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Picture of Moises

In this work, Mariela Sancari presents portraits of 70–year–old men, the age her father would be if he were still alive.The Argentine photographer is convinced that seeing the inert body of a dead person helps one to overcome one of the most complex stages of grief, denial. She was unable to see her father’s body and has therefore doubted his death in countless ways. In this volume, Sancari proposes and undertakes a fictional game in an attempt to help show the infinite storeroom of the unconscious, a mise en scène that allows us to represent our real desires and fantasies.

La Fabrica

17.5 X 26 cm

64 pages


Mariela Sancari

In this work, Mariela Sancari presents portraits of 70–year–old men, the age her father would be if he were still alive.The Argentine photographer is convinced that seeing the inert body of a dead person helps one to overcome one of the most complex stages of grief, denial. She was unable to see her father’s body and has therefore doubted his death in countless ways. In this volume, Sancari proposes and undertakes a fictional game in an attempt to help show the infinite storeroom of the unconscious, a mise en scène that allows us to represent our real desires and fantasies.

La Fabrica

17.5 X 26 cm

64 pages


£34.00

Picture of It Was a Grey Day

This book I hold near and clear. I moved to Berlin in 1981, to the western part of the city, the wall was still there. In respect of urban planning West Berlin was decades behind the already rehabilitated Western German cities. Wastelands, windowless firewalls, crumbling plaster and sooty facades characterized the atmosphere. In East-Berlin even more than in the West. But Berlin was a magnet for artists, do-gooders and utopians who came from everywhere. Together with the many uncultivated spaces they made Berlin one of the most unusual places in the world.

Since the fall of the Wall in 1989 much has changed. It took time, but now redevelopement, new constructions, closure of gaps between buildings and new utilization concepts for the border strip give the capital a new face.

And then Gerry Badger appears and photographs in ›one of his favorite cities‹ - and is baffled by the images that he has made, as they look so downbeat compared to his conscious idea of the city with all the depressing-looking grey in grey, the disorder, the rank growth.

But he provides the answer himself, when he says:
›I am fascinated by the terrain vague of the urban scene – wastelands, the funny little spaces that become impromptu gardens or parks, or are acted upon in some other way. Most people find them scruffy. I find them magical. I have an unerring instinct for finding the scruffier areas of cities – I know I’ll find my pictures there. But my intention is to depict them as anything but scruffy. I see them as beautiful.‹

How beautiful, that will be remembered only when they are gone forever. Along with Gerry Badger I hope it does not come so far.

Peperoni Books

Recommended retail price £36

120 Pages
59 Colour Images
Essay by Gerry Badger
30,6 x 24,8 cm
Half clothbound hardcover

Gerry Badger

This book I hold near and clear. I moved to Berlin in 1981, to the western part of the city, the wall was still there. In respect of urban planning West Berlin was decades behind the already rehabilitated Western German cities. Wastelands, windowless firewalls, crumbling plaster and sooty facades characterized the atmosphere. In East-Berlin even more than in the West. But Berlin was a magnet for artists, do-gooders and utopians who came from everywhere. Together with the many uncultivated spaces they made Berlin one of the most unusual places in the world.

Since the fall of the Wall in 1989 much has changed. It took time, but now redevelopement, new constructions, closure of gaps between buildings and new utilization concepts for the border strip give the capital a new face.

And then Gerry Badger appears and photographs in ›one of his favorite cities‹ - and is baffled by the images that he has made, as they look so downbeat compared to his conscious idea of the city with all the depressing-looking grey in grey, the disorder, the rank growth.

But he provides the answer himself, when he says:
›I am fascinated by the terrain vague of the urban scene – wastelands, the funny little spaces that become impromptu gardens or parks, or are acted upon in some other way. Most people find them scruffy. I find them magical. I have an unerring instinct for finding the scruffier areas of cities – I know I’ll find my pictures there. But my intention is to depict them as anything but scruffy. I see them as beautiful.‹

How beautiful, that will be remembered only when they are gone forever. Along with Gerry Badger I hope it does not come so far.

Peperoni Books

Recommended retail price £36

120 Pages
59 Colour Images
Essay by Gerry Badger
30,6 x 24,8 cm
Half clothbound hardcover

£35.25

Picture of Carlos Spottorno

Winner of the World Press Photo Award for Nature, Hungarian photographer Carlos Spottorno (born 1971) began his career as an art curator at an ad agency. This PHotoBolsillo volume celebrates his work as a professional photographer, including both his editorial and commercial documentary projects.

Publisher: La Fábrica

Paperback, 5.25 x 7 in. / 96 pgs / illustrated throughout.

Carlos Spottorno

Winner of the World Press Photo Award for Nature, Hungarian photographer Carlos Spottorno (born 1971) began his career as an art curator at an ad agency. This PHotoBolsillo volume celebrates his work as a professional photographer, including both his editorial and commercial documentary projects.

Publisher: La Fábrica

Paperback, 5.25 x 7 in. / 96 pgs / illustrated throughout.

£11.50

Picture of Cristina de Middel

This issue of La Fábrica's PHotoBolsillo series chronicles the work of award-winning Spanish documentary photographer Cristina de Middel (born 1975). De Middel is internationally known for The Afronauts, a self-published photobook that investigates the short-lived Zambian space program started in 1964.Size: 130 X 180 mm

La Fabrica

Paperback, 5.25 x 7 in. / 96 pgs / illustrated throughout.

Cristina de Middel

This issue of La Fábrica's PHotoBolsillo series chronicles the work of award-winning Spanish documentary photographer Cristina de Middel (born 1975). De Middel is internationally known for The Afronauts, a self-published photobook that investigates the short-lived Zambian space program started in 1964.Size: 130 X 180 mm

La Fabrica

Paperback, 5.25 x 7 in. / 96 pgs / illustrated throughout.

£11.50

Picture of Early Works SIGNED

Publisher's Description

An eccentric scrapbook documenting Ivars Gravlejs schooldays in Latvia during the 1990s. Aged 11, Gravlejs acquired a camera, soon deployed in unrestrained rebellion against authority – the small state of the school. Gravlejs writes, “I often felt nauseous before going to school because of the humiliation that I faced from my teachers. The only way to survive school was to do something creative - to take pictures and make movies.”

Early Works satirises of the rules and aesthetic principles of the adult world. Eight sections trace the various phases of Gravlejs's encyclopaedic curiosity, including ‘Conceptual’, ‘Pop art’ and 'Actions', parroting the tropes of contemporary art, in emanations of the readymade (a pop art stockpile of soda cans), fake historical reconstructions (toy soldiers in battle) and surreal compositions (the erotic union of eggs and a sausage). In all the images, Gravlejs uses the gesture of art as an instrument of anarchy, lampooning his classmates and teachers in fiendish montages, winning small victories in the domain of the image. Pandemonium reins, as the young Gravlejs shapeshifts across the pages, here pretending to be 'dead drunk', sprawled out like an inebriated adult, and there caught in a mock act of terrorism, shifting railroad tracks in theatrical dark glasses.

Authoring captions that offer unsparingly honest vignettes to account for each image, Gravlejs's tone is one of utter self-mockery; and yet we are never quite sure of Gravlejs own proximity to the prodigy of Early Works – as a younger self he teases, spoofs, and employs to bite back at society, but also a protagonist assembled from a world of appropriation, manipulation and intervention.

Ivars Gravlejs (b. 1979) is a Latvian photographer who lives and works in Prague. He studied photography at the Academy of Performing Arts (FAMU) in Prague (2000–07). He currently teaches photography in Latvia and the Czech Republic.

Signed copies

Sample images

Publisher: Mack Books

Size: 206 x 273 mm

144 pages

Ivars Gravlejs
An eccentric scrapbook documenting Ivars Gravlejs schooldays in Latvia during the 1990s.
£20.00

Picture of Opening The Sky

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Desription

In 1980, the American photographer Larry Fink received a grant from the Seattle Museum of Art, or as he tells the story, ‘My star was starting to rise. I was called’ and so, already a logger of sorts himself, Fink made a natural transition into photographing the rugged breed of men who selectively pillaged the deep, virgin forest of the Olympic Peninsula, in western Washington.

Fink was assigned to ‘a gypo logger’ Davey McCardle, who would prove a significant character in the story of making ‘Opening the Sky’. Fink recalls,’ Back up the mountain with a flash in hand and a bag of forty pounds, a Mamiya C330 and a Leica M2 as my cameras, I was living a tentative life, jumping over logs rolling at me and sidestepping crevices and snakes, at the same time photographing the logging.’

‘Think of the sound from the back of a long tunnel. A whooooosh and slow silent rumble, then the gnawing ra-ta- tat-ta of the saw. Its whine, searing as is lacerates three hundred and fifty years of slow time growth with quick time destruction or production. Finally a great aching arch, a crack, a whir, and a long dark roar. Gravity takes its toll, hallow of time, silence then. A silence without time. The massive tree settled in a bed of mosses, ripped and startled into submission. Looking through a camera is not looking at danger in the same way as straight on.’

The resulting images, published in a beautiful limited edition hard back cloth covered book, are majestic, poetic and fearless — Fink at his finest.

Sample images

Publisher: Stanley/Baker

Size: 248 x 292 mm 

112 pages, 48 black & white duotone illustrations, screen printed text

Larry Fink
The images, published in a beautiful limited edition hard back cloth covered book, are majestic, poetic and fearless — Fink at his finest.
£36.00

Picture of Lost Rivers

Publisher's Description

Lost Rivers is an exploration of Taipei, Taichung and Tainan's forgotten rivers, streams and waterways. Once dominant forces in carving out their surroundings, these rivers have now become neglected backwaters in the race to urbanise. Neglected, decrepit, the city is built over them and around them. Through them we see how the race to urbanise can affect our world.


Publisher: The Velvet Cell

Size: 150 x 180 mm

64 pages

Limited Edition of 500

Poem by Joshua Edwards

Cover Illustration by Anna Cooke-Yarborough

Éanna de Fréine
Lost Rivers is an exploration of Taipei, Taichung and Tainan's forgotten rivers, streams and waterways.
£16.00

Picture of ON (Signed)

Publisher's Description

Eamonn Doyle’s second photo-book, ‘ON, follows last year’s ‘i’, a collection of street portraits from Dublin city centre. In ‘ON’, black and white figures stalk across Dublin streetscapes, by turns lost, menacing, wary, browbeaten or entranced – but always at odds in some way with their environment. 

As in ‘i’, the photographs were mostly taken on Dublin’s Parnell Street and O’Connell Street. But here the historic role of those two streets as zones of resistance, protest and insurrection is far more present. The very title of the book itself evokes a resistance – that doggedly existential kind identified by Samuel Beckett’s narrator in ‘The Unnameable’: ‘You must go on, I can’t go on, I’ll go on.’ 

The figures are dynamic – muscles taut, heads in mid-turn, bodies in motion. Some flee the photographic gaze itself. Others stare challengingly down the barrel of the lens. Most appear caught up in projects so intensely private that they have an air of total inaccessibility. Rarely does the photographic act intrude so little on the lives of its subjects. Paradoxically, the energy is sought at precisely those moments when the unruly subjects look most likely to tear the images asunder.

The central drama of the book could thus be said to be its subjects’ struggle with representation – not necessarily against it, but writhing, wriggling, jockeying with it. The resulting images invariably draw attention to the photographic act. One never forgets that these images have been selected, framed, constructed. One is never tempted to identify the image with the subject of the image or to respond ‘I know exactly how that person feels.’ The interiority of the subjects is preserved; their dignity remains intact. 

‘ON’ opens out to history more directly than its predecessor. Whereas ‘I’ was preoccupied with figures consumed by introspection, the dramas in ‘ON’ are far more environmental. Dublin’s hermetic seal has cracked open and the rest of the world has somehow spilled in. These subjects are photographed mostly from the front and from a lower angle. It’s a presentation that opens out their world, contextualising them by placing them against an architectural backdrop. Where the mysterious, often faceless figures of ‘i’ were often flattened against their worlds, the subjects of ‘ON’ stand out and strike out against their environments, often looming against skies in a way that speaks of possibility, even as they nurse wounds or eye each other suspiciously.

- John McMahon 

14 inch x 11.5 inch  [38.5cm x 28.5cm],  104 pages , 51 Black & White tritone printed images printed on Lessebo design naturel 150 gm paper

Design by PONY / Print by MM Artbook printing,  Luxembourg / Binding by Van Warden, Netherlands


Signed copies

Sample images


Eamonn Doyle
Eamonn Doyle’s second photo-book, ‘ON, follows last year’s ‘i’, a collection of street portraits from Dublin city centre. In ‘ON’, black and white figures stalk across Dublin streetscapes, by turns lost, menacing, wary, browbeaten or entranced – but always at odds in some way with their environment.
£50.00

Picture of CAMP 1979

Publisher's Description

IMAGE SHOP CAMP, an independent gallery,was opened in 1976,at multi-tenant building located at 2 chome street in Tokyo’s Shinjuku district. 6 graduates of “WORK SHOP Daido Moriyama class" includes me were participated. This is where, I showed my photos of Tokyo from January to December 1979,in a radically new way. The series, PHOTO EXPRESS: TOKYO(Shashin Tokkyubin: Tokyo),was accompanied by a monthly,16-page booklet,with issues numbered 1 to12.The shooting location was the center of 2 chome street in Shinjuku around CAMP. I presented grids of images or enlarged prints,impromptu,immediately after the photo session,almost in real time.Occasionally I transform the gallery into a darkroom,projecting the images directly onto bromide paper attached to the wall,then applying developer and fixer with a sponge. The interval between the various phases of shooting,developing,exhibition,publication,and dis-semination was thus reduced to a minimum.far from wishing to embody an intension that would be prior to the act of taking the photograph,I sought to produce images in a mechanical way,beyond my control: The accidental became a means of experiencing the world.

Publisher: Super Labo

Size: 216 x 280 mm

32 Pages, 19 Images(b/w) 3 images(color)

Limited edition of 800

(choice between 2 different front cover,cover "a” is limited of 500 copies,cover “b” is limited of 300 copies)

Keizo Kitajima
IMAGE SHOP CAMP, an independent gallery,was opened in 1976,at multi-tenant building located at 2 chome street in Tokyo’s Shinjuku district. 6 graduates of “WORK SHOP Daido Moriyama class" includes me were participated.
£25.65

Picture of Fukei

Publisher's description

SUPER LABO is proud to announce the release of new book Fukei by Daido Moriyama

“Fukei” doesn’t belong to neither a landscape nor a mental scenery.
“Fukei” is the scene whitch we have a glimpse for daily life.
The book consist of Moriyama’s previous or next of 70’s works.

The book will be launched in end of June. Softcover, Limited edition of 700
(choice between 2 different front cover,each books are limited of 350 copies)

Publisher: Super Labo

Size: 216 x 280 mm

32 Pages, 23 Images(b/w)

Limited edition of 700
(choice between 2 different front cover,each books are limited of 350 copies)

Daido Moriyama
Limited edition of 700
£25.65

Picture of Our Ocean's Edge (Special Edition -  Signed)

Publisher's Description

Special edition of 100 copies, each with a signed and numbered original archival pigment print, presented with a signed copy of the book in a custom clamshell box.

California made history with the creation of the nation’s first statewide system of ocean parks − a network of 124 Marine Protected Areas stretching from Oregon to the Mexico border. Like national parks on land, MPAs are magnificent in beauty and wildness while providing protection for wildlife, solutions to climate change, and recreational resources for all. Soon after the system was established, photographer Jasmine Swope set out to capture the essence of the marine parks. Her quest took her up and down California’s 1,100-mile long coastline. The result is “Our Ocean’s Edge,” a photographic documentary project coupled with original narratives written by author Dwight Holing that celebrates these fragile seascapes while increasing awareness about their natural benefits and inspiring conservation action. This beautiful clothbound monograph comprises 55 plates beautifully printed in duotone, and opens with a foreword by Wallace J Nichols. 

Publisher: Nazraeli Press

Jasmine Swope
Special edition of 100 copies, each with a signed and numbered original archival pigment print, presented with a signed copy of the book in a custom clamshell box.
£90.00

Picture of Our Ocean's Edge

Publisher's Description

California made history with the creation of the nation’s first statewide system of ocean parks − a network of 124 Marine Protected Areas stretching from Oregon to the Mexico border. Like national parks on land, MPAs are magnificent in beauty and wildness while providing protection for wildlife, solutions to climate change, and recreational resources for all. Soon after the system was established, photographer Jasmine Swope set out to capture the essence of the marine parks. Her quest took her up and down California’s 1,100-mile long coastline. The result is “Our Ocean’s Edge,” a photographic documentary project coupled with original narratives written by author Dwight Holing that celebrates these fragile seascapes while increasing awareness about their natural benefits and inspiring conservation action. This beautiful clothbound monograph comprises 55 plates beautifully printed in duotone, and opens with a foreword by Wallace J Nichols. A special edition, featuring a signed original photograph presented with a copy of the book in a custom clamshell box, is also available.

Swope's photographs have the soft look of richly worked, large-scale graphite drawings. In addition to her chosen printing technique, it is achieved through lengthy exposures that blur contours, enhance atmospherics and blend the motions of waves and birds into gentle near-abstractions. One result is to recast familiar sights, recorded in millions of snapshots of tourist scenery, into something alien and almost extraterrestrial. Rocky outcroppings rising above foggy gray swirls of luminosity might be on some far-off mountaintop or even on a Hollywood backlot. They're like mysterious landscapes glimpsed on another planet. That they're actually close to home makes the visual estrangement salutary. Swope's camera can only show the world's surface; however lovely the outward appearance might be, the complex but largely hidden dynamic of a habitat is what matters. Her photographs deftly evoke the presence of more than the eye can see.    

— Christopher Knight, Los Angeles Times

Publisher: Nazraeli Press

Jasmine Swope
A photographic documentary project coupled with original narratives written by author Dwight Holing that celebrates these fragile seascapes while increasing awareness about their natural benefits and inspiring conservation action.
£27.00

Picture of Proverbs

Publisher's Description

Gregori Maiofis’s work has been influenced by multinational and multicultural concerns as well as his own genetic history. He comes from a family of artists and architects, and he grew up in St. Petersburg, a sophisticated city that is considered the capital of classical museum style. After a brief stint in Los Angeles, during which time he learned new art forms and honed his English language skills, Maiofis returned to his native St. Petersburg, because, as he states, “I can do things here artistically that I couldn’t do anywhere else.”

Proverbs is an ongoing series of photographs in which the artist focuses on universal truths. Using trained circus animals in many of his images – from a gargantuan brown bear to monkeys, dogs, lions and most recently, elephants – in settings absent of artifacts or other cultural information, Maiofis offers visually poignant, strike to the heart-of-the-matter images. (His latest work, Closed Mouth Catches No Flies, was an image that Maiofis had visualized very early on, but it wasn’t until years later that he finally met a lion tamer who, as part of his performance, actually puts his head in the mouth of a lion.)

Maiofis’ work has has been the subject of solo exhibitions across Russia, Europe, and the United States. His work is included in the permanent collections in many museums, including the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the Moscow Museum of Modern Art, the Novy Museum in St. Petersburg, Russia and the Santa Barbara Museum of Art, California.

Publisher: Nazraeli Press

ISBN: 978-1-59005-396-6
Size: 355 x 280 mm

52 pages, 26 duotone plates.

Gregori Maiofis
Proverbs is an ongoing series of photographs in which the artist focuses on universal truths. Using trained circus animals in many of his images in settings absent of artifacts or other cultural information, Maiofis offers visually poignant, strike to the heart-of-the-matter images.
£45.00

Picture of Looking In, Looking Out: Latin American Photography

Publisher's Description

The documentary nature of Latin American photography has brought clarity and artistic appreciation to the countries of the region since the camera arrived in the 19th century. The photographers of Brazil, Colombia, Cuba, Guatemala, Mexico, and other nations have captured the traditions, societal changes, urban and natural landscapes, and varied architecture of their countries. Selected from Santa Barbara Museum of Art’s permanent collection, "Looking In, Looking Out: Latin American Photography" investigates the cultures and histories of various Latin American countries through the lens of nostalgia, propaganda, a populist aesthetic, and evolving perspectives. Published in cooperation with the Santa Barbara Museum of Art in conjunction with their exhibition of the same name opening in October 2015, this book will be an important addition to the literature available on Latin American photography. "Looking In, Looking Out: Latin American Photography" presents work by twenty photographers that spans some 80 years. It opens with an insightful introduction by Delphine Sims, putting the photographers and their work into an historical, asethetic and sociological perspective.

Publisher: Nazraeli Press

Size: 8 x 11"

76 pages, 45 duotone and four-color plates


"Looking In, Looking Out: Latin American Photography" investigates the cultures and histories of various Latin American countries through the lens of nostalgia, propaganda, a populist aesthetic, and evolving perspectives.
£27.00

Picture of Other Americas

Publisher's Description

Other Americas, originally published in France in 1986 and designed by Lélia Wanick Salgado, is Sebastião Salgado’s first book. Upon publication it became an award winning photobook classic, establishing Salgado’s reputation as the visionary reportage photographer of his generation. With forty-nine black-and-white photographs taken between 1977 and 1984, Salgado’s distilled survey of a continent includes images from Brazil, Ecuador, Bolivia, Peru, Guatemala, and Mexico. The images range in subject, capturing spiritual and religious practices, changing rural landscapes, and intimate domestic life. Each photograph shares a sense of sincere connection-connection between the subject and the photographer, between a population and their homeland, and between Salgado and the audience he seeks to engage. In his text, Alan Riding writes, “Salgado has sought out a lost corner of the Americas and he has made it a prism through which the entire continent can be viewed. A philosophy of life is caught in a look; an entire way of life is frozen in a moment . . .”

Publisher: Aperture

Size: 9 1⁄2 x 12 1⁄4"

127 pages, 49 duotone images

Sebastião Salgado
Other Americas, originally published in France in 1986 and designed by Lélia Wanick Salgado, is Sebastião Salgado’s first book. Upon publication it became an award winning photobook classic, establishing Salgado’s reputation as the visionary reportage photographer of his generation.
£27.00

Picture of The Democratic Forest box set

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston’s career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston’s travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee.

The democracy of Eggleston’s title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest—a rarely shown body of work of which only a fraction has been published to date—has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston’s achievement be represented. With no precedent in American art, Eggleston’s photography seen as a whole has all the grandeur of an epic piece of fiction. The Democratic Forest includes a new introduction by Mark Holborn and the re-publication of Eudora Welty’s original essay on the work.

1328 pages

Four-color process
Hardback / Clothbound in slipcase
31.5 x 32 cm
Number of items: 10

William Eggleston
Limited edition ten-volume box set, due to publish October 2015
£432.00

Picture of Primordial Landscapes: Iceland Revealed

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's description

Primordial Landscapes: Iceland Revealed elegantly explores the diverse and raw beauty of Iceland’s extraordinary landscapes through striking images by photographer and naturalist Feodor Pitcairn and the inspired words of geophysicist, author, and poet Ari Trausti Guðmundsson. This collection illuminates topographical phenomenon shaped and crafted by the most powerful natural forces on earth: rain and glacier melt form thunderous waterfalls and rivers that carve at the earth’s surface; arctic snow and ice peppering the land and sea with striking shapes and patterns, feeding the climate and water cycles; lava flows from active volcanoes that build vast, textured landforms where life can begin and take hold. These are the beautiful and extraordinary results of our planet’s most fundamental geological processes.

Pitcairn’s passion for photography lies in his desire to convey the truest account possible of the natural environments he explores and strives to protect. Each Primordial Landscapes image was made with a digital Hasselblad camera, delivering superior color, detail, and clarity. A map and index provide intriguing geological and cultural information about the content of the photographs.

Publisher: powerHouse Books

Size: 13 1/4 x 10 5/8”

256 pages

Feodor Pitcairn
Primordial Landscapes: Iceland Revealed elegantly explores the diverse and raw beauty of Iceland’s extraordinary landscapes through striking images by photographer and naturalist Feodor Pitcairn.
£45.00

Picture of Instagram Book, The

Publisher's description

Not since Edwin Land invented the Polaroid camera has image making become so revolutionized. Instagram has taken today's phenomenon of instant photography and social media to a new zenith, enabling amateurs and auteurs alike to share their images with a global audience. From the ubiquitous selfie to urban life and the beauty of nature, Instagram has provided a forum for posting and viewing a seemingly endless archive of images from our time. From tweens to retirees, would-be and actual photographers are creating their own images and following countless others, creating an online community that is visually inspired.

Since the origin of modern photography, artists of all kinds have sought to share their images within their personal networks of friends and family. Today, with the advent of the Internet and subsequent explosion of online photo sharing, photographers have an audience which is exponentially larger than that of just a few years ago. Photography as a medium has been revolutionized, with high-quality cameras built into smartphones, advanced editing software readily accessible, and online social media sites providing a platform for sharing and delivery.

THE INSTAGRAM BOOK explores this rapidly expanding movement of social media photography in a stunning collection of images from photographers around the world who post their pictures on the popular app, Instagram. Curated from the software's millions of users, THE INSTAGRAM BOOK explores a small spectrum of photographers—both professional and amateur alike—who contribute to this groundbreaking online community.

Publisher: Ammo Books

Size: 8 x 8”

192 pages

Edited by Steve Crist and Megan Shoemaker
THE INSTAGRAM BOOK explores this rapidly expanding movement of social media photography in a stunning collection of images from photographers around the world who post their pictures on the popular app, Instagram.
£15.29

Picture of The People. Egypt's 2011 Revolution and Beyond.

Publisher's description

More than four years on The People chronicles how citizens in the Arab world’s largest nation fought for social and economic change in the face of a brutal political regime that wanted to maintain the status quo. Following El-Tantawy’s In the Shadow of the Pyramids — a first person account exploring memory and identity through the author’s experience before and during the country’s turbulent political struggle, The People takes a step back from the personal narrative.

Published in a newspaper format and narrated by “the people,” El-Tantawy’s second publication aims to preserve and celebrate the vanishing memory of one of the most historically relevant chapters in modern-day Egypt’s story.

With its text in Arabic the books is meant to have the feel of an Arabic newspaper.

Publisher: Nameless Publishing

Size: 16.5 x 11.5 "

80 pages 110 color photographs, 5 Egyptian revolution graffiti stencils, 12 text pages (in Arabic).

Laura El-Tantawy.
More than four years on The People chronicles how citizens in the Arab world’s largest nation fought for social and economic change in the face of a brutal political regime that wanted to maintain the status quo.
£25.00

Picture of Martin Parr presents "Be bold with Bananas"

Publisher's Description

"I was immediately struck when I saw “Be bold with Bananas” It had some wonderful sexual undertones, and was just plain surreal.
The title is also very ambivalent , so when invited to participate in this project , I had no hesitation in selecting this title. Published by the South African Banana board, it is a surprisingly scarce title.“ (Martin Parr Jan. 27, 2015)

book & original signed photograph

limited edition of 150

Size: 247 x 184 mm

64 pages , 26 color illustrations


I was immediately struck when I saw “Be bold with Bananas” - Martin Parr
£125.00

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