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Picture of One Picture Book #79: Fox About Town

Publisher's Description

In 2006, photographer Martin Usborne spent three days walking around London in the company of a fox, a dead fox, hired from a taxidermist at a rate higher than it would cost to rent a Ferrari. It was money well spent. Usborne had great fun interacting with people on the street and the fox, temporarily at least, was given a new lease of life. Follow this Fantastic Mr Fox, a delightful addition to our One Picture Book series, as he visits a grocery store, joins the queue at an ATM and – of course! – drops in at a good old British pub. Truly, this is one urbane fox.

Publisher: Nazraeli Press

Size:5 1/2 x 7 1/4"

16 pages, 14 four-color plates, 1 original photograph.

Martin Usborne
In 2006, photographer Martin Usborne spent three days walking around London in the company of a fox, a dead fox, hired from a taxidermist at a rate higher than it would cost to rent a Ferrari.
£28.50

Picture of Atelier of Cezanne

Pubisher's Description

"Memories may dwell in materials. Standing in Cézanne’s atelier, I felt like I was there at the same time as the painter. I had traveled to Aix-en-Provence to photograph the Mont Sainte Victoire in 2000, and visited the atelier. It retains its original furniture and is now open to the public. The table, skeletons on the cabinet, and the wall with serene light from the window; everything about the room looked as if it was still waiting for new creation by the artist. I came back to the atelier with 8×10 inch camera in 2009 and exposed the interior, imaging a view of Cézanne. This series is an attempt to visualize the memories that dwell in the materials." Risaku Suzuki's newest artist book, "Atelier of Cézanne", is a powerful homage both to the painter Paul Cézanne, and to memories that transcend space and time. Beautifully printed on Japanese matt art paper, and bound in black cloth, this first edition is limited to 500 copies.

Publisher: Nazraeli Press

Size: 11 x 14"

56 pages, 28 four-color plates

Risaku Suzuki
Risaku Suzuki's newest artist book, "Atelier of Cézanne", is a powerful homage both to the painter Paul Cézanne, and to memories that transcend space and time.
£45.00

Picture of Possession (Signed)

Publisher's Description

AVAILABLE FOR PRE-ORDER, EXPECTED SPRING 2013. Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012. Over the past two decades, Langer has established a reputation for his masterful black and white photography representing contemporary urban life. Evoking the lustrous style of the symbolist photographers, his carefully crafted images, rich with lush, black tones, exude an air of vintage, timeless mystery – “as much Hopper and Raymond Chandler as Steichen” (Bomb Magazine). Langer follows in the tradition of the flâneur-photographer. His images are, as he puts it, the product of “walking the streets alone as a stranger in a strange land.” To shadow Langer on his walks is to visit the haunts of amusement parks, lonely bars, nighttime streets and alleys, beautiful women and their chaperones, gardens, hotels, and supper clubs. Both the still life and the intimate figure study are frequent objects of his quiet gaze. Regardless of their subject, Langer's images return us to a place where what happens in front of the lens is unanticipated and distinctly photographic. 'Possession' is printed in an oversized 11"x14" format on uncoated paper and bound in cloth. This first printing is limited to 1,000 casebound copies.

Publisher: Nazraeli Press

Size: 11 x 14"

52 pages, 42 duotone plates.

Jason Langer
Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012.
£49.50

Picture of Coney Island (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Jeff Chien-Hsing Liao, born in Taiwan and based in New York, is well-known for his large-scale panoramic photographs that capture magnificent detail of the urban and social environment of New York City. Liao received broad critical acclaim for his Habitat 7 series, published in book form by Nazraeli Press in 2007 and now an out-of-print, sought-after first monograph. We are pleased to follow up with the artist’s second oversized monograph, “Coney Island”. In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Jeff Liao’s work is widely exhibited and collected, and is included in the permanent collections of such institutions as the Bronx Museum of the Arts; The J. Paul Getty Museum, Los Angeles; and the Museum of Fine Arts, Houston. Opening with an introduction by Sean Corcoran, “Coney Island” is printed in an edition of only 500 copies, printed on Japanese art paper in an oversized, 24 x 12 inch format and bound in cloth. Each book comes with its own carrying case.

Publisher: Nazraeli Press

Size:24 x 12"

52 pages, 22 four-colour plates

Jeff Liao
In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist.
£81.00

Picture of Coney Island

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Jeff Chien-Hsing Liao, born in Taiwan and based in New York, is well-known for his large-scale panoramic photographs that capture magnificent detail of the urban and social environment of New York City. Liao received broad critical acclaim for his Habitat 7 series, published in book form by Nazraeli Press in 2007 and now an out-of-print, sought-after first monograph. We are pleased to follow up with the artist’s second oversized monograph, “Coney Island”. In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Jeff Liao’s work is widely exhibited and collected, and is included in the permanent collections of such institutions as the Bronx Museum of the Arts; The J. Paul Getty Museum, Los Angeles; and the Museum of Fine Arts, Houston. Opening with an introduction by Sean Corcoran, “Coney Island” is printed in an edition of only 500 copies, printed on Japanese art paper in an oversized, 24 x 12 inch format and bound in cloth. Each book comes with its own carrying case.

Publisher: Nazraeli Press

Size:24 x 12"

52 pages, 22 four-colour plates

Jeff Liao
In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist.
£76.50

Picture of Paris in my time

Publisher's Description

“Paris in my time”, Mark Steinmetz’s long-awaited new monograph, presents work culled from several extended trips that the artist made to Paris over a twenty-five year period. Paris was where his mother was born and raised, giving Steinmetz a special connection to, and familiarity with, the city. In the streets, parks, and along the Seine, Steinmetz plays with the conventions of the Paris photographic tradition, from Atget to Kertész. The work is classical, but with a modern feel that both updates the tradition and follows the path Steinmetz has set with his other books. Beautifully printed on uncoated Japanese stock with our exclusive “Daido black” ink, “Paris in my time” is printed in a first edition of 1,000 casebound copies.

Signed copies also available.

Publisher: Nazraeli Press

Size: 12 x 15"

54 pages, 43 duotone plates

Mark Steinmetz
“Paris in my time”, Mark Steinmetz’s long-awaited new monograph, presents work culled from several extended trips that the artist made to Paris over a twenty-five year period.
£45.00

Picture of Possession

Publisher's Description

AVAILABLE FOR PRE-ORDER, EXPECTED SPRING 2013. Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012. Over the past two decades, Langer has established a reputation for his masterful black and white photography representing contemporary urban life. Evoking the lustrous style of the symbolist photographers, his carefully crafted images, rich with lush, black tones, exude an air of vintage, timeless mystery – “as much Hopper and Raymond Chandler as Steichen” (Bomb Magazine). Langer follows in the tradition of the flâneur-photographer. His images are, as he puts it, the product of “walking the streets alone as a stranger in a strange land.” To shadow Langer on his walks is to visit the haunts of amusement parks, lonely bars, nighttime streets and alleys, beautiful women and their chaperones, gardens, hotels, and supper clubs. Both the still life and the intimate figure study are frequent objects of his quiet gaze. Regardless of their subject, Langer's images return us to a place where what happens in front of the lens is unanticipated and distinctly photographic. 'Possession' is printed in an oversized 11"x14" format on uncoated paper and bound in cloth. This first printing is limited to 1,000 casebound copies.

Publisher: Nazraeli Press

Size: 11 x 14"

52 pages, 42 duotone plates.

Jason Langer
Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012.
£45.00

Picture of One Picture Book #73: Pet Pictures

Publisher's Description

In Pet Pictures, Stephen Shore presents a series of photographs he has made over the years of his pets - barnyard and domestic alike. With his portraits of Annabelle to Zaza, in all four seasons, Shore shares a loving record of life on his family farm. The book reaches its crescendo with an original signed photograph of Pete the dog who, when wearing his bandana, has been sometimes confused for a boy scout. An extremely limited number of copies are available at this price, and are offered on a first-come, first served basis.

Publisher: Nazraeli Press

Size: 5 1/2 x 7 1/4"

16 pages, 17 four-color plates, 1 original print.

Stephen Shore
In Pet Pictures, Stephen Shore presents a series of photographs he has made over the years of his pets - barnyard and domestic alike.
£135.00

Picture of Six by Six (Set Three)

Publisher's description

We are pleased to announce Set Three of our award-winning limited edition series "Six by Six". This subscription-based series comprises 36 titles, published in six sets of six titles each, over a three year period. Each title in the series is limited to 100 hand-numbered copies, printed on our exclusive heavyweight Japanese paper and bound in Japanese cloth. Each book contains a separate exhibition-quality original print, numbered and signed by the artist, on 11 x 14 inch paper. The third set of six titles, listed below, is now shipping. The hardcover, oversized (12 x 15-inch) books and accompanying prints are contained in a custom-made slipcase. The current price for the entire series is $36,000. Existing subscribers are locked in at their original price. The third set of six titles includes the following: William Christenberry: "House Near Akron"; Eduardo del Valle & Mirta Gómez: "On View"; John Divola: "LAX NAZ: Los Angeles International Airport Noise Abatement Zone (Exterior Views)", 1975; Daido Moriyama: "Fishnet"; Karin Apollonia Müller: "Timber Cove"; Carrie Mae Weems: "Slow Fade to Black".

Publisher: Nazraeli Press

Size: 12 x 15"

Six limited edition books, each with a loose original signed print, housed in a custom slipcase.


Set Three of Nazraelli Press's award-winning limited edition series "Six by Six"
£3,710.00

Picture of Elegies of Manumission

Publisher's description


Max de Esteban’s gorgeous new monograph brings together all three parts of his stunningly beautiful “Elegies of Manumission” series. Making use of portraiture as a conceptual tool, de Esteban's portraits, of architectural quality and extraordinary craftsmanship, build a narrative beyond the anecdotal and push the boundaries of contemporary portraiture. Open to many interpretations, “Elegies of Manumission” questions the construction of identity of the individual subjects portrayed. This oversized (11x14-inch) book is beautifully printed on uncoated Japanese stock, and bound in Japanese cloth. The first edition is limited to 1,000 casebound copies. Max de Esteban is a recipient of a Fulbright fellowship, holds a Ph.D. from the Universitat Ramon Llull, and a Masters degree from Stanford University. His work has been exhibited internationally, and has received several prestigious awards, including the Grand Prix Jury's Special Award at Fotofestival 2010 in Poland and the National Award of Professional Photography – Gold Lux in Spain that same year. Max de Esteban lives and works in Barcelona, Spain.

To view examples of this work click here.

Publisher: Nazraeli Press

Size: 11 x 14"

68 pages, 50 four-colour plates

Max de Esteban
Making use of portraiture as a conceptual tool, de Esteban's portraits, of architectural quality and extraordinary craftsmanship, build a narrative beyond the anecdotal and push the boundaries of contemporary portraiture.
£45.00

Picture of One Tree

Publisher's description

“Each photograph unfolds itself as a personal mirror, meant only for you, like an unexpected gift. This is the free magic one finds in the world of Machiel Botman.” - Brigitte Ollier, Libération. A key figure in contemporary Dutch photography, Machiel Botman has always photographed as a way to understand life. He is not restrained by photographic conventions, but rather welcomes mistakes and surprises that combine with the highly personal nature of his subjects to create, as Ms. Ollier described it, “the world of Machiel Botman.” Like his individual photographs, Botman’s books and writings are autobiographical and chronicle the stages in his life, but they do not follow a linear narrative. “One Tree”, the artist’s third monograph, comprises a collection of images that are at once dark and hopeful, challenging and inviting. The book ends with Botman’s short story, “The hawk & the cat”, which plays off wonderfully with the images preceding it. Printed in Holland under the direct supervision of the artist, “One Tree” is a beautifully-produced artist’s book that belongs in the collection of every serious photographic library. This first printing is limited to 1,500 copies.

Examples of this work can be found here.

Publisher: Nazraeli Press

Size: 6 x 10"

72 pages, 40 duotone plates

Machiel Botman
“One Tree”, the artist’s third monograph, comprises a collection of images that are at once dark and hopeful, challenging and inviting.
£40.50

Picture of Grace

Publisher's Description

For 26 years, Elisabeth Sunday has found her muse in Africa: a place of origins, devastating beauty, great troubles and unyielding expressions of life. She has traveled alone and lived among various original peoples who amidst a changing world, have clung tenaciously to traditional ways of life. From the hunter-gatherers dwelling in the primeval forests of the Congo Basin, to the nomadic tribes inhabiting the vast stretches of the Sahara Desert, Sunday's photographs reveal an interplay of invisible forces that connect her subjects with the world of nature. Utilizing a flexible mirror of her own design, Sunday photographs reflections that blend and dissolve the boundaries between her figures and their environment. Sunday's images express an intimacy with a corresponding strength derived from that relationship. She writes: "Mirror photography is much more than photographing a reflection, it produces a visual alchemy that combines the physical world with that of the great mystery….and captures some element that remains hidden in straight photography." Elisabeth Sunday's work has been widely exhibited and collected throughout the United States and abroad. "Grace", the artist's first monograph, opens with an eloquent and enlightening essay by Deborah Willis. The book is printed in an oversized (14 x 17 inch) format on uncoated art paper and bound in Japanese cloth. This first printing is limited to 1,000 copies.

For examples of this work see here.

Publisher: Nazraeli

Size: 14 x 17"

60 pages

45 duotone plates


Elisabeth Sunday
For 26 years, Elisabeth Sunday has found her muse in Africa: a place of origins, devastating beauty, great troubles and unyielding expressions of life.
£36.00

Picture of Between Maple and Chestnut

Weifenbach shows her continued mastery of colour in the setting of suburban America, in particular the lawns, fences and plants that surround the houses, a setting all of us feel we know through movies even if our experience of it is minimal. An idealized view, perhaps (David Lynch or Gregory Crewdson would do something very different with the same location!) but very beautiful for all that. See the photographer's website for sample images.

Publisher's Description

Terri Weifenbach’s long-awaited new monograph, Between Maple and Chestnut, is an artist’s book about “anywhere America”. Here, the trees are mature, the grass is green and the sun is out - and street names are repeated from suburb to suburb across the nation. This is bucolic home, the beginning of life for many Americans. As with her earlier projects, the artist employs color, selective focus, a narrow depth of field, and other intuitive means to arrive at a place somewhere between painting and photography. Terri Weifenbach’s work achieved cult status with her first monograph, In Your Dreams, and has since then been widely exhibited, published and collected throughout the United States, Europe and Asia. Beautifully printed on special matt art paper and bound in Japanese cloth, Between Maple and Chestnut is limited to 1,000 casebound copies. A special edition is also available.

Publisher: Nazraeli

Size: 10.5 x 12"

56 pages

40 four-color plates

Terri Weifenbach
Terri Weifenbach’s long-awaited new monograph, Between Maple and Chestnut, is an artist’s book about “anywhere America”.
£45.00

Picture of New York Subway, 1960

Publisher's Description
Enrico Natali was born in Utica, New York and raised in the town of Carthage, a village located in the foothills of the Adirondack Mountains. In 1951 he entered the United States Coast Guard Academy, where he developed an interest in photography. Leaving the academy in 1954, he moved to New York and began working as an apprentice to photographer Anton Bruehl. In 1960, Natali began photographing in New York's subways, taking black and white candid shots of people on the trains and waiting in the underground stations. The Subway photographs, which comprise Natali's first major series, significantly transcended his previous work and convinced him that photography was his vocation and America his subject. From that time on he lived and photographed in various parts of the country, including New Orleans, Chicago and Detroit, and eventually produced a series of portraits published as New American People. Some fifty years after the Subway photographs were made, we are proud to present them, finally, in book form. “New York Subway, 1960” is published to coincide with an exhibition at the Santa Barbara Museum of Art. This beautifully produced monograph is printed in duotone on matt art paper, bound in black Japanese cloth, and printed in a first edition of 1,000 copies.

Publisher: Nazraeli Press
Size: 8 x 11"
56 pages, 22 duotone plates

Publisher's Price: £ 35.00
Enrico Natali

Publisher's Description
Enrico Natali was born in Utica, New York and raised in the town of Carthage, a village located in the foothills of the Adirondack Mountains. In 1951 he entered the United States Coast Guard Academy, where he developed an interest in photography. Leaving the academy in 1954, he moved to New York and began working as an apprentice to photographer Anton Bruehl. In 1960, Natali began photographing in New York's subways, taking black and white candid shots of people on the trains and waiting in the underground stations. The Subway photographs, which comprise Natali's first major series, significantly transcended his previous work and convinced him that photography was his vocation and America his subject. From that time on he lived and photographed in various parts of the country, including New Orleans, Chicago and Detroit, and eventually produced a series of portraits published as New American People. Some fifty years after the Subway photographs were made, we are proud to present them, finally, in book form. “New York Subway, 1960” is published to coincide with an exhibition at the Santa Barbara Museum of Art. This beautifully produced monograph is printed in duotone on matt art paper, bound in black Japanese cloth, and printed in a first edition of 1,000 copies.

Publisher: Nazraeli Press
Size: 8 x 11"
56 pages, 22 duotone plates

Publisher's Price: £ 35.00
£31.50

Picture of Redwood Saw

Publisher's Description
In the summer of 2004, Richard Rothman traveled west with a 4x5 camera to explore the remaining fragments of ancient old-growth forests in Northern California. He pitched a tent amid the mammoth stands of redwoods and began making formal, intricate portraits of the forest, which he describes as “the most visually stimulating environment I had ever been in.” Unexpectedly, he also began developing an interest in the neighboring town of Crescent City, an economically depressed logging and fishing community. Rothman was affected by the town’s architecture, its emotional tenor, its political and religious culture, and the sometimes unconscious relationship that the townspeople had with the corralled forest to the east and the Pacific Ocean, which represents the end of the Western frontier. The contrast between the radical, spectacularly ornate environment of the forest and the trashed, disposable landscape of the town that abutted it became the subject of a more complex project which would take some surprising twists and turns. The body of work, made over a five-year period, is gathered together in the artist’s monumental first book, Redwood Saw. This stunning monograph is an ambitious attempt to represent the culture, people, and landscape of Crescent City, and, by extension, the current American moment. Crescent City—a place that at one time must have seemed to possess an almost limitless abundance of natural resources—is revealed here as a compelling and dramatic model of a former boom town that staked its future on what can only be described as an “unsustainable cultural and economic reality.” Beautifully printed in duotone on matt art paper, this first printing of Redwood Saw is limited to 1,500 casebound copies. Richard Rothman’s work is in the permanent collections of the Museum of Modern Art, New York; the International Center of Photography, New York; the Bibliothèque Nationale de France, Paris; the Brooklyn Museum; and the Center for Creative Photography at the University of Arizona, Tucson.

Publisher: Nazraeli Press
Size: 12 x 13"
136 pages, 81 duotone plates

Publisher's Price: £ 45.00
Richard Rothman

Publisher's Description
In the summer of 2004, Richard Rothman traveled west with a 4x5 camera to explore the remaining fragments of ancient old-growth forests in Northern California. He pitched a tent amid the mammoth stands of redwoods and began making formal, intricate portraits of the forest, which he describes as “the most visually stimulating environment I had ever been in.” Unexpectedly, he also began developing an interest in the neighboring town of Crescent City, an economically depressed logging and fishing community. Rothman was affected by the town’s architecture, its emotional tenor, its political and religious culture, and the sometimes unconscious relationship that the townspeople had with the corralled forest to the east and the Pacific Ocean, which represents the end of the Western frontier. The contrast between the radical, spectacularly ornate environment of the forest and the trashed, disposable landscape of the town that abutted it became the subject of a more complex project which would take some surprising twists and turns. The body of work, made over a five-year period, is gathered together in the artist’s monumental first book, Redwood Saw. This stunning monograph is an ambitious attempt to represent the culture, people, and landscape of Crescent City, and, by extension, the current American moment. Crescent City—a place that at one time must have seemed to possess an almost limitless abundance of natural resources—is revealed here as a compelling and dramatic model of a former boom town that staked its future on what can only be described as an “unsustainable cultural and economic reality.” Beautifully printed in duotone on matt art paper, this first printing of Redwood Saw is limited to 1,500 casebound copies. Richard Rothman’s work is in the permanent collections of the Museum of Modern Art, New York; the International Center of Photography, New York; the Bibliothèque Nationale de France, Paris; the Brooklyn Museum; and the Center for Creative Photography at the University of Arizona, Tucson.

Publisher: Nazraeli Press
Size: 12 x 13"
136 pages, 81 duotone plates

Publisher's Price: £ 45.00
£40.50

Picture of Bridge at Hoover Dam, The
Publisher's Description
In March of 2009, amidst the rumblings of a global financial crisis that was to shape zeitgeist for years to come, Jamey Stillings set out on a road trip to reinvigorate his creative spirit. What he encountered would captivate, challenge and amaze him. Like a child suddenly finding himself before the world's largest erector set, Jamey had discovered the Bridge at Hoover Dam. Instantly, he knew he would dedicate himself to exploring and documenting construction of the bridge through its completion. Over the course of two years and set against the cultural and economic backdrop of our time, Jamey created a body of work that echoes the Bridge in its ability to simultaneously celebrate the power of human spirit and ingenuity while inviting an examination of the intersection of nature and the hand of man. Against the temporal landscape of economic hardship, an eerie historic echo of its neighboring Hoover Dam, and the flashy and impermanent cultural landscape of Las Vegas, the Colorado River, Black Canyon and the Bridge that soars over are natural and manmade symbols of immutability and wonder. Together, they are a legacy at which generations will marvel and Stillings’ images are imbued with the awe of one in the presence of great natural powers and the acme of human effort and creativity. Jamey Stillings' work has been widely exhibited and published throughout the country. The artist's first monograph, The Bridge at Hoover Dam, is beautifully produced in an oversized format, and is published to coincide with a traveling exhibition which opened at the Phoenix Art Museum.

Publisher: Nazraeli Press
Size: 13.5 x 17"
128 pages, 60 four-color plates

Publisher's Price: £ 50.00
Jamey Stillings
Publisher's Description
In March of 2009, amidst the rumblings of a global financial crisis that was to shape zeitgeist for years to come, Jamey Stillings set out on a road trip to reinvigorate his creative spirit. What he encountered would captivate, challenge and amaze him. Like a child suddenly finding himself before the world's largest erector set, Jamey had discovered the Bridge at Hoover Dam. Instantly, he knew he would dedicate himself to exploring and documenting construction of the bridge through its completion. Over the course of two years and set against the cultural and economic backdrop of our time, Jamey created a body of work that echoes the Bridge in its ability to simultaneously celebrate the power of human spirit and ingenuity while inviting an examination of the intersection of nature and the hand of man. Against the temporal landscape of economic hardship, an eerie historic echo of its neighboring Hoover Dam, and the flashy and impermanent cultural landscape of Las Vegas, the Colorado River, Black Canyon and the Bridge that soars over are natural and manmade symbols of immutability and wonder. Together, they are a legacy at which generations will marvel and Stillings’ images are imbued with the awe of one in the presence of great natural powers and the acme of human effort and creativity. Jamey Stillings' work has been widely exhibited and published throughout the country. The artist's first monograph, The Bridge at Hoover Dam, is beautifully produced in an oversized format, and is published to coincide with a traveling exhibition which opened at the Phoenix Art Museum.

Publisher: Nazraeli Press
Size: 13.5 x 17"
128 pages, 60 four-color plates

Publisher's Price: £ 50.00
£45.00

Picture of One Picture Book #71: Motel Signs
Publisher's Description
“To me, neon really figured in the migration movement on Route 66. The farther you go out West, the more neon you’d see, especially as a presence on hotels. You can see towns like Tucumcari, New Mexico, coming from 20 miles away.” Steve Fitch is well-known for his anthropological studies of the American West. For his One Picture Book, Fitch has turned one of his vernacular assemblages of motels into a running series. Widely published and exhibited, Fitch's photographs are included in the permanent collections of such museums as the Whitney Museum of American Art; the Museum of Modern Art, New York; and The Chicago Art Institute.

Publisher: Nazraeli Press
Size: 5 1/2 x 7 1/4"
16 pages, 11 four-color plates, 1 original print.

Publisher's Price: £ 30.00
Steve Fitch
Publisher's Description
“To me, neon really figured in the migration movement on Route 66. The farther you go out West, the more neon you’d see, especially as a presence on hotels. You can see towns like Tucumcari, New Mexico, coming from 20 miles away.” Steve Fitch is well-known for his anthropological studies of the American West. For his One Picture Book, Fitch has turned one of his vernacular assemblages of motels into a running series. Widely published and exhibited, Fitch's photographs are included in the permanent collections of such museums as the Whitney Museum of American Art; the Museum of Modern Art, New York; and The Chicago Art Institute.

Publisher: Nazraeli Press
Size: 5 1/2 x 7 1/4"
16 pages, 11 four-color plates, 1 original print.

Publisher's Price: £ 30.00
£27.00

Picture of One Picture Book #70: Indian Girl
Publisher's Description
The Indian Girl collection, created by artist duo Neil Krug and Joni Harbeck, taps into the savage yet simple existence of a past Native woman living on, and protecting, the land of her people. With its blend of guns, beauty and ritual mixed with Pulp Art Book's signature style, these photographs lay down a story that plays again and again in our society. Indian Girl was first introduced in Pulp Art Book: Volume One, published by Nazraeli Press earlier this year, and is the subject of Krug and Harbeck's B-movie-esque contribution to our One Picture Book series.

Publisher: Nazraeli Press
Size: 5 1/2 x 7 1/4"
16 pages, 11 four-color plates, 1 original print.

Publisher's Price: £ 30
Joni Harbeck and Neil Krug
Publisher's Description
The Indian Girl collection, created by artist duo Neil Krug and Joni Harbeck, taps into the savage yet simple existence of a past Native woman living on, and protecting, the land of her people. With its blend of guns, beauty and ritual mixed with Pulp Art Book's signature style, these photographs lay down a story that plays again and again in our society. Indian Girl was first introduced in Pulp Art Book: Volume One, published by Nazraeli Press earlier this year, and is the subject of Krug and Harbeck's B-movie-esque contribution to our One Picture Book series.

Publisher: Nazraeli Press
Size: 5 1/2 x 7 1/4"
16 pages, 11 four-color plates, 1 original print.

Publisher's Price: £ 30
£27.00

Picture of One Picture Book #69: Fishing with My Dad 1978-1995 (Chris Arnold)
Publisher's Description
Corey Arnold’s first monograph, “Fishwork: The Bering Sea” was published by Nazraeli Press in 2011 to wide critical acclaim. In his contribution to our One Picture Book series, Arnold “curates” a group of photographs his father made of him growing up; in each of the photographs, Arnold is either fishing or showing off his catch. Knowing who the subject of these photographs is, his relationship to the one who made these photographs, and how his passions for photography and fishing would later play out, make “Fishing with My Dad” resonate on many levels.

Publisher: Nazraeli Press
Size: 5 1/2 x 7 1/4"
16 pages, 16 color plates, 1 original print.

Publisher's Price: £ 30.00
Corey Arnold
Publisher's Description
Corey Arnold’s first monograph, “Fishwork: The Bering Sea” was published by Nazraeli Press in 2011 to wide critical acclaim. In his contribution to our One Picture Book series, Arnold “curates” a group of photographs his father made of him growing up; in each of the photographs, Arnold is either fishing or showing off his catch. Knowing who the subject of these photographs is, his relationship to the one who made these photographs, and how his passions for photography and fishing would later play out, make “Fishing with My Dad” resonate on many levels.

Publisher: Nazraeli Press
Size: 5 1/2 x 7 1/4"
16 pages, 16 color plates, 1 original print.

Publisher's Price: £ 30.00
£27.00

Picture of La Creciente

Publisher's Description
 'My appetite to see and discover new work is insatiable, so when Marcelo Brodsky suggested that I meet some young Argentine photographers while I was considering who to show at the Brighton Photo Biennial for 2010, I jumped at this opportunity. By the time I had seen the third image in Chaskielberg’s folio I was convinced this was a major new photographer. I had never seen any images like this before and few with such maturity from a new photographer. On one level his work documents a rural community living on the banks of the Parana river delta. But there is so much more than this. All taken during the full moon, his photos are a virtuoso exploration of how flash, torches, moonlight and posed portraits all fuse together in a seamless manner. The photographer has combined subject and methodology so convincingly that you know he has resolved this brilliantly. So much so, you hardly notice the thin line between subject and style.' - From the Introduction by Martin Parr. 'La Creciente' is the sixth title in our popular series Parr/Nazraeli Series of Ten.

Publisher: Nazraeli Press
Size: 12 x 13'
64 pages, 39 four-color plates

Publisher's Price: £ 40.00
Alejandro Chaskielberg

Publisher's Description
 'My appetite to see and discover new work is insatiable, so when Marcelo Brodsky suggested that I meet some young Argentine photographers while I was considering who to show at the Brighton Photo Biennial for 2010, I jumped at this opportunity. By the time I had seen the third image in Chaskielberg’s folio I was convinced this was a major new photographer. I had never seen any images like this before and few with such maturity from a new photographer. On one level his work documents a rural community living on the banks of the Parana river delta. But there is so much more than this. All taken during the full moon, his photos are a virtuoso exploration of how flash, torches, moonlight and posed portraits all fuse together in a seamless manner. The photographer has combined subject and methodology so convincingly that you know he has resolved this brilliantly. So much so, you hardly notice the thin line between subject and style.' - From the Introduction by Martin Parr. 'La Creciente' is the sixth title in our popular series Parr/Nazraeli Series of Ten.

Publisher: Nazraeli Press
Size: 12 x 13'
64 pages, 39 four-color plates

Publisher's Price: £ 40.00
£36.00

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