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Picture of Chicxulub

Signed copies

Publisher's Description

Chicxulub (2016) is a depiction of the area around the Chicxulub crater in Mexico. The crater, created millions of years ago by an asteroid impact, is strongly implicated in the mass extinction of the dinosaurs. The images deal with how the downfall of one world can give rise to and sustain a new one. Flora and fauna intermingle with images of ruined Mayan cities and failed hotel construction projects.

Size: 210 × 280 mm

48 pages, 28 duotone images

Self-published

Marten Lange
Chicxulub (2016) is a depiction of the area around the Chicxulub crater in Mexico
£30.00

Picture of Sunday Football (Collector's Edition with print)

Publisher's Description

This is a love letter to Sunday League Football. The photographs and quotes, captured on Hackney Marshes, reveal the comradery, passion and broken bones of those that brave hangovers to play the beautiful (and very muddy) game.

Book 10 from the series 'East London Photo Stories' + PRINT

A fully cloth-covered Collector's Edition of Sunday Football by Chris Baker presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 150 copies.

Publisher: Hoxton Mini Press

Size: 145 x 205mm

128 page, includes pull-out poster

Chris Baker
A fully cloth-covered Collector's Edition of Sunday Football by Chris Baker presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.
£45.00

Picture of Hand Jobs: Life as a Hand Model (Collector's Edition)

Publisher's Description

Collector's Edition of Hand Jobs: Life as a Hand Model. Limited to 150 copies. Includes a signed and numbered limited edition print.  

They moisturise 30 times a day. They know 200 different ways to pick up a Lego brick. They can method act with a Ferrero Rocher. They’re the only people who get paid as much for cleaning a toilet as they do for modelling a diamond. These hand models are the stars of the biggest advertising campaigns around but you’ve never seen their faces…until now. Hand Jobs: Life as a Hand Model offers 24 revealing portraits, 24 hilarious quotes and 24 ways to peel a banana.

This is Book 3 in a series that celebrates the best in colourful, modern photography.
Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press,

Size: 179 x 141mm

88 pages

Oli Kellett and Alex Holder
hese hand models are the stars of the biggest advertising campaigns around but you’ve never seen their faces…until now. Hand Jobs: Life as a Hand Model offers 24 revealing portraits, 24 hilarious quotes and 24 ways to peel a banana.
£27.00

Picture of Badly Repaired Cars (Collector's Edition)

Publisher's Description

Collector's Edition of Badly Repaired Cars by Ronni Campana, limited to 150 copies. Includes a signed and numbered limited edition print.  
Badly Repaired Cars is a bright, bold and humorous documentation of some of the best (or worst) examples of DIY car repairs. Close up photographs of cars held together by tape, plastic and glue fill each frame and begin to take on the qualities of abstract art. A strip of duct tape across a broken headlight becomes powerfully graphic in form; green plastic hanging from a door divides the frame like a Rothko colour wash.
This is Book 2 in a series that celebrates the best in colourful, modern photography.
Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press

Ronni Campana
Badly Repaired Cars is a bright, bold and humorous documentation of some of the best (or worst) examples of DIY car repairs.
£27.00

Picture of DEADLINE Volume 2 (Signed)

Publisher's Description

In the highly anticipated second installment of the Deadline publications Will Steacy tells the story of an industry in crisis and a family legacy cut short. Steacy’s latest book reveals the harsh realities facing the newspaper industry today in a behind-the-scenes look at one newsroom’s grit and determination to get the news out despite shrinking advertising revenue, falling circulation, lay-offs, buy-outs, and bankruptcy. In his follow up to the critically acclaimed Deadline newspaper, this 190-page book features Steacy’s photographs of The Inquirer newsroom and printing plant, historical material from The Inquirer's archive and his own family's five-generation newsman history. The accompanying essay by former Inquirer executive editor Gene Roberts, whose leadership won the paper 17 Pulitzer Prizes, explains how corporate media consolidation and the shift from newsroom expansion to budget cutting in an effort to maximize shareholder value were the first dominos in the newspaper industry’s subsequent downfall. Deadline not only provides us an open window into the realities of an industry in crisis, but also explains how and why we got here. Steacy’s in-depth examination of the downfall of the media is particularly relevant in an election year in which the consequences of the de-newspaperization of America are on full display as facts and accountability have been trumped by voters' political ideology.

Sample images

Publisher: Frank Books

Size: 240 x 305 mm

192 pages, 279 photographs, reproductions & archival documents

Will Steacy
In the highly anticipated second installment of the Deadline publications Will Steacy tells the story of an industry in crisis and a family legacy cut short.
£42.00

Picture of À la carte_B (Signed)

Publisher's Description

The printing show “À la carte” took place in February as part of the current “DAIDO TOKYO” exhibition at the Fondation Cartier in Paris.
We have received numerous inquiries regarding the product’s availability since the show, and we are happy to inform you that the Daido Moriyama Photo Foundation has provided a limited number of copies in response to public request. The book will be offered as a hand-signed AP edition from the artist’s own possession. However, please understand that it may sell out quickly, as the number of available copies is very limited.

Publisher: Fondation Cartier in Paris.

A4 variant format

Cover silkscreen printed

Daido Moriyama

Publisher's Description

The printing show “À la carte” took place in February as part of the current “DAIDO TOKYO” exhibition at the Fondation Cartier in Paris.
We have received numerous inquiries regarding the product’s availability since the show, and we are happy to inform you that the Daido Moriyama Photo Foundation has provided a limited number of copies in response to public request. The book will be offered as a hand-signed AP edition from the artist’s own possession. However, please understand that it may sell out quickly, as the number of available copies is very limited.

Publisher: Fondation Cartier in Paris.

A4 variant format

Cover silkscreen printed

£120.00

Picture of Muchismo

Publisher's Description

In the work Muchismo, the photographer Cristina de Middel digs around in her studios and brings all of her images to light, exactly the way she has them stored, in colossal, gorgeous chaos, to show them in the exhibition of the same name to be held in June at the Teatro Fernán Gómez in Madrid. This is a sui generis display of her entire oeuvre, with neither a curator nor any apparent order, which seeks to question the art market and its rules.

At the same time, the artist is holding another exhibition of the Antipodes series in La Fábrica (Madrid), a series made up of pictures taken in New Zealand in which the artist strives to bring depth back to landscape photography by using mirrors and her own devices. Both works are captured in this publication, a book that had become an object of desire even before it materialised, as always happens with the works of one of the most fascinating photographers on today’s scene.Size: 170 x 240 mm

All copies signed

Sample images

180 pages, 120 images

Language: Spanish / English

Cristina de Middel

Publisher's Description

In the work Muchismo, the photographer Cristina de Middel digs around in her studios and brings all of her images to light, exactly the way she has them stored, in colossal, gorgeous chaos, to show them in the exhibition of the same name to be held in June at the Teatro Fernán Gómez in Madrid. This is a sui generis display of her entire oeuvre, with neither a curator nor any apparent order, which seeks to question the art market and its rules.

At the same time, the artist is holding another exhibition of the Antipodes series in La Fábrica (Madrid), a series made up of pictures taken in New Zealand in which the artist strives to bring depth back to landscape photography by using mirrors and her own devices. Both works are captured in this publication, a book that had become an object of desire even before it materialised, as always happens with the works of one of the most fascinating photographers on today’s scene.Size: 170 x 240 mm

All copies signed

Sample images

180 pages, 120 images

Language: Spanish / English

£27.90

Picture of Astres Noirs (Signed)

Publisher's Description

Astres noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue. This book presents photographs taken on mobile phone cameras, devices used to capture their everyday in an impulsive and almost obsessional way, documenting life from their doorsteps to far afield.

Their photographs capture the commonplace such as water stains on asphalt, dust clouds and rays of light, and transform these into mesmerising frames – elusive fragments that evoke an imaginary creature, a milky way, a phosphorescent silhouette…

Presented together, their combined voices lead us on a journey into unexplored territory, somewhere between the everyday and paranormal, between night and day. Amongst enveloping darkness, lightness is revealed, dazzling and miraculously caught by discerning eyes.

Publisher: Chose Comune

Size: 160 x 220 mm

168 pages, 79 duotone plates

Bilingual: English, French

1500 copies

Katrin Koenning, Sarker Protick
Astres noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue.
£50.00

Picture of Early Times (SIgned)

Publisher's Description

Early Times is the first chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology.

Since 2013, Yogananthan has been travelling from north to south India, retracing the itinerary of the epic’s heroes. Between fiction and reality, he deliberately blurs the lines through multiple aesthetic approaches: colour, black and white, hand-painted and illustrated photographs are interspersed with vernacular images to compose the layers of this timeless story.

This first book addresses the beginnings: it tells of the youth and education of Rama, son of King Dasharatha, and of Sita, daughter of King Janaka, who do not yet know each other but are destined to meet and fall in love. The Ramayana has been continuously rewritten and reinterpreted through time, and for Yoganathan’s book has been retold by Indian writer Anjali Raghbeer. Yogananthan commissioned Mahalaxmi & Shantanu Das, Indian artists specialising in the tradition of Madhubani painting, to create original illustrations for display alongside his photographic work.

A Myth of Two Souls will be published in seven photobooks between 2016-2019, one per chapter of the epic.

Publisher: Chose Comune

Size: 245 x 300 mm

104 pages, 48 photographs

French / English

Vasantha Yogananthan
Early Times is the first chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana.
£52.50

Picture of End. (Signed)

Publisher's Description

Created as both installation and publication, End. is a collaborative work by Eamonn Doyle, Niall Sweeney and David Donohoe. Built around the photographs of Doyle, it also features drawing and sound by Sweeney and Donohoe. End. gives equal significance to the city and its population, their combined forces continuously shaping each other. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the autonomy of their city, while the streets themselves become a kind of sculptural civic mental State. Dublin, its light and its people, carry out dance-like actions, swapping roles in a series of short plays. End. unfolds as a sequence of events — loops of time and place — revealing a city whose concrete is as plastic as the movement of its inhabitants.

End. is a set of 13 sections all brought together in a white leatherette slipcase, with black-embossed drawings and tip-in title sheet, wrapped in yellow cellophane.

Each section is folded to 200 x 280 mm, portrait.

Featuring 273 photographs, 20 ink drawings and a 7” vinyl sound work, these 13 Dublin “moments” comprise:

One yellow book, thread sewn, printed in black duotone with screen-printed drawings.

Two black books, thread sewn, printed with silver inks.

Three full-colour books, thread sewn, with screen-printed drawings.

Four concertina-folded double-sided diptychs in full-colour with screen-printed drawings.

One large full-colour double-sided folded map.

One 7” vinyl record tucked inside a printed and folded glassine poster.

At the centre of the work is a concertina-folded double-sided full-colour triptych.

 Published by D1, Dublin, 2016.

Design by Pony Ltd.

Print production by MM Artbook printing & repro.

Numbered edition of 1,000.

Sample images

In i, Doyle presented a sequence of images depicting unknowable figures enveloped entirely in their own interior landscape of street, poised in silent choreography. We focussed on the patterns, colours and shapes of wool, polyester, and a certain amount of dust. ON’s black & white giants convulse across the pages, bracing the hard Dublin light. The texture and volumes of the city and the people are somehow hewn from the same rock, though they strike out against it.

End. gives equal significance to the city and its population, but here their combined forces collectively and continuously morph each other in order to survive. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the constructed autonomy of their city, while the streets themselves become a kind of sculptural mental State. End. unfolds like a series of maps — loops of time and place — revealing a city whose concrete is as plastic as the movement of its inhabitants.

End. is a collection of printed and folded sections, with sequences of imagery and illustration that employ a number of different papers and print techniques. There is a 7” vinyl sound work, tracing a coiled beat around the city. The entire work of End. is presented in a numbered slipcase.

Eamonn Doyle
The spectacularly designed final part of Doyle's trilogy of Dublin street photography
£69.50

Picture of The Rhubarb Triangle & Other Stories (Signed)

Publisher's Description

Published on the occasion of the exhibition The Rhubarb Triangle & Other Stories: Photographs by Martin Parr at The Hepworth Wakefield. This publication documents The Rhubarb Triangle, a new commission of a series of photographs taken over the last 12 months in an area of countryside known as ‘The Rhubarb Triangle’ in West Yorkshire, which is famous for producing early-forced rhubarb.

Parr’s photographs capture all aspects of the rhubarb business, from the back-breaking work of moving the rhubarb from field to shed, the freezing cold and exhausting labour of picking the vegetable by candlelight (or occasionally by head-torch), and the consumption of the rhubarb by coach parties and food tourists. With a Director’s foreword by Simon Wallis and an essay by Susie Parr which provides a fascinating insight into The Rhubarb Triangle.

Size: 222 x 286 mm

84 pages

Martin Parr
Published on the occasion of the exhibition The Rhubarb Triangle & Other Stories: Photographs by Martin Parr at The Hepworth Wakefield.
£20.00

Picture of Small Things in Silence (Signed - Japanese edition)

Publisher's Description

Born in 1957 in Gamagori, in the Japanese prefecture of Aichi, Masao Yamamoto is a photographer who began his art studies as an oil painter under the supervision of Goro Saito in his hometown. Masao subsequently discovered that photography was the ideal medium for the theme that most interested him: images with the ability to evoke memories.

Small Things in Silence offers a perspective on twenty years in the career of one of Japan’s most important photographers. In the words of Yamamoto himself: “I try to capture moments that no one sees and make a photo from them. When I seen them in print, a new story begins.”

Small Things in Silence includes images from each one of Yamamoto’s major projects—Box of Ku, Nakazora, Kawa, and Shizuka—as well as images from some of his original photographic installations.

Sample images

Publisher: Seigensha

Size: 306 x 246 mm

144 pages

This is Japanese edition published by Seigensha.  English language edition is out of print as of May 2016.

Masao Yamamoto
Small Things in Silence includes images from each one of Yamamoto’s major projects—Box of Ku, Nakazora, Kawa, and Shizuka—as well as images from some of his original photographic installations.
£85.00

Picture of Confabulations

Publisher's Description

A dictionary will tell you that confabulations are memory disturbances; the production of fabricated, distorted memories about oneself and the world, but without a conscious intention to deceive.

“Subjectivity is not the master signifier of the image,” writes Ina Blom of Rødland’s work, “Nor is it lost in a vortex of abstractions: it is quite simply one point of connectivity among many. The camera, with its associated range of lenses, aperture settings, lighting devices, and film types, is another. […] The emphatic sheen, sleek glamour and casual perversity still thrive, but they take on an independent existence as new textural realities – as if to speak of a material world that we can never fully know."

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

Publisher; MACK

Signed copies

Size: 216 x 280 mm

112 pages, 64 colour plates

Torbjørn Rødland
Signed copy. With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies.
£35.00

Picture of Dozen Failures, A (Signed)

Publisher's Description

A Dozen Failures is both a singular statement as a photobook and a commentary on a life spent making some of the classic photobooks of our time, among them The Pond, There and Gone, The Romance Industry, and Berlin in the Time of the Wall.

Every photograph is in some way perfect (as a technical feat) and in another way a failure (as representational “residue”). So what makes a picture a “failure” – something worthy of further contemplation? It goes far deeper than merely being a mistake. Failures teach us about life and the self in ways as powerful as – and far more confoundingly than – successes.

Or, as Gossage says, they show us “a love lost through lack of skill and misunderstanding.”

Publisher: TIS Books

Size: 9.5 x 11.5"

48 pages, 18 tritone plates, one fold out tritone poster(17 x 21")

EDITION OF 700

John Gossage
A Dozen Failures is both a singular statement as a photobook and a commentary on a life spent making some of the classic photobooks of our time, among them The Pond, There and Gone, The Romance Industry, and Berlin in the Time of the Wall.
£55.00

Picture of Chernobyl (Signed with Original Photograph)

Publisher's Description

This book includes an original certified, printed on photo paper Hahnemühle Luster 30cm x 26.7cm. Once the purchase, you will receive the contact sheets so you can pick your picture (exist only 20 copies of each photograph).

Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.

ИВАН И МЭРИ 30 years after Chernobyl searches human experience through ruins and its geography, beyond explosion impact. Living in such a landscape, setting up a home in the middle of somewhere that was a crucial point of the country, today drifting away in oblivion; not only as an urban place or industrial, but also a historical oblivion. As if letting nature consume its ruins would erase it from the human misfortune pages.

This book travels through a journey that goes from religious to human and from pristine nature to still life. It’s about human life fragility and the abilities to build up a home among ruins of our own civilization.

Size: 200 x 280 mm

92 pages

Edition: 50

Ricardo Arispe
This book includes an original certified, printed on photo paper Hahnemühle Luster 30cm x 26.7cm.
£100.00

Picture of Chernobyl (Signed)

Publisher's Description

Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.

ИВАН И МЭРИ 30 years after Chernobyl searches human experience through ruins and its geography, beyond explosion impact. Living in such a landscape, setting up a home in the middle of somewhere that was a crucial point of the country, today drifting away in oblivion; not only as an urban place or industrial, but also a historical oblivion. As if letting nature consume its ruins would erase it from the human misfortune pages.

This book travels through a journey that goes from religious to human and from pristine nature to still life. It’s about human life fragility and the abilities to build up a home among ruins of our own civilization.

Numbered, stamped and signed.

Size: 200 x 250 mm

92 pages

Edition: 150

Ricardo Arispe
Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.
£37.50

Picture of Topical Times for these Times Book of Liverpool Football (Special Edition - with signed print)

Publisher's Description

Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city. From youth games and local bar teams playing in district park leagues, to the weekly rituals of match days at Liverpool and Everton, he has photographed the sport - and the city’s relationship with it - in all its forms. Rarely going inside the stadia, he has instead photographed in the streets and bars outside, at the pitch sides and on buses across the city over decades.

With football serving as a central thread in the working and social lives of his contemporaries, it has always been an element of Grant’s wider work about the city. This book brings together his pictures of the game, the land and the people who populate it. A Topical Times for these Times, taking its title from boys sports annuals and the football yearbooks that prospered and inspired in the 1970s and 80s, draws on the changing landscape of Liverpool as it negotiated success and tragedy, and as a new commercial era took hold. The book is a devoted appreciation of football in the city, the game itself and those who are part of each.

An essay by the writer Niall Griffiths and a short piece by Ken Grant accompany the photographs.

Publisher: RRB Photobooks Publishing

Size: 195 x 230 mm

176 pages, 170 images

Edition of 100

Ken Grant
Limited Edition with signed print
£75.00

Picture of Topical Times for these Times Book of Liverpool Football (signed)

Publisher's Description

Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city. From youth games and local bar teams playing in district park leagues, to the weekly rituals of match days at Liverpool and Everton, he has photographed the sport - and the city’s relationship with it - in all its forms. Rarely going inside the stadia, he has instead photographed in the streets and bars outside, at the pitch sides and on buses across the city over decades.

With football serving as a central thread in the working and social lives of his contemporaries, it has always been an element of Grant’s wider work about the city. This book brings together his pictures of the game, the land and the people who populate it. A Topical Times for these Times, taking its title from boys sports annuals and the football yearbooks that prospered and inspired in the 1970s and 80s, draws on the changing landscape of Liverpool as it negotiated success and tragedy, and as a new commercial era took hold. The book is a devoted appreciation of football in the city, the game itself and those who are part of each.

An essay by the writer Niall Griffiths and a short piece by Ken Grant accompany the photographs.

Publisher: RRB Photobooks Publishing

Size: 195 x 230 mm

176 pages, 170 images

Edition of 1000

Ken Grant
Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city.
£35.00

Picture of Farmed (Signed)

Publisher's Description

The Fens, a region of reclaimed marshland in eastern England, is one of the richest arable areas in the UK. Paul Hart has been photographing this landscape of agribusiness over the last six years. In Farmed he explores this wide-open environment, a linear landscape of straight lines and flat horizons, which is monoculture at it’s core. Hart’s narrative pinpoints the objects that remain when all that surrounds has been cleared by modern agricultural practice. He conveys nature’s vulnerability within this unsheltered and unprotected environment. 

Hart explores our relationship with the landscape in both a humanistic and socio-historical sense. His working method is in the vein of documentary, exploring our relationship to the landscape by highlighting elements that are so often overlooked. He employs the analogue process and traditional darkroom techniques, to convey something of the soulful in a landscape that is rarely considered. As Steven Brown says in his introductory essay: “Hart’s photographs raise important questions about possession, ownership, mobility, stewardship, history, memory, perspective – the list goes on. But none of these would matter much if the photographs were not, in their attention to the poetry of the place, earnest and moving.”

Sample images

Signed copies

Publisher: Dewi Lewis Publishing

Size: 295 x 295 mm

108 pages, 56 duotone plates


Paul Hart
The Fens, a region of reclaimed marshland in eastern England, is one of the richest arable areas in the UK. Paul Hart has been photographing this landscape of agribusiness over the last six years.
£35.00

Picture of Lotus (Signed)

In the series Lotus, Max Pinckers and Quinten De Bruyn document the world of transsexuals in Thailand. The gender crisis that the so-called ladyboys face is transformed into a visual metaphor about the identity crisis that contemporary documentary photography currently encounters, when it dares to reflect upon itself in a critical way, and expose its internal paradoxes.

The documentary photographer that captures reality as ‘a fly on the wall’ can’t deny his or her directive and manipulative role any longer. The anonymity, the seeming absence is merely a pose. In the end, they are the ones that hold all the power and choose a ‘the decisive moment’. The tableaux that the photographer captures are not lies, but enfold themselves within the studio that he or she creates from reality

Sample images

Publisher: Lyre Press

Size: 195 x 270 mm

152 pages

Max Pinckers & Quinten De Bruyn

In the series Lotus, Max Pinckers and Quinten De Bruyn document the world of transsexuals in Thailand. The gender crisis that the so-called ladyboys face is transformed into a visual metaphor about the identity crisis that contemporary documentary photography currently encounters, when it dares to reflect upon itself in a critical way, and expose its internal paradoxes.

The documentary photographer that captures reality as ‘a fly on the wall’ can’t deny his or her directive and manipulative role any longer. The anonymity, the seeming absence is merely a pose. In the end, they are the ones that hold all the power and choose a ‘the decisive moment’. The tableaux that the photographer captures are not lies, but enfold themselves within the studio that he or she creates from reality

Sample images

Publisher: Lyre Press

Size: 195 x 270 mm

152 pages

£40.00

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