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Picture of Masahisa Fukase

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Introduction by Simon Baker. Text by Tomo Kosuga.

From darkly fascinating photographs of ravens to humorous self-portraits, Fukase created images of enormous emotional power.

Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.

Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.

Publisher: Editions Xavier Barral

Size: 7.75 x 10.25"

416 pages, 160 colour / 300 black & white

Masahisa Fukase
From darkly fascinating photographs of ravens to humorous self-portraits, Fukase created images of enormous emotional power.
£60.00
£58.50

Picture of Mother River

Publisher's description

"The Yangtze River photographed with a large format camera: “A work of a genius and an eye-opening experience.” – Zelda Chaetle

Mother River is a four-year project (2010-2014) for which the British-Chinese photographer Yan Wang Preston (*1976) photographed the entire 6,211km Yangtze River at precise 100km intervals with a large-format film camera.

As China’s ‘Mother River’, the Yangtze is usually celebrated by idealistic images of iconic places. With Mother River, Yan Wang Preston conceptually undermines the deep-seated preference towards certain river places and their landscape representations. The equally spaced photographic locations produce no picturesque views or sublime concrete structures but a set of accidental and vernacular landscapes that have never or rarely been photographed before. The book tells an epic story of the entire width of China from its western highland to its eastern coast and demonstrates that in an era of abundant satellite mapping and saturated imagery, fresh views can still be attained by conducting ambitious, physical and personal mapping.

Ed. Nadine Barth, text(s) by Liz Wells

Publisher: Hatje Cantz

Size: 27.5 x 33 cm

160 pages, 64 illustrations

Yan Wang Preston
Mother River is a four-year project (2010-2014) for which the British-Chinese photographer Yan Wang Preston (*1976) photographed the entire 6,211km Yangtze River at precise 100km intervals with a large-format film camera.
£49.50

Picture of Mongrelism

Publisher's description

The Mongrel Mob of Aotearoa New Zealand is notorious for extreme violence, and they have long been regarded as the nation’s monsters. In layers of apparent contradictions, their icon is the British bulldog wearing a Nazi helmet, while their members are largely indigenous Maori. The Mongrel Mob’s symbols arose as both a goading response to a history of colonial subjugation of Maori, and a proclamation of war against the (white) state.

‘Mongrelism’ offers a communion with this impenetrable fraternity. Monumental portraits illustrate Mob members’ assertion of membership and pride in their identity. Artefact studies and brutal first person narratives are drawn from the Mob corpus, mirroring the landscapes that bare the brooding environments where Mob members live. ‘Mongrelism’ examines how the gang brands itself to itself to uphold its hierarchy and history, and find core values usually lauded by society: perseverance, resilience, and loyalty.

The publication takes the form of a gang handbook. The order and grouping of images is the result of consultation with members and hews to their geographic, familial and hierarchical relationships. An unedited Mob voice dominates the written section.

Rotman’s images have become a part of Mob history and their visual mythology. Ongoing consultation and engagement has been integral.

Rotman is a fourth generation white New Zealander, his forebears were among the first to settle in the region that became the epicentre of the Mob genesis. The process of colonisation and the atomisation of indigenous communities can be argued to have resulted in the Mongrel Mob. In Mongrelism, as in the history of the nation, the narratives intertwine.

‘Mongrelism’ is the recipient of the Prix du Livre Images Vevey 2017/2018

Publisher: Here Press

Size: 205 x 260 mm

380 pages, 152 photographs

Edition of 1500
ISBN: 978–0–9935853–8–8

Jono Rotman
The publication takes the form of a gang handbook. The order and grouping of images is the result of consultation with members and hews to their geographic, familial and hierarchical relationships. An unedited Mob voice dominates the written section.
£36.00

Picture of Deana Lawson: An Aperture Monograph

Publisher's description

Deana Lawson is one of the most compelling photographers of her generation. Over the last ten years, she has created a visionary language to describe identities through intimate portraiture and striking accounts of ceremonies and rituals. Using medium- and large-format cameras, Lawson works with models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body—often nude—is central. Throughout her work, which invites comparison to the photography of Diane Arbus, Jeff Wall, and Carrie Mae Weems, Lawson seeks to portray the personal and the powerful. Deana Lawson: An Aperture Monograph features forty beautifully reproduced photographs, an essay by the acclaimed writer Zadie Smith, and an expansive conversation with the artist Arthur Jafa.

Essay by Zadie Smith

Interview by Arthur Jafa

Publisher: Aperture

Size: 29.7 x 35 cm

104 pages, 40 four-color images

Deana Lawson
Deana Lawson is one of the most compelling photographers of her generation.
£54.00

Picture of Metropole (Signed)

Publisher's description

London, once known as the Metropole, was the mother city at the heart of a vast empire which at its peak encompassed a quarter of all land on the planet. Its maternal name belied a profoundly hierarchical and unequal relationship with power radiating outwards from the urban heart, and territorial riches feeding back in return. The British Empire has long since collapsed but in its place has risen a new world power; globalised capitalism. London — rebranded an 'investment opportunity' — is now a city of continuous demolition, shifting cranes, and glittering new high rises.

Metropole is a document of the brutal uprooting of London’s foundations at the hands of corporate developers, for the benefit of wealthy investors and absentee property speculators. In the wake of aggressive high-end development, genuinely affordable housing has diminished and residents of London are pushed ever further out from the core.

Photographed over dozens of winter nights spent wandering through the escalating city, Metropole records the dizzying effects of a capital influx on London. The frameworks of luxury residential towers are documented during construction, and the use of double exposures layers building upon building. This proliferating tangle mirrors the threatening scale of alteration in the city. Perspective and orientation are lost in the process, emulating the sense of loss that many Londoners now feel.

Publisher: Overlapse

Size: 20 x 28 cm

160 pages, 40 b+w and 40 colour photographs

Swiss binding with exposed orange thread; mixed papers; silver foil on cover; 12 inserts

Lewis Bush
Metropole is a document of the brutal uprooting of London’s foundations at the hands of corporate developers, for the benefit of wealthy investors and absentee property speculators. In the wake of aggressive high-end development, genuinely affordable housing has diminished and residents of London are pushed ever further out from the core.
£30.00

Picture of Beyond Drifting: Digest Edition (Signed)

Publisher's description

A miniature edition of the book Beyond Drifting: Imperfectly Known Animals!

Sized a little larger than a passport, you can carry this in your pocket and share with friends. All editions are signed by Mandy.

Since the publication of Beyond Drifting in May 2017, the issue of plastic pollution in the world's oceans has captured widespread media attention, and aside from some large corporations, people like us are making small changes in our choices about single-use plastic in supermarkets, and in our homes. Mandy continues her work to draw attention to this issue of global ecological concern.

Publisher: Overlapse

Size: 11.5 x 15 cm

40 pages, 39 colour photographs + illustrations throughout

Mandy Barker
A miniature edition of the book Beyond Drifting: Imperfectly Known Animals!
£20.00

Picture of Mountains and Waters

Publisher's Description

Mountains and Waters is a photographic study of China in diptychs, shot on the outskirts of Shanghai, Chongqing and Shenzhen in China. The works focus on contemporary Chinese matters such as construction, infrastructure and development, while simultaneously alluding to traditional Chinese painting styles.

Alexander Gronsky is an Estonian photographer now based in Moscow, Russia. His work focuses on how geography influences the emotions and behaviours of its inhabitants. He is the holder of many photography awards, including the World Press Photo (2012) and the Foam Paul Huf Award (2010).

Sample images

Publisher: The Velvet Cell

Size: 210 x 240 mm

120 pages

Limited Edition of 750

Alexander Gronsky
Mountains and Waters is a photographic study of China in diptychs, shot on the outskirts of Shanghai, Chongqing and Shenzhen in China.
£30.00

Picture of 136, I am Rohingya

Publisher's Description

Saiful Huq Omi started to document the lives of the Rohingyas almost a decade ago and has showcased their stories in different parts of the world.

“136, I am Rohingya” honours the mission of strengthening the identity of the community that is being threatened and adds to its collective memory, shows its traditions, raises awareness, tells stories of abuse and tragedies. Ultimately, it shows an incredible commitment to the fight of these people and a level of humanity, so necessary in these of times of turbulence.

Saiful Huq Omi is a photographer, filmmaker, educator and activist. Founder of the photography school Counter Foto, he was born in Bangladesh in 1980. The recipient of multiple awards and grants, Omi’s work on the Rohingyas has won him a global reputation as a tireless campaigner for human rights.  

Publisher: Schildt Publishing

Size: 21 x 31.5 cm

156 pages with approx. 150 photographs in black & white


Saiful Huq Omi
Saiful Huq Omi started to document the lives of the Rohingyas almost a decade ago and has showcased their stories in different parts of the world.
£36.00

Picture of 27 Roads

Publisher's Description

The road has been a central motif in the work of Robert Adams since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist’s concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through dark forests, paved commercial strips or dusty tracks on a clear-cut mountainside, Adams’ roads function as metaphors for solitude, connection or freedom. Adams writes, “Roads can still be beautiful. Occasionally they appear like a perfect knife slicing through a perfect apple, the better to show that two halves are one.”

Publisher: Fraenkel Gallery

64 pages, 27 black & white plates

Robert Adams
The road has been a central motif in the work of Robert Adams since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist’s concise, poetic selection of images spanning almost five decades.
£56.00
£54.75

Picture of Silent Moments

Publisher's Description

Håkan Strand (b.1959) is an award winning fine art Photographer based in Stockholm, Sweden. He brings his Scandinavian influences into his photography to create a style which is characterized by sophisticated simplicity of form, beauty, and lines. It pays tribute to the traditions of the old masters as well as to contemporary photographers such as Kirsten Klein and Michael Kenna. By making use of low light environments, between dusk and dawn, bad weather and gray cloudy skies, the artist creates his elegant and atmospheric black-andwhite photographs. Silent Moments is about turning away from the hectic pace of modern life, putting time aside for moments of stillness and timelessness. With his use of light and shade, rhythm and form, Strand reconnects us with nature in a special way.
 

Publisher: Kehrer Verlag

Size: 24 x 30.5 cm

124 pages 54 duotone ills.

English, Swedish

Håkan Strand
Håkan Strand brings his Scandinavian influences into his photography to create a style which is characterized by sophisticated simplicity of form, beauty, and lines.
£31.50

Picture of Lars Tunbjork

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Initially inspired by Swedish masters such as Christer Strömholm, as well as Stephen Shore and William Eggleston, Lars Tunbjörk (1956–2015) was one of the great and truly original European photographers. Tunbjörk's international breakthrough came in 1993 with the photobook Country beside Itself. Celebrated by Martin Parr and Gerry Badger as "an acute observer of modern life," Tunbjörk's color images amplified the mundane and the absurd in a quietly surreal fashion using the hard light of flash photography, which became his signature style and influenced a subsequent generation of photographers. His best-known photobook series include Office (2001), which depicts office workers in bizarre chance positions, and Home (2003), in which everyday items such as flowers or armchairs are made to reveal a quiet absurdity in Swedish suburbia. With more than 250 images, this volume constitutes the most substantial overview of his work.

Text by Kathy Ryan, Göran Odbratt, Maud Nycander.

Publisher: Max Ström

Size: 11.5 x 10.5 "

336 pages, 220 colour/34 black & white images

Lars Tunbjork
Initially inspired by Swedish masters such as Christer Strömholm, as well as Stephen Shore and William Eggleston, Lars Tunbjörk (1956–2015) was one of the great and truly original European photographers.
£45.00

Picture of Bushes & Succulents

Publisher's Description

Bushes & Succulents is Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at. The images are a celebration of the female essence - confident, raw and elegant, yet confrontational and unapologetic. The solarisation process reveals human imperfections, not only in the metallic brilliance of the skin, but also brings to the surface a woman’s struggles, strengths, and power.

The frame reminded me of early childhood, at age eight or so, when I would jump in the showerwith my mother. It resonates an adoration and child-like curiosity for what it is to be a woman. My intention is not to objectify the body, but to celebrate the female body and its essence.

- Mona Kuhn

Born in Brazil, Mona Kuhn currently resides in Los Angeles. Through intimacy with her subjects, knowledge of traditional iconography, and technical mastery, Kuhn portrays the complexities of human nature, both tempting and provoking our imagination.

Publisher: Stanley/Barker

Size: 29 x 25.5 cm

128 pages, 60 images (Silver + CMYK)

Mona Kuhn
Bushes & Succulents is Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at.
£40.00

Picture of Women's Market

Publisher's Description

Between 1978 and 1999 British photographer Tom Wood spent his Saturday mornings at Great Homer Street Market, a retail market, just far enough outside the centre of Liverpool for it to have it’s own unique, more relaxed identity. Complete with his Leica and out of date film, Wood made vibrant and real photographs of the shoppers as they hunted for bargains and met up with friends and family.

“I was first introduced to Great Homer Street market in 1975, by a girlfriend with family in Dingle, Liverpool. At that time, I bought two double breasted Worsted wool three piece suits and a three buttoned pin stripe suit with turn ups, for a total of four pounds. I thought, “what a great market!” It was vast then down both sides of the street, but by the time I began to photograph the second-hand clothes had all but disappeared. Yet the market was still crowded with the same mothers and daughters who for generations had frequented “Greatie” - Tom Wood

 
Publisher: Stanley/Barker

Size: 24 x30 cm

104 pages, 66 images (Duotone + CMYK)

Tom Wood
Between 1978 and 1999 British photographer Tom Wood spent his Saturday mornings at Great Homer Street Market, a retail market, just far enough outside the centre of Liverpool for it to have it’s own unique, more relaxed identity.
£34.99

Picture of Bright Black World (Signed)

Publishing November 2018. Taking advance orders.

Unsigned copies - £10 less

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

We are thrilled to announce the publication of Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 clothbound copies.

Publisher: Nazraeli Press

Size: 43.2 x 30.4 cm

104 pages, 48 four-color plates

Todd Hido
Signed Standard Edition
£64.00

Picture of Bright Black World

Publishing November 2018. Taking advance orders.

Signed copies also available

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

We are thrilled to announce the publication of Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 clothbound copies.

Publisher: Nazraeli Press

Size: 43.2 x 30.4 cm

104 pages, 48 four-color plates

Todd Hido
Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.
£54.00

Picture of And where did the peacocks go?

Miho Kajioka's work draws on the Japanese tradition of “wabi-sabi” – the appreciation of beauty in imperfection and transience, and the Zen/Taoist belief that the essence of an object exists rather in the empty space inside and around it. This is certainly evident in this beautiful publication. Those looking for comparisons might gravitate toward Masao Yamamoto and while there is a similarity in style the personal in Kajioka's work is enough to distinguish it from that of the great Japanese photographer. This work, partly seen at the Photographer's Gallery earlier this year, was created in response to the accident at the Fukushima nuclear plant.

"Right after the Fukushima nuclear plant accident, I found a blog about peacocks that were left in the evacuation zone, within the 20 km limit. I started imagining those peacocks, walking around the empty town with their beautiful wings spread. The image I had in my mind seemed so far away from what was going on in Fukushima. It was as if two different layers of images – the disaster scene and beautiful peacocks – were overlapping with each other without being unified. I started to see different layers in almost everything after the disaster in 2011."

Miho Kajioka

Publisher: the (M) éditions

Size: 16 x 20 cm

64 pages + 32 pages booklet (text in English and Japanese) .

Miho Kajioka
Miho Kjioka's work draws on the Japanese tradition of “wabi-sabi” – the appreciation of beauty in imperfection and transience, and the Zen/Taoist belief that the essence of an object exists rather in the empty space inside and around it.
£70.00

Picture of The Crash

Publisher's Description

In 2008 the financial crash hit the City of London. Panic filled the air and people working for the giant money machine seemed oblivious to a photographer working quickly and quietly in their midst. Now, over a decade later, these images question what we have learned... if anything at all.

Stephen McLaren moved to Bethnal Green in 1996, became a photographer, and quickly realised he never wanted to live anywhere else in London other than the East End. Stephen has written a number of books on photography, including 'Photographers’ Sketchbooks', and currently works as a photographer and writer in Los Angeles.

Book 14 from the series 'East London Photo Stories' + PRINT

A fully cloth-covered Collector's Edition of The Crash by Stephen McLaren, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 150 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press

Stephen McLaren
A fully cloth-covered Collector's Edition of The Crash by Stephen McLaren, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.
£50.00

Picture of Estudio elemental del Levante (exhibition catalogue)

Publisher's Description

Catalogue of the exhibition presented in Sala Canal de Isabel II (Madrid, May—July 2018) ‘Estudio elemental del Levante’ (An elementary study of Levante) by photographer Ricardo Cases. It includes Cases’ work since 2010 through five photographic series that analyze the universe of the Levante region as a colorful, anarchic, wild and disconcerting place, but clearly Spanish. Ricardo Cases’ Levante region is a universe made of light, surprise, precariousness and chaos. A country without rules, fascinating and hallucinatory that, in some way, condenses the spirit of contemporary society.

The exhibition shows the work of Ricardo Cases since 2010, when he changed his residence from Madrid to Valencia, and includes the series ‘Sol’, ‘Paloma al aire’, ‘El porqué de las naranjas’, ‘Podría haberse evitado’ and ‘Estudio elemental del Levante’, setting up a small-scale laboratory for the Levantine orchard. This photographic journey through landscapes and people, with supersaturated color subjects, constitutes a powerful symbolic corpus that shapes his personal Levantine universe, full of irony, vitality and characters that represent the quintessence of the autochthonous culture in an involuntary way.

Size: 13.6 x 18 cm

340 pages

Language: Spanish/English

Ricardo Cases
Catalogue of the exhibition presented in Sala Canal de Isabel II (Madrid, May—July 2018) ‘Estudio elemental del Levante’ (An elementary study of Levante) by photographer Ricardo Cases.
£19.00

Picture of The Moth (Signed)

Publisher's Description

The Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time. Over the course of 30 years, Southam intermittently returned to the west of Cornwall to explore a place steeped in marine and mining history, and in the mythology of Celtic saints who exiled to Cornish shores. His poetic sequence of images, inspired by the alliterative verse of the old English poems The Wanderer and The Seafarer, moves from vistas of meadows to water streams, forgotten homes and farm dogs awaiting their food. Now and then, Southam’s fluctuating current of pictures is punctuated by a sublime moment in the rural landscape, only to be eclipsed by the hazy memory of The Moth.

Publisher: Mack Books

72 pages

Jem Southam
he Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time.
£40.00

Picture of Per Strada (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Per Strada presents a significant body of work by Guido Guidi, which he made intermittently from 1983 to 2015. The subject is the Via Emilia, a Roman road connecting Milan to the Adriatic Sea. To this day, the Via Emilia is the territorial backbone of the Southern tier of the PoValley, running through mid-size cities such as Parma, Reggio Emilia, Modena, Bologna, Forlì, and Rimini. Using a 8x10 inch camera, Guidi focuses his lens on the “interstices” between cities rather than on historical centres. He explores the rich palimpsest of signs in the landscape built from centuries of residential, agricultural, industrial, and commercial activity.

Guidi’s project on the Via Emilia began in the environs of his hometown, Cesena. For the Italian artist, to photograph everyday landscapes is to acknowledge the importance of the vernacular, but also to break free of one’s own stereotypes, ideas, and constraints. As he once stated in an interview: “At a certain moment I felt pushed to leave my room, like in Wim Wenders’s film ‘The Wrong Move’ (1975), when Wilhelm breaks the windowpane with the palm of his hand and leaves the house. I leave the house and what do I find? A house, an entrance door, a woman who passes by or who asks me something.”

Publisher: Mack Books

Size: 30 cm x 24 cm

464 pages

Three paperback volumes each with a tipped-in-image and a bilingual booklet with Guido Guidi in conversation, all housed together in a printed slipcase.

Signed by the artist

Guido Guidi
Per Strada presents a significant body of work by Guido Guidi, which he made intermittently from 1983 to 2015. The subject is the Via Emilia, a Roman road connecting Milan to the Adriatic Sea.
£55.00

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