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Picture of Scrapbooks from 1969 to 1985

Publisher's Description

Walter Pfeiffer’s Scrapbooks from 1969 to 1985 are a very unique Wunderkammer. Pfeiffer’s polaroids and photographs alternate with miscellaneous objects – newspaper clippings, postcards, packaging, tickets – and brief punning notes. Pfeiffer assembles all of this into a large collage full of surprising references and comparisons that is both a visual diary and creative foundation of his artistic work. In his Scrapbooks, Pfeiffer’s keen view of Eros, Zeitgeist and popular culture, his disrespectful humor as well as his appreciation for the poetry in the mundane and banal, are sharply revealed. They offer a view into Pfeiffer’s meandering and playful universe and are a contemporary document that captures the Zeitgeist of the 1970s and 1980s with ephemeral elegance.

Publisher: Edition Patrick Frey

Size:323 x 252 mm

460 pages

978-3-905929-25-6

Walter Pfeiffer
Pfeiffer’s polaroids and photographs alternate with miscellaneous objects – newspaper clippings, postcards, packaging, tickets – and brief punning notes
£62.10

Picture of Seaworks 1998-2013 (Luxury Edition)

Publisher's Description

Paul has for many years made studio works using material gathered from the landscape, stones, shells, and driftwood. In common with many people, always taking home treasures from the sea. For him, they act as an aide – memoir, bringing the landscape into the studio, a mere glimpse or touch recalling the feelings of being alone, being remote. Over many years Paul has been developing this project, this body of work, for the first time a full account of this ever developing art is being published in book form, Paul calls them Seaworks.

‘The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object.’
 Paul Kenny


30 available with two Jack Lowe printed A3 print of #80 edition & #30 edition – book and both prints embossed and signed. In limited edition slipcase.

Publisher: Triplekite

Size 270 x 345 mm

160 pages

Pail Kenny
30 available with two Jack Lowe printed A3 print of #80 edition & #30 edition – book and both prints embossed and signed. In limited edition slipcase.
£265.00

Picture of Seaworks 1998-2013 (Special Edition)

Publisher's Description

Paul has for many years made studio works using material gathered from the landscape, stones, shells, and driftwood. In common with many people, always taking home treasures from the sea. For him, they act as an aide – memoir, bringing the landscape into the studio, a mere glimpse or touch recalling the feelings of being alone, being remote. Over many years Paul has been developing this project, this body of work, for the first time a full account of this ever developing art is being published in book form, Paul calls them Seaworks.

‘The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object.’
 Paul Kenny


50 available with Jack Lowe printed A3 print of #80 edition – book and print embossed and signed. In limited edition slipcase.

Publisher: Triplekite

Size 270 x 345 mm

160 pages

Paul Kenny
50 available with Jack Lowe printed A3 print of #80 edition – book and print embossed and signed. In limited edition slipcase.
£160.00

Picture of Stephen Shore: Selected Works, 1973–1981

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Stephen Shore’s Uncommon Places is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore’s unique vision of America as transmuted in this totemic series.
 
Texts and image selections by Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Lê, Michael Lesy, Hans Ulrich Obrist, Richard Prince, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, Lynne Tillman

Publisher: Aperture

Size: 12 x 15"

272 pages, 150 four-color images

Stephen Shore
Stephen Shore’s Uncommon Places is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety.
£54.00

Picture of a shimmer of possibility (Installment payment)

The new Mack edition is published in November 2017. The publisher's price is £300. We are offering it at £270. In order to make purchase more feasible for our customers, we are offering the option of payment by instalments of £45 each. (You are welcome to purchase more than one instalment at a time if you prefer.) We will keep a record of the payments you have made and send you a monthly reminders of what you still need to pay. Our system automatically adds an amount for postage - this can be deducted from your final payment.

Publisher's Description

Paul Graham’s a shimmer of possibility is regarded as one of the defining photography books of the 21st century. Awarded the Paris Photo-Aperture Prize for the most significant photobook published in the past 15 years, the original 12 volume set sold out in 10 weeks, and has been out of print since.

Re-published on the occasion of its 10th anniversary, shimmer comprises of 12 individual books, each volume a photographic short story of everyday life in today’s America. Modest sequences of images, such as a man smoking a cigarette while waiting for a bus in Las Vegas, or a woman collecting her mail from a mailbox in leafy New England, reflect the poetic ebb and flow of life. Now and then, the quiet narrative slides unexpectedly into the sublime: as a man mows a large green expanse, the sunlight breaks through clouds to illuminate a curtain of glowing raindrops. These filmic haikus avoid the forceful summation we usually find in photography, shunning a tidy packaging of the world into perfect images, to speak instead about the unexamined depths of quotidian life.

Whilst the 12 books are all an identical size, they vary in length from just a single photograph to 60 pages of images made at one street intersection. The radical form of this multi volume publication embraces the unique nature of Graham’s work, giving the flow of life precedence over conclusiveness, where nothing much happens, but nothing is foreclosed either, where everything shimmers with possibility.

Publisher: Mack Books

Size: 242 x 318 mm

376 pages, 167 colour plates

Publication date: November 2017

Paul Graham
Publishing november 2017 – available to pre-order (pay by installment)
£45.00

Picture of Japanscapes

Publisher's Description

Toshio Shibata was born in Japan in 1949. He later studied at the University of Arts in Tokyo and the Royal Academy of Fine arts in Gent, Belgium. He returned to Japan in 1980. Shibata’s work is included in the permanent collections of museums around the world, including The Museum of Modern Art, New York and the Victoria and Albert Museum.

Publisher: The Velvet Cell

Size: 200 x 250 mm

64 pages, Four Colour Offset

Limited Edition of 500

Toshio Shibata
Limited Edition of 500
£22.50

Picture of A Guide to Infrastructure & Corruption

Publisher's Description

"The super highways, overpasses, and large expressways will explain the extinction of the society that traveled by car towards progress."

Publisher: Velvet Cell

Size: 140 x 210 mm

192 pages, Four Colour Offset

Limited Edition of 500,

Text: Ximena Peredo

Alejandro Cartagena
"The super highways, overpasses, and large expressways will explain the extinction of the society that traveled by car towards progress."
£31.50

Picture of Hotel Okinawa

Publisher's Description

Okinawa is home to a large number of US military bases. Some huge, some not so huge. Half of the 50,000 US troops stationed in Japan are based in Okinawa, and it’s a small island so the impact of the bases registers more than in other places that host the US military. About 20% of the land is occupied by these bases.

Long after mainland Japan was returned to Japanese administration in the years following the end of WWII, Okinawa remained under US control, and was only returned to Japan in 1972. Given the large number of bases that remain there today, and the legacy of those years as an American-run territory, the social and physical landscape is shaped by this relationship with the bases, and the US, like nowhere else.

Greg Girard is a Canadian photographer whose work has examined the social and physical transformations in Asia’s largest cities for more than three decades.

Publisher: Velvet Cell

Size: 210 x 250 mm

192 pages, Four Colour Offset

Limited Edition of 500
978-1-908889-41-6

Greg Girard
Long after mainland Japan was returned to Japanese administration in the years following the end of WWII, Okinawa remained under US control, and was only returned to Japan in 1972. Given the large number of bases that remain there today, and the legacy of those years as an American-run territory, the social and physical landscape is shaped by this relationship with the bases, and the US, like nowhere else.
£31.50

Picture of Blind Date

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

It was the summer of 2009 in Bangkok, Thailand, that Shiga photographed couples on motorbikes.

In this city Shiga exchanged glances with hundreds and thousands of people on the back seat of motorbikes. The camera seemed to be the ideal tool for getting closer to that strange feeling of receiving glances without physically connecting with them.

She continued for a week and managed to photograph around 100 couples.

Continuing to exchange glances with unknown strangers had an effect on her and she felt as though she was rediscovering the sense of wildness that resided in the depths of her heart. It was a rich experience, as if she was touching something very sensual.

How much does the eye control us?

"I was told that I cannot see.
Does the reason for this relate to a previous life that I can no longer recall?
I wanted to know the truth, so I attended university and learned about many religions around the world.
Many, many things were said about life and death, but I felt uncomfortable about all of them.
They didn’t quite match how I am."

from the text Blind Date

Born in 1980, Aichi prefecture of Japan. Since 2008, Shiga moved to Miyagi in 2008, and has been working there.  Blind Date is the first book since Shiga’s legendary  Rasen Kaigan album (2013, Akaaka) was published.

Publisher: T&M Projects,

Size: 364 x 257 mm

100 pages

Lieko Shiga
It was the summer of 2009 in Bangkok, Thailand, that Shiga photographed couples on motorbikes. In this city Shiga exchanged glances with hundreds and thousands of people on the back seat of motorbikes. The camera seemed to be the ideal tool for getting closer to that strange feeling of receiving glances without physically connecting with them.
£54.00

Picture of Abruzzo

Publisher's Description

In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de Pompeis writes in the book’s introduction, “Abruzzo’s heritage, together with its impressive natural scenery, brings to mind romantic connotations that have historically attracted many international landscape artists, particularly in the 19th century. Michael Kenna fits perfectly into this rich historical vein of celebrated landscape artists who have worked in Abruzzo. Kenna’s work often evokes the influences of Romanticism. In his photographs of historic rural landscapes, for example, there is an air of melancholy, which accompanies memories from the past. His images of ruins stir up feelings of passing time, of the constantly evolving  ties between history and nature.”

This gorgeous new monograph by renowned landscape photographer Michael Kenna is published to coincide with a major museum exhibition opening in July, 2017 in Loreto Aprutino, Italy. Richly printed in duotone on matt art paper, and presented in an olive-green cloth slipcase, “Abruzzo” presents 65 images from the series, published here for the first time. “Abruzzo” opens with a bilingual essay by curator Vincenzo de Pompeis. This first printing is limited to 2,500 copies.

Sample images

Publisher: Nazraeli Press

Size: 320 x 300mm

80 pages, 65 duotone plates

Michael Kenna
Richly printed in duotone on matt art paper, and presented in an olive-green cloth slipcase, “Abruzzo” presents 65 images from the series, published here for the first time.
£54.00

Picture of Meanwhile Across the Mountain: Pictures from the Caucasus

Publisher's Description

The book is an intimate portrait of a part of the world that is seldom mentioned or recognised and the result of years of travelling in the area. Lasthein uses his panoramic camera as a means of both being in the middle of a situation and getting a wide-angle view of the scene. His pictures are often composed of multiple interacting actions. In the Caucasus the concept of borderland gets especially vivid. Here Europe meets Asia and Islam meets Christianity; a myriad nationalities, languages and cultures live side by side. In spite of the unresolved wars and conflicts since the fall of the Soviet Union, people of the new countries and republics are still emotionally tied together by their common history. Jens Olof Lasthein’s pictures tell stories full of life from a region which is most often talked about only when bombs explode or border conflicts flare up anew.

Publisher: Max Strom

Size: 230 x280 mm

200 pages



Jens Olof Lasthein

Publisher's Description

The book is an intimate portrait of a part of the world that is seldom mentioned or recognised and the result of years of travelling in the area. Lasthein uses his panoramic camera as a means of both being in the middle of a situation and getting a wide-angle view of the scene. His pictures are often composed of multiple interacting actions. In the Caucasus the concept of borderland gets especially vivid. Here Europe meets Asia and Islam meets Christianity; a myriad nationalities, languages and cultures live side by side. In spite of the unresolved wars and conflicts since the fall of the Soviet Union, people of the new countries and republics are still emotionally tied together by their common history. Jens Olof Lasthein’s pictures tell stories full of life from a region which is most often talked about only when bombs explode or border conflicts flare up anew.

Publisher: Max Strom

Size: 230 x280 mm

200 pages



£27.00

Picture of Time from Different Sources: Images from Ciman Village

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

This is our second publication for artist Cheng Xinhao.

In the body of works Cheng uses polyphonic narrative to present the reality of a Naxi village in Southwest China during urbanization. This book, as response of the “comprehensive” series, is visualized polyphony. It’s no exaggeration to say that this is a handmade book in mass production.

Statement by the Artist
From the Jade Dragon Mountain, there flows a river called "the Green Dragon River". The Green Dragon River flows through a village called "Ciman". Ciman Village has been existed before the largest city, Lijiang in this area. Lijiang was built by a group migrant from the north, and the migrants called themselves the Naxi. The Naxi went on to build the city of Lijiang, and thus became locals. Lijiang became the gateway of Tibet from the Han lands, and at that time, Ciman Village was the first stop as the trading caravans entered Lijiang city. The horses and caravans stopped at the village to rest. The business of the village flourished. As time goes, new roads were built bypassing the village; horses were replaced by cars, and thus Ciman regained its peace. Every year, the waters of the Qinglong (Green Dragon) River rise and fall. Sometimes the river breaks its banks and floods the surrounding fields. The crops in the fields sprout, thrive, ripen and decay at their appointed times, year in and year out. The Naxi have lived on farming for generations. Each year in April, the village is filled with pear blossoms.

Today, Ciman Village is still the first town you pass as you enter Lijiang area. The Huangshan Great Bridge connecting the highway sweeps over the head of the village. The city has grown, while the village has shrunk. Few fields are seen along the banks of the Qinglong River today. The residents of Ciman Village no longer work the fields, and they seem to have accepted the constant roar of traffic over their heads. The days still pass on. The Naxi People, singing their ancient songs, gradually grow old. The youngs gradually leave this place. In the empty space where the city has yet to reach, a new village has risen on the eastern bank of the Qinglong River. People from other provinces have set up shop here, firing bricks, fixing cars, raising pigs and recycling scrap.

If the city does not come here soon, these new migrants may settle permanently, becoming the new locals. The seemingly tranquil village is being rapidly changed. Here, times from different sources unfold in parallel in everyday life, struggle against each other, and finally homogenized, or find their ways to live together. This artwork is a response to these contingencies of urbanization. The four components of the artwork speak respectively of geological time, contemporary time in the village, historical time in the village, and the tension of the physical body existing within this time. I attempt to reconstruct these coexisting contemporary situations through a polyphonic narrative approach. Instead of a simplified narrative, the complex reality could be represented with its full complexity and flexibility through this method. In the process, the perspective of a fictitious figure and multiple threads are constructed. They rise from unnoticed details, and entangle each other as the narrative progresses, expanding and contracting against each other until all of the images are linked together. Through this way, folding forms in the overarching narrative, while eddies and undercurrents emerge in the linear timeline. Eventually, these images form an analysis of reality that uncovers the discourse lying concealed under its smooth surface.

Sample images

Published by Jiazazhi Press

Size: 305 x 255 mm

174 pages

First Edition: 800

Cheng Xinhao
In the body of works Cheng uses polyphonic narrative to present the reality of a Naxi village in Southwest China during urbanization. This book, as response of the “comprehensive” series, is visualized polyphony. It’s no exaggeration to say that this is a handmade book in mass production.
£50.00

Picture of On The Road, Everglades

Publisher's Description
Since the mid 1990’s Bert Teunissen is on the road, photographing the landscape. Always in the same way: shot from behind the steering wheel while driving. This publication focusses on the dense American landscape of the Everglades in Florida. Bert Teunissen uses an Olympus Pen; the legendary half frame camera from the 60s and 70s. All photographs are printed on out of date photographic paper-stock, creating different flares in colours and contrasts, which makes every print unique and impossible to create again. For Bert Teunissen this irreversible process is part of his search to capture the fluid state of mind while traveling.

Publisher: Fw: Books

Size: 170 x 240 mm

96 pages

Bert Teunissen
Since the mid 1990’s Bert Teunissen is on the road, photographing the landscape. Always in the same way: shot from behind the steering wheel while driving. This publication focusses on the dense American landscape of the Everglades in Florida.
£26.00
£25.50

Picture of Candy/A Good and Spacious Land

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

In this two-volume set, two artists and two writers explore the concept of the “model city” through the lens of New Haven, Connecticut. This collaboration grew out of a 2013 joint residency at the Yale University Art Gallery by acclaimed photographers Jim Goldberg (b. 1953) and Donovan Wylie (b. 1971). In Candy, Goldberg uses Super 8 film stills, images of New Haven’s urban landscape, Polaroid portraits, and collaged archival material to create a layered reflection on 20th-century American cities that the artist calls a “photo-novel.” A Good and Spacious Land, with photographs by Wylie, examines topographic changes resulting from the construction of the I-95/I-91 highway interchange in New Haven and connects a contemporary American interpretation of the “promised land” to the underlying biblical narrative. The accompanying text in both volumes includes narratives woven throughout the images as well as essays reflecting on the photographs’ symbolism, social import, and historical contexts.

Publisher: Yale University Art Gallery

Size: 279 x 330 mm

372 pages, 225 colour illustrations

Jim Goldberg, Donovan Wylie, Christopher Klatell, Laura Wexler
In this two-volume set, two artists and two writers explore the concept of the “model city” through the lens of New Haven, Connecticut. This collaboration grew out of a 2013 joint residency at the Yale University Art Gallery by acclaimed photographers Jim Goldberg and Donovan Wylie.
£72.00

Picture of a shimmer of possibility

Publishing november 2017 – available to pre-order

Customers can choose to pay by installment

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Paul Graham’s a shimmer of possibility is regarded as one of the defining photography books of the 21st century. Awarded the Paris Photo-Aperture Prize for the most significant photobook published in the past 15 years, the original 12 volume set sold out in 10 weeks, and has been out of print since.

Re-published on the occasion of its 10th anniversary, shimmer comprises of 12 individual books, each volume a photographic short story of everyday life in today’s America. Modest sequences of images, such as a man smoking a cigarette while waiting for a bus in Las Vegas, or a woman collecting her mail from a mailbox in leafy New England, reflect the poetic ebb and flow of life. Now and then, the quiet narrative slides unexpectedly into the sublime: as a man mows a large green expanse, the sunlight breaks through clouds to illuminate a curtain of glowing raindrops. These filmic haikus avoid the forceful summation we usually find in photography, shunning a tidy packaging of the world into perfect images, to speak instead about the unexamined depths of quotidian life.

Whilst the 12 books are all an identical size, they vary in length from just a single photograph to 60 pages of images made at one street intersection. The radical form of this multi volume publication embraces the unique nature of Graham’s work, giving the flow of life precedence over conclusiveness, where nothing much happens, but nothing is foreclosed either, where everything shimmers with possibility.

Publisher: Mack Books

Size: 242 x 318 mm

376 pages, 167 colour plates

Publication date: November 2017

Paul Graham
Publishing november 2017 – available to pre-order
£270.00

Picture of Sleeping by the Mississippi

Publishing September 2017 – available to pre-order

Publisher's Description

Evolving from a series of road trips along the Mississippi River, Alec Soth’s Sleeping by the Mississippi captures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format color photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, Sleeping by the Mississippi elicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’

Like Robert Frank’s classic The Americans, Sleeping by the Mississippi merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust.

This book is one of the defining publications in the photo-book era.

Publisher:Mack

Size: 280 x 275 mm

120 pages, 46 colour plates

Publication date: September 2017

Alec Soth
Publishing September 2017 – available to pre-order
£36.00

Picture of Dear Sky

Publisher's Description

Arthur Mebius (NL) is a lifelong aviation enthusiast and photographer. Looking for a new project, he discovered a place where big classic sovjet-airplanes are still flying: North Korea.

Air Koryo is the state-owned national airline of North Korea. International sanctions and environmental restrictions have reduced the airline’s international destinations with only China and Vladivostok remaining. The old Antonovs, Ilyushins and Tupolevs rarely fly abroad and therefore seem superfluous. Nevertheless these aircraft and their crews are kept ready for operation. Occasional domestic flights are all the more important for the flight attendants and pilots to practice and to keep up their knowledge and skills.

Arthur Mebius monitors the routine operations by the crew which appears as a rehearsed play of maintenance, controls and procedures. A beautiful ground control dance of which an image of dedication and pride arises.

The book is complemented with fictive anecdotes based on true historical events.

Publisher: The Eriskay Connection

Size: 200 x 275 mm

128 pages

Edition: 1.000

Arthur Mebius
Arthur Mebius is a lifelong aviation enthusiast and photographer. Looking for a new project, he discovered a place where big classic sovjet-airplanes are still flying: North Korea.
£32.00
£31.25

Picture of A Perfect Chemistry

Publisher's Description

Pioneering Edinburgh photographers David Octavius Hill (1802–1870) and Robert Adamson (1821–1848) together formed one of the most famous partnerships in the history of photography.

Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography.

The author, Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography.

Publisher: National Galleries of Scotland

Size: 205 x 250 mm

120 pages, 110 illustrations

Hill and Adamson
Pioneering Edinburgh photographers David Octavius Hill (1802–1870) and Robert Adamson (1821–1848) together formed one of the most famous partnerships in the history of photography.
£17.96

Picture of Intervention

Publisher's Description

Sublimity and exploitation: on the relationship between humankind and nature

In his works of art the Korean photographer Han Sungpil confronts the themes of environment, energy production, and humankind’s impact on nature. The three series in this book of photographs are distinguished by their surprising perspective, which goes beyond the visual vocabulary normally found in environmental documentations. Whether it’s a painterly French landscape featuring nuclear power plants, presented as a scene of idyllic perfection, or a search for the relics of whale hunting and coal mining in the Arctic and Antarctic, Sungpil’s photographs tell, artfully and critically, of nature’s sublimity and humankind’s overexploitation of it. Photographs of abandoned trawlers, whaling stations, and industrial ruins set in front of monumental, ice-covered landscapes shift the focus to the exploitation of ecological resources, leaving the viewer speechless. Sungpil was awarded the Ilwoo Foundation’s prize for his moving works of art.

Ed. Ilwoo Foundation, Seoul Korea, text(s) by Celina Lunsford

Publisher: Hatje Cantz

Size: 300 x 230 mm

176 pages, 97 illustrations

ISBN 978-3-7757-4279-5

Han Sungpil
In his works of art the Korean photographer Han Sungpil confronts the themes of environment, energy production, and humankind’s impact on nature.
£35.00

Picture of The Travellers

Publisher's Description

In Ireland, around 25,000 people still live in temporary settlements in the style of itinerant workers far removed from the amenities of Western civilisation. Moving from place to place in mobile homes without electricity and running water, the largest Catholic minority of the country is almost considered illegal, often maligned and faced with prejudices. Strangely out of step with 21st century lifestyle, they stick to their seemingly outdated traditions while also trying to find a new identity that fits in with modern society. Even in the present day, this ambiguity continues to define life for traveller community, whose livelihood depends on horse breeding and hunting and who keep their own language alive as part of their culture.

In 2011, the photographer Birte Kaufmann cautiously began to make contact with the travelling community, earning their trust and on some occasions living with them. For her portrayal of this unknown world, she needed to be in close contact with the families in order to capture their particular character and to avoid the usual stereotypes. Without a doubt, Birte Kaufmann’s combination of reportage and documentary photography hits the right note and offers impressive insights into an extraordinary world.

Publisher: Verlag Kettler

Size: 205 × 250 mm

144 pages

Birte Kaufmann
In 2011, the photographer Birte Kaufmann cautiously began to make contact with the travelling community, earning their trust and on some occasions living with them.
£36.00

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