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Picture of Players: Magnum Photographers Come Out to Play

Publisher's Description

In order to go beyond the rules and the veneration that have characterised the development of photography since its beginnings, it is necessary to transgress, to invent, to play and to flirt with freedom. In this sense, there haven’t historically been many authors who have dared to question the medium and turn it around, which confirms the impression that, as a language yet to be fully consolidated, photography hasn’t been in the mood for jokes. But there are always authors, specially in the newer generations, who break the rules without vindications, just out of curiosity, seeking to have and portray fun.

Revolving around this idea, Players—a volume to accompany the exhibition of the same name that will take place as part of the Festival PHotoEspaña 2018—presents a selection of woks by Magnum photographers that have a playful approach, either because they play with the photographic medium itself, or because they portray fun and leisure.

Photographers: Abbas, Christopher Anderson, Olivia Arthur. Bruno Barbey, Jonas Bendiksen, Ian Berry, Michael Christopher Brown, Cartier Bresson, Thomas Dworzak, Bruce Davidson, Karl de Keyzer, Raymond Depardon, Bieke Depoorter, Carolyn Drake, Elliott Erwitt, Martine Frank, Stuart Franklin, Leonard Freed, Cristina García Rodero, Bruce Gilden, Burt Glinn, Jim Goldberg, Harry Gruyaert, David Allan Harvey, David Hurn, Richard Kalvar, Hiroji Kubota, Guy Le Querrec, Erich Lessing, Alex Majoli, Peter Marlow, Steve Mc Curry, Susan Meiselas, Trent Parke, Martin Parr, Paolo Pellegrin, Gueorgui Pinkhassov, Mark Power, Eli Reed, Marc Riboud, Moises Saman, Alessandra Sanguinetti, Jerome Sessini, Jacob Aue Sobol, Alec Soth, Chris Steele Perkins, Dennis Stock, Matt Stuart, Mikhael Subotzky, Larry Towell, Peter Van Agtmael, Alex Webb, Patrick Zachmann.

Publisher: La Fabrica

Size: 21.4 x 25 cm

212 pages, 190 images

Language: English / Spanish


Editted by Cristina de Middel & Martin Parr
In order to go beyond the rules and the veneration that have characterised the development of photography since its beginnings, it is necessary to transgress, to invent, to play and to flirt with freedom.
£31.50

Picture of Bright Black World (Signed)

Publishing November 2018. Taking advance orders.

Unsigned copies - £10 less

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

We are thrilled to announce the publication of Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 clothbound copies.

Publisher: Nazraeli Press

Size: 43.2 x 30.4 cm

104 pages, 48 four-color plates

Todd Hido
Signed Standard Edition
£64.00

Picture of Bright Black World

Publishing November 2018. Taking advance orders.

Signed copies also available

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

We are thrilled to announce the publication of Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 clothbound copies.

Publisher: Nazraeli Press

Size: 43.2 x 30.4 cm

104 pages, 48 four-color plates

Todd Hido
Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.
£54.00

Picture of And where did the peacocks go?

Miho Kajioka's work draws on the Japanese tradition of “wabi-sabi” – the appreciation of beauty in imperfection and transience, and the Zen/Taoist belief that the essence of an object exists rather in the empty space inside and around it. This is certainly evident in this beautiful publication. Those looking for comparisons might gravitate toward Masao Yamamoto and while there is a similarity in style the personal in Kajioka's work is enough to distinguish it from that of the great Japanese photographer. This work, partly seen at the Photographer's Gallery earlier this year, was created in response to the accident at the Fukushima nuclear plant.

"Right after the Fukushima nuclear plant accident, I found a blog about peacocks that were left in the evacuation zone, within the 20 km limit. I started imagining those peacocks, walking around the empty town with their beautiful wings spread. The image I had in my mind seemed so far away from what was going on in Fukushima. It was as if two different layers of images – the disaster scene and beautiful peacocks – were overlapping with each other without being unified. I started to see different layers in almost everything after the disaster in 2011."

Miho Kajioka

Publisher: the (M) éditions

Size: 16 x 20 cm

64 pages + 32 pages booklet (text in English and Japanese) .

Miho Kajioka
Miho Kjioka's work draws on the Japanese tradition of “wabi-sabi” – the appreciation of beauty in imperfection and transience, and the Zen/Taoist belief that the essence of an object exists rather in the empty space inside and around it.
£70.00

Picture of Portrait of Britain

Publisher's Description

200 photographs that capture the face of a changing nation.

Portrait of Britain is an annual photography exhibition showcasing the best portraits taken by people throughout the country. The winning photographs, selected from BJP's open-call competition, are displayed on digital billboard screens nationwide – in train stations, airports, shopping centres and on high streets – and are seen by over 10 million people.

Now in its third year, the exhibition will re-launch on 1 September 2018 for one month but for the first time with this book. Portrait of Britain is a small, chunky hardback featuring 200 shortlisted portraits alongside information about each image and selected quotes from the photographers. Together these photographs celebrate the richness and diversity of a vibrant nation at a time of pivotal change.

'These magnificent photographs capture at once the great diversity and the inescapable identity of the British. Gay, straight, bisexual and non-normative; male, female and non-binary; old, young and in between — how can it be that these — every one a compelling identity in its own right — are nonetheless trumped by a Britishness as heavy and irresistible as a Dundee fruit cake?
- Will Self, from the introduction


In collaboration with British Journal of Photography

Publisher: Hoxton Mini Press

Size: 20.5x 15.7 cm

336 images




Introduced by Will Self
200 photographs that capture the face of a changing nation.
£18.00

Picture of The Crash

Publisher's Description

In 2008 the financial crash hit the City of London. Panic filled the air and people working for the giant money machine seemed oblivious to a photographer working quickly and quietly in their midst. Now, over a decade later, these images question what we have learned... if anything at all.

Stephen McLaren moved to Bethnal Green in 1996, became a photographer, and quickly realised he never wanted to live anywhere else in London other than the East End. Stephen has written a number of books on photography, including 'Photographers’ Sketchbooks', and currently works as a photographer and writer in Los Angeles.

Book 14 from the series 'East London Photo Stories' + PRINT

A fully cloth-covered Collector's Edition of The Crash by Stephen McLaren, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 150 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press

Stephen McLaren
A fully cloth-covered Collector's Edition of The Crash by Stephen McLaren, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.
£50.00

Picture of Estudio elemental del Levante (exhibition catalogue)

Publisher's Description

Catalogue of the exhibition presented in Sala Canal de Isabel II (Madrid, May—July 2018) ‘Estudio elemental del Levante’ (An elementary study of Levante) by photographer Ricardo Cases. It includes Cases’ work since 2010 through five photographic series that analyze the universe of the Levante region as a colorful, anarchic, wild and disconcerting place, but clearly Spanish. Ricardo Cases’ Levante region is a universe made of light, surprise, precariousness and chaos. A country without rules, fascinating and hallucinatory that, in some way, condenses the spirit of contemporary society.

The exhibition shows the work of Ricardo Cases since 2010, when he changed his residence from Madrid to Valencia, and includes the series ‘Sol’, ‘Paloma al aire’, ‘El porqué de las naranjas’, ‘Podría haberse evitado’ and ‘Estudio elemental del Levante’, setting up a small-scale laboratory for the Levantine orchard. This photographic journey through landscapes and people, with supersaturated color subjects, constitutes a powerful symbolic corpus that shapes his personal Levantine universe, full of irony, vitality and characters that represent the quintessence of the autochthonous culture in an involuntary way.

Size: 13.6 x 18 cm

340 pages

Language: Spanish/English

Ricardo Cases
Catalogue of the exhibition presented in Sala Canal de Isabel II (Madrid, May—July 2018) ‘Estudio elemental del Levante’ (An elementary study of Levante) by photographer Ricardo Cases.
£19.00

Picture of Returning

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Josef Koudelka is one of the world’s most important and widely recognized photographers. The representative publication Koudelka: Returning, which was published on the occasion of his 80th birthday, offers a comprehensive look at Koudelka’s life and work, including all his major and by now legendary photographic series: Beginnings, Experiments, Theatre, Gypsies, Invasion 68, Exiles, and Panorama. Besides Koudelka’s photographs, many of which have become canonical works of world photography, the book also presents unique documentary information such as excerpts from his diaries, contact prints, examples of book or magazine mockups from 1969 in preparation for his series Invasion 1968, and photographs of friends or from his personal life. 

The book was conceived of and edited by Josef Koudelka himself, who is known not only for his exceptional diligence, focus, and sensitive approach to capturing the world on film, but also for his uncompromising thoroughness and desire for perfection, all which combine to make this book an exceptional experience.

Published in Czech and English, this beautiful publication, prepared by Josef Koudelka in collaboration with Irena Šorfová, offers a comprehensive look at Koudelka’s life and work.

Kant Publishing

312 pages

240 x 310mm

Josef Koudelka

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Josef Koudelka is one of the world’s most important and widely recognized photographers. The representative publication Koudelka: Returning, which was published on the occasion of his 80th birthday, offers a comprehensive look at Koudelka’s life and work, including all his major and by now legendary photographic series: Beginnings, Experiments, Theatre, Gypsies, Invasion 68, Exiles, and Panorama. Besides Koudelka’s photographs, many of which have become canonical works of world photography, the book also presents unique documentary information such as excerpts from his diaries, contact prints, examples of book or magazine mockups from 1969 in preparation for his series Invasion 1968, and photographs of friends or from his personal life. 

The book was conceived of and edited by Josef Koudelka himself, who is known not only for his exceptional diligence, focus, and sensitive approach to capturing the world on film, but also for his uncompromising thoroughness and desire for perfection, all which combine to make this book an exceptional experience.

Published in Czech and English, this beautiful publication, prepared by Josef Koudelka in collaboration with Irena Šorfová, offers a comprehensive look at Koudelka’s life and work.

Kant Publishing

312 pages

240 x 310mm

£88.00
£85.95

Picture of Takeshi Shikama

The first collection of Takeshi Shikama's work since 2013.  It includes a selection of his earlier images but primarily focuses on recent work, not previously published, from the Scottish Highlands and Islands, Italy, the Netherlands, France, Spain and the USA.

Shikama handprints his own work using the platinum palladium technique on a traditional Japanese paper handmade from the bark of the gampi tree.

Published by the Daguan Gallery, Taiwan, on the occasion of a solo exhibition in 2018.

96 pages

53 images

230 x 170mm

Takeshi Shikama
The first collection of Takeshi Shikama's work since 2013. Primarily focuses on recent work, from the Scottish Highlands and Islands, Italy, the Netherlands, France, Spain and the USA
£35.00

Picture of The Moth (Signed)

Publisher's Description

The Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time. Over the course of 30 years, Southam intermittently returned to the west of Cornwall to explore a place steeped in marine and mining history, and in the mythology of Celtic saints who exiled to Cornish shores. His poetic sequence of images, inspired by the alliterative verse of the old English poems The Wanderer and The Seafarer, moves from vistas of meadows to water streams, forgotten homes and farm dogs awaiting their food. Now and then, Southam’s fluctuating current of pictures is punctuated by a sublime moment in the rural landscape, only to be eclipsed by the hazy memory of The Moth.

Publisher: Mack Books

72 pages

Jem Southam
he Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time.
£40.00

Picture of Per Strada (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Per Strada presents a significant body of work by Guido Guidi, which he made intermittently from 1983 to 2015. The subject is the Via Emilia, a Roman road connecting Milan to the Adriatic Sea. To this day, the Via Emilia is the territorial backbone of the Southern tier of the PoValley, running through mid-size cities such as Parma, Reggio Emilia, Modena, Bologna, Forlì, and Rimini. Using a 8x10 inch camera, Guidi focuses his lens on the “interstices” between cities rather than on historical centres. He explores the rich palimpsest of signs in the landscape built from centuries of residential, agricultural, industrial, and commercial activity.

Guidi’s project on the Via Emilia began in the environs of his hometown, Cesena. For the Italian artist, to photograph everyday landscapes is to acknowledge the importance of the vernacular, but also to break free of one’s own stereotypes, ideas, and constraints. As he once stated in an interview: “At a certain moment I felt pushed to leave my room, like in Wim Wenders’s film ‘The Wrong Move’ (1975), when Wilhelm breaks the windowpane with the palm of his hand and leaves the house. I leave the house and what do I find? A house, an entrance door, a woman who passes by or who asks me something.”

Publisher: Mack Books

Size: 30 cm x 24 cm

464 pages

Three paperback volumes each with a tipped-in-image and a bilingual booklet with Guido Guidi in conversation, all housed together in a printed slipcase.

Signed by the artist

Guido Guidi
Per Strada presents a significant body of work by Guido Guidi, which he made intermittently from 1983 to 2015. The subject is the Via Emilia, a Roman road connecting Milan to the Adriatic Sea.
£45.00

Picture of The Castle (Signed)

Publisher's Description

The Castle is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia. The result of numerous preparatory visits, often revealing changing immigration policy, Mosse has filmed each site from high elevation to reveal camps that are frequently closed, off limits, or restricted to photographers. By attaching a thermographic video camera designed for long range border enforcement and insurgent detection to a robotic motion control arm, Mosse has gathered the source footage used to composite the resulting ‘heat maps’. These durational photographs are thermal panoramas made up of hundreds or sometimes thousands of overlapping ‘cells’ or individual frames, a truncated spatio-temporal form that speaks to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo.

Describing space and perspective in ways that seem to echo depictions of medieval cityscapes, such as the Nuremberg Chronicle, these images document the fences, security gates, portaloos, loudspeakers, food queues, tents and temporary shelters of camp architecture. The various ways in which each camp interrelates with adjacent citizen infrastructure are made apparent – by turns marginal, ruderal, isolated, overlooked, concealed, integrated, dispersed, regulated, militarized – allowing the reader to meditate on the situations in which these people are forced to live, and what that shows us about the approach and policies of each host nation and community. Reading heat as both metaphor and index,The Castle allows the
reader to meditate on the current conditions of refugees through ideas of hypothermia, exposure, climate change, mortality, and biopolitics.

Publisher: Mack Books

OTA-bound paperback with 28 double gatefolds

Richard Mosse
The Castle is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia.
£40.00

Picture of Ouarzazate (Signed)

Publisher's Description

Ouarzazate is a small city in the Moroccan desert famous for its movie studios and filming locations, an industry which began with David Lean and Lawrence of Arabia.

Invited by the American Friends of the Marrakech Museum for Photography and the Visual Arts to propose a project for his artist residency there, Ruwedel photographed the movie sets in 2014 and 2016.

Much of the filming activity in Ouarzazate has been for costume and Biblical epics. Cleopatra, The Garden of Eden, The Mummy, The Last Temptation of Christ; but also The Sheltering Sky and The Hills Have Eyes. Many of the sets appear to have been abandoned while others are constantly repurposed.

An Egyptian portal leads to a medieval village. An authentic Kasbah in ruins is actually a ruined replica of a “real” Kasbah elsewhere. Shepherds drive their flocks past “ancient” siege machines and Roman columns. “I was reminded of certain passages in Nathaniel West’s Day of the Locust.”

Far from the American deserts where he has produced much of his work of the past thirty years, in Morocco Ruwedel continues his long term interest in contemporary ruins and the histories of both landscape and landscape photography. The photographs are eerily reminiscent of 19th century European photography of ancient Egypt and the Middle East.

Limited edition
Signed by the artist

Publisher: Mack Books

Size: 136 pages

Mark Ruwedel
Limited edition, signed by the artist.
£75.00

Picture of Public Matters (Signed)

Publisher's Description

Capturing the spirit of protest and parade, Public Matters brings together photographs made by Janet Delaney in Reagan-era San Francisco. At this turbulent time in the mid eighties, Delaney was living in the primarily Latino neighbourhood of the Mission District. She would spend the weekends photographing public gatherings, from the annual Cinco de Mayo parade, to the Peace, Jobs and Justice marches, which rallied against the U.S. invasion of Nicaragua. If political governance was regressing, the West Coast city was a place where, as Delaney remembers, ‘progressive ideas would always be upheld.’ Celebrating multiculturalism and collective struggles for social justice, Public Matters surfaces at a juncture when the message of building bridges is needed now more than ever.

In the vintage glow of her sun-drenched images, Delaney leads us in and out of crowds – among demonstrators, fair-goers, cross-dressers, union organisers, beauty pageants, dancers, salesmen, mothers, kids, and market punters – searching for as many intimate moments as she found collective voices. Fearlessly upbeat, her photographs nevertheless intimate a time when, as Delaney recollects, people ‘were reeling from the shift to a conservative government. The demands of the 1960s were addressed in the 70s: the end of the Vietnam war, women’s rights, environmental issues, gay rights, to name a few. Then when Reagan was elected all this came to a halt.’ And as soon as the streets were filled with placards – ‘babies are for loving, not for bombing’; ‘Hatred can never cure the disease of fear, only love can do that’ – Delaney was there, in the middle of the maelstrom, making pictures of public matters.

Essay by Nathan Heller

Publisher: Mack Books

Janet Delaney
Capturing the spirit of protest and parade, Public Matters brings together photographs made by Janet Delaney in Reagan-era San Francisco.
£30.00

Picture of Liberty Theater (Signed)

Publisher's Description

Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group. Solomon’s images depict a complex terrain of social and emotional issues inherited over generations: a world of class and gender divisions, implied and overt racism, competing notions of liberty, and lurking violence. Journeying through Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South California, Solomon draws attention to cultural idiosyncrasies, paradoxes and theatrical displays: a Daughter of the Confederacy sits in costume with a china doll from her collection; a dead tree stump, fenced and suspended with wires is elevated to the status of a Civil War monument; African American boys examine a vitrine of guns as two white police manikins loom behind them. Poised between act and re-enactment, the animate and the inanimate, Solomon’s images reveal how history becomes a vernacular performance and identity a form of theatre.

Publisher: Mack Books

128 pages, 77 tritone plates

Rosalind Fox Solomon
Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group.
£30.00

Picture of New York

Publisher's Description

The starting point for Evelyn Hofer’s New York is the 1965 book New York Proclaimed, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication. New York Proclaimed is an example of Hofer’s perhaps most important body of work, her city portraits: books that present comprehensive prose texts by renowned authors alongside her self-contained visual essays with their own narratives. The newly conceived New York focuses on Hofer’s photos of the 1960s as well as until now unpublished images from the early 1970s.

In Hofer’s photos of the street and (semi-)public spaces, people and architecture become symbols of a particular time and place. She immersed herself in New York society and captured these aspects of the everyday—inconspicuous and subtle, yet all the more enduring for being so—in images that invariably reflect the zeitgeist. New York contains a new essay by John Haskell which posits possible stories behind Hofer’s photos and draws connections between images taken over the course of ten years.

Publisher: Steidl

Size: 21.5 x 28 cm

144 pages, 93 images

Evelyn Hofer
The starting point for Evelyn Hofer’s New York is the 1965 book New York Proclaimed, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication.
£36.00

Picture of Perfect Places, Perfect Company

Publisher's Description

A reworking of a series of photographs made in the mid-1980s at Colorado’s Pawnee National Grassland and first published under the title Perfect Times, Perfect Places, this pair of books conveys the privilege and sensory pleasure of walking a vast, open space. With Kerstin, his wife, and Sally, their dog, Robert Adams would drive out to the reserve to experience silence, stillness and affection. Although he is perhaps best known for picturing a damaged American geography, here Adams has recorded scenes that are flawless.

Publisher: Steidl

Size: 26 x 32 cm

108 pages, 55 images

Robert Adams
A reworking of a series of photographs made in the mid-1980s at Colorado’s Pawnee National Grassland and first published under the title Perfect Times, Perfect Places, this pair of books conveys the privilege and sensory pleasure of walking a vast, open space.
£61.20

Picture of Ice Fishers

Publisher's Description

For generations, Kazakh fishers have set out on to the frozen Ishim River in the hope of catching fish beneath the ice. The Ishim flows through the country’s capital, Astana, a high-rise, futuristic city that was built virtually from scratch in the 1990s, when the exploitation of Kazakhstan's oil reserves began. The city is intended to be an emblem of post-Soviet modernity and a hallmark of the country’s entrance into the global economy. On the ice, the fishermen brave temperatures that often reach forty degrees below zero. While they fish, they protect themselves from the harsh weather with salvaged pieces of plastic, patched together from discarded packaging or rice bags found outside markets selling western, Chinese and Russian goods. By looking at the appropriation of these imported materials and their subsidiary application, Kondratyev illuminates the material flow of global capitalism and its effect on local, nomadic practices. Tracking this flow reveals the point at which international trade policy meets individual lives.

Aleksey Kondratyev (b. 1993 in Bishkek, Kyrgyzstan) received his BFA from Wayne State University in Detroit and is a current MFA candidate at the University of California, Los Angeles. Kondratyev's work has been exhibited at the Neue Schule für Fotografie in Berlin; the Museum of Contemporary Art in Rome; Les Rencontres d'Arles; the Benaki Museum in Athens; and the Galleria Foto-Forum in Bolzano. His work has been published in theFinancial Times, CNN, Der Spiegel, the New York Times, Vogue, andNational Geographic. He lives in Los Angeles.

Publisher: Loose Joints,

Size: 30 x 24 cm

60 pages

Aleksey Kondratyev
For generations, Kazakh fishers have set out on to the frozen Ishim River in the hope of catching fish beneath the ice.
£18.00

Picture of America revised (Special Edition - Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Ater the incredible success with Gerry Johansson’s Tokyo last year (the 500 edition was sold out in three months), I’ve been looking out for another project with the artist. For the new book America revised I’ve chosen 83 pictures from the big number of images, Gerry had taken in the span of more than 40 years during his travels to the States. Gerry Johansson purists who know, like and collect his mostly self published and tabloid sized books might be irritated by our large size 320 x 300 mm (12 3/5“ by 11 4/5“). And in addition there will be even a small number of color images included. But as the reproduction size has more or less the size of his prints, even those who have never seen an original print by Gerry Johansson, could get an almost lifelike impression of an exhibition by GJ. And this was one of my intentions when designing the book. Finally I’ll be sure that even the officially sworn in fans of Gerry Johansson will like the concept. And of course there will be special editions coming with the first copies of the book.

Special Edition signed and numbered copies. With a gelatine silver print; printed by the artist with three different images in an edition of 20 each. Customers should express their print preference when ordering.

Publisher: Only Photography

Size: 320 x 300 mm

124 page, 83 mostly full plate black & white and a few colour images

Gerry Johansson
83 pictures from the big number of images, Gerry had taken in the span of more than 40 years during his travels to the States.
£360.00

Picture of The Game

Publisher's Description

In Britain, the game of football developed in a unique way: between the colliding continents of factory and church, between being owned and not being owned, between sets of rules and something organic.

As the worldwide phenomenon, the English Premier League marks its quarter century, Stuart Roy Clarke celebrates its triumph and that of the wider game.

Text by John Williams and Stuart Roy Clarke

Publsiher: Bluecoat Press

Size: 280 x 240mm

240 pages

Stuart Roy Clarke
As the worldwide phenomenon, the English Premier League marks its quarter century, Stuart Roy Clarke celebrates its triumph and that of the wider game.
£22.50

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