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Picture of Lake Las Vegas/Black Mountain (Signed)

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Publisher's Description

Until 2008 Nevada was the fastest-growing state in America. But the recession stopped this urbanizing gallop in the Mojave Desert, and Las Vegas froze at exactly the point where its aspirational excesses were most baroque and unfettered. In this third Radius Books’ installment of noted photographer Michael Light’s aerial survey of the inhabited West, the photographer eschews the glare of the Strip to hover intimately over the topography of America’s most fevered residential dream: castles on the cheap, some half-built, some foreclosed, some hanging on surrounded by golf courses gone bankruptcy brown, some still waiting to spring from empty cul-de-sacs. Throughout, Light characteristically finds beauty and empathy amidst a visual vertigo of speculation, overreach, environmental delusion, and ultimate geological grace. Janus-faced in design, one side of the book plumbs the surrealities of “Lake Las Vegas,” a lifestyle resort comprised of 21 Mediterranean-themed communities built around a former sewage swamp. The other side of the book dissects nearby Black Mountain and the city’s most exclusive – and empty — future community where a quarter billion dollars was spent on moving earth that has lain dormant for the past six years. Following the boom and bust history of the West itself, Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin. Essays by two of the world’s most celebrated cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer resonant counterpoint.

Publisher: Radius Books

Size: 10.5 x 16.5"

128 pages, 44 colour illustrations

Michael Light
Following the boom and bust history of the West itself, Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin.
£55.00

Picture of Hong Kong Parr (Signed)

Publisher's Description

An art book titled Hong Kong Parr features select works from Martin Parr's recent Hong Kong project (2013) commissioned by Blindspot Gallery. The book is published to accompany his first solo exhibition in Hong Kong in September 2014.

Bridging the divide between art and documentary photography, Parr's work features the recurrent subjects of consumption, leisure, food culture and national eccentricities, which take on a vibrant rendition in his Hong Kongproject. From the faces of Mainland tourists in Hong Kong's shopping districts, local people in an entertainment whirlwind at the racecourse or the ballroom, to gory raw food in the wet market, Parr captures the intensity of urban life in Hong Kong as well as the social and cultural peculiarities of the city.

The plastic feel of the book cover is an intentional nod to consumerism which is one of the recurrent subject matters of the artist. There is also a 24-page small booklet with portraits of Hong Kong people bind in at the end of the book. 

Publisher: Blindspot Gallery and GOST Books

Size: 267 x 203 mm 

112 pages + 24 page booklet

Limited edition of 1,800 copies

Martin Parr
From the faces of Mainland tourists in Hong Kong's shopping districts, local people in an entertainment whirlwind at the racecourse or the ballroom, to gory raw food in the wet market, Parr captures the intensity of urban life in Hong Kong as well as the social and cultural peculiarities of the city.
£35.00

Picture of Dioramas

Publisher's Description

Hiroshi Sugimoto began to photograph his Dioramas series, a body of work that spans almost four decades, when he moved to New York City from Japan in 1974. While looking at the galleries in the American Museum of Natural History, he noticed that if he looked at the dioramas with one eye closed, the artificial scenes—prehistoric humans, dinosaurs, and taxidermied wild animals set in elaborately painted backgrounds—looked utterly convincing. This visual trick launched his conceptual exploration of the photographic medium, which continues today. Through his career, Sugimoto has addressed the photograph’s power to create a history. He has said, “photography functions as a fossilization of time.” In the Dioramas series, Sugimoto persuades the viewer that the photographer has captured a lived moment in time, although each scene is an elaborately crafted fiction. Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to homo sapiens’ destruction of the planet—and then to a renewal of the earth, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist’s creation myth.

Publisher: Damiani

118 pages, 56 illustrations

Hiroshi Sugimoto
Hiroshi Sugimoto began to photograph his Dioramas series, a body of work that spans almost four decades, when he moved to New York City from Japan in 1974.
£36.00

Picture of Tones of Dirt and Bone

Publisher's Description

The images in Tones of Dirt and Bone were made between 2004 and 2006, with a Polaroid camera and Time Zero film. Brodie used the characteristics and limitations inherent to this type of camera and film to his advantage. The portraits he made are further enhanced by the peculiar color palette of the film. Due to the restriction of manual focus and expensive film, that came only ten sheets to a box, each image feels deliberate and precious.

Publisher: Twin Palms

Size: 10 x 11"

49 four-colour plates, 84 pages


Mike Brodie
The images in Tones of Dirt and Bone were made between 2004 and 2006, with a Polaroid camera and Time Zero film. Brodie used the characteristics and limitations inherent to this type of camera and film to his advantage.
£47.75

Picture of Bailey's East End

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Publisher's Description

“The idea for a book on the East End formed sometime in the 1980s. The London Docks had already closed down or were starting to. I chose to shoot mainly in the districts of Silvertown and Canning Town. I have over the years spent many weekends shooting whatever took my fancy. The other two times I had bursts of photographic energy in the East End were in the 1960s and from about 2004 to 2010.

These were my three key periods to draw pictures from, instead of just trolling through the last fifty years of archives. In the late 1940s and early 1950s I heard a quote on the radio, ‘Go west, young man.’ At the time I didn’t give it much thought. Later I assumed it was from America and that it went back to the middle of the nineteenth century, when America’s west coast was opening up to great wealth and opportunities.

The cockneys should have listened, but they didn’t. They went east like their ancestors before them. The ones that moved east out of ‘Old Nichol’ went to Whitechapel, then onto Stepney and Bow, then to what is now called Newham and later to Barking, Dagenham and onto Essex. My mother was from Bow, my father it seems was from Hackney, my grandfather from Bethnal Green. Before him they all were from Whitechapel as far as records show.”

Publisher: Steidl

Size: 268 x 349 mm

464 pages

David Bailey
Images of the London's East End taken from three distinct periods in the photographer's career.
£67.50

Picture of Paul Strand: Master of Modern Photography

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Publisher's Description

Through his amazing variety of innovative images, photographer Paul Strand (1890–1976) played a crucial role in establishing the medium's significance as a modern art form. Celebrating the Philadelphia Museum of Art's recent acquisition of the core collection of Strand's prints from the Paul Strand Archive, this stunning book comprehensively reassesses the artist's career in light of current scholarship and critical debates about his work. Featuring more than 250 plates, the catalogue includes many of Strand's iconic early photos such as Wall Street and Blind Woman alongside lesser-known master prints from all phases of his career.
 
Discussing the artist’s prolific career, from his emergence in Alfred Stieglitz's circle in New York in the early part of the century to his years spent working abroad in places such as Mexico, France, Italy, and Africa, Peter Barberie positions Strand as a remarkably independent modernist whose priorities shifted at several points and often ran counter to prevailing trends. Amanda N. Bock focuses on the years 1930–50, when Strand thoroughly explored the role of politics in modern art and relentlessly sought to identify the greater purposes of photography and filmmaking. The edited transcript from a roundtable discussion among key scholars touches upon many aspects of Strand's various projects from the 1930s to the 1960s. A detailed chronology brings to light new information about the life and work of an extraordinarily important and influential 20th-century photographer. 

Publisher: Yale University Press

Size: 12 x 13' 

372 pages, 323 colour and 31 b/w illustrations

Paul Strand
Celebrating the Philadelphia Museum of Art's recent acquisition of the core collection of Strand's prints from the Paul Strand Archive, this stunning book comprehensively reassesses the artist's career in light of current scholarship and critical debates about his work.
£45.00

Picture of Here and Home

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Publisher's Description

This first comprehensive overview of celebrated photographer Larry Sultan’s work accompanies a major retrospective and features work from every significant series, including Homeland, his most recent body of work.

This first comprehensive overview of celebrated photographer Larry Sultan’s work accompanies a major retrospective and features work from every significant series, including: Evidence (1977), the conceptual project with Mike Mandel, which broke ground by demonstrating how context and sequence directly influence our interpretation of photographs; Pictures from Home (1982–92), a personal exploration of family and domesticity challenging larger notions of representation through use of contemporary pictures of Sultan’s parents contrasted with movie stills from his childhood; The Valley (1998–2003), a deliberate inquiry into the subversion of the suburban homes commonly used by the porn industry as sets for films; and Homeland (2006–09), Sultan’s most recent body of work, depicting day laborers posed in evocative California settings suggesting both dislocation and longing. Also featured are additional early collaborative works with Mandel, selected later career editorial work, and writings by and interviews with Sultan elucidating his creative process.

Publisher: Prestel

Size: 248 x280 mm

208 pages125 colour illustrations

Larry Sultan
This first comprehensive overview of celebrated photographer Larry Sultan’s work accompanies a major retrospective and features work from every significant series, including Homeland, his most recent body of work.
£31.50

Picture of Unnamed Road

Publisher's Description

For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring. 

Lee, who describes her photographic state as ‘meditative’, regards the act of photography as emotional and experiential, a moment when ‘that absolute “echo” within myself travels through time and space’. Yet she struggled to find neutrality in a charged territory that she describes as ‘uncomfortable’; it was only in final trips to sites in 2011 that she found distance – thus opening out the work to signify more that Israel and its conflict. Lee’s work is often concerned with the materiality of printing technique, and for twenty years she has utilised a liquid photo-sensitive emulsion brushed on handmade rice paper, a method akin to painting. In Unnamed Road, for the first time digital processes were employed; and yet the images remain explorations of chance and imperfection, drawing the viewer into a realm where fullness of vision is the subject matter.

Publisher: Mack Books

Size: 226 x 260 mm

106 pages, 45 tritone plates

Jungjin Lee
Jungjin Lee's latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape.
£31.50

Picture of Perpetual Season

Publisher's Description

A Perpetual Season lays a photographic trail through a dream-like city, offering glimpses into a network of spaces that loom as silent witnesses to some forgotten order. Recurring concrete shapes and perplexed human beings punctuate the journey with a faintly elegiac tone which conjures up an inverted Arcadia, illuminated by the hopes and visions of a bygone era. This is fertile ground for a series of unsettling encounters which act as cryptic symptoms of an ominous presence – a reversed staircase, an unreachable doorway, people frozen in precarious gestures, disturbed conversations.

This 'perpetual season' alludes to a self-contained pictorial space, and the naturalistic approach embedded in such photographic practice is a guise for the construction of a world that ultimately belies its own familiarity. The formal and thematic echoes running throughout the sequence can be viewed as transverse lines drawn within an apparent chaos, connecting discarded buildings with bewildered passers-by, decaying natural arrangements with enigmatic corridors. As each is seemingly doubled or reincarnated, they condense in this peculiar scope of light and space, like an ever-returning cross-section of a global cycle.

Publisher: Mack Books

Size: 170 x 222 mm

80 pages, 39 colour plates

Grégoire Pujade-Lauraine
A Perpetual Season lays a photographic trail through a dream-like city, offering glimpses into a network of spaces that loom as silent witnesses to some forgotten order. Recurring concrete shapes and perplexed human beings punctuate the journey with a faintly elegiac tone which conjures up an inverted Arcadia, illuminated by the hopes and visions of a bygone era.
£27.00

Picture of El porqué de la naranjas

Publisher's Description

At first sight, reality appears chaotic and anarchic. If events have any kind of logic to them, it lies well hidden behind an overlay of banality so thick as to make it invisible. And yet, at certain exceptional moments, life slackens and reveals itself. The automaton allows its innards be glimpsed, and its mechanism becomes momentarily evident as the logic of chaos. 

In his new work, El porqué de la naranjas, Spanish photographer Ricardo Cases does not document the surface symptoms of reality, but instead renders the non-visible, the mechanistic. In his immediate surroundings – the fertile region of Levante in Spain – the photographer reveals ephemeral moments that might otherwise go unnoticed. Out on the streets he sets out to make visible the laws that regulate the universe, hunting down the elementary participles in the same vein as a nuclear physicist attempting to identify the Higgs particle. Cases uses the landscape as a laboratory, a place where these mechanisms can manifest themselves freely. The work is not a portrait of Levante itself, but of the spirit of Levante, and thus of the spirit of Spain as a whole.

Publisher: Mack Books

Size: 147 x 187 mm

128 pages, 67 colour plates

Ricardo Cases
n his immediate surroundings – the fertile region of Levante in Spain – the photographer reveals ephemeral moments that might otherwise go unnoticed.
£27.00

Picture of Thomas Struth SIGNED

Publisher's Descripion

The irreconcilable coexistence of two nations determines every aspect of reality... No image exists that overcomes this division.
Ulrich Loock 

This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as “a particle of the conflict of the region”, to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by “strata of antitheses [which] reveal themselves as a matrix running through the work”, as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography. 

In some ways, this extraordinary body of work is a departure from Struth’s traditional practice: all exposures are related to one single geographical and political reality, as if Struth found every aspect of his photographic vision in one place, and as though Israel and the West Bank were a geographical container for the scope of the human condition.

SIGNED COPIES

Publisher: Mack Books

Size: 315 x 295 mm

60 pages, 16 colour plates


Thomas Struth
This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014.
£40.00

Picture of Avannaa

Publisher's Description

Avannaa is a selection of Tiina Itkonen’s photographs of Greenland’s landscape in 2002 – 2010. Itkonen has traveled over 1,500 kilometers in the west coast of Greenland by small plane, helicopter, cargo ship, oil tanker, sailboat, small fishing boat, and dog sled. Along the way she has spent time in small villages. Despite the timeless beauty captured in these photographs, there is also a subliminal awareness of the threat to the environment due to global warming. Tiina Itkonen (b. 1968) lives and works in Helsinki, Finland. Since 1995 Itkonen has traveled regularly to Greenland to photograph polar landscape and people. Her work has been exhibited internationally such as at the 54th Venice Biennial, 17th Biennale of Sydney, Danish National Museum of Photography, Kunstmuseum Wolfsburg, Ludwig Museum and New York Photo Festival. Itkonen’s first book Inughuit was published in 2004.

Publisher: Kehrer Verlag

Size: 300 x 240 mm

104 pages, 45 colour illustrations

Tiina Itkonen
Avannaa is a selection of Tiina Itkonen’s photographs of Greenland’s landscape in 2002 – 2010.
£28.80

Picture of Vanessa Winship (Signed)

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Publisher's Description

The work of British photographer Vanessa Winship first emerged into public consciousness in the late 1990s, as the political world map was being radically redrawn in the wake of the Cold War. Her sober, black-and-white depictions of Eastern Europe, shot in natural light on a variety of formats and cameras, explored concepts of borders, national identity and the vulnerability of humans within the continuum of history and world conflict. Upon her receipt of the prestigious Henri Cartier-Bresson Award in 2011, Robert Delpire observed: "Her work might be seen as a classic documentary approach but in fact it features a sensitivity and complexity that is deeply contemporary." This first broad survey of her work (previous monographs have focused on a single series) lusciously reproduces her many acclaimed projects: Imagined States and Desires: A Balkan Journey (1999–2003); Black Sea: Between Chronicle and Fiction (2002–2010); Georgia: Seeds Carried by the Wind (2008–2010); Sweet Nothings: Schoolgirls of Eastern Anatolia (2007); Humber (2010); the widely acclaimed She Dances on Jackson (2011–2012), of which Phil Coomes of BBC News raved: "This is pure photography, and … viewed as a whole, is about as good as it gets"; and her most recent series, Almería: Where Gold Was Found (2014). Also included are specially commissioned essays by Neil Ascherson, Stanley Wolukau-Wanambwa and Carlos Martín García; excerpts from books by Juan Goytisolo; plus a biography-timeline, an updated bibliography and a selection of the texts by the photographer used to complement each series in the style of a travel diary.

Publisher: Fundación Mapfre

260 pages, 9 colour, 173 black & white

Vanessa Winship
The work of British photographer Vanessa Winship first emerged into public consciousness in the late 1990s, as the political world map was being radically redrawn in the wake of the Cold War.
£49.50

Picture of Ocean and Desert (Signed)

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Publisher's Description

This new project by German-born photographer Renate Aller, titled Ocean and Desert, is an extension of the ongoing series and sold-out book oceanscapes (Radius Books, 2010). Aller has continued to make images of the ocean from a single vantage point—for which she is internationally known—but for the last several years, she has also photographed sand dunes in New Mexico and Colorado.

She has now paired the resulting images in a fascinating new series that continues her investigation into the relationship between Romanticism, memory, and landscape in the context of our current socio-political awareness. There is both a visual and visceral relationship between the two bodies of work, as though the minerals of the sand dunes carry the memory of the ocean waters that were there millions of years before. The desert images also capture visitors to the dunes, who engage in beach activities far away from any large body of water. And while these parallel realities are from completely different locations, the simultaneous, multiple activities on the sloping sand hills appears as if layers of different people and activities were choreographed next to rolling waves of the sea.

Aller’s first combination of these images was in book form, for a mammoth hand-made book that was 36 inches wide. The overwhelming success of that object has inspired the new trade copy edition, which is as large a binding that can be mechanically bound, and includes an expanded selection of the work.

Sample images

Publisher: Radius Books

Size: 16.75 x 11.25"

136 pages, 104 colour images.

Renate Aller
Aller has continued to make images of the ocean from a single vantage point—for which she is internationally known—but for the last several years, she has also photographed sand dunes in New Mexico and Colorado.
£60.00

Picture of Cyanotypes

Publisher's Description

Cyanotypes is a comprehensively illustrated book of cyanotype prints by the contemporary artist Thomas Mailaender. Realised during the past year of his practice, the images in this finely printed volume designed collaboratively by Ditto Press and the artist, explore and bring together Mailaender’s new artistic venture: the cyanotype process – one of the first photographic printing methods in the history of photography.

Publisher: Kominek

Size:160 x 225 mm

56 Pages

Risograph Printing

Edition of 300

Thomas Mailaender
Cyanotypes is a comprehensively illustrated book of cyanotype prints by the contemporary artist Thomas Mailaender.
£22.50

Picture of Close Your Eyes (Signed)

Publisher's Description

Close Your Eyes is a frenzied reworking of the accumulated archive of photographer Gareth McConnell. An onslaught of kaleidoscopic imagery fuses portraits he took of rave-goers in Ibiza with pictures he both shot and found of a number of key moments in recent British history, from the 1985 Battle of the Beanfield to the London Riots of 2011. Amongst this we find collected references to the Zen mystic Osho, whose people are said to have experimented with Ecstasy and taken it into clubs for the first time.

This is a personal, political body of work–a frustrated meditation on the nature of human occurrence, the power of mass communion in it’s many forms, and the delirious experience of losing oneself to hedonism from the view of someone who saw it from within. As an object, the book is an immersive experience, galvanized with the same primal energy of the rave, it’s rapture and it’s ecstasy. Rythmn, Pulse, Rave, Repeat.

Publisher: SPBH Editions

Size:  216 x 267 mm

116 pages, 95 plates

Gareth McConnell
Close Your Eyes is a frenzied reworking of the accumulated archive of photographer Gareth McConnell.
£36.00

Picture of Uncommon Places: The Complete Works

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Publisher's Description

Originally published in 1982, Stephen Shore’s legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take colour beyond the domain of advertising and fashion photography, and his large-format colour work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years.

Uncommon Places: The Complete Works presents a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty more images and a statement discussing the rediscovery of photographs never previously printed and what it means to expand a classic series.

Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits.

An essay by noted critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by fiction writer Lynne Tillman examine his methodology as they elucidate his roots in the Pop and Conceptual art movements of the late 1960s and early 1970s. The texts are illustrated with reproductions from Shore’s earlier series ‘American Surfaces’ and ‘Amarillo: Tall in Texas’.

Publisher: Thames & Hudson

Size: 262 x 327 mm

208 pages, 186 Illustrations, 186 in colour

Stephen Shore
Uncommon Places: The Complete Works presents a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic.
£35.96

Picture of Another Photographic Reality

Publisher's Description

Aaron Siskind (1903–1991) was a major figure in the history of American photography. A leading documentary photographer who was active in the New York Photo League in the 1930s, Siskind moved beyond the social realism of his early work as he increasingly came to view photography as a visual language of signs, metaphors, and symbols—the equivalent of poetry and music. Through the forties and ifties, he developed new techniques to photograph details and fragments of ordinary, commonplace materials. This radical new work transformed Siskind’s image-making from straight photography to abstraction, from documentation to expressive art. His concern with shape, line, gesture, and the picture plane prompted immediate comparison with abstract expressionist painting, particularly with the art of Franz Kline and Robert Motherwell. It took some years for Siskind’s unprecedented photography to gain full acceptance, but, by the 1970s, he was an acknowledged master, publishing and exhibiting widely. Siskind was also one of the founding donors who established the archive at the Center for Creative Photography.

Aaron Siskind’s oeuvre is so original that it defies classification, and it has not received the sustained critical attention that it richly merits. In fact, there are no other books on Siskind currently in print. Aaron Siskind presents the first complete retrospective of this legendary photographer. It highlights important, rarely published bodies of work from Harlem; from Bucks County architecture; and from the “Tabernacle,” “Gloucester,” “Martha’s Vineyard,” “Louis Sullivan,” and “Pleasures and Terrors of Levitation” photo series. The book also includes an introduction by Gilles Mora, an expert on modern American photography, and texts by critic and photographer Charles Traub. This study, based on the Siskind archives at the Center for Creative Photography and supported by the Aaron Siskind Foundation, fills a resounding editorial void around one of the most challenging and important figures in the art of American photography.

Publisher: University of Texas Press

Size: 10 x 12"

200 pages, 150 duotones

Aaron Siskind
This study fills a resounding editorial void around one of the most challenging and important figures in the art of American photography.
£36.00

Picture of Zero Footprint (Signed)

Publisher's Description

This portfolio consists of images taken over a five year (and counting) period from precisely the same location our hillside studio in the Glenkens area of Dumfries and Galloway.

Having built a low carbon house on the hillside we were inspired to see if we could apply some similar principles to our photography.

The restriction is a geographical one only - we can use any lens and point the camera in any direction, taking advantage of the changes in season and dramatic variances in natural light. Although it's a beautiful outlook, our view doesn't necessarily lend itself to a good composition for a traditional landscape photograph and we quickly realised that some of the bests shots we would get are those of the banks of fog and mist that roll in and often spend the entire day moving like a tide backwards and forwards in the glen.

Sample images

Publisher: Leeming + Paterson



Leeming + Paterson
This portfolio consists of images taken over a five year (and counting) period from precisely the same location our hillside studio in the Glenkens area of Dumfries and Galloway.
£36.00

Picture of on Landscapes, Interiors, and Some Nudes

Publisher's Description

In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each book features the creative process and core thinking of a photographer told in their own words and through pictures of their choosing. Each volume is introduced by a well-known student of the featured photographer.

In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.

Publisher: Aperture

Size: 7 1/2 × 10"

128 pages , 74 black and white and four-color images

Todd Hido
In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy.
£17.96

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