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Picture of One Picture Book Two #5-8

Publisher's description

Our One Picture Book Two series is a slightly larger, newly designed series of artist's books based on our recently completed One Picture Book series.

Two sets of four titles will be published each year.

This second set of four titles in a slipcase includes:

  • MARK RUWEDEL | One Picture Book Two #5 : Studio E.R.
  • JO ANN CALLIS | One Picture Book Two #6 : Cheap Thrills
  • MICHAEL MULNO | One Picture Book Two #7 : Residential Variations
  • JAN BANNING | One Picture Book Two #8 : THe Sweating Subject

Publisher: Nazraeli Press

Size: 6 x 8 1/2"

16 pages, 13 four-color plates, 1 original signed photograph.

Mark Ruwedel, Jo Ann Callis, Michael Mulno, Jan Banning
All four books from the second set of One Picture Books Two from Nazraeli Press
£108.00

Picture of One Picture Book Two #8: The Sweating Subject

Publisher's description

The Sweating Subject is a series of group portraits of tribal chiefs and their court, which includes myself, photographer Jan Banning. All are members of the Gonda or Dagomba tribe in the Northern Territories of Ghana — except for me: I am from the Netherlands. I came to Ghana on an assignment to photograph the mixing of tradition and modernity and was invited by the chiefs to have my photo taken with them.

Much has already been said about the power of the photographer who travels the world and records ‘the other’. But although the camera position, lighting and other aesthetic and technical details for these photographs were determined by me, I am just as much an object as all the other people portrayed. They are ‘selfies’ without self-determination: in the end it was my driver or one of my interpreters who decided when to press the button. And although formally the photographer, I was as expectant and powerless as everyone else at the decisive moment.

The Sweating Subject recalls colonial photography in which we see a white man pose as the big boss together with his nonwhite ‘subjects’. But this white man is a lot less imposing as he sits in the midst of the chiefs and their courtiers who, despite their heavy and warm ceremonial clothes, look proud, dignified and completely in their element. In fact, he looks like a stranger, misplaced and perspiring heavily, so unsuited is he to the climate.” — Jan Banning

The Sweating Subject is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.

Publisher: Nazraeli Press

Size: 6 x 8 1/2"

16 pages, 15 four-color plates, 1 original signed photograph.

Jan Banning
The Sweating Subject is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.
£40.00

Picture of One Picture Book Two #7: Residential Variations

Publisher's description

The 13 photographs presented in Residential Variations are selected from a larger body of work of the same title, which depicts a series of homes within a Southern California neighborhood. Through time or a succession of personal aesthetic decisions each house has been reformed from, but still resembles the simple post-war modern home that once defined the neighborhood. Interest and beauty is found within these modest domestic structures and their revisions.  

Michael Mulno’s photographs are included in several public and private collections including the San Francisco Museum of Modern Art; J. Paul Getty Museum, Los Angeles; Los Angeles County Museum of Art; and Museum of Photographic Arts, San Diego.

Residential Variations is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.

Publisher: Nazraeli Press

Size: 6 x 8 1/2"

16 pages, 13 four-color plates, 1 original signed photograph.

Michael Mulno
Residential Variations is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.
£40.00

Picture of One Picture Book Two #6: Cheap Thrills

Publisher's description

In her delicious contribution to our One Picture Book Two series, Jo Ann Callis presents 13 highly-charged photographs of suggestively anthropomorphic desserts from her series ‘Cheap Thrills: Forbidden Pleasures’.

Created in the early 1990s, this body of work was among several that Callis created at the time exploring gender and sexuality. Since emerging in the late 1970s as one of the first important practitioners of the ‘fabricated photographs’ movement, Callis has used photography to render the sensual tones and textures of fabric and food, or to animate clay figures of her own making.

Jo Ann Callis was born in Cincinnati, Ohio and relocated to Los Angeles in 1961. She enrolled at UCLA in 1970 where she began taking classes with Robert Heinecken, among other prominent artists. She started teaching at CalArts in 1976 and remains a faculty member of the School of Art’s Program in Photography and Media. She has continued to photograph, draw, and paint, and her work has been widely exhibited in such venues as the Museum of Modern Art, New York; Los Angeles County Museum of Art; Hammer Museum; the Museum of Contemporary Art, Los Angeles; the San Francisco Museum of Modern Art and many others.

In 2009 a retrospective of her work, Woman Twirling, was presented by the J. Paul Getty Museum, Los Angeles. Callis has received three NEA Fellowships and a Guggenheim Fellowship, among other awards and prizes.

Cheap Thrills is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist

Hardcover, 6 x 8 1/2, 16 pages, 13 four-color plates, 1 original signed photograph.

Publisher: Nazraeli Press

Size: 6 x 8 1/2"

16 pages, 13 four-color plates, 1 original signed photograph.

Jo Ann Callis
Cheap Thrills is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist
£40.00

Picture of One Picture Book Two #5: Studio E.R.

Publisher's description

Our first artist’s book with Mark Ruwedel catalogues seven buildings used at various times as art studios by Ed Ruscha.

Based in Los Angeles, where these images were made, Mark Ruwedel has been photographing the North American landscape for over 30 years. A prolific photographer who visits the same places and subjects again and again over extended periods of time, Ruwedel says of his approach: “I have come to think of the land as being an enormous historical archive; as a whole, the work explores the relationships of the social, technological and cultural with the natural world.”

Mark Ruwedel’s work is widely exhibited in the United States and abroad. It is held within the permanent collections of the San Francisco Museum of Modern Art; National Gallery of Art, Washington, DC; Los Angeles County Museum of Art; Tate Modern, London; and National Gallery of Canada, Ottawa, among many others. He is a Guggenheim Fellow (2014) and a recipient of the Scotiabank Photography Award.

Studio E.R. is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.

Publisher: Nazraeli Press

Size: 6 x 8 1/2"

16 pages, 7 duotone plates, 1 original signed photograph.

Mark Ruwedel
Studio E.R. is limited to 500 numbered copies, each including a 5x7 inch original print that has been signed by the artist.
£40.00

Picture of The Island Position (Signed)

Publisher's description

The Island Position is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In The Island Position, John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. They repaint, renovate, rebrand, and rearrange, gestures which point to the desires and anxieties of people who are being left behind as our thumbs lead us into the new economy. The work presents a turning point in our cultural landscape: the transition from a physical culture to a virtual one.

Masquerading as a typology of storefronts, the surfaces in The Island Position embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope—the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.

Essay by George Saunders

Publisher: Mack

Size: 22 x 29 cm

John Lehr
The Island Position is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In The Island Position, John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce.
£30.00

Picture of Showcaller (Signed)

Publisher's description

Showcaller is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018. The title Showcaller is a theatrical term which references the performative aspects of Chetrit’s work, the power dynamic between subject and photographer, and, ultimately, between the photographer and her audience.

The earliest works included were made when Chetrit was a teenager and she adroitly collapses and shuffles images from across 24 years and neutralizes the space between family portraits, teenage friends, intimate sex pictures, self-portraits, staged murder pictures, still-lives, and street photographs, to name just a few of the subjects and genres her work adopts. Regardless of the subject matter or the technique with which the image is made, her focus lies on researching and unveiling the basic social, conceptual, and technical conditions of the genre of photography. Her work is imbued with a desire to control the physical and historical limitations of the camera, to trace its manipulative potential, and to question the relationship between photographer and subject.

Publisher: Mack

Size: 29 x 22 cm

Talia Chetrit
Showcaller is the first book exploring the work of emerging artist Talia Chetrit. It brings together a broad range of her work made between 1994 and 2018 and is linked to a retrospective museum exhibition at the Kölnischer Kunstverein in early 2018
£30.00

Picture of Scene (Signed)

Publisher's description

"For eight years and across several continents, Alex Majoli has been photographing events and non-events. Political demonstrations, humanitarian emergencies, and quiet moments of everyday life. What holds all these images together is a sense of theatre. A sense that we are all actors, all playing the parts that history and circumstance demand of us. Majoli’s photographs result from his own performance. Entering a situation, he and his assistants slowly go about setting up a camera and lights. This activity is a kind of spectacle in itself, observed by those who will eventually be photographed. Majoli begins to shoot, offering no direction to the people before his camera. This might happen over twenty minutes. It might be an hour or so.

Perhaps the people adjust their actions in anticipation of the image to come. Perhaps they refine their gestures in self-consciousness. Perhaps they do not. The representation of drama and the drama of representation become one. The camera flash is instantaneous and much stronger than daylight. But all this light plunges the world into night, or moonlight. The world appears as an illuminated stage. Everything seems to be happening at the end of the day. Just when the world should be sleeping, it offers a heightened performance of itself.

We never really see people or places: we see the light they reflect. And the quality of that light affects how we understand them."

David Campany

Publisher: Mack (Co-published with Le Gal, Paris)

Size: 38 x 22.5 cm

Essays by David Campany and Corinne Rondeau

Alex Majoli
"For eight years and across several continents, Alex Majoli has been photographing events and non-events. Political demonstrations, humanitarian emergencies, and quiet moments of everyday life. What holds all these images together is a sense of theatre..."
£30.00

Picture of Maine

Publisher's description

    Winter is always too long.
    Put the plow on the truck, stay warm, take your meds.
    Get through it any way you can.
    Spring is mud. Summer, the stunning but brief reward.
    Then the fall into winter again.

Gary Briechle has forged many long-term relationships with the people he has photographed since moving to Maine nearly 20 years ago. This gives his work a peculiar intimacy, as if the pictures were made by a family member. He lives and works in midcoast Maine and doesn’t see a need to travel to make photographs: “Most everything that inspires me is within a few miles of my home. Sometimes I think that Maine is like my foster family; I’m not really entirely comfortable and will probably never feel completely settled, but Maine keeps feeding me.”

Gary Briechle was born in 1955 in Morristown, New Jersey. He attended Colgate University and received his MBA from Fairleigh Dickinson University. His work has appeared in several issues of the New York Times Magazine and he was awarded a 2015 Guggenheim Fellowship in Photography. With few exceptions, he draws and photographs daily. This is the artist’s second monograph with Twin Palms Publishers.

Publisher: Twin Palms

Size: 7.75 x 10"

128 pages, 63 full-colour plates

Gary Briechle
Gary Briechle has forged many long-term relationships with the people he has photographed since moving to Maine nearly 20 years ago. This gives his work a peculiar intimacy, as if the pictures were made by a family member.
£49.95

Picture of Elswick Kids

Publisher's description

When Tish Murtha sadly died from a brain aneurysm in 2013, she had largely been forgotten. In 2017, her key work, Youth Unemployment, was published to universal acclaim, and was followed by a major retrospective at London’s Photographers Gallery. Tish has now been recognised as a social-documentary photographer of the first rank. She had set out to document “marginalised communities from the inside” and, set against today’s austerity, her work is more relevant than ever. The anger and frustration evident in Youth Unemployment even reached the House of Commons, where it was raised as a subject of debate. Elswick Kids is a less strident set of images. They were taken as Tish walked the streets of the working-class district of Elswick in Newcastle Upon Tyne and were not intended to be an exhibition in their own right. Today, though, they tell of a time when children had the freedom of the streets to play in and where friendship blossomed against a seemingly harsh background. The photographs have a stark beauty that shines from every page. Elswick Kids is a vital contribution to our understanding of life in a northern city in the late twentieth century.

Publisher: Bluecoat Press

Size: 27 x 29 cm

180 pages

Tish Murtha
When Tish Murtha sadly died from a brain aneurysm in 2013, she had largely been forgotten. In 2017, her key work, Youth Unemployment, was published to universal acclaim, and was followed by a major retrospective at London’s Photographers Gallery.
£22.50

Picture of I Know How Furiously Your Heart Is Beating (Signed Special Edition)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's description

Limited edition of 150 copies, each comprising a signed copy of the first printing of the book, housed in a linen slipcase with a signed and numbered print. Please note only Print B (the right hand image above) is still available.

Taking its name from a line in Wallace Stevens’ short poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of intimacy. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. Whether made in Odessa or his hometown of Minneapolis, Soth’s new book is fundamentally about intimate encounters in private rooms.

“After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large-scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped travelling and photographing people. I barely took any pictures at all.

When I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life.

In order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” - Alec Soth

Interview with Alec Soth by Tanya Yanigahara

Publisher: Mack

Size: 30 x 33.5 cm

Alec Soth
Limited edition of 150 copies, each comprising a signed copy of the first printing of the book, housed in a linen slipcase with a signed and numbered print
£300.00

Picture of I Know How Furiously Your Heart Is Beating (Signed)

Publishing March 2019.

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's description

Taking its name from a line in Wallace Stevens’ short poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of intimacy. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. Whether made in Odessa or his hometown of Minneapolis, Soth’s new book is fundamentally about intimate encounters in private rooms.

“After the publication of my last book about social life in America, Songbook, and a retrospective of my four, large-scale American projects, Gathered Leaves, I went through a long period of rethinking my creative process. For over a year I stopped travelling and photographing people. I barely took any pictures at all.

When I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life.

In order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. Whether a picture is made in Odessa or Minneapolis, my goal was the same: to simply spend time in the presence of another beating heart.” - Alec Soth

Interview with Alec Soth by Tanya Yanigahara

Publisher: Mack

Size: 30 x 33.5 cm

Alec Soth
Publishing March 2019. Taking its name from a line in Wallace Stevens’ short poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of intimacy. While these large-format color photographs are made all over the world, they aren’t about any particular place or population.
£50.00

Picture of Glacier (Signed)

Publisher's Description

Glacier is an ode to Iceland’s glaciers by renowned documentary photographer, Ragnar Axelsson. Having grown up near the glaciers and flown his plane over them countless times since, Axelsson has a deep affinity for the ice that has shaped the country’s land and psyche, as well as his own lifelong fascination. With near-abstract black-and-white aerial images, and short reflective texts, Glacier is a breathtaking view of glacial forms, textures, and patterns as seen from a lyrical flight that starts above the clouds and ends at the sea. 

The photographs, taken in the past ten years, are at once elemental and ethereal, dynamic and timeless, unfamiliar and intimate. A few minuscule human figures give an initial reference to the enormity of the glaciers, but the images soon lose all sense of scale, requiring a constant reassessment of our relationship to what we are seeing, and what in reality we are bearing witness to. Surface details of the ever-moving ice, brought into sharp relief by volcanic ash, show powerful natural forces at play, but unseen and unstoppable forces are also at work. Nothing can be done to prevent Iceland’s glaciers from melting away. Within the next two centuries, they will be gone forever. 

200 pages
134 black-and-white images
345×240 mm
Printed in tritone

Forward by Ólafur Eliasson
Final words by Tómas Guðbjartsson

Edited and designed by
Einar Geir Ingvarsson


Ragnar Axelsson

Publisher's Description

Glacier is an ode to Iceland’s glaciers by renowned documentary photographer, Ragnar Axelsson. Having grown up near the glaciers and flown his plane over them countless times since, Axelsson has a deep affinity for the ice that has shaped the country’s land and psyche, as well as his own lifelong fascination. With near-abstract black-and-white aerial images, and short reflective texts, Glacier is a breathtaking view of glacial forms, textures, and patterns as seen from a lyrical flight that starts above the clouds and ends at the sea. 

The photographs, taken in the past ten years, are at once elemental and ethereal, dynamic and timeless, unfamiliar and intimate. A few minuscule human figures give an initial reference to the enormity of the glaciers, but the images soon lose all sense of scale, requiring a constant reassessment of our relationship to what we are seeing, and what in reality we are bearing witness to. Surface details of the ever-moving ice, brought into sharp relief by volcanic ash, show powerful natural forces at play, but unseen and unstoppable forces are also at work. Nothing can be done to prevent Iceland’s glaciers from melting away. Within the next two centuries, they will be gone forever. 

200 pages
134 black-and-white images
345×240 mm
Printed in tritone

Forward by Ólafur Eliasson
Final words by Tómas Guðbjartsson

Edited and designed by
Einar Geir Ingvarsson


£112.00

Picture of Event Horizon

Publisher's Description

The wave is not the water. The water merely tells us of the passing of the wave.” 
—Buckminster Fuller

Physics describes the Event Horizon as the boundary of a black hole, a one-way crossing between the universe outside and an undiscovered state within, the point of no return between one reality and another. Einstein's theory of Special Relativity proved that different observers, in different states of motion, see different realities. The nearer one approaches the Event Horizon, the stronger the effect on space and time.  Nothing – not even light – can escape its power. 

This book explores the nature of perception and reality.  The photograph as a portal from one perception of reality to another, employing the Event Horizon as a metaphor for that passageway. A photograph can be such a passageway, where form is a place mark for other, more fundamental elements, like the movement of trees manifesting the wind.  Seen in this way, a subject may be less important for what it is, or where it is, than for what it can reveal to us of its underlying, essential nature: a visual harmonic. Event Horizon seeks to explore such ideas. 

Eric Lawton is a fine art photographer, writer and visual artist whose work has been exhibited and published throughout the world. His art is in numerous private, corporate and public collections including the Skirball Museum, the International Photography Museum, the New York Public Library and the Bibliotheque Nationale in Paris. Lawton’s portfolio Event Horizon was awarded First Prize for book projects at the Palm Springs Photography Festival in 2014 and was exhibited at the Annenberg Space for Photography. He is the recipient of numerous other awards, including The International Photography (“Lucie”) Awards, American Photographic Artists, American Photo and Communication Arts’ Award of Excellence. He lives and works in Los Angeles, California.

Nazraeli Press

2018

330 x 330mm, 48 pages, 25 full-color plates.   

Eric Lawton

Publisher's Description

The wave is not the water. The water merely tells us of the passing of the wave.” 
—Buckminster Fuller

Physics describes the Event Horizon as the boundary of a black hole, a one-way crossing between the universe outside and an undiscovered state within, the point of no return between one reality and another. Einstein's theory of Special Relativity proved that different observers, in different states of motion, see different realities. The nearer one approaches the Event Horizon, the stronger the effect on space and time.  Nothing – not even light – can escape its power. 

This book explores the nature of perception and reality.  The photograph as a portal from one perception of reality to another, employing the Event Horizon as a metaphor for that passageway. A photograph can be such a passageway, where form is a place mark for other, more fundamental elements, like the movement of trees manifesting the wind.  Seen in this way, a subject may be less important for what it is, or where it is, than for what it can reveal to us of its underlying, essential nature: a visual harmonic. Event Horizon seeks to explore such ideas. 

Eric Lawton is a fine art photographer, writer and visual artist whose work has been exhibited and published throughout the world. His art is in numerous private, corporate and public collections including the Skirball Museum, the International Photography Museum, the New York Public Library and the Bibliotheque Nationale in Paris. Lawton’s portfolio Event Horizon was awarded First Prize for book projects at the Palm Springs Photography Festival in 2014 and was exhibited at the Annenberg Space for Photography. He is the recipient of numerous other awards, including The International Photography (“Lucie”) Awards, American Photographic Artists, American Photo and Communication Arts’ Award of Excellence. He lives and works in Los Angeles, California.

Nazraeli Press

2018

330 x 330mm, 48 pages, 25 full-color plates.   

£54.00

Picture of Willy Ronis by Willy Ronis: The Master Photographer's Unpublished Albums

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's description

Willy Ronis curated and commentated on the iconic images featured in this beautiful volume that retraces his career and contributions to photography and photojournalism.
 
A key figure in twentieth-century photography, Willy Ronis conveyed the poetic reality of postwar Paris and Provence in iconic black-and-white photographs. Influenced by Alfred Stieglitz and Ansel Adams, and amicable with his contemporary Magnum photographers, Ronis was the first French photographer to contribute to Life magazine. In the 1950s, MoMA curator Edward Steichen featured Ronis—along with Henri Cartier-Bresson, Robert Doisneau, and Brassaï—in the groundbreaking exhibitions The Family of Man and Five French Photographers.

Throughout his life, this powerhouse of humanist photography kept meticulous records of his work, curating each era into albums, which are reproduced here for the first time. Timeless photographs of postwar France and its inhabitants are accompanied by the photographer’s original observations and comments, framing the images within their technical and historical context. Photography historian Matthieu Rivallin’s critical perspective adds nuance to the photographer’s notes, and the ensemble is a groundbreaking and definitive reference on the myriad aspects of the artists’ immense career and an essential volume for all photography aficionados.

Publisher: Flammarion

Size: 9 3/8 x 10 3/4"

600 pages

Written by Matthieu Rivallin and Willy Ronis
Willy Ronis curated and commentated on the iconic images featured in this beautiful volume that retraces his career and contributions to photography and photojournalism.
£58.50

Picture of Magnum China

Publisher's description

A timely, panoramic portrait of China by Magnum's legendary photographers, spanning the pre-revolutionary years to contemporary China

Many of Magnum’s most renowned photographers, beginning with Robert Capa and Henri Cartier-Bresson on assignment in the 1930s, have photographed China, returning time and again, their fascination growing in line with China’s burgeoning accessibility and international influence. Magnum China – both an outstanding photobook and a fascinating social history – illustrates the agency’s evolving relationship with China to give a visually rich, informed photographic account of the country, its people and the changes witnessed over the last nine decades.

Chronologically organized to present key periods in the development of the modern state and its associated territories, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured projects, and group selections illustrating the diversity of Magnum’s interaction with the region. Supplemented with introductory essays by Jonathan Fenby, historical timelines, lists of photographers’ travels and a fold-out map of China, Magnum China offers detailed and insightful socio-political, geographical and historical context to complement the outstanding photography of some of the world’s finest documentary, art and street photographers.

Features work by forty photographers:
Abbas • Christopher Anderson • Eve Arnold • Olivia Arthur • Bruno Barbey • Jonas Bendiksen • Ian Berry • Werner Bischof • Michael Christopher Brown • René Burri • Robert Capa • Henri Cartier-Bresson • Chien-Chi Chang • Carl De Keyzer • Raymond Depardon • Carolyn Drake • Thomas Dworzak • Elliott Erwitt • Martine Franck • Stuart Franklin • Bruce Gilden • Burt Glinn • Jim Goldberg • Harry Gruyaert • Hiroshi Hamaya • Thomas Hoepker • Philip Jones Griffiths • Guy Le Querrec • Lu-Nan • Steve McCurry • Alex Majoli • Constantine Manos • Inge Morath • Martin Parr • Paolo Pellegrin • Gueorgui Pinkhassov • Marc Riboud • Alec Soth • Chris Steele-Perkins • Patrick Zachmann

Publisher: Thames & Hudson

Size: 29.5 x 24.5 cm

376 pages


A timely, panoramic portrait of China by Magnum's legendary photographers, spanning the pre-revolutionary years to contemporary China
£43.20

Picture of Wallace W. Abbey: A Life in Railroad Photography

Publisher's description

From the late 1940s on, Wallace W. Abbey masterfully combined journalistic and artistic vision to transform everyday moments in transportation into magical photographs. Abbey, a photographer, journalist, historian, and railroad industry executive, helped people from many different backgrounds understand and appreciate what was often taken for granted: a world of locomotives, passenger trains, big-city terminals, small-town depots, and railroaders. During his lifetime he witnessed and photographed sweeping changes in the railroading industry from the steam era to the era of diesel locomotives and electronic communication. Wallace W. Abbey: A Life in Railroad Photography profiles the life and work of this legendary photographer and showcases the transformation of transportation and photography after World War II. Featuring more than 175 exquisite photographs in an oversized format, Wallace W. Abbey is an outstanding tribute to a gifted artist and the railroads he loved.

Publisher: Indiana University Press

25.65 cms L x 26.16 cms W, 240 pages

84 black & white illustrations

Wallace W. Abbey
From the late 1940s on, Wallace W. Abbey masterfully combined journalistic and artistic vision to transform everyday moments in transportation into magical photographs.
£36.00

Picture of NeoRealismo: The New Image in Italy 1932-1960

Publisher's description

This stunning book explores Italian Neorealism in photography, as it documented Italy’s economic and social conditions in the mid-20th century and its rise as a democratic nation.

Originally used for Fascist propaganda, the camera in Italy became a tool for artists to reveal the poverty and oppression of their country and a way to instigate positive social development and create a national identity. The NeoRealismo style became a call for economic justice as well as an artistic movement that influenced the modern world. The achievements of that movement are celebrated in this book with more than 200 illustrations, including exquisitely reproduced photographs and magazine images as well as film stills and posters. Together these images portray the seismic changes that took place throughout Italy during and after the war. The migration from south to north, the rural and urban poverty, and the desire to establish a national identity are all given expression through the photographers’ lenses. Accompanying essays discuss the technological changes that transformed the country, trace the evolution of Neorealist cinema, and explore how writers became part of this revolution. Beautiful, raw, and free of artifice, these images and the people who created them ushered a unique and fascinating moment in modern art history.

Publisher: Prestel

Size: 24 x 29 cm

352 pages, 241 b/w illustrations

Enrica Viganò (Editor)
This stunning book explores Italian Neorealism in photography, as it documented Italy’s economic and social conditions in the mid-20th century and its rise as a democratic nation.
£44.96

Picture of Flowers for Lisa

Publisher's description

Best known for his surreal camera obscura pictures and luminous black-and-white photographs of books, photographer Abelardo Morell now turns his transformative lens to one of the most common of artistic subjects, the flower. The concept for Flowers for Lisa emerged when Morell gave his wife, Lisa, a photograph of flowers on her birthday. “Flowers are part of a long tradition of still life in art,” writes Morell. “Precisely because flowers are such a conventional subject, I felt a strong desire to describe them in new, inventive ways.” With nods to the work of Jan Brueghel, Édouard Manet, Georgia O’Keeffe, René Magritte, and others, Morell does just that; the images are as innovative as they are arresting.

Publisher: Abrams Books

Size: 10 x 12"

144 pages, 100 colour photographs

Abelardo Morell
Best known for his surreal camera obscura pictures and luminous black-and-white photographs of books, photographer Abelardo Morell now turns his transformative lens to one of the most common of artistic subjects, the flower.
£40.50

Picture of Making It Up: Photographic Fictions

Publisher's description

One of two launch volumes in an important and highly collectible new photography series by the V&A, here is an introduction to the history of staged photography in over 130 key images from the V&A’s outstanding collection

Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions challenges the idea that ‘the camera never lies’. With over 130 photographs supported by extended commentaries and an introduction, the book illustrates that, though we often recognize the staged, constructed or the tableau as a feature of contemporary art photography, this way of working is almost as old as the practice itself. Remarkable in themselves, these photographic fictions, whether created by such early practitioners as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new and intriguing relevance in our so-called ‘post-truth’ age.

'[Marta Weiss's] history of freeze-frame tricks of the eye begins with gelatin-plate fantasies and ends with the emergence of digital techniques that allowed any kind of make-believe'
Observer

Publsher: Thames & Hudson

Size: 25.0 x 19.5 cm

192 pages, 146 illustrations



ISBN: 9780500480373

Marta Weiss
One of two launch volumes in an important and highly collectible new photography series by the V&A, here is an introduction to the history of staged photography in over 130 key images from the V&A’s outstanding collection
£22.46

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