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Picture of Survivor: A portrait of the survivors of the Holocaust

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Award-winning photographer Harry Borden brings together powerful and moving portraits of Holocaust survivors, with captions in their own words.

'A masterpiece and deeply moving' - Alain de Botton

'A wonderful piece of work' - Lynn Barber

Over the course of five years, acclaimed photographer Harry Borden has travelled the globe photographing survivors of the Holocaust. The people featured vary in age, gender and nationality, but are all tied together by their experience and survival of one of the darkest moments in human history.

Each photograph is accompanied by a handwritten note from the sitter, ranging from poems, to memories, to hopes for the future, creating a strong sense of intimacy between sitter and reader. This intimacy is amplified by the home settings of many of the photographs, along with the photographer's use of available light at each scene. At the end of the book is a section providing more information about the person in each portrait, and about how and what they survived, together with the historical context of the events they lived through.

Thought-provoking and touching, this book conveys the dignity and humanity of each subject's character. Survivor is a unique and powerful testimony of what it is to live with memories of the Holocaust.

Publisher: Cassell

276 pages

Harry Borden
Award-winning photographer Harry Borden brings together powerful and moving portraits of Holocaust survivors, with captions in their own words.
£27.00

Picture of The Kids Were Alright

Publisher's Description

The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City.

Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art.

These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career.

Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.

Publisher: Skira Rizzoli

Size: 8 x 11"

Ryan McGinley
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City.
£36.00

Picture of Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Publisher's Description

This book draws together for the first time the self-­portraits of French Surrealist artist Claude Cahun (1894–1954) and British contemporary artist Gillian Wearing (b.1963). Although they lived almost one hundred years apart, their work shares similar themes: gender, identity, masquerade and performance. Beginning with a visit to Jersey, where Cahun lived and worked until her death, and where the Cahun archive is housed, Wearing’s journey of discovery is examined in this beautiful book.

Publisher: National Portrait Gallery

208 pages, approx. 150 images

Sarah Howgate (with an essay by Dawn Ades)
This book draws together for the first time the self-­portraits of French Surrealist artist Claude Cahun (1894–1954) and British contemporary artist Gillian Wearing (b.1963).
£22.46

Picture of Xteriors 2001-2015

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Desirée Dolron, reputed to be one of the most successful Dutch photographers in the world today, recently completed her series 'Xteriors' (2001 - 2015). The book, designed by Irma Boom Office, unites all works from this project for the first time. The intentionality of Dolron's approach is palpable; every decision regarding technique and form is meticulously considered in the pictorial construction of these darkly introverted and strangely timeless photographs. The models inhabit a tranquil and withdrawn realm of near-perfect compositions. Beautifully crafted in a hybridised visual language that blurs the traditional disciplinary boundaries between painting and photography, analogue, and digital. With texts by Wim Pijbes and Charlotte Cotton.

Publisher: Raven Publishers

Size: 300 x 360 mm

112 pages

Dutch/English

Desiree Dolron
Desirée Dolron, reputed to be one of the most successful Dutch photographers in the world today, recently completed her series 'Xteriors' (2001 - 2015).
£78.00

Picture of Belgravia (Limited Edition)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Artist's edition of Karen Knorr's Belgravia, which includes a 28x35cm signed and numbered print from the series, presented alongside a copy of the book, in an elegant bespoke clamshell case.

Of the photograph Knorr recalls "In Belgravia, there are two photographs of the same very charming subject, a deb’s delight. One is on the cover, and the other inside the book accompanying the quote on the back cover of the book. Both photographs were taken on the same afternoon in 1979. He was confident of his charms and definitely a perfect “dish” or debs to bag. He appears in the first photograph the cover: tall, handsome, rosy cheeked gazing lovingly at his own reflection (emulating his hero, Brian Ferry) he poses legs apart, in the hall way of his parent’s 1960’s penthouse flat. In the other photograph (offered as a special edition print), taken in the dining area, he lounges back in his black bow tie, white smoking jacket and tuxedo trousers, striped socks peek above his loafers. He is almost pouting as he sits foot resting on the classic Eames chair. The penthouse was the perfect stage. Apparently it had been originally designed for Elizabeth Taylor, while filming Cleopatra in London in 1963."

The edition is strictly limited to 30, and sold on a first come first served basis.

Publisher: Stanley Barker

Size: 280 x 350 mm

Karen Knorr
Artist's edition of Karen Knorr's Belgravia, which includes a 28x35cm signed and numbered print from the series, presented alongside a copy of the book, in an elegant bespoke clamshell case.
£360.00

Picture of Taylor Wessing Photographic Portrait Prize 2016

Publisher's Description

This book provides a unique opportunity to see an inspiring range of portraits from contemporary photographers selected from thousands of submissions. The works included are not only about the sitters but also reveal the outstanding skill of the photographers, in capturing a moment in time, and conveying something of the spirit of those photographed. This year’s In Focus display, the second in the competition’s history ,features previously unseen photographs by Cristina de Middel that will be exhibited alongside those of the finalists. The works are reproduced in the catalogue, together with other series by de Middel and an interview about her life and work. With her photojournalistic background, De Middel is recognised as one of the most innovative photographers working today–she frequently combines documentary work with storytelling and artifice. Fully illustrated in colour throughout, the book also features all the selected entries, comments and insights from the judges and interviews with the prizewinners.


Publisher: National Portrait Gallery

80 pages


Language: English
ISBN-10: 1855147955
ISBN-13: 978-1855147959


This book provides a unique opportunity to see an inspiring range of portraits from contemporary photographers selected from thousands of submissions.
£13.50

Picture of Harrodsburg (unsigned)

Glasgow-born, London-based Dougie Wallace has had a rapid rise to prominence as a street photographer. His Stags, Hens and Bunnies revelled in the riotous nightlife of Blackpool. Shoreditch Wild Life did much the same for East London – stupidly I didn’t keep a collector’s edition for myself when they were affordable. Now Harrodsburg comes up close – often very close – to the super-rich shoppers of London’s famous department store. The grotesque caricatures bring to mind the great US street photographers Jeff Mermelstein and Bruce Gilden. Wallace’s Harrodsburg is the subject of a BBC documentary to be broadcast in March 2017.

Publisher's Description

In Harrodsburg, Dougie Wallace looks at the excessive wealth and consumerism that can be found around the Knightsbridge area close to the world famous department store, Harrods.

From the mid-1970s onwards, Gulf millionaires began coming to the area. They were later joined by the Oligarchs and the Hedgies, in a phenomenon that now involves all the various tribes of the global super-rich buying up London properties as if they were assets to appreciate in value rather than homes in which to live.

The work is a powerful, timely and stark exposé of the emergence of this ultra-affluent elite who are changing the face of the city, pricing out not just ordinary people but even the upper middle class natives of Central London, and marginalising old wealth from their time-honoured habitats. Employing his trademark wit and keen eye for the absurd, Wallace has produced an uncompromising and revealing series of pictures which draw attention to the excesses of the super rich in powerful and direct detail.

Harrodsburg is introduced by cultural commentator Peter York, perhaps best known for his best-selling 1970’s classic The Official Sloane Ranger Handbook. Most recently, in November 2016 he presented Peter York's Hipster Handbook on BBC4.

In less than three years Dougie Wallace has become recognised as one of UK’s leading photographers. He has published three successful books, Stags, Hens & Bunnies and Road Wallah (Dewi Lewis) and Shoreditch Wildlife (Hoxton Minipress) and has featured in major exhibitions in Europe, the United States and India. He continues to attract considerable press and media attention and his photographs feature regularly in leading international publications such as The Sunday Times Magazine.

In March 2017 BBC4 TV will screen a 30 minute documentary about Dougie Wallace, which focuses primarily on the Harrodsburg work and is part of the series ‘What Artists Do All Day’. The programme follows Dougie on the streets of Knightsbridge as he completes the photographs for the book.

Signed copies also available late February 2017

Publisher: Dewi Lewis

Size: 300 x 220 mm

96 pages

Dougie Wallace
In Harrodsburg, Dougie Wallace looks at the excessive wealth and consumerism that can be found around the Knightsbridge area close to the world famous department store, Harrods.
£27.00

Picture of While Leaves are Falling... (Signed)

This series of colour family portraits now stretches to 25 years and, in this simply designed book (one photo per full page), is combined with some stunning Japanese landscapes. Signed copies. 

Publisher's Description

I was raised by four women: my mother, my grandmother, and two aunts who never married. My mother was diagnosed with schizophrenia when I was a teenager. She became a totally different person overnight; it almost seemed as if the history of her life had been erased. I could no longer have a decent conversation with her. The only way to prove who she had been was with photographs from before she became ill. She has been going back and forth between home and the hospital ever since her diagnosis.

When I was 28, my grandmother died. She was the boss among the four women who raised me and had really played the role of a mother to me because of my mother’s illness. Losing her was like losing my own mother. The loss of a family member made me acutely aware of how much time had passed without my really noticing. I never thought my family would grow older; it seemed to exist in a timeless place. Before my grandmother died, I rarely took pictures of my family. Afterwards I started photographing them every time I went back to Japan to visit. The best days for us became those when my mother, her two sisters, and I went on short trips around Japan. Most photographs in this series were made during these trips. Many of our visits were to places my mother and aunts had been wanting to see since they were young, as my family had hardly ever traveled before my grandmother died. Photographing my family was made possible through collaboration with them. This collaboration became a way for us to strengthen our relationship.

Schizophrenia is a chronic mental illness that causes hallucinations and delusions, including hearing voices. These symptoms the patient experiences seem so real that he/she cannot distinguish them from reality, and these experiences are occasionally accompanied by severe body aches and debilitating anxieties.

I used to think that memories would gradually fade with the passage of time, but even 25 years after my mother’s hospitalization, I often find myself comparing my mother today with the one in my memories. Looking back now, one of the main reasons I moved to New York was because I couldn’t face the fact that my mother had become schizophrenic. However, soon I learned that physical distance would never equal emotional distance; I had a hard time separating myself from my thoughts and emotions about my mother’s mental illness, whether I was in New York or Tokyo.

My mother being diagnosed with schizophrenia was life-changing for both my mother and our family. Having seen it happen to her right before our eyes, we then lived our lives with the feeling that anything could happen to anyone at any time. At a time when the general public is still reluctant to talk about mental illnesses such as schizophrenia, it is difficult to get social support and understanding. It is even harder to get people interested in learning more about schizophrenia. For that reason, I decided to record the time and space that my family and I shared, exploring the universal themes of family, aging, and time’s passage. My family and I are also trying to make up for memories we never had. For me, these photographs are a vehicle that enables me to travel back and forth between the past and the present. The photographs help me to accept the changes that have taken place and those that are yet to come. 

Publisher: Akaaka

130 pages

While Leaves Are Falling…Short Version Published by AKAAKA Publishing/赤々舎 in 2016 from Takahiro Kaneyama on Vimeo.

Takahiro Kaneyama

This series of colour family portraits now stretches to 25 years and, in this simply designed book (one photo per full page), is combined with some stunning Japanese landscapes. Signed copies. 

Publisher's Description

I was raised by four women: my mother, my grandmother, and two aunts who never married. My mother was diagnosed with schizophrenia when I was a teenager. She became a totally different person overnight; it almost seemed as if the history of her life had been erased. I could no longer have a decent conversation with her. The only way to prove who she had been was with photographs from before she became ill. She has been going back and forth between home and the hospital ever since her diagnosis.

When I was 28, my grandmother died. She was the boss among the four women who raised me and had really played the role of a mother to me because of my mother’s illness. Losing her was like losing my own mother. The loss of a family member made me acutely aware of how much time had passed without my really noticing. I never thought my family would grow older; it seemed to exist in a timeless place. Before my grandmother died, I rarely took pictures of my family. Afterwards I started photographing them every time I went back to Japan to visit. The best days for us became those when my mother, her two sisters, and I went on short trips around Japan. Most photographs in this series were made during these trips. Many of our visits were to places my mother and aunts had been wanting to see since they were young, as my family had hardly ever traveled before my grandmother died. Photographing my family was made possible through collaboration with them. This collaboration became a way for us to strengthen our relationship.

Schizophrenia is a chronic mental illness that causes hallucinations and delusions, including hearing voices. These symptoms the patient experiences seem so real that he/she cannot distinguish them from reality, and these experiences are occasionally accompanied by severe body aches and debilitating anxieties.

I used to think that memories would gradually fade with the passage of time, but even 25 years after my mother’s hospitalization, I often find myself comparing my mother today with the one in my memories. Looking back now, one of the main reasons I moved to New York was because I couldn’t face the fact that my mother had become schizophrenic. However, soon I learned that physical distance would never equal emotional distance; I had a hard time separating myself from my thoughts and emotions about my mother’s mental illness, whether I was in New York or Tokyo.

My mother being diagnosed with schizophrenia was life-changing for both my mother and our family. Having seen it happen to her right before our eyes, we then lived our lives with the feeling that anything could happen to anyone at any time. At a time when the general public is still reluctant to talk about mental illnesses such as schizophrenia, it is difficult to get social support and understanding. It is even harder to get people interested in learning more about schizophrenia. For that reason, I decided to record the time and space that my family and I shared, exploring the universal themes of family, aging, and time’s passage. My family and I are also trying to make up for memories we never had. For me, these photographs are a vehicle that enables me to travel back and forth between the past and the present. The photographs help me to accept the changes that have taken place and those that are yet to come. 

Publisher: Akaaka

130 pages

While Leaves Are Falling…Short Version Published by AKAAKA Publishing/赤々舎 in 2016 from Takahiro Kaneyama on Vimeo.

£60.00

Picture of 3DPRK (Signed)

Publisher's Description

3D portraits from North Korean in 2014, by Beijing based Slovenian photographer Matjaz Tancic collaborate with Koryo Studio.

Publisher: Jiazazhi Press

Size:195 × 155 mm

64 Pages, Hardcover with silk-screen printing

with 3D glasses, 64 pieces of 3D cards, 5 pieces of 3D postcards and introduction booklet inside

First edition of 1000

Signed copies


Matjaž Tančič
3D portraits from North Korean in 2014, by Beijing based Slovenian photographer Matjaz Tancic collaborate with Koryo Studio.
£40.00

Picture of Revoir

In 2004, I made the book Trying to Dance, designed by Patric Leo and published by Journal. Since then, it has lived a life of its own, just as books should do.

For me, Trying to Dance is more than a book – the photographs on which it was based constitute an image universe of its own. Photography then had a liberating effect on me as a visual artist. I lived mostly in New York, but also in Värmland, and travelled a lot in the United States and Europe. Mentally, I was in between worlds, between realities, between the urban and the rural. This was also a period when I questioned and doubted the importance and relevance of photography for me – actually. The freedom I so strongly experienced in the process of making Trying to Dance, largely answered my doubts and became a compass for my continued creativity.

To start with, I was not at all certain when Gösta Flemming at Journal, Patric Leo and Christian Caujolle, suggested going back to the Trying to Dance negatives. But when I started looking through the files – so many images, so many that were not used in Trying to Dance, and so many new combinations that hit me; it was then that I decided that we should publish Revoir.

Revoir is a completely new book, a revision, a revisit to that period between the mid-90s and the early 2000s. The book has been made in close and enjoyable collaboration with all the people that I worked with on Trying to Dance. Around two thirds of the photographs have not been published before. For the first time I have scanned the negatives, together with Ewa-Teréz Gölin, and allowed the present to guide me in the printing for Revoir. JH Engström

Sample images

J H Engstrom
Engstrom goes back to his Trying to Dance negatives and comes up with a completely new book
£50.00

Picture of Pierre et Gilles: 40

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

On the fortieth anniversary of Pierre Commoy and Gilles Blanchard’s romantic union, this volume traces four decades of artistic collaboration between the photographer and painter known as Pierre et Gilles. This year-by-year retrospective of their vast oeuvre, accompanied by an incisive essay by art critic Éric Troncy, showcases the genesis and development of their sublime, audacious, and explicitly confected fusion of photography and painting.

Highly sophisticated and shamelessly sexy, their art—stylized, idealized painted photographs—synthesizes tropes drawn from celebrity and mainstream gay culture with timeless themes of religion, mythology, and beauty, and many works feature international stars including Madonna, Naomi Campbell, Dita Von Teese, Kylie Minogue, Karl Lagerfeld, Mick Jagger, and Iggy Pop.

Publisher: Flammarion

Size: 9-3/8 x 11-3/4"

Written by Pierre Commoy, Gilles Blanchard and Éric Troncy
On the fortieth anniversary of Pierre Commoy and Gilles Blanchard’s romantic union, this volume traces four decades of artistic collaboration between the photographer and painter known as Pierre et Gilles
£36.00

Picture of Winogrand / Lindbergh: Women on Street

Publisher's Description

The catalogue presents more than 60 works of two world famous photographers. For the first time this catalogue puts together photographs by Peter Lindbergh and Garry Winogrand, who are setting apart with ‘women’ and ‘street photography’.

Next to works from the world famous series, Women are Beautiful by Winogrand, this catalogue presents partially unpublished works by Lindbergh, which he has shot on the street during some fashion shootings.

The photographs perform a substantive discourse on the truthfulness of street photography, centred around the major themes ‘directing’, ‘authenticity’ and ‘reality’. A further highlight is the publication of a few very rare colour photographs by Winogrand shot between 1958-1964.

Garry Winogrand (who died in 1984), ranks among the most important exponents of street photography and, from the mid-1970s, he played a decisive role in establishing photography in the context of contemporary art. His frequently falling lines, a direct and intuitive approach to his subject and an insightful view of the cosmos of the street are the features of his distinctive style.

Peter Lindbergh is regarded as one of the best living photographers and a star of fashion photography. In the 1990s, with his photographs of Naomi Campbell, Linda Evangelista, and Cindy Crawford he coined the term ‘supermodel’. Yet, over and over again, he has demonstrated something untypical for the fashion world, as the focus of his attention is the individual behind the model.

Published on the occasion of the Düsseldorf Photo Weekend 2017 exhibition, Peter Lindbergh / Garry Winogrand: Women on Street at Kulturzentrum NRW-Forum, Düsseldorf (3 February – 30 April 2017).

Publisher: Walther Koenig

Size: 220 x 230 mm

140 pages, 62 colour illustrations 

English and German text.

Peter Lindbergh and Garry Winogrand
The catalogue presents more than 60 works of two world famous photographers. For the first time this catalogue puts together photographs by Peter Lindbergh and Garry Winogrand, who are setting apart with ‘women’ and ‘street photography’.
£28.80

Picture of Novokuznetsk

Publisher's Description

During the 1980s Siberian artist Nikolay Bakharev worked as a mechanic and communal services factory photographer in the USSR. To supplement his income he would solicit work as a black market portrait photographer on the public beaches of Eastern Russia. If the shoot went well, he would invite his subjects to make further images in a more intimate setting, compelling his subjects over several hours into contorted, erotically charged poses, which at the time was highly illegal.

After the the fall of the Iron Curtain, Bakharev began to work more openly as an artist, although often being admonished as a pornographer. His photographs from this time reveal more than just the bodies of his subjects, but the longing and dampened dreams of the inhabitants of an industrial town and the desires of an unrelenting artist.

"It would be easy to misinterpret these images as simply the pornographic imaginings of a manipulative and dirty old man, yet there is something else within them – in the subjects’ eyes, in their frankness, in their curiosity and collusion, as well as in their surroundings – that suggests that much more is going on here, and that what is both at stake and in evidence stretches far beyond the realms of explicit sexuality, voyeurism and mere titillation." - Aaron Schuman

Sample images

Publisher: Stanley Baker (in collaboration with Grinberg Gallery and Julie Saul Gallery)

Size: 240 x 270 mm

120 pages + 8 page booklet

Nikolay Bakharev
After the the fall of the Iron Curtain, Bakharev began to work more openly as an artist, although often being admonished as a pornographer. His photographs from this time reveal more than just the bodies of his subjects, but the longing and dampened dreams of the inhabitants of an industrial town and the desires of an unrelenting artist.
£36.00

Picture of Washington Square

Publisher's Description

In the late 50’s, New York’s Washington Square was a place of rebellion, nicknamed junkie row and described by Simone de Beauvoir as "A cosmopolitan chorus of tourists, ‘intellectuals’, students and a dubious collection of beatniks, hippies and bohemians who gather while in the dimly lit night clubs and coffee houses, blues and folk singers perform.”

As a young man, the American photographer Dave Heath, created deeply expressive, candid portraits of the young people who populated the square, as well as venturing into the 7 Arts Coffee Gallery, where the infamous Beat poets: Allen Ginsberg, Gregory Corso and Jack Kerouac (who appear in the book), spent their nights giving readings of their latest works such as Ginsberg's influential poem Howl, which is included as an introduction to the book.

This special book began it's journey shortly before Heath sadly passed away in 2016 on his 85th birthday.

Publisher: Stanley Barker

104 pages

1st edition

Dave Heath
As a young man, the American photographer Dave Heath, created deeply expressive, candid portraits of the young people who populated Washington Square
£31.50

Picture of Ren Hang

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Ren Hang is an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 28-year-old Beijing photographer is nonetheless at the forefront of Chinese artists’ battle for creative freedom. Like his champion Ai Weiwei, Ren is controversial in his homeland and wildly popular in the rest of the world. He says, "I don't really view my work as taboo, because I don't think so much in cultural context, or political context. I don't intentionally push boundaries, I just do what I do."

Why? Because his models, friends, and increasingly, fans, are naked, often outdoors, high in the trees or on the terrifyingly vertiginous rooftops of Beijing, stacked like building blocks, heads wrapped in octopi, body cavities sprouting phone cords and flowers, whatever enters his mind at the moment. He denies his intentions are sexual, and there is a clean detachment about even his most extreme images: the urine, the insertions, the many, many erections. In a 2013 interview VICE magazine asked, “there are a lot of dicks … do you just like dicks?” Ren responded, “It’s not just dicks I’m interested in, I like to portray every organ in a fresh, vivid and emotional way.” True though that may be, the penises Ren photographs are not just fresh and vivid, but unusually large, making one wonder just where he meets his friends.

In the same piece, Hang also stated, “Gender isn’t important when I’m taking pictures, it only matters to me when I’m having sex,” putting him at the forefront of gender inclusiveness. Young fans eagerly follow his website, Facebook, Instagram, and Flickr accounts. His photographs, all produced on film, have been the subject of over 20 solo and 70 group shows in his brief five-year career, in cities as disparate as Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and yes, even Beijing. He has self-published eight monographs, in tiny print runs, that now sell for up to $ 600. TASCHEN’s Ren Hang will be his first international collection, covering his entire career, with well loved favorites and many never-before-seen photos of men, women, Beijing, and those many, many erections.

Publisher: Taschen

Size: 225 x 300

312 pages

Multilingual Edition: English, French, German

Ren Hang
Ren Hang is an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 28-year-old Beijing photographer is nonetheless at the forefront of Chinese artists’ battle for creative freedom.
£31.49

Picture of Faces of the North

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Introduction by Mary Ellen Mark. Text by Ragnar Axelsson.

Raised on an isolated farm in southern Iceland, Ragnar Axelsson (born 1958) became captivated early on by the brutal beauty of the North Atlantic and the delicate interactions between its inhabitants and their environment. Born of that fascination, Faces of the North, first published in a small print run in 2004, established Axelsson as one of the leading documentary photographers of our time. It contained about 100 lushly austere, powerful images of Greenland, Iceland and the Faroe Islands, taken over two decades. Long out of print, Faces of the North is now republished in a special anniversary edition that echoes the format of Axelsson's latest publications, Last Days of the Arctic and Behind the Mountains. Containing the original selection of photographs documenting the vanishing lifestyles of the North Atlantic, the new edition also includes previously unpublished photos, Axelsson's personal accounts of the journeys which led to the images' creation and the artist's sketches of the photographs, drawn nightly as he traveled through the Arctic. In the 2004 edition of Faces of the North, Axelsson collected the images of farmers, hunters and fishermen in the Arctic and the Atlantic that he became best known for; in the 2014 edition, his oeuvre comes full circle, as he looks back upon the foundation of his photographic passion and career.

Sample images

Publisher: Crymogea

Size: 12.25 X 11.5"

412 pages, 210 duotone images

Ragnar Axelsson
Long out of print, Faces of the North is now republished in a special anniversary edition that echoes the format of Axelsson's latest publications, Last Days of the Arctic and Behind the Mountains.
£44.10

Picture of People Knitting: A Century of Photographs

Publisher's Description

People Knitting is a charming tribute in vintage photographs and printed ephemera to the ever-popular, often all-consuming, craft of knitting. When women posed with their knitting in the earliest nineteenth-century photographs, it demonstrated their virtue and skill as homemakers. Later, knitting became fashionable among the wealthy as a sign of culture and artistic ability. During the two world wars, images of nurses, soldiers, prisoners, and even knitting clubs composed of very serious small boys'all with heads bent down, intent on knitting items (especially socks) for the troops'abounded. In the 1950s and 1960s, as snapshots became ubiquitous, knitters took on a jauntier air, posing with handiwork held proudly aloft. People Knitting is a quirky and fascinating gift for the knitter in your life.

Publisher: Princeton Arcitectural Press

Size: 127 x 191 mm

144 pages, 10 colour illustrations, 90 b/w illustrations



People Knitting is a charming tribute in vintage photographs and printed ephemera to the ever-popular, often all-consuming, craft of knitting.
£8.99

Picture of People of London

Publisher's Description

This is book 1 from a new series dedicated to the best urban photography from around the world. The books are similar to our grey-spined series but 20% bigger with cloth wrapped around the back. Even better!

Motivated by a love of London and its people, Peter Zelewski spent over five years taking photographs of strangers throughout the city. This collection of 100 powerful portraits, accompanied by intimate quotes, is a celebration of the diversity and spirit of one of the world's most dynamic cities.

A fully cloth-covered Collector's Edition of People of London by Peter Zelewski presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 100 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Book 1 from the series 'Tales from the City' + PRINT

Publisher: Hoxton Mini Press

Size: 160 x 228 mm

Peter Zelewski
A fully cloth-covered Collector's Edition of People of London by Peter Zelewski presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.
£67.50

Picture of Gentlemen (Signed)

Publisher's Description

Karen Knorr’s Gentlemen, published this September by STANLEY/BARKER in collaboration with Eric Franck Fine Art, takes us inside the hallowed halls of the most venerable private gentlemen’s clubs of 1980s London, and considers the patriarchal values of the English upper classes with beautifully precise photographs and texts constructed out of speeches of parliament and the news at that time.

The complete series of 26 images and texts investigate the values that ally these classes to conservative aristocratic values where primogeniture (the right by law of the rstborn son to inherit his parent’s estate, in preference to daughters) is still an issue. Until the early 1970’s a married women still needed her husband’s endorsement for any household purchases. Whilst women now have full property rights, they still remain under-represented in key positions of governance and in nancial and academic worlds. It is still a boys club in which some women are honorary members.

With equality on the agenda and calls for more to be done, the timely release of Gentlemen — the follow up to the critically acclaimed Belgravia (Published November 2015) uses humour to explore attitudes amongst the English establishment in the 1980’s. Knorr noted that despite being Prime Minister and head of the Conservative party, Margaret Thatcher as a woman was not then, nor would be now, allowed full membership at the Conservative Gentlemen’s club ‘The Carlton’. Old Etonians, like the former British Prime Minister prime minister David Cameron, have belonged to such Gentlemen’s clubs. It is in these clubs that behind the scenes influence is still used to influence politics and business today.

Signed copies

Sample images

Publisher: Stanley/Barker

Size: 350 × 280 mm

58 pages, 26 duotone images


Karen Knorr
Karen Knorr’s Gentlemen takes us inside the hallowed halls of the most venerable private gentlemen’s clubs of 1980s London, and considers the patriarchal values of the English upper classes with beautifully precise photographs and texts constructed out of speeches of parliament and the news at that time.
£40.00

Picture of Kingdom of Girls

Publisher's Description

Karolin Klüppel (*1985 in Kassel) can already look back at a body of creative work that enjoys a wide range of enthusiastic reviews and awards. This extraordinary resonance is due to the elegant alternation of her photographs between documentation and composition as well as her marked sense of impressive subjects. The pictures in the Kingdom of Girls series stand out not only due to their powerful and contemplative aesthetic, they also tell a story. The girls’ faces reveal the lifeworld and culture of the Khasi, an indigenous people in the Indian state of Meghalaya with a matrilineal social system: the youngest daughter is given preference in the order of succession. When she marries, her husband moves into her family’s home, the children receive the mother’s name. Only the birth of a daughter guarantees the continuity of the clan. Between 2013 and 2015, the photographer spent a total of ten months in the Khasi village of Mawlynnong, where she captured these magical images.

Publisher: Hatje Cantz

Karolin Klüppel
In focus: the role of adolescent girls in the Indian state of Meghalaya
£31.50

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