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Picture of Drivers in the 1980s (Collector's Edition & Print)

Publisher's Description 

Chris Dorley-Brown spent two summers in the mid 1980s photographing drivers stuck in traffic jams in and around East London. This series was his first on colour film and was created when he intended to document the privitisation of Rolls Royce but instead became fascinated by the faces in the traffic caused by the sell-off in the city. The cars, colours, haircuts and expressions of frustration capture the mood and tone of a unique era in Thatcher's Britain.

The images, all shot on film of course, have aged like a fine wine and are now ready to be consumed by the discerning connoisseur.

Collector's Editions are limited to 250 copies per title.

Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press

Chris Dorley-Brown
Book 6 from the series 'East London Photo Stories' + PRINT
£40.50

Picture of Mysterious Opacity of Other Beings, The

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Publisher's Description

Since the publication of Richard Misrach’s best-selling and critically acclaimed publication On the Beach, he has continued to photograph at the same location, building a body of work that has been exhibited as On the Beach 2.0—a reference to the technological and optical developments that have made the intensely detailed, exquisitely rendered depictions possible. The Mysterious Opacity of Other Beings focuses less on the abstraction of water, sand, and mote-sized figures, instead honing in on the gestures and expressions of bathers adrift in the ocean, at play or in poses ranging from relaxation to transcendence.

Misrach has rarely ventured into portraiture; this work is his first to focus exclusively on the human figure. Each photograph features one or more individuals crisply rendered from a distance, as they seem to levitate among turquoise waves, isolated from everything save the shifting patterns of the ocean. There is ambiguity and a sense of the uncanny in the figures suspended in the water: are they approaching the shore or moving away from it? Each image is presented both as full frame and as a series of enlarged details that enable the viewer to lin- ger on each individual’s complete surrender of their body to the sea—a seductive melding of human and nature.

Publisher: Aperture

Size: 12 7/8 x 17"

88 pages, 86 four-colour images

Richard Misrach
The Mysterious Opacity of Other Beings focuses less on the abstraction of water, sand, and mote-sized figures, instead honing in on the gestures and expressions of bathers adrift in the ocean, at play or in poses ranging from relaxation to transcendence.
£45.00

Picture of Players (Special Edition)

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Publisher's Description

This special edition of The Players is limited to 25 copies with an original print (shown), numbered and signed by the artist and presented in a custom-made clamshell box.
LIMITED QUANTITY

Nazraeli Press is delighted to announce our newest monograph by Mark Steinmetz, The Players. This long-awaited publication presents 73 of Steinmetz’s photographs of adolescent and teenaged baseball players, on the field and in the dugout, focused on the game and lost in their own worlds. Made between 1986 and 1990, the photographs are classic Steinmetz: tenderness, humor, and humanism are all present here, as is Steinmetz’s exquisite use of natural light and attention to poetic detail.

“The kids in Steinmetz’s photographs are ages 6 to 13, with a few older boys. Steinmetz must remember how awkward and uncoordinated bodies that age can be. His empathy is evident throughout the series. Most of these kids are too young to have the grace, skill or concentration required and are too green to experience the sheer pleasure of knowing they are good, maybe really good, ballplayers in an unforgiving sport. These kids run into each other in pursuit of a fly ball. Hope drives their swings more than their awareness of the art of hitting...Steinmetz concentrates less on the players in the field than those outside the base lines who are waiting to play, or cooling off. He observes the managers as well as the spectators who love the game or one of the players, or who just have a free afternoon. He sees “high fives” as well as the “what were you thinking” moments. His photographs have all the skill and grace lacking in the players.” — from the Introduction by Anne Tucker

Publisher: Nazraeli Press

Size: 380 x 305 mm

80 pages, 47 four-colour plates  

With original print

Mark Steinmetz
This long-awaited publication presents 73 of Steinmetz’s photographs of adolescent and teenaged baseball players, on the field and in the dugout.
£585.00

Picture of Players, The (Signed Copy)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Nazraeli Press is delighted to announce our newest monograph by Mark Steinmetz, The Players. This long-awaited publication presents 73 of Steinmetz’s photographs of adolescent and teenaged baseball players, on the field and in the dugout, focused on the game and lost in their own worlds. Made between 1986 and 1990, the photographs are classic Steinmetz: tenderness, humor, and humanism are all present here, as is Steinmetz’s exquisite use of natural light and attention to poetic detail.

“The kids in Steinmetz’s photographs are ages 6 to 13, with a few older boys. Steinmetz must remember how awkward and uncoordinated bodies that age can be. His empathy is evident throughout the series. Most of these kids are too young to have the grace, skill or concentration required and are too green to experience the sheer pleasure of knowing they are good, maybe really good, ballplayers in an unforgiving sport. These kids run into each other in pursuit of a fly ball. Hope drives their swings more than their awareness of the art of hitting...Steinmetz concentrates less on the players in the field than those outside the base lines who are waiting to play, or cooling off. He observes the managers as well as the spectators who love the game or one of the players, or who just have a free afternoon. He sees “high fives” as well as the “what were you thinking” moments. His photographs have all the skill and grace lacking in the players.” — from the Introduction by Anne Tucker

This first printing of The Players is limited to 1,000 casebound copies.

Publisher: Nazraeli Press

Size: 380 x 305 mm

80 pages, 47 four-colour plates  

Mark Steinmetz
This long-awaited publication presents 73 of Steinmetz’s photographs of adolescent and teenaged baseball players, on the field and in the dugout.
£51.50

Picture of Nude Animal Cigar

Publisher's Description

Paul Kooiker is among the most interesting conceptual photographers currently working in the Netherlands. Although his work consists entirely of photographic images, he is not so much a photographer as a sculptor and installation artist. His fascination with intriguing themes like voyeurism, innocence and clichés leads him to construct fictive collections of images that are of extremely uncertain origin, subject and significance. In his latest installation, Nude Animal Cigar, created at the invitation of the Hague Museum of Photography, Kooiker looks back over his twenty-year career in the visual arts. The result is a bewildering array of two hundred photographic works, in which images of nudes and of animals are interspersed with close-ups of the countless cigars he has smoked in his studio over the years.

Paul Kooiker (b. 1964) is not interested in creating the perfect photographic image. The value of his work lies not in his individual photographs (which are sometimes overexposed, blurred by camera movement or grainy), but in what he does with them postproduction – the subsequent process of selection and manipulation. In the initial phase of his creative process he is a deliberately ‘bad’ photographer, producing a mass of exploratory material that often runs to hundreds of images. He then approaches this material as a visual artist, creating ‘collections’ in the form of three-dimensional installations and photo books. These fictive collections look as if they have been found somewhere or have turned up in some ancient suitcase abandoned for decades in an attic. To ensure their credibility, Kooiker pays meticulous attention to internal consistency of form and style. This stands in sharp contrast to the contents of his series, which are often enigmatic and vaguely disturbing.

Browse through this book

Publisher: APE (Art Paper Editions) 

Size: 170 x 240 mm

385 pages

Paul Kooiker
Paul Kooiker is among the most interesting conceptual photographers currently working in the Netherlands. Although his work consists entirely of photographic images, he is not so much a photographer as a sculptor and installation artist.
£43.95

Picture of Anton Corbijn 1 - 2 - 3 - 4

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Publisher's Description

Representing the ultimate publication on the music photography of Anton Corbijn, one of the most important photographers and directors working today, this collection of images, many never before published, focuses on Corbijn’s evolving fascination with the music industry, from the 1970s to the present day.

Corbijn’s interest in music has been the engine of an illustrious decades-long career that most recently has veered to the making feature length films such as The American, A Most Wanted Man, and Life, due to be released later this year. This gloriously illustrated, oversized book pays homage to Corbijn’s obsession with rock and roll—an interest that has led to lifelong friendships with Bono, Michael Stipe, Dave Gahan, and other iconic musicians. Looking back over three decades, it features hundreds of creative, offbeat images that Corbijn was able to capture largely as a result of his close relationships with his subjects. Nearly every revered musician and band is represented in Corbijn’s archives: Nick Cave to Nirvana, U2 to R.E.M., the Rolling Stones to Siouxie and the Banshees. Many of the portraits are accompanied by their subjects’ own take on Corbijn’s distinct style and approach. Also included here are previously unpublished photos of the late Joe Cocker and the band Depeche Mode, who considered him an honorary member. A fitting tribute to an innovative and deeply passionate photographer, this book will rock the worlds of fans of music and photography.

Publisher: Prestel

Size: 240 x 290 mm

352 pages, 13 colour illustrations, 287 b/w illustrations

Anton Corbijn
Representing the ultimate publication on the music photography of Anton Corbijn, this collection of images, many never before published, focuses on Corbijn’s evolving fascination with the music industry, from the 1970s to the present day.
£45.00

Picture of Hollands Deep

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Known for his groundbreaking personal portraits of cultural protagonists of our time, Dutch filmmaker (Control; The American; A Most Wanted Man) and photographer Anton Corbijn presents a survey of his work of more than four decades. Designed by award-winning book designer Irma Boom, this exhibition catalog accompanies a major retrospective in The Hague. 

With essays by Franz Kaiser, Seán O'Hagan and Benno Tempel.

English/German edition.

Publisher: Schirmer/Mosel

Size: 275 x 250 mm

240 pages, 241 colour and duotone plates. 

Anton Corbijn
A survey of Anton Corbijn's work of more than four decades. Designed by award-winning book designer Irma Boom.
£40.50

Picture of Corpus

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Publisher's Description

More than 40 engrossing images make up this series of grainy, black-and-white photographs by Daisuke Yokota, the first to feature his nude photography. Through a visual expression that mixes reality and fiction, an indecipherable tangle of human limbs and torsos is made eerily yet sensually tangible within the close quarters of a nondescript bedroom space. Deep shadows threaten to engulf the writhing, fleshy bodies of what seem to be a man and a woman, even as the suggested intimacy of their interaction is negated by the extreme proximity in which Yokota places the viewer.

Publisher: Artbeat

Size: 260 x 340 mm

72 pages

Daisuke Yokota
More than 40 engrossing images make up this series of grainy, black-and-white photographs by Daisuke Yokota, the first to feature his nude photography.
£40.00

Picture of One Day Young In Hackney

Publisher's Description

A special, fully cloth covered, collector's edition of One Day Young In Hackney by Jenny Lewis presented in a bespoke cloth covered clamshell box complete with signed and numbered limited edition print.

Jenny Lewis's portraits of women and their newborns - all taken within 24 hours of birth in East London - offer a rare glimpse into the beating heart of family life and celebrate the intimacy, joy and resilience of new motherhood.

Sample images

Collector's Editions are limited to 250 copies per title.

Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press

Size: 145 x 205 mm

112 pages

Jenny Lewis
A special, fully cloth covered, collector's edition of One Day Young In Hackney by Jenny Lewis presented in a bespoke cloth covered clamshell box complete with signed and numbered limited edition print.
£40.50

Picture of Nordic Book, The

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Publisher's Description

The Nordic Book unfolds the highlights of photographer Søren Rønholts travels in the Nordic countries. He has been photographing landscapes and people, thereby telling stories about Nordic culture, nature and appearance. Rønholt has been working with the Nordic theme for five years. The different groups of pictures are presented along side each other, sharing their stories and creating new ones in their unity.
The landscapes in the book are describing the rough but exceptionally beautiful nature of the Nordic countries. The majestic mountains, dark forests and distant shores create sceneries, which are at the same time deeply calm and very dramatic – but most of all incredibly compelling.

The human figure is depicted through Rønholts nudes and portraits. Especially the female body is discussed in the series of nudes. Photographed in the intimate space of their own homes, Rønholt wanted to show the womanly body as it really is, using the same method, as when he photographs landscapes. Also the Nordic persona is characterised through Rønholts strong portraits, which adds another personal dimension to the groups of pictures.

Each picture in itself and all of them as a sum takes the reader on a journey – an unpolished journey in Nordic identity and life.

Publisher: Seltmann + Soehne

Size: 210 × 305 mm

140 pages with gloss partial printing varnish Hardcover with white foil print

Søren Rønholt
An unpolished journey in nordic identity and life.
£34.65

Picture of Crazy Old Man A

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Publisher's Description

Araki, a key iconoclast of great talent, is one of the most prolific photographers of his time. Having already published several hundreds of books and thousands of pictures, Araki has indeed for over fifty years revolutionised the world of photography. His outlook is both sentimental and filled with energy, whereby the Erotos (a combination of Eros and Thanatos) appears in every image. The photographs in Crazy Old Man A follow a dynamic in which the inanimate becomes alive and the living appears dead. Instant films, framed in black and white, alternate here.

Sample images

Publisher: Thircuir Ltd

  • Pages: 280
  • Product dimensions: 190mm (w) x 250mm (h)
Nobuyoshi Araki
The photographs in Crazy Old Man A follow a dynamic in which the inanimate becomes alive and the living appears dead. Instant films, framed in black and white, alternate here.
£31.50

Picture of Brown Sisters, Forty Years

Publisher's Description

In August 1974, the photographer Nicholas Nixon made a group portrait of his wife, Bebe, and her three sisters, Heather, Mimi, and Laurie. He did not keep the image, but in 1975 he made another portrait of the four—who then ranged in age from fifteen to twenty-five—with an eight-by-ten-inch view camera, whose large negatives capture a wealth of detail and a luscious continuity of tone. Nixon and the sisters have gathered for an annual portrait ever since.

Publisher: MoMA Publications

Size: 11.5 x 9.5"

96 pages

Nicholas Nixon
In August 1974, the photographer Nicholas Nixon made a group portrait of his wife, Bebe, and her three sisters, Heather, Mimi, and Laurie. He did not keep the image, but in 1975 he made another portrait of the four—who then ranged in age from fifteen to twenty-five—with an eight-by-ten-inch view camera, whose large negatives capture a wealth of detail and a luscious continuity of tone. Nixon and the sisters have gathered for an annual portrait ever since.
£20.25

Picture of European Portrait Photography since 1990

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

An examination of European portraiture since the 1990s, this book shows how major changes in the continent’s political and societal realms have inspired photographers to capture a new identity—both collective and individual.

The 1990s saw a resurgence of the portrait genre of photography, especially in Europe, where the collapse of communism and the solidification of the European Union raised enormously important questions about national identity and shared historical and cultural values. This volume delves into this important development, featuring full-page reproductions of work by Rineke Dijkstra, Jurgen Teller, Thomas Ruff, Nikos Markou, Anders Petersen, Clare Strand, and others from dozens of countries around the continent. Taken as a whole, these portraits comprise a new genre—one that represented a break from postmodernist strategies and which allowed for experimentation and the exchange of ideas.

Publisher: Prestel

Size:235 x 315 mm

240 pages150 colour illustrations50 b/w illustrations


An examination of European portraiture since the 1990s, this book shows how major changes in the continent’s political and societal realms have inspired photographers to capture a new identity—both collective and individual.
£36.00

Picture of Crystal Love Starlight

In 1992, the owners of Crystal Love Starlight were arrested for allegedly allowing prostitution in their restaurant in the Gunma prefecture of Japan; 34-year-old photographer Mayumi Hosokura came across the case while looking through old copies of a local newspaper, Jomo, and was inspired by both the story and the restaurant’s trashy moniker.

The resulting series, also called Crystal Love Starlight, has just been published by Tokyo-based Tycoon books.

“The charming meaninglessness of the flashy name – Crystal Love Starlight – and of the numerous snack bars, cabarets and love hotels throughout Japan appeals to me,” she says. “This series considers various aspects of urban life. I use images of nude girls and boys because I want to think about the gaze, especially the sexual gaze. The people in this series are the ‘anonymous youth’ and we can see them as us.”

It’s not the first time she’s shot nudes, or the transience of youth; in a previous series the Kyoto native combined softly lit nudes with hazy landscapes. This time she mixed nude studies shot in-studio in Tokyo with photographs of the restaurant, photographs of the hotels in Gunma, and images of the neon signs from the three-hour drive from Tokyo to Gunma.

“I wanted to look at Japanese suburbs and the ‘roadside-scape’ of national roads – it’s a very intimate landscape,” she says. “This region seemed to be a very good place to capture these roadside images, but I wanted to add a little bit of narrative, and for the viewer to confuse what is real and what is not.”

Publisher: Tycoon Books

Size: 200 x 253 mm

First edition of 500 copies

Mayumi Hosokura

In 1992, the owners of Crystal Love Starlight were arrested for allegedly allowing prostitution in their restaurant in the Gunma prefecture of Japan; 34-year-old photographer Mayumi Hosokura came across the case while looking through old copies of a local newspaper, Jomo, and was inspired by both the story and the restaurant’s trashy moniker.

The resulting series, also called Crystal Love Starlight, has just been published by Tokyo-based Tycoon books.

“The charming meaninglessness of the flashy name – Crystal Love Starlight – and of the numerous snack bars, cabarets and love hotels throughout Japan appeals to me,” she says. “This series considers various aspects of urban life. I use images of nude girls and boys because I want to think about the gaze, especially the sexual gaze. The people in this series are the ‘anonymous youth’ and we can see them as us.”

It’s not the first time she’s shot nudes, or the transience of youth; in a previous series the Kyoto native combined softly lit nudes with hazy landscapes. This time she mixed nude studies shot in-studio in Tokyo with photographs of the restaurant, photographs of the hotels in Gunma, and images of the neon signs from the three-hour drive from Tokyo to Gunma.

“I wanted to look at Japanese suburbs and the ‘roadside-scape’ of national roads – it’s a very intimate landscape,” she says. “This region seemed to be a very good place to capture these roadside images, but I wanted to add a little bit of narrative, and for the viewer to confuse what is real and what is not.”

Publisher: Tycoon Books

Size: 200 x 253 mm

First edition of 500 copies

£35.00

Picture of Kin

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Pieter Hugo has garnered critical acclaim for his series of portraits and landscapes, each of which explore a facet of his native South Africa and neighboring African countries, including the film sets of Nigeria’s Nollywood, toxic garbage dumps in Ghana, and sites of mass executions in Rwanda, as well as albinos, the Hyena Men of Nigeria, honey collectors, and garbage scavengers. Kin, a collection of images shot over the past decade, focuses instead on the photographer’s family, his community, and himself. Writer John Mahoney characterizes it as the artist’s first major work to focus exclusively on his personal experience in his native South Africa, a place defined by centuries of political, cultural, and racial tensions and contradictions. Hugo describes his series as “an engagement with the failure of the South African colonial experiment and my sense of being ‘colonial driftwood.’ South Africa is such a fractured, schizophrenic, wounded, and problematic place… How does one take responsibility for history, and to what extent should one try? How do you raise a family in such a conflicted society?” This work attempts to address these questions and reflect on the nature of conflicting personal and collective narratives.

Sample images

Publisher: Aperture

Size: 11 3/4 x 9 1/4"

164 pages, 80 four-colour images 

Pieter Hugo
Pieter Hugo has garnered critical acclaim for his series of portraits and landscapes, each of which explore a facet of his native South Africa and neighboring African countries. Kin, a collection of images shot over the past decade, focuses instead on the photographer’s family, his community, and himself.
£40.50

Picture of 1985

Publisher's Description

At the age of 33, one of Australia’s foremost artists, Bill Henson, produced some of the most evocative portraits and powerful dreamscapes of his career. Now nearly 30 years on STANLEY/BARKER has published this transcendental body of work for the first time.

Shot at dawn or dusk, in the suburbs of Melbourne, Australia, and in the deserts of Egypt, 1985 with its glimpses of faces, figures and places marks the moment when Bill Henson’s long-held desire to find a form for ‘the dream of suburbia’ was realised. Describing this process, Henson says, “I began to realise that these places could be understood as a dreamscape because they affect us so powerfully and with such immediacy as a memento mori. The light, smell, even temperature, as well as the look of these places, animates our memory and gently sharpens our sense of the passage to time.”

Combining photographs of ancient Egypt, with Suburban Melbourne, Henson creates an imaginary world, that shows “the suburban landscape as an interior world that each of us carries around inside us, like childhood, for the rest of our lives.” The photographs in this series are imbued with a sense of unreality. As night falls and we begin to rely upon the heightening sensitivity of our other senses, and as we navigate the darkness, through touch, smell, temperature and sound, and the projections of our imagination into this ambiguous space in which we find ourselves. Just occasionally, this might reintroduce us to the deep mystery of the world.

Sample images

Publisher: Stanley/Barker

Size: 200 × 240mm

146 pages, 115 images

Bill Henson
At the age of 33, one of Australia’s foremost artists, Bill Henson, produced some of the most evocative portraits and powerful dreamscapes of his career. Now nearly 30 years on STANLEY/BARKER has published this transcendental body of work for the first time.
£31.50

Picture of Taylor Wessing Photographic Portrait Prize 2014 Catalogue

Publisher's Description

The Taylor Wessing Photographic Portrait Prize celebrates the vitality and excellence in portrait photography today. This prize is one of the most important platforms for contemporary portrait photographers internationally, and sixty stunning reproductions of the selected works provide an excellent overview of current photographic styles, trends and techniques.

This book provides a unique opportunity to see an inspiring range of portraits from contemporary photographers selected from thousands of submissions. The works included are not only about the subjects – people who appear intriguing, defiant or relaxed – but also reveal the outstanding skill of the photographers, whose intelligence and diligence enable them to capture a moment in time, and to convey something of the spirit of those photographed.

Fully illustrated in colour throughout, the book features all the selected entries from this year’s competition, as well as comments and insights from the judges. The catalogue includes an extended essay about contemporary portraiture.

Publisher: National Portrait Gallery

Size: 280 x 220mm

80 pages, 60 illustrations


The Taylor Wessing Photographic Portrait Prize celebrates the vitality and excellence in portrait photography today. This prize is one of the most important platforms for contemporary portrait photographers internationally.
£13.50

Picture of HobbyBuddies

Publisher's Description

In their series Freizeitfreunde, the Swiss photographers Ursula Sprecher (b. 1970) and Andi Cortellini (b. 1965) show group portraits of people who meet regularly due to a shared interest. No matter what they call themselves – interest group, association, club, clique or league – the focus in these groups is always on voluntary commitment and the joy of pursuing a common cause or shared idea. These staged pictures were each taken at a carefully selected location, at a scheduled time, with scenery built and specifically arranged to show a certain number of members of the group. The subjects of the group pictures come from all walks of life, age groups, ethnicities and religions. The pictures betray thorough research and organization: the number of subjects and their clothing, the props, accessories – nothing is left to chance. This approach results in unusual, intriguing and in some cases even perplexing images and compositions. The photo series has been exhibited internationally and published in numerous magazines, such as chrismon, Geo, Tageswoche and NZZ.

Publisher: Kehrer Verlag

Size: 24o x 215 mm

132 pages, 60 colour illustrations  

German/English

Ursula Sprecher and Andi Cortellini
In their series Freizeitfreunde, the Swiss photographers Ursula Sprecher (b. 1970) and Andi Cortellini (b. 1965) show group portraits of people who meet regularly due to a shared interest.
£26.91

Picture of Eye to Eye: Photographs by Vivian Maier

Publisher's Description

Since her death in 2009, Vivian Maier has become a photographic darling. Her story—thousands of photographs found in storage lockers and sold for pennies at auction—has attracted the attention of millions. Unknown as a photographer during her long life, Maier was a private woman who speaks powerfully through photographs she took only for herself. Now, Richard Cahan and Michael Williams, authors of the award-winning Vivian Maier: Out of the Shadows, present Eye to Eye: Photographs by Vivian Maier, a book filled with photographs of people she met only once but who will now live forever. It adds a new dimension to her work and adds to the mystery of how one photographer could be so intimate—if just for a moment—with so many people.

Though she’s been cast as a quirky, shadowy figure, moving on the outskirts, these eye-to-eye portraits reveal a deeper Maier. These pictures show that she yearned to connect with people around her. That she often stopped them, talked to them, and always watched closely. These inspirational pictures teach us that around every corner is a chance encounter. Somebody new. But only if we notice. Here we travel the world with Maier, visiting more than a dozen countries in Asia, Europe, and South America. We take trips with her through the United States and get to tag along as she walks around the block.

“As she was photographing, she was seeing just how close she could come into somebody’s face and make a picture of them,” said celebrated photographer Joel Meyerowitz in a recent documentary. “That tells me a lot about her. That tells me she could walk into the space of a total stranger and get them to accommodate her by being themselves. And generate this kind of moment where two presences were actually kind of vibrating together.”

Here, for the first time, Maier’s work is printed using the latest technology, a unique four-color process that produces black-and-white images that parallel traditional silver gelatin prints. It, too, shows Maier in a new light. The result: spectacularly sharp, full-range photographs that continue to amaze.

Publisher: CityFile Press

Size: 8.5 x 9.25"

208 pages

Publisher's price: £49.95

Vivian Maier
Though she’s been cast as a quirky, shadowy figure, moving on the outskirts, these eye-to-eye portraits reveal a deeper Maier. These pictures show that she yearned to connect with people around her.
£34.25

Picture of Erwin Olaf: Volume II

Publisher's Description

Erwin Olaf’s approach to storytelling is uniquely evocative and enticingly ambiguous. According to critic Francis Hodgson, Olaf’s images “lead us to a Stimmung (a sense of atmo­sphere) which is broad enough to repay many second readings of the pictures and so keep us viewers interested.” In this presentation of his most recent work, Olaf expands on his established style of highly polished and stylized color studio images to include a series drawn from his sculptural video installation, Keyhole; a group of black-and-white images he has exhibited as carbon prints; and photographs created on location in Berlin—a departure from the constructed mise-en-scènes of earlier work produced in his Amsterdam studio.

Erwin Olaf: Volume II showcases the artist at the height of his powers as an artisan of atmosphere and a craftsman who uses high polish to both perverse and seductive effect.

Publisher: Aperture

Size: 10 x 13"

112 pages, 75 four-colour images

Erwin Olaf
Erwin Olaf: Volume II showcases the artist at the height of his powers as an artisan of atmosphere and a craftsman who uses high polish to both perverse and seductive effect.
£36.00

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