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Picture of Route 66: 1973-1974

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

In the summer of 1973, John Schott drove Route 66 from the midwest to California and back, sleeping in his pick-up truck and photographing with an 8x10-inch Deardorf view camera. Among his subjects were vintage motels situated along the highway, and it was a selection of these photographs that, two years later, were included in William Jenkins’ seminal New Topographics exhibition at the George Eastman House.

The twenty images that were included in this exhibition have been well-documented, though never reproduced in a manner showing the richness of detail and tone displayed in the original contact prints.

We are pleased to announce that, as part of our NZ Library, a beautifully printed, oversized book is now available which presents not only the 20 photographs originally shown from this important body of work, but all 47 photographs included in the artist’s complete set of archived images. This important new publication opens with an illuminating essay by Britt Salvesen, Department Head and Curator of the Wallis Annenberg Department of Photography, and the Department Head and Curator of Prints and Drawings, Los Angeles County Museum of Art, and a leading expert on the subject.

Publisher: Nazraeli Press

Size: 12 x 15"

60 pages, 47 duotone plates

From the NZ Library | Set One

John Schott
In the summer of 1973, John Schott drove Route 66 from the midwest to California and back, sleeping in his pick-up truck and photographing with an 8x10-inch Deardorf view camera.
£150.00

Picture of Mantis

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

As one of the most celebrated and influential artists of his generation, Daido Moriyama has been the subject of dozens of books and films, and literally hundreds of exhibitions mounted around the world during the past three decades. His subjects are often sprawling, both geographically and metaphorically, with one influencing the next. In Mantis, however, the act of photographing becomes the subject of the book, decades after the fact. 

In this beautifully produced artist’s book, Moriyama presents 21 frames printed as full-bleed enlargements, all from one contact sheet with an imprinted date of 1987. The book is divided into three unintended chapters, the result of Daido having photographed one subject until his was satisfied, moving on to the next, and then repeating this once more.

The book opens, fantastically, with a close-up of the hand of Masahisa Fukase, the artist’s friend and contemporary, holding a praying mantis which has caught the attention of them both; after several frames, Moriyama abruptly stops and then continues the roll of film inside of a studio apartment elsewhere. A female subject unwittingly and slowly becomes mantis-like in her poses, and gradually she merges into yet another subject, a mysterious set of portraits whose timelessness is given away only by the frames that preceded it. 

Publisher: Nazraeli Press

Size: 10 x 15"

48 pages, 21 duotone plates

From the NZ Library | Set One

Daido Moriyama'
Moriyama's subjects are often sprawling, both geographically and metaphorically, with one influencing the next. In Mantis, however, the act of photographing becomes the subject of the book, decades after the fact.
£150.00

Picture of Image | Music | Text

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

London-based artist Idris Khan was born in the UK in 1978. Since completing his Master’s Degree with a Distinction in Research at the Royal College of Art in London in 2004, Khan has received international acclaim for his minimal, yet emotionally charged photographs, videos and sculptures and is without question one of the most exciting British artists of his generation. 

Appropriating icons of literature, music, and art, Khan methodically layers his material, whether it is Beethoven’s symphony, Milton’s Paradise Lost, or Bernd and Hilla Becher’s stylized sculpture of water towers. In speaking about his work, Khan says that “every layer is an effect that needs to be created... Each layer is a fallible human decision. There is a decision made as to what I want to keep and what has to disappear. This process allows me to cut out the camera completely.” Each layer in the resulting artwork adds complexity similar to a painter’s mark on a canvas. Khan’s photographs are not “taken”; they are built. The final composite image has the look and feel of a dense, quivering charcoal drawing.

Image | Music | Text presents a selection of Khan’s most powerful imagery to date, enjoying the intimacy of a book’s presentation while taking full advantage of the series’s generous format. The artist’s design incorporates three gatefold spreads, each measuring some thirty inches across.

Publisher: Nazraeli Press

Size: 12 x 15"

72 pages, 29 duotone plates

From the NZ Library | Set One

Idris Khan
Image | Music | Text presents a selection of Khan’s most powerful imagery to date, enjoying the intimacy of a book’s presentation while taking full advantage of the series’s generous format
£150.00

Picture of Hollywood Suites, The

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

The images in Steve Kahn’s enigmatic The Hollywood Suites were all made in run-down apartments between the years 1974 and 1976. Alternately provocative and haunting, they were the subject of solo exhibitions on the West Coast and in Europe during that decade and included in noted group exhibitions such as Exposing: Photographic Definitions at the Los Angeles Institute of Contemporary Art in 1976 and The Altered Photograph at P.S. 1 in New York in 1979.

The series divides into two groups of pictures. The Hollywood Suites (nudes) features sexually charged pictures of young women, often partially clad and sometimes cropped. In The Hollywood Suites (mirrors, windows and doors), Kahn concentrated on architectural interiors, making arresting use of windows and doors. The images themselves are grainy and offer an unnaturally sharp contrast between darks and lights. Select examples feature doorways embellished with geometric patterns done in twine.

Kahn, who was born in 1943, was part of an important generation of Los Angeles photographers that included Robert Heinecken, Ilene Segalove and Jerry McMillan, among others. They brought a conceptual and collage approach to the picture. Many were chronicled in the important exhibition at the Laguna Art Museum, Proof: Los Angeles and the Photograph: 1960-1980 and Kahn is also included the 2011 book, L.A. Rising: SoCal Artists Before 1980

Publisher: Nazraeli Press

Size: 12 x 15"

56 pages, 51 duotone plates

From the NZ Library | Set One

Steve Kahn
The images in Steve Kahn’s enigmatic The Hollywood Suites were all made in run-down apartments between the years 1974 and 1976. Alternately provocative and haunting...
£150.00

Picture of San Fernando Valley

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

San Fernando Valley is where John Divola was born and raised, and it served as both backdrop and subject for his earliest, serious photographic explorations, made during the early 1970s. This previously unpublished body of work shows “the Valley” through the eyes of a young photographer who would soon become an internationally-recognized artist with the exhibition and publication of his much more conceptual “Zuma” series.

The black and white photographs in “San Fernando Valley” comprise a series of subject groupings which, pulled together, show early manifestations of the deadpan humor and the ability to capture everyday scenes wrapped in loneliness, for which Divola is now well-known. The book is also, and not incidentally, a fascinating record of a quintessentially 1970s Los Angeles culture.

John Divola’s work is the subject of numerous books and catalogues. Widely exhibited and collected throughout the United States, Europe, Japan and Australia, Divola’s photographs are included in the permanent collections of many public and private institutions, including those of The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Getty Museum, Los Angeles;  and the San Francisco Museum of Modern Art.

Publisher: Nazraeli Press

Size: 12 x 15"

60 pages, 46 duotone plates

From the NZ Library | Set One

John Divola
This previously unpublished body of work shows “the Valley” through the eyes of a young photographer who would soon become an internationally-recognized artist with the exhibition and publication of his much more conceptual “Zuma” series.
£150.00

Picture of Los Angeles, 1976 (from NZ Library Set One)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Bevan Davies’s meticulously printed photographs suggest an appreciation of this form of residential architecture with respect both to the facades on which their identities hinge and to the built spaces between those facades. Preferring to photograph during early morning hours on weekends, Davies positioned the film plane of his 8x10-inch camera parallel to the buildings’ fronts, to capture the nuanced play of shadows. The resulting images lend depth to structural and decorative elements that are simultaneously utilitarian and aesthetic. – from ‘Ed Ruscha and Some Los Angeles Apartments’ by Virginia Heckert

Los Angeles, 1976 is an exquisitely-produced collection of Bevan Davies’s photographs of Los Angeles residential architecture, a subject perfectly suited to his working methods at that time. Born in 1941 and educated at the University of Chicago during the 1960s, Bevan Davies hit his intellectual and artistic stride in the 1970s, dovetailing perfectly with the uniquely fertile grounds that Los Angeles was becoming during that decade.

The immediate impact of the work Davies produced at this time is reflected in the list of solo and group exhibitions in which his photographs was shown, including such venues as Sonnabend Gallery, New York; International Museum of Photography at George Eastman House, Rochester; The Museum of Fine Arts, Houston; and Palais de Beaux Arts, Brussels. Photographs by Bevan Davies are included in the permanent collections of many important including, including The Getty Museum, Los Angeles; The Art Institute of Chicago; The Metropolitan Museum, New York; and The Museum of Fine Arts, Houston.

Publisher: Nazraeli

Size:12 x 15"

48 pages, 32 duotone plates

From the NZ Library | Set One

Bevan Davies
Los Angeles, 1976 is an exquisitely-produced collection of Bevan Davies’s photographs of Los Angeles residential architecture, a subject perfectly suited to his working methods at that time.
£150.00

Picture of Silver Meadows - B-Sides

Todd Hido’s B-sides Box Set is a follow-up publication to the artist’s award-winning 2013 monograph, Excerpts from Silver Meadows. Designed to function as a companion book to that title as well as a sovereign object in its own right, B-sides Box Set comprises 50 images printed on loose cards, presented in a 2-piece lucite box. The selection includes alternate images that didn’t make it into the book, as well as variations of images that did. The collection offers a behind-the-scenes look at how Hido selects and arranges images in book form. “Making good and interesting pictures is only half of what it takes to make a memorable visual book," Hido explains. "The way one organizes images to create a narrative sequence also plays an important role in creating something that people want to pick up and take home.” This first printing of B-sides Box Set is limited to 500 numbered copies.

Todd Hido
Follow-up publication to Excerpts from Silver Meadows. 50 images printed on loose cards, presented in a 2-piece lucite box
£30.00

Picture of Shinan

Available now

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Shinan, an archipelago of 1,004 exquisite and unspoiled islands situated in the South West of Korea, is also known as “The Island of Angels”. Michael Kenna photographed there over a period of two years. The resulting monograph, “Shinan”, is comprised of sixty-two black and white images in which the artist emphasizes suggestion rather than description; sparce and graphic elements evoke a whole world. Elegantly printed with our special Daido black ink and tinted spot varnish on Japanese matte art paper, this first printing of Shinan is limited to 3,000 slipcased copies. A special edition of 250 signed and numbered copies, presented in a custom clamshell box, is also available. “Breathtakingly beautiful” – it sounds like a cliché, but the phrase encapsulates the feeling that echoed in my mind the moment I saw Michael Kenna’s work... It is as if Mother Nature is trying to show off her creation through the medium of these images. – Lee Chuyoung, Curator of National Museum of Contemporary Art, Korea.

Watch a video of Kenna working in Shinan.

Browse Kenna Shinan image archive.  The images are not guaranteed to be the same as the contents of the book.

All copies of the limited edition have been sold.

Michael Kenna
Due late Sept 2013. Kenna's photographs of the Shinan region of Korea.
£45.00

Picture of One Picture Book #77: birds have wings

Publisher's Description

Having difficulty identifying a particular species of bird through her spotting scope, Carol E. Richards took a photograph through the lens to assist with her research. The resulting picture turned out to be far more than a tool for verification. It had a mood and visual content the artist was drawn to, and led to the creation of a series of beautiful, dream-like vignettes. “Unlike some photographs of wildlife that are clear and provide answers,” says Richards, “these soft visuals raise questions. It was a surprising discovery; as I spied on these birds, I could see their charm and individuality. Who knew?”

Publisher: Nazraeli Press

Size:5 1/2 x 7 1/4"

16 pages, 12 four-color plates, 1 original photograph.

Carol E. Richards
One Picture Book featuring a series of beautiful, dream-like vignettes of birds as seen through the photographers spotting scope.
£36.00

Picture of One Picture Book #78: Juliette

Publisher's Description

“I was inspired to create a series showing a female perpetrator – a true femme fatale. As opposed to High Fashion Crime Scenes, which focused on the victim and was based entirely in reality, the Juliette series is a fantasy, and flips the model’s role to one in a position of power.  I approached Juliette Lewis with the idea and she became my muse for the series. I wrote scripts for each shot and she acted out the scenes. Each shot in essence is a film still. The only film still. The series was shot in Los Angeles in 2004.” — Melanie Pullen

Publisher: Nazraeli Press

Size:5 1/2 x 7 1/4"

16 pages, 7 four-color plates, 1 original photograph.

Melanie Pullen
One Picture Book featuring Juliette Lewis as a femme fatale.
£28.50

Picture of One Picture Book #79: Fox About Town

Publisher's Description

In 2006, photographer Martin Usborne spent three days walking around London in the company of a fox, a dead fox, hired from a taxidermist at a rate higher than it would cost to rent a Ferrari. It was money well spent. Usborne had great fun interacting with people on the street and the fox, temporarily at least, was given a new lease of life. Follow this Fantastic Mr Fox, a delightful addition to our One Picture Book series, as he visits a grocery store, joins the queue at an ATM and – of course! – drops in at a good old British pub. Truly, this is one urbane fox.

Publisher: Nazraeli Press

Size:5 1/2 x 7 1/4"

16 pages, 14 four-color plates, 1 original photograph.

Martin Usborne
In 2006, photographer Martin Usborne spent three days walking around London in the company of a fox, a dead fox, hired from a taxidermist at a rate higher than it would cost to rent a Ferrari.
£28.50

Picture of Atelier of Cezanne

Pubisher's Description

"Memories may dwell in materials. Standing in Cézanne’s atelier, I felt like I was there at the same time as the painter. I had traveled to Aix-en-Provence to photograph the Mont Sainte Victoire in 2000, and visited the atelier. It retains its original furniture and is now open to the public. The table, skeletons on the cabinet, and the wall with serene light from the window; everything about the room looked as if it was still waiting for new creation by the artist. I came back to the atelier with 8×10 inch camera in 2009 and exposed the interior, imaging a view of Cézanne. This series is an attempt to visualize the memories that dwell in the materials." Risaku Suzuki's newest artist book, "Atelier of Cézanne", is a powerful homage both to the painter Paul Cézanne, and to memories that transcend space and time. Beautifully printed on Japanese matt art paper, and bound in black cloth, this first edition is limited to 500 copies.

Publisher: Nazraeli Press

Size: 11 x 14"

56 pages, 28 four-color plates

Risaku Suzuki
Risaku Suzuki's newest artist book, "Atelier of Cézanne", is a powerful homage both to the painter Paul Cézanne, and to memories that transcend space and time.
£45.00

Picture of Possession (Signed)

Publisher's Description

AVAILABLE FOR PRE-ORDER, EXPECTED SPRING 2013. Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012. Over the past two decades, Langer has established a reputation for his masterful black and white photography representing contemporary urban life. Evoking the lustrous style of the symbolist photographers, his carefully crafted images, rich with lush, black tones, exude an air of vintage, timeless mystery – “as much Hopper and Raymond Chandler as Steichen” (Bomb Magazine). Langer follows in the tradition of the flâneur-photographer. His images are, as he puts it, the product of “walking the streets alone as a stranger in a strange land.” To shadow Langer on his walks is to visit the haunts of amusement parks, lonely bars, nighttime streets and alleys, beautiful women and their chaperones, gardens, hotels, and supper clubs. Both the still life and the intimate figure study are frequent objects of his quiet gaze. Regardless of their subject, Langer's images return us to a place where what happens in front of the lens is unanticipated and distinctly photographic. 'Possession' is printed in an oversized 11"x14" format on uncoated paper and bound in cloth. This first printing is limited to 1,000 casebound copies.

Publisher: Nazraeli Press

Size: 11 x 14"

52 pages, 42 duotone plates.

Jason Langer
Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012.
£49.50

Picture of Coney Island (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Jeff Chien-Hsing Liao, born in Taiwan and based in New York, is well-known for his large-scale panoramic photographs that capture magnificent detail of the urban and social environment of New York City. Liao received broad critical acclaim for his Habitat 7 series, published in book form by Nazraeli Press in 2007 and now an out-of-print, sought-after first monograph. We are pleased to follow up with the artist’s second oversized monograph, “Coney Island”. In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Jeff Liao’s work is widely exhibited and collected, and is included in the permanent collections of such institutions as the Bronx Museum of the Arts; The J. Paul Getty Museum, Los Angeles; and the Museum of Fine Arts, Houston. Opening with an introduction by Sean Corcoran, “Coney Island” is printed in an edition of only 500 copies, printed on Japanese art paper in an oversized, 24 x 12 inch format and bound in cloth. Each book comes with its own carrying case.

Publisher: Nazraeli Press

Size:24 x 12"

52 pages, 22 four-colour plates

Jeff Liao
In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist.
£81.00

Picture of Coney Island

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Jeff Chien-Hsing Liao, born in Taiwan and based in New York, is well-known for his large-scale panoramic photographs that capture magnificent detail of the urban and social environment of New York City. Liao received broad critical acclaim for his Habitat 7 series, published in book form by Nazraeli Press in 2007 and now an out-of-print, sought-after first monograph. We are pleased to follow up with the artist’s second oversized monograph, “Coney Island”. In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist. A new incarnation of Luna Park opened to the public, the municipal government actively engaged in redevelopment, and the area visibly transformed. At the same time, Liao’s approach to picture making changed as he experimented with new strategies and techniques. He started the project working with traditional transparency film. Although he had always used digital technology to transform the film images into a finished image, he slowly introduced digital picture-making technology to the process of recording the scenes. The resulting large-scale prints have a visual sweep often associated with cinema, encompassing the viewer and providing a strong sense of place. Jeff Liao’s work is widely exhibited and collected, and is included in the permanent collections of such institutions as the Bronx Museum of the Arts; The J. Paul Getty Museum, Los Angeles; and the Museum of Fine Arts, Houston. Opening with an introduction by Sean Corcoran, “Coney Island” is printed in an edition of only 500 copies, printed on Japanese art paper in an oversized, 24 x 12 inch format and bound in cloth. Each book comes with its own carrying case.

Publisher: Nazraeli Press

Size:24 x 12"

52 pages, 22 four-colour plates

Jeff Liao
In 2010, Liao began photographing Coney Island during a period of transition, for both the place and the artist.
£76.50

Picture of Paris in my time

Publisher's Description

“Paris in my time”, Mark Steinmetz’s long-awaited new monograph, presents work culled from several extended trips that the artist made to Paris over a twenty-five year period. Paris was where his mother was born and raised, giving Steinmetz a special connection to, and familiarity with, the city. In the streets, parks, and along the Seine, Steinmetz plays with the conventions of the Paris photographic tradition, from Atget to Kertész. The work is classical, but with a modern feel that both updates the tradition and follows the path Steinmetz has set with his other books. Beautifully printed on uncoated Japanese stock with our exclusive “Daido black” ink, “Paris in my time” is printed in a first edition of 1,000 casebound copies.

Signed copies also available.

Publisher: Nazraeli Press

Size: 12 x 15"

54 pages, 43 duotone plates

Mark Steinmetz
“Paris in my time”, Mark Steinmetz’s long-awaited new monograph, presents work culled from several extended trips that the artist made to Paris over a twenty-five year period.
£45.00

Picture of Drop of Dreams

Publisher's Description

In 1950, while studying fashion drawing in Japan, Toshiko Okanoue had no confidence in her ability to draw and claimed to know almost nothing about the history of art. Working with scissors, paste and a stack of lifestyle and fashion magazines, she cut out the photographs that – in her own words –"fit my dreams" and arranged them on black flocked paper. "Those scraps of my fantasies turned into strangely interesting things," she said, "things I would not have thought of. Emboldened and delighted by the results, I made one collage after another." When an exhibition of her work opened in Tokyo in 1953, Okanoue’s collages were described as "a contemporary version of Alice in Wonderland." Surreal in appearance, they are perhaps most remarkable for what they represent: a young Japanese woman’s perception of the Western way of life, as seen through her artless rearrangement of images clipped from such magazines as Life and Vogue. The work reproduced here was made between 1951 and 1956. In 1957 Okanoue married the painter Kazutomo Fujino and ceased making pictures. Introduction by Ryuichi Kaneko.

Publisher: Nazraeli Press

Size: 8 1/2 x 11"

72 pages, 63 four-color plates

Toshiko Okanoue
Surreal in appearance, Toshiko Okanoue's photomontages are perhaps most remarkable for what they represent: a young Japanese woman’s perception of the Western way of life in the 1950s, as seen through her artless rearrangement of images clipped from such magazines as Life and Vogue.
£36.00

Picture of Excerpts from Silver Meadows

This title is now out of print.  We have sold out our allocation of signed copies but do have a few unsigned copies. 

Overseas orders  Please note that, as this is a heavy item, postage will be charged at twice our standard rates.

Publisher's Description

Nazraeli Press is pleased to announce “Excerpts from Silver Meadows”, our sixth monograph by Todd Hido and his most ambitious project to date. Hido is one of the most widely recognized and influential photographic artists of our time. Silver Meadows is the name of a street that runs through the neighborhood in Kent, Ohio where the artist grew up. The setting of Hido’s childhood, it also became the creative wellspring for his work. Here, it serves as a point of departure for Hido’s reexamination of a Midwestern suburban upbringing; ‘a trip through the innocence of childhood and adolescence and into the darker aspects of life beyond.’ Beautifully printed on matt Japanese art paper, and featuring an ‘installation’ of tipped-in images on the case binding, “Excerpts from Silver Meadows” is printed in a first edition of 3,000 copies.

Silver Meadows review and sample images.

Publisher: Nazraeli Press

Size: 14 x 17"

108 pages, 120 four-color plates

Todd Hido
Hido is one of the most widely recognized and influential photographic artists of our time. Silver Meadows is the name of a street that runs through the neighborhood in Kent, Ohio where the artist grew up
£60.00

Picture of Possession

Publisher's Description

AVAILABLE FOR PRE-ORDER, EXPECTED SPRING 2013. Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012. Over the past two decades, Langer has established a reputation for his masterful black and white photography representing contemporary urban life. Evoking the lustrous style of the symbolist photographers, his carefully crafted images, rich with lush, black tones, exude an air of vintage, timeless mystery – “as much Hopper and Raymond Chandler as Steichen” (Bomb Magazine). Langer follows in the tradition of the flâneur-photographer. His images are, as he puts it, the product of “walking the streets alone as a stranger in a strange land.” To shadow Langer on his walks is to visit the haunts of amusement parks, lonely bars, nighttime streets and alleys, beautiful women and their chaperones, gardens, hotels, and supper clubs. Both the still life and the intimate figure study are frequent objects of his quiet gaze. Regardless of their subject, Langer's images return us to a place where what happens in front of the lens is unanticipated and distinctly photographic. 'Possession' is printed in an oversized 11"x14" format on uncoated paper and bound in cloth. This first printing is limited to 1,000 casebound copies.

Publisher: Nazraeli Press

Size: 11 x 14"

52 pages, 42 duotone plates.

Jason Langer
Following 'Secret City', Jason Langer’s sold-out, debut monograph, comes 'Possession', a volume of 42 images made between 1990 and 2012.
£45.00

Picture of Twenty Year Retrospective - Signed

Signed Copy

Publisher's Description
In association with its original Japanese publisher, Treville, we are pleased to announce a new printing of Michael Kenna: A Twenty Year Retrospective. The Nazraeli Press edition features a larger format than previous editions, with high fidelity tritones printed 1:1 from original prints. It will serve as a companion book to Kenna’s Volume Two, to be published by Nazraeli Press in 2004. Born in the industrial north of England, Michael Kenna has lived in San Francisco since 1980. His mysterious photographs, often made at dawn or in the dark hours of night, concentrate on the interaction between natural landscape and man-made structures. His work has been shown throughout the United States, Europe, Australia and Japan, and is in such permanent collections as The Bibliothèque Nationale, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington; and The Victoria and Albert Museum, London. In her foreword, Ruth Bernhard describes Kenna’s prints as “exquisitely seductive, spiritual experiences, akin to poetry and music.” An essay by Peter C. Bunnell considers Kenna’s background and development, providing a thoughtful introduction to the 130 images that represent the twenty-year period from 1974 to 1994.

Publisher: Nazraeli Press

Size: 12 x 13'

168 pages, 130 duotone plates.

Customers who bought books by Michael Kenna also showed an interest in books by Josef Hoflehner.

Publisher's Price: £50.00
Michael Kenna

Signed Copy

Publisher's Description
In association with its original Japanese publisher, Treville, we are pleased to announce a new printing of Michael Kenna: A Twenty Year Retrospective. The Nazraeli Press edition features a larger format than previous editions, with high fidelity tritones printed 1:1 from original prints. It will serve as a companion book to Kenna’s Volume Two, to be published by Nazraeli Press in 2004. Born in the industrial north of England, Michael Kenna has lived in San Francisco since 1980. His mysterious photographs, often made at dawn or in the dark hours of night, concentrate on the interaction between natural landscape and man-made structures. His work has been shown throughout the United States, Europe, Australia and Japan, and is in such permanent collections as The Bibliothèque Nationale, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington; and The Victoria and Albert Museum, London. In her foreword, Ruth Bernhard describes Kenna’s prints as “exquisitely seductive, spiritual experiences, akin to poetry and music.” An essay by Peter C. Bunnell considers Kenna’s background and development, providing a thoughtful introduction to the 130 images that represent the twenty-year period from 1974 to 1994.

Publisher: Nazraeli Press

Size: 12 x 13'

168 pages, 130 duotone plates.

Customers who bought books by Michael Kenna also showed an interest in books by Josef Hoflehner.

Publisher's Price: £50.00
£55.00

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