includes a 28x35cm signed and numbered print from the series, presented alongside a copy of the book, in an elegant bespoke clamshell case.
£360.00

Picture of Trad (Signed)

Signed copies of a limited edition from Libraryman of a new book by the great Swedish photographer Gunnar Smoliansky. A large-format publication with twenty-five beautiful reproductions of Smoliansky’s duotone photographs of trees. This is an edition of only 500 numbered copies.

Publisher's Description

“Gunnar Smoliansky’s (b. 1933, Swedish) studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity. No, people appear to have left the scene. Smoliansky’s depictions of trees are a forestry ranger’s nightmare and at the same time far too vulnerable to please the zealous conservationist. These photographs are about a type of vegetation that may once have been both magnificent and dignified – what remains of growth is both frustrated and defiant. They are not romantic pictures of virgin woods. No, instead they are places that have been consigned to oblivion, pre- or post-profitability. Impediments. Languishing land. Windfallen tree trunks or soon to be windfallen trunks that are nothing but upright poles, trunks that have grown into each other. In these photos we are far from observing from perfect specimens, textbooks and the pleasure of inventing Latin names in the Linnaean spirit. They are mainly trees that remain standing by sheer dint of willpower, knots and twists. Like a neglected case of rheumatism. And yet: in the midst of this solitude, in the midst of this struggle, so difficult to grasp, there is a sense of community among the susceptible.”

 Excerpt from the preface written by writer and poet Gunnar D. Hansson (b. 1945, Swedish)

First edition of 500 copies, numbered.

Sample images

Publisher: Libraryman

Size: 300 x 360 mm

40 pages. 25 duotone plates.

Duotone offset printed clothbound hardcover. Linen thread bound.

Uncoated tip-in frame on front cover, with typography in gold foil and spine text in gold foil.

Gunnar Smoliansky
Gunnar Smoliansky’s studies of trees are social journalism in photographic form, although not from the human world in spite of their occasional traces of humanity.
£85.00

Picture of London Ends (Signed)

Philipp Ebeling takes us on a fascinating trek through the hinterland of London, the result as he describes of a doughnut-shaped 250km walk through the undervalued areas between the city centre and the leafy suburbs. Though the scenes are more intimate, it is perhaps close in spirit to Simon Roberts’ We English. Signed copies.

Publisher's Descriptio

London’s ends aren’t on the edge, where the map shows the city ends or where the M25 ring road runs. London’s ends lie like a doughnut around the city centre. Too far from the inner city to feature in the story of London, not far enough out to be leafy suburb and commuter land. Via an epic 250 kilometer walk, the book explores a swathe of largely overlooked in-between land, ever present as soon as you travel out from the centre.

‘Coming to London from a small village in Germany, I was both overwhelmed and bewitched.’ he writes ‘I felt compelled to know every last corner of the place, to understand it as fully as I could. For years I crisscrossed the city on my bike, finding new routes to places, exploring new neighbourhoods, getting lost and soaking up every detail. One afternoon I returned to my home in Whitechapel during a freak snowstorm. I rushed into the house to get my camera and started to photograph the local market on my doorstep. These pictures of Whitechapel in the snow started a process of documenting the city.’

Eventually the places he had visited and photographed began to look on the map like a doughnut and Ebeling set out to join the dots with one long walk around the city, avoiding the centre. Leaving his home in Hackney and heading east, he circled London, arriving back ten days and 250km later.

Taking in the Chiselhurst Caves, plane-spotters at Heathrow Airport, Brimsdown and Tottenham, Ebeling photographed places that are normally overlooked in the story of the capital. Shifting from the industrial to the idyllic, day to night, from crowds to solitude, intimate interior to boundless landscape, these photographs depict both the rhythm and contrasts of life on the peripheries of the city. Linking them together, Ebeling presents the vast and varied expanses of the landscape of Outer London.

The photographs in this book were made both on the walk and on other explorations in the city.

They are accompanied by a diary of observations made on the walk itself.

Publisher: Fishbar

Size: 285 x 250 mm

96 pages, 54 colour images.

every book comes with a wrap around double sided poster 96 x 68 cms.

Edition of 1000


Philipp Ebeling
London’s ends aren’t on the edge, where the map shows the city ends or where the M25 ring road runs. London’s ends lie like a doughnut around the city centre. Too far from the inner city to feature in the story of London, not far enough out to be leafy suburb and commuter land. Via an epic 250 kilometer walk, the book explores a swathe of largely overlooked in-between land, ever present as soon as you travel out from the centre.
£35.00

Picture of The Story of Sam (Signed)

Dogs have featured large in Lyon’s life and photographic work.  The Story of Sam purports to be an autobiographical screenplay by his dog Sam. Signed copies.

Publisher's Description

Danny Lyon's newest work of fiction and photographs is a screen play written by an Australian Shepard named Sam. Beautifully illustrated with photographs of Sam and his two Brittany Spaniel companions, Nanook, and Lily, The Story of Sam is both heroic and heart breaking as Sam re-creates his life from his birth in the Hudson Valley, to "his favorite scene", the death scene, in a parking lot by a New Mexico highway. Sam is the first canine to be inducted into the American Academy of the Arts and Sciences. Inspired by Kafka's A Report to an Academy.

The Story of Sam contains a pencil notation printed on the back cover of each book.

Publisher: Bleak Beauty

87 pages, colour and black-and-white illustrations.

Danny Lyon
Danny Lyon's newest work of fiction and photographs is a screen play written by an Australian Shepard named Sam.
£35.00

Picture of Burn Zone (Signed)

Signed copies. Burn Zone  is a polemical piece in which Lyon tells the story of his return to New Mexico and the dramatic changes caused by the use of fossil fuels. It contains previously unpublished black and white images of New Mexico's 2011 Las Conchas fire and names fifty “climate criminals”.

Publisher's Description

Burn Zone, along with Story of Sam, is Danny Lyon's newest work. Burn Zone is a Cri de Coeur directed at the artist community and our youth asking them to join the fight to save planet Earth. Lyon tells the story of his return to New Mexico and the dramatic changes caused by the use of fossil fuels. Illustrated with new black and white images of New Mexico's 2011 Las Conchas fire, Burn Zone includes a list of fifty climate criminals, all of whom have received massive amounts of money from the fossil fuel industry.

Publisher: Bleak Beauty

53 pages, color and black-and-white illustrations.

Danny Lyon
Lyon tells the story of his return to New Mexico and the dramatic changes caused by the use of fossil fuels. Illustrated with new black and white images of New Mexico's 2011 Las Conchas fire, Burn Zone includes a list of fifty climate criminals, all of whom have received massive amounts of money from the fossil fuel industry.
£25.00

Picture of Incoming (Signed)

In Infra and The Enclave, Irish photographer Richard Mosse used innovative techniques to depict the ongoing conflict in the Democratic Republic of Congo. This resulted in his being awarded the Deutsche Borse Photography Prize at the age of only 34. Now he has created a major video work on the subject of migration.

Publisher's Description

The major humanitarian and political issue of our time is migration and with his latest video work, Irish artist Richard Mosse has created a searing, haunting and unique artwork. Projected across three 8 meter wide screens, the film is accompanied by a loud dissonant soundtrack to create an overwhelming, immersive experience. Moving from footage of a live battle inside Syria, in which a US aircraft strafes Daesh positions on the ground, to a scene showing pathologists extracting DNA from the bones of unidentified corpses of refugees drowned off the Aegean island of Leros, the film opens a testimonial space of historical document – bearing witness to significant chapters in recent events – mediated through an advanced weapons-grade camera technology. Narratives of the journeys made by refugees and migrants across the Middle East, North Africa, and Europe, are captured using an extremely powerful thermal camera not generally available to the public. This super-telephoto military camera can perceive the human body beyond 50km day or night, reading the biological trace of human life. The camera translates the world into a heat signature of apparent temperature difference, producing a dazzling monochrome halo-image which alludes literally and metaphorically to hypothermia, climate change, weapons targeting, border surveillance, xenophobia, and the ‘bare life’ of stateless people.

The book version recreates the immersive nature of the film, combining still images from the entire sequence over nearly 600 pages to represent the harsh and compelling narrative in a full bleed layout.

Incoming was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost and was co-commissioned by Barbican Gallery and National Gallery of Victoria, Melbourne. The book is published alongside an installation of Mosse’s 3-screen video work in the Curve Gallery of the Barbican Art Gallery. 

Richard Mosse was born in 1980 in Ireland. He earned an MFA in Photography from Yale University, a PG Dip in Fine Art from Goldsmiths, London, an MRes in Cultural Studies from the London Consortium, and a first class BA in English Literature from King’s College London. Mosse represented Ireland at the 55th Venice Biennale with The Enclave, for which he was awarded the Deutsche Borse Photography Prize (2014). He is also a recipient of a Guggenheim Fellowship, a Leonore Annenberg Fellowship, the B3 Award from the Frankfurt Biennale, Yale’s Poynter Fellowship in Journalism, an ECAS Commission, a Pulitzer Center on Crisis Reporting publication grant, the Perspective Award, a Visual Arts Bursary from the Irish Arts Council, a Culture Ireland facilitation grant, the Künstlerhaus Bethanien Residency, and a residency at the International Artists Workshop in Ramallah. A body of works related to the video piece and titled Heat Maps has been shortlisted for the 2017 Prix Pictet. Mosse has exhibited widely. The list of museums that have shown his work include Louisiana Museum of Contemporary Art, the Nasher Museum, MIT, MCA, MoCP, Montreal Museum of Fine arts, Irish Museum of Modern Art, Portland Art Museum, Kunsthalle Munich, Nelson Atkins Museum of Art, Palazzo Strozzi, Reykjavik Art Museum, Bass Museum, the Kemper, FOAM, the Photographers Gallery, Akademie der Künst Berlin, National Gallery of Victoria, and the University of New South Wales. He lives in New York City.

OTA-bound paperback with metallic silkscreen cover image and black painted edges.

Metallic tritone printing throughout.

Texts by Giorgio Agamben and Richard Mosse.

576 pages, 280 tritone plates

17.5 cm x 19.7 cm             

Richard Mosse

In Infra and The Enclave, Irish photographer Richard Mosse used innovative techniques to depict the ongoing conflict in the Democratic Republic of Congo. This resulted in his being awarded the Deutsche Borse Photography Prize at the age of only 34. Now he has created a major video work on the subject of migration.

Publisher's Description

The major humanitarian and political issue of our time is migration and with his latest video work, Irish artist Richard Mosse has created a searing, haunting and unique artwork. Projected across three 8 meter wide screens, the film is accompanied by a loud dissonant soundtrack to create an overwhelming, immersive experience. Moving from footage of a live battle inside Syria, in which a US aircraft strafes Daesh positions on the ground, to a scene showing pathologists extracting DNA from the bones of unidentified corpses of refugees drowned off the Aegean island of Leros, the film opens a testimonial space of historical document – bearing witness to significant chapters in recent events – mediated through an advanced weapons-grade camera technology. Narratives of the journeys made by refugees and migrants across the Middle East, North Africa, and Europe, are captured using an extremely powerful thermal camera not generally available to the public. This super-telephoto military camera can perceive the human body beyond 50km day or night, reading the biological trace of human life. The camera translates the world into a heat signature of apparent temperature difference, producing a dazzling monochrome halo-image which alludes literally and metaphorically to hypothermia, climate change, weapons targeting, border surveillance, xenophobia, and the ‘bare life’ of stateless people.

The book version recreates the immersive nature of the film, combining still images from the entire sequence over nearly 600 pages to represent the harsh and compelling narrative in a full bleed layout.

Incoming was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost and was co-commissioned by Barbican Gallery and National Gallery of Victoria, Melbourne. The book is published alongside an installation of Mosse’s 3-screen video work in the Curve Gallery of the Barbican Art Gallery. 

Richard Mosse was born in 1980 in Ireland. He earned an MFA in Photography from Yale University, a PG Dip in Fine Art from Goldsmiths, London, an MRes in Cultural Studies from the London Consortium, and a first class BA in English Literature from King’s College London. Mosse represented Ireland at the 55th Venice Biennale with The Enclave, for which he was awarded the Deutsche Borse Photography Prize (2014). He is also a recipient of a Guggenheim Fellowship, a Leonore Annenberg Fellowship, the B3 Award from the Frankfurt Biennale, Yale’s Poynter Fellowship in Journalism, an ECAS Commission, a Pulitzer Center on Crisis Reporting publication grant, the Perspective Award, a Visual Arts Bursary from the Irish Arts Council, a Culture Ireland facilitation grant, the Künstlerhaus Bethanien Residency, and a residency at the International Artists Workshop in Ramallah. A body of works related to the video piece and titled Heat Maps has been shortlisted for the 2017 Prix Pictet. Mosse has exhibited widely. The list of museums that have shown his work include Louisiana Museum of Contemporary Art, the Nasher Museum, MIT, MCA, MoCP, Montreal Museum of Fine arts, Irish Museum of Modern Art, Portland Art Museum, Kunsthalle Munich, Nelson Atkins Museum of Art, Palazzo Strozzi, Reykjavik Art Museum, Bass Museum, the Kemper, FOAM, the Photographers Gallery, Akademie der Künst Berlin, National Gallery of Victoria, and the University of New South Wales. He lives in New York City.

OTA-bound paperback with metallic silkscreen cover image and black painted edges.

Metallic tritone printing throughout.

Texts by Giorgio Agamben and Richard Mosse.

576 pages, 280 tritone plates

17.5 cm x 19.7 cm             

£35.00

Picture of Summer in South Georgia (Signed)

Publisher's Description

A stunning photographic review of the unique landscape, wildlife and architecture of the remote sub-Antartic island of South Georgia.

Aberfeldy photographer Jamie Grant spent 50 days on the island capturing its unique landscape and architecture as chosen artist in residence for the South Georgia Heritage Trust (SGHT).

Jamie was the first photographer to be chosen as artist in residence by SGHT. While on location, he captured a rich selection of wildlife, landscape and architecture imagery to compile into a coffee table-style book.

South Georgia’s location between southern, cold Antarctic waters and warmer currents to the north make it a haven for wildlife. There are abundant bird populations, including albatrosses and King Penguins while huge breeding populations of seals occupy the beaches in the southern months and whales are increasingly spotted off the headlands. The island’s natural history is matched by a fascinating human heritage.

Numbered edition of 600 copies.

Sample images

Jamie Grant
A stunning photographic review of the unique landscape, wildlife and architecture of the remote sub-Antartic island of South Georgia.
£18.00

Picture of Road of Bones (Signed)

Publisher's Description

From the road in Siberia, Road of Bones is Jacob Aue Sobol's newest series - presented in catalog format.

Size: 297 x 396 mm

40 pages, 26 tritone images

Sample images

ROAD OF BONES from Sobol Studio on Vimeo.

Jacob Aue Sobol
From the road in Siberia, Road of Bones is Jacob Aue Sobol's newest series
£29.00

Picture of 3DPRK (Signed)

Publisher's Description

3D portraits from North Korean in 2014, by Beijing based Slovenian photographer Matjaz Tancic collaborate with Koryo Studio.

Publisher: Jiazazhi Press

Size:195 × 155 mm

64 Pages, Hardcover with silk-screen printing

with 3D glasses, 64 pieces of 3D cards, 5 pieces of 3D postcards and introduction booklet inside

First edition of 1000

Signed copies

Matjaž Tančič
3D portraits from North Korean in 2014, by Beijing based Slovenian photographer Matjaz Tancic collaborate with Koryo Studio.
£40.00

Picture of Flat Noodle Soup Talk (Limited Edition) (Signed)

The great South African photographer's first major project beyond his own continent: portraits, nudes - and food - in contemporary Beijing

Publisher's Description

Limited edition of 500 copies, the small gem is 220 x 170 mm , printing in Italy by the best definetely printer in italy, UV varnishon top of the pictures, Hot Foil in the cover with debossing.

Signed copies

Sample images

Publisher: Editions Bessard

Size: 220 170 mm

Pieter Hugo
Limited edition of 500 copies
£50.00

Picture of Paris 11-15th November, 2015 (Signed)

Publisher's Description

During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.

Paul Graham was born in 1956 in Stafford, England. He is has been the recipient of numerous awards and fellowships including the Deutsche Börse Photography Prize, a Guggenheim Fellowship, the Hasselblad Award and the Paris Photo-Aperture Foundation Photo Book Awards prize for best photographic book of the past 15 years. His publications include The Whiteness of the Whale (MACK, 2015), Does Yellow Run Forever? (MACK, 2014), The Present (MACK, 2012), 1981 & 2011 (MACK, 2012), a shimmer of possibility (MACK, 2007), Films (MACK, 2011), American Night (MACK, 2003) and End of an Age (Scalo, 1999). He has exhibited at Tate Gallery, MoMA, Whitney Museum of American Art, Deichtorhallen and Fotomuseum Winterthur amongst many others.

Signed copies

Sample images

Publisher: MACK

Size: 180 x 260 mm

88 pages, 30 colour plates

Paul Graham
During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series
£25.00

Picture of DTLFTSOTE (Signed)

Publisher's Description

Destroying the Laboratory for the Sake of the Experiment

Beginning in 2006 and continuing (when time allowed) over the next four years, the poet Daniel Cockrill and I made several road trips across England, stopping at a range of towns and cities along the way. We were trying to better understand the rise of nationalism then (as now) evident in the UK, as well as notions of Englishness, concepts much discussed in the media at the time.

In a true collaboration, in that we always travelled together and experienced much the same things, Dan would write poems and I would photograph. As time progressed we witnessed our country slide into recession and the government introduce austerity measures, although little seemed to alter in the fabric of the landscape. What we did notice was something more abstract, more of a state of mind among the population as many began to blame others - and immigration in particular - for perceived misfortunes. Dan attempted to catch something of this mood in his poetry while I continued to photograph the backdrop against which the story unfolded.

Although we concluded the work in 2010 with an exhibition in London (when we collaborated with the sculptor Jim Wilson and, in particular, the designer Dominic Brookman, who created several ‘treatments’ of poems and pictures) it was not until now that we’ve chosen to self-publish the book. Looking at the work now, with the benefit of hindsight, it’s possible to sense the changing mood in the country, of which last month’s BREXIT vote was perhaps the sad but inevitable conclusion.

Designed by Dominic Brookman / Kenosha Design

Sample images


Publishee: Globtik Books

Size: 250 x 160 mm

228 pages (Numerous colour photographs, 16 poems, illustrations, foldouts, die-cut pages, etc)

Edition: 1500, signed by Mark Power

ISBN: 978–0–9930830–1–3

Mark Power
Beginning in 2006 and continuing (when time allowed) over the next four years, the poet Daniel Cockrill and I made several road trips across England, stopping at a range of towns and cities along the way.
£30.00

Picture of Adventures in the Lea Valley

Publisher's Description

Before the arrival of the 2012 Olympic Games, the Lea Valley was East London's secret retreat. Polly Braden and David Campany documented its strange, gently surreal beauty, before it was transformed forever.

Book 12 from the series 'East London Photo Stories' + PRINT

A fully cloth-covered Collector's Edition of Adventures in the Lea Valley by Polly Braden and David Campany, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 150 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Polly Braden is renowned for her naturalistic photographs of human relationships and has previously published two books: China Between (2011) and Great Interactions: Life With Learning Disabilities and Autism (2016). She works on long term self-initiated projects as well as commissions for international publications.

David Campany writes, curated exhibitions and makes images. His many books include A Handful of Dust (2015), The Open Road: photography and the American Road Trip (2014). David is a recipient of the ICP Infinity Award and the Kraszna-Krauz Award.

Publisher: Hoxton Mini Press

Polly Braden and David Campany
Book 12 from the series 'East London Photo Stories' + PRINT
£45.00

Picture of Message from the Exterior - Special edition

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Message from the Exterior explores the ruins and remains of failed attempts to live in the desert’s harsh environments, depicting abandoned houses – small, often eccentric huts, both humorous and a little forlorn. Ruwedel examines the desert regions east of Los Angeles as a palimpsest of cultural and natural histories, presenting an inventory of a particular, and poignant, form of vernacular architecture; each structure might be read as a clue to the lives of anonymous individuals, and the impulse to create a home in the wilderness, however transitory. The first section, 'Desert Houses', comprises 68 desert structures, while the second section, ‘Dusk’, presents houses photographed after the sun had disappeared over the horizon, now rendered in subdued, dusky tones that suggest both present and absence, and the weight of isolation.

Mark Ruwedel (b. 1954) lives and works in California. He has exhibited and published internationally for over thirty years, and his work is represented in museums throughout the world: Tate Modern; the J. Paul Getty Museum; LACMA; The Met, New York; National Gallery of Australia, National Gallery of Canada; SF MoMA; and the National Gallery of Art, Washington, amongst others. Previous works include Westward the Course of Empire (Yale University Art Gallery, 2008); 1212 Palms (Yale University Art Gallery, 2010) and Pictures of Hell (RAM Pubs, Los Angeles, 2014). In 2014 he was the recipient of both a Guggenheim Fellowship and the Scotiabank Photography Award.

Limited edition of 150 copies

Two hardback volumes, each with a tipped in image and each signed and numbered.

Housed together in an embossed slipcase, and including a signed and numbered gravure print.

Publisher: Mack

Size: 250 x 300 mm

Volume 1: 120 pages, 73 tritone plates
Volume 2: 56 pages, 26 tritone plates

Mark Ruwedel
Limited edition of 150 copies
£250.00

Picture of People of London

Publisher's Description

This is book 1 from a new series dedicated to the best urban photography from around the world. The books are similar to our grey-spined series but 20% bigger with cloth wrapped around the back. Even better!

Motivated by a love of London and its people, Peter Zelewski spent over five years taking photographs of strangers throughout the city. This collection of 100 powerful portraits, accompanied by intimate quotes, is a celebration of the diversity and spirit of one of the world's most dynamic cities.

A fully cloth-covered Collector's Edition of People of London by Peter Zelewski presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 100 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Book 1 from the series 'Tales from the City' + PRINT

Publisher: Hoxton Mini Press

Size: 160 x 228 mm

Peter Zelewski
A fully cloth-covered Collector's Edition of People of London by Peter Zelewski presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.
£67.50

Picture of Timeless (Collector's Edition - Signed with Platinum Print)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

The Timeless Collector Edition, limited to an edition of 50 copies plus 5 Artist Proofs, includes a signed and numbered copy of the monograph "Timeless" and a Limited Edition handmade Platinum-Palladium print of "City Tree".

Both the book and the Platinum print are enclosed in a deluxe coffret designed by the artist himself, lined in numbered and signed by the artist.

The original Platinum-Palladium print has been handmade, signed, and numbered by Rafael Rojas, master printer of this exquisite and artisanal photographic process. Every single Platinum Print is unique due to its artisanal character. This edition offers the possibility to own one of Rafael Rojas' Platinum Prints of 40x40 cm for a very advantageous price.

“Timeless” is an exclusive monograph of fine art photography in black and white of the city of Venice, by fine artist Rafael Rojas, Master Hasselblad 2014 photographer. 

The photographic plates contained in the book tackle the subject matter from an artistic and strongly personal point of view, with the aim of transcending a merely documentary photographic approach to Venice. The photographs, frequently focused on intimate details, lesser-known areas of the city and very personal interpretations of better-known locales, are subtle, sometimes minimalistic, highly atmospheric and filled with a sense of silence, calm and timeless character.

In this art book, the city of Venice becomes a visual metaphor for the duality of time. On one hand, there is a timeless character which seems to reign over the entire place. Due to the lack of references and its uniqueness, Venice seems to be an architectural mirage that defies the conventions of reality and seems to have been there since the origins of this world. On the other hand, Venice is the perfect metaphor for the passing of time, for change, for decay, for the ephemeral existence of a banal world anchored to reality.

Publisher: Platinum Press Editions

Size: 300 x 300 mm

108 pages, 64 photographic plates


Hard bound in Venetian Red FinenLinen

Stamped with title and author name on cover and spine

Tipped-in image "Gates of Venice" of 10x10 cm on cover

Signed by the artist Rafael Rojas

Foreword by Toto Bergamo Rossi

Paper matte PhoenixMotion Xantur 170 gsm

Museum-quality tritone printing in Italy

Publisher: Platinum Press Editions

Size: 300 x 300 mm

108 pages, 64 photographic plates


Stamped with title and author name on cover and spine

Tipped-in image "Gates of Venice" of 10x10 cm on cover

Book Signed by the artist Rafael Rojas

Foreword by Toto Bergamo Rossi

Paper matte PhoenixMotion Xantur 170 gsm

Museum-quality tritone printing in Italy

High resolution printing at 254 lpi


Platinum Print Details:

Original Platinum-Palladium print of the photograph "City Tree"

Print handmade, signed, titled and numbered by Rafael Rojas

Paper size 40x40 cm - Bergger Cot 320

Image size: 30x30 cm

Limited to an Edition of 50

Enclosed in black portfolio, stamped with title and author name

Every print is unique, due to the handmade nature of the process

Coffret Box designed by Rafael Rojas

Size 43x43 cm

Bound in Venetian red FinenLinen (lid) and black (back and interior of the box)

Labelled with Certificate of Authenticity, signed and numbered by the artist

Black clothing of protection with red seams

Rafael Rojas
This edition includes the "Timeless" monograph signed by the artist Rafael Rojas. The book is contained in a beautifully made black slipcase in Finenlinen textured paper, stamped with the title and author name.
£960.00

Picture of Timeless (Classic Edition - Signed with Print)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

This edition includes the "Timeless" monograph signed by the artist Rafael Rojas and an original Fine Print of "Gates of Venice", titled and signed by the artist Rafael Rojas. This edition offers the possibility to own one of Rafael Rojas' original fine prints for a very advantageous price.

The book is contained in a beautifully made black slipcase in Finenlinen textured paper, stamped with the title and author name.

“Timeless” is an exclusive monograph of fine art photography in black and white of the city of Venice, by fine artist Rafael Rojas, Master Hasselblad 2014 photographer. 

The photographic plates contained in the book tackle the subject matter from an artistic and strongly personal point of view, with the aim of transcending a merely documentary photographic approach to Venice. The photographs, frequently focused on intimate details, lesser-known areas of the city and very personal interpretations of better-known locales, are subtle, sometimes minimalistic, highly atmospheric and filled with a sense of silence, calm and timeless character.

In this art book, the city of Venice becomes a visual metaphor for the duality of time. On one hand, there is a timeless character which seems to reign over the entire place. Due to the lack of references and its uniqueness, Venice seems to be an architectural mirage that defies the conventions of reality and seems to have been there since the origins of this world. On the other hand, Venice is the perfect metaphor for the passing of time, for change, for decay, for the ephemeral existence of a banal world anchored to reality.

Publisher: Platinum Press Editions

Size: 300 x 300 mm

108 pages, 64 photographic plates


Hard bound in Venetian Red FinenLinen

Stamped with title and author name on cover and spine

Tipped-in image "Gates of Venice" of 10x10 cm on cover

Signed by the artist Rafael Rojas

Foreword by Toto Bergamo Rossi

Paper matte PhoenixMotion Xantur 170 gsm

Museum-quality tritone printing in Italy

Publisher: Platinum Press Editions

Size: 300 x 300 mm

108 pages, 64 photographic plates


Hard bound in Venetian Red FinenLinen

Stamped with title and author name on cover and spine

Tipped-in image "Gates of Venice" of 10x10 cm on cover

Book Signed by the artist Rafael Rojas

Foreword by Toto Bergamo Rossi

Paper matte PhoenixMotion Xantur 170 gsm

Museum-quality tritone printing in Italy

High resolution printing at 254 lpi


Fine Print Details:

Original fine print "Gates of Venice"

Print made by Rafael Rojas

Archival pigments on Hahnemühle Photo Rag 308 grsm

Fine print titled and signed by Rafael Rojas

Size 30x30 cm - image size 23x23 cm

Comes in plastic sleeve - ready to be matted and framed

Rafael Rojas
This edition includes the "Timeless" monograph signed by the artist Rafael Rojas. The book is contained in a beautifully made black slipcase in Finenlinen textured paper, stamped with the title and author name.
£225.00

Picture of Timeless (Standard Edition - SIgned)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

This edition includes the "Timeless" monograph signed by the artist Rafael Rojas. The book is contained in a beautifully made black slipcase in Finenlinen textured paper, stamped with the title and author name.

“Timeless” is an exclusive monograph of fine art photography in black and white of the city of Venice, by fine artist Rafael Rojas, Master Hasselblad 2014 photographer. 

The photographic plates contained in the book tackle the subject matter from an artistic and strongly personal point of view, with the aim of transcending a merely documentary photographic approach to Venice. The photographs, frequently focused on intimate details, lesser-known areas of the city and very personal interpretations of better-known locales, are subtle, sometimes minimalistic, highly atmospheric and filled with a sense of silence, calm and timeless character.

In this art book, the city of Venice becomes a visual metaphor for the duality of time. On one hand, there is a timeless character which seems to reign over the entire place. Due to the lack of references and its uniqueness, Venice seems to be an architectural mirage that defies the conventions of reality and seems to have been there since the origins of this world. On the other hand, Venice is the perfect metaphor for the passing of time, for change, for decay, for the ephemeral existence of a banal world anchored to reality.

Publisher: Platinum Press Editions

Size: 300 x 300 mm

108 pages, 64 photographic plates


Hard bound in Venetian Red FinenLinen

Stamped with title and author name on cover and spine

Tipped-in image "Gates of Venice" of 10x10 cm on cover

Signed by the artist Rafael Rojas

Foreword by Toto Bergamo Rossi

Paper matte PhoenixMotion Xantur 170 gsm

Museum-quality tritone printing in Italy

Rafael Rojas
This edition includes the "Timeless" monograph signed by the artist Rafael Rojas. The book is contained in a beautifully made black slipcase in Finenlinen textured paper, stamped with the title and author name.
£130.00

Picture of Along the Hackney Canal (Collector's Edition)

Publisher's Description

Book 11 from the series 'East London Photo Stories' + PRINT

Freya Najade's photographs take us on a slow journey along the waterways of East London; from the Regent's Canal to the River Lea, discovering unexpected beauty and wilderness in the heart of the city.

A fully cloth-covered Collector's Edition of Along the Hackney Canal by Freya Najade presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 150 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Sample images

Publisher: Hoxton Mini Press

Size: 145 x 205mm

96 pages

Freya Najade
Book 11 from the series 'East London Photo Stories' + PRINT
£45.00

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