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Picture of Mountains and Waters

Publisher's Description

Mountains and Waters is a photographic study of China in diptychs, shot on the outskirts of Shanghai, Chongqing and Shenzhen in China. The works focus on contemporary Chinese matters such as construction, infrastructure and development, while simultaneously alluding to traditional Chinese painting styles.

Alexander Gronsky is an Estonian photographer now based in Moscow, Russia. His work focuses on how geography influences the emotions and behaviours of its inhabitants. He is the holder of many photography awards, including the World Press Photo (2012) and the Foam Paul Huf Award (2010).

Sample images

Publisher: The Velvet Cell

Size: 210 x 240 mm

120 pages

Limited Edition of 750

Alexander Gronsky
Mountains and Waters is a photographic study of China in diptychs, shot on the outskirts of Shanghai, Chongqing and Shenzhen in China.
£30.00

Picture of 136, I am Rohingya

Publisher's Description

Saiful Huq Omi started to document the lives of the Rohingyas almost a decade ago and has showcased their stories in different parts of the world.

“136, I am Rohingya” honours the mission of strengthening the identity of the community that is being threatened and adds to its collective memory, shows its traditions, raises awareness, tells stories of abuse and tragedies. Ultimately, it shows an incredible commitment to the fight of these people and a level of humanity, so necessary in these of times of turbulence.

Saiful Huq Omi is a photographer, filmmaker, educator and activist. Founder of the photography school Counter Foto, he was born in Bangladesh in 1980. The recipient of multiple awards and grants, Omi’s work on the Rohingyas has won him a global reputation as a tireless campaigner for human rights.  

Publisher: Schildt Publishing

Size: 21 x 31.5 cm

156 pages with approx. 150 photographs in black & white


Saiful Huq Omi
Saiful Huq Omi started to document the lives of the Rohingyas almost a decade ago and has showcased their stories in different parts of the world.
£36.00

Picture of 27 Roads

Publisher's Description

The road has been a central motif in the work of Robert Adams since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist’s concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through dark forests, paved commercial strips or dusty tracks on a clear-cut mountainside, Adams’ roads function as metaphors for solitude, connection or freedom. Adams writes, “Roads can still be beautiful. Occasionally they appear like a perfect knife slicing through a perfect apple, the better to show that two halves are one.”

Publisher: Fraenkel Gallery

64 pages, 27 black & white plates

Robert Adams
The road has been a central motif in the work of Robert Adams since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist’s concise, poetic selection of images spanning almost five decades.
£56.00
£54.75

Picture of Silent Moments

Publisher's Description

Håkan Strand (b.1959) is an award winning fine art Photographer based in Stockholm, Sweden. He brings his Scandinavian influences into his photography to create a style which is characterized by sophisticated simplicity of form, beauty, and lines. It pays tribute to the traditions of the old masters as well as to contemporary photographers such as Kirsten Klein and Michael Kenna. By making use of low light environments, between dusk and dawn, bad weather and gray cloudy skies, the artist creates his elegant and atmospheric black-andwhite photographs. Silent Moments is about turning away from the hectic pace of modern life, putting time aside for moments of stillness and timelessness. With his use of light and shade, rhythm and form, Strand reconnects us with nature in a special way.
 

Publisher: Kehrer Verlag

Size: 24 x 30.5 cm

124 pages 54 duotone ills.

English, Swedish

Håkan Strand
Håkan Strand brings his Scandinavian influences into his photography to create a style which is characterized by sophisticated simplicity of form, beauty, and lines.
£31.50

Picture of Lars Tunbjork

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Initially inspired by Swedish masters such as Christer Strömholm, as well as Stephen Shore and William Eggleston, Lars Tunbjörk (1956–2015) was one of the great and truly original European photographers. Tunbjörk's international breakthrough came in 1993 with the photobook Country beside Itself. Celebrated by Martin Parr and Gerry Badger as "an acute observer of modern life," Tunbjörk's color images amplified the mundane and the absurd in a quietly surreal fashion using the hard light of flash photography, which became his signature style and influenced a subsequent generation of photographers. His best-known photobook series include Office (2001), which depicts office workers in bizarre chance positions, and Home (2003), in which everyday items such as flowers or armchairs are made to reveal a quiet absurdity in Swedish suburbia. With more than 250 images, this volume constitutes the most substantial overview of his work.

Text by Kathy Ryan, Göran Odbratt, Maud Nycander.

Publisher: Max Ström

Size: 11.5 x 10.5 "

336 pages, 220 colour/34 black & white images

Lars Tunbjork
Initially inspired by Swedish masters such as Christer Strömholm, as well as Stephen Shore and William Eggleston, Lars Tunbjörk (1956–2015) was one of the great and truly original European photographers.
£45.00

Picture of Bushes & Succulents

Publisher's Description

Bushes & Succulents is Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at. The images are a celebration of the female essence - confident, raw and elegant, yet confrontational and unapologetic. The solarisation process reveals human imperfections, not only in the metallic brilliance of the skin, but also brings to the surface a woman’s struggles, strengths, and power.

The frame reminded me of early childhood, at age eight or so, when I would jump in the showerwith my mother. It resonates an adoration and child-like curiosity for what it is to be a woman. My intention is not to objectify the body, but to celebrate the female body and its essence.

- Mona Kuhn

Born in Brazil, Mona Kuhn currently resides in Los Angeles. Through intimacy with her subjects, knowledge of traditional iconography, and technical mastery, Kuhn portrays the complexities of human nature, both tempting and provoking our imagination.

Publisher: Stanley/Barker

Size: 29 x 25.5 cm

128 pages, 60 images (Silver + CMYK)

Mona Kuhn
Bushes & Succulents is Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at.
£36.00

Picture of Women's Market (Signed)

Publisher's Description

Between 1978 and 1999 British photographer Tom Wood spent his Saturday mornings at Great Homer Street Market, a retail market, just far enough outside the centre of Liverpool for it to have it’s own unique, more relaxed identity. Complete with his Leica and out of date film, Wood made vibrant and real photographs of the shoppers as they hunted for bargains and met up with friends and family.

“I was first introduced to Great Homer Street market in 1975, by a girlfriend with family in Dingle, Liverpool. At that time, I bought two double breasted Worsted wool three piece suits and a three buttoned pin stripe suit with turn ups, for a total of four pounds. I thought, “what a great market!” It was vast then down both sides of the street, but by the time I began to photograph the second-hand clothes had all but disappeared. Yet the market was still crowded with the same mothers and daughters who for generations had frequented “Greatie” - Tom Wood

 
Publisher: Stanley/Barker

Size: 24 x30 cm

104 pages, 66 images (Duotone + CMYK)

Tom Wood
Between 1978 and 1999 British photographer Tom Wood spent his Saturday mornings at Great Homer Street Market, a retail market, just far enough outside the centre of Liverpool for it to have it’s own unique, more relaxed identity.
£34.99

Picture of Bright Black World (Signed)

Publishing November 2018. Taking advance orders.

Unsigned copies - £10 less

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

We are thrilled to announce the publication of Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 clothbound copies.

Publisher: Nazraeli Press

Size: 43.2 x 30.4 cm

104 pages, 48 four-color plates

Todd Hido
Signed Standard Edition
£64.00

Picture of Bright Black World

Publishing November 2018. Taking advance orders.

Signed copies also available

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

We are thrilled to announce the publication of Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 clothbound copies.

Publisher: Nazraeli Press

Size: 43.2 x 30.4 cm

104 pages, 48 four-color plates

Todd Hido
Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.
£54.00

Picture of And where did the peacocks go?

Miho Kjioka's work draws on the Japanese tradition of “wabi-sabi” – the appreciation of beauty in imperfection and transience, and the Zen/Taoist belief that the essence of an object exists rather in the empty space inside and around it. This is certainly evident in this beautiful publication. Those looking for comparisons might gravitate toward Masao Yamamoto and while there is a similarity in style the personal in Kjioka's work is enough to distinguish it from that of the great Japanese photographer. This work, partly seen at the Photographer's Gallery earlier this year, was created in response to the accident at the Fukushima nuclear plant.

Right after the Fukushima nuclear plant accident, I found a blog about peacocks that were left in the evacuation zone, within the 20 km limit. I started imagining those peacocks, walking around the empty town with their beautiful wings spread. The image I had in my mind seemed so far away from what was going on in Fukushima. It was as if two different layers of images – the disaster scene and beautiful peacocks – were overlapping with each other without being unified. I started to see different layers in almost everything after the disaster in 2011.

Miho Kjioka

Publisher: the (M) éditions

Size: 16 x 20 cm

64 pages + 32 pages booklet (text in English and Japanese) .

Miho Kjioka
Miho Kjioka's work draws on the Japanese tradition of “wabi-sabi” – the appreciation of beauty in imperfection and transience, and the Zen/Taoist belief that the essence of an object exists rather in the empty space inside and around it.
£63.00

Picture of The Crash

Publisher's Description

In 2008 the financial crash hit the City of London. Panic filled the air and people working for the giant money machine seemed oblivious to a photographer working quickly and quietly in their midst. Now, over a decade later, these images question what we have learned... if anything at all.

Stephen McLaren moved to Bethnal Green in 1996, became a photographer, and quickly realised he never wanted to live anywhere else in London other than the East End. Stephen has written a number of books on photography, including 'Photographers’ Sketchbooks', and currently works as a photographer and writer in Los Angeles.

Book 14 from the series 'East London Photo Stories' + PRINT

A fully cloth-covered Collector's Edition of The Crash by Stephen McLaren, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.

This Collector's Edition is limited to 150 copies.

Edition numbers allocated from lowest to highest as orders are processed.

Publisher: Hoxton Mini Press

Stephen McLaren
A fully cloth-covered Collector's Edition of The Crash by Stephen McLaren, presented in a bespoke cloth-covered clamshell box complete with signed and numbered limited edition print.
£45.00

Picture of Estudio elemental del Levante (exhibition catalogue)

Publisher's Description

Catalogue of the exhibition presented in Sala Canal de Isabel II (Madrid, May—July 2018) ‘Estudio elemental del Levante’ (An elementary study of Levante) by photographer Ricardo Cases. It includes Cases’ work since 2010 through five photographic series that analyze the universe of the Levante region as a colorful, anarchic, wild and disconcerting place, but clearly Spanish. Ricardo Cases’ Levante region is a universe made of light, surprise, precariousness and chaos. A country without rules, fascinating and hallucinatory that, in some way, condenses the spirit of contemporary society.

The exhibition shows the work of Ricardo Cases since 2010, when he changed his residence from Madrid to Valencia, and includes the series ‘Sol’, ‘Paloma al aire’, ‘El porqué de las naranjas’, ‘Podría haberse evitado’ and ‘Estudio elemental del Levante’, setting up a small-scale laboratory for the Levantine orchard. This photographic journey through landscapes and people, with supersaturated color subjects, constitutes a powerful symbolic corpus that shapes his personal Levantine universe, full of irony, vitality and characters that represent the quintessence of the autochthonous culture in an involuntary way.

Size: 13.6 x 18 cm

340 pages

Language: Spanish/English

Ricardo Cases
Catalogue of the exhibition presented in Sala Canal de Isabel II (Madrid, May—July 2018) ‘Estudio elemental del Levante’ (An elementary study of Levante) by photographer Ricardo Cases.
£19.00

Picture of The Moth (Signed)

Publisher's Description

The Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time. Over the course of 30 years, Southam intermittently returned to the west of Cornwall to explore a place steeped in marine and mining history, and in the mythology of Celtic saints who exiled to Cornish shores. His poetic sequence of images, inspired by the alliterative verse of the old English poems The Wanderer and The Seafarer, moves from vistas of meadows to water streams, forgotten homes and farm dogs awaiting their food. Now and then, Southam’s fluctuating current of pictures is punctuated by a sublime moment in the rural landscape, only to be eclipsed by the hazy memory of The Moth.

Publisher: Mack Books

72 pages

Jem Southam
he Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time.
£40.00

Picture of Per Strada (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Per Strada presents a significant body of work by Guido Guidi, which he made intermittently from 1983 to 2015. The subject is the Via Emilia, a Roman road connecting Milan to the Adriatic Sea. To this day, the Via Emilia is the territorial backbone of the Southern tier of the PoValley, running through mid-size cities such as Parma, Reggio Emilia, Modena, Bologna, Forlì, and Rimini. Using a 8x10 inch camera, Guidi focuses his lens on the “interstices” between cities rather than on historical centres. He explores the rich palimpsest of signs in the landscape built from centuries of residential, agricultural, industrial, and commercial activity.

Guidi’s project on the Via Emilia began in the environs of his hometown, Cesena. For the Italian artist, to photograph everyday landscapes is to acknowledge the importance of the vernacular, but also to break free of one’s own stereotypes, ideas, and constraints. As he once stated in an interview: “At a certain moment I felt pushed to leave my room, like in Wim Wenders’s film ‘The Wrong Move’ (1975), when Wilhelm breaks the windowpane with the palm of his hand and leaves the house. I leave the house and what do I find? A house, an entrance door, a woman who passes by or who asks me something.”

Publisher: Mack Books

Size: 30 cm x 24 cm

464 pages

Three paperback volumes each with a tipped-in-image and a bilingual booklet with Guido Guidi in conversation, all housed together in a printed slipcase.

Signed by the artist

Guido Guidi
Per Strada presents a significant body of work by Guido Guidi, which he made intermittently from 1983 to 2015. The subject is the Via Emilia, a Roman road connecting Milan to the Adriatic Sea.
£45.00

Picture of The Castle (Signed)

Publisher's Description

The Castle is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia. The result of numerous preparatory visits, often revealing changing immigration policy, Mosse has filmed each site from high elevation to reveal camps that are frequently closed, off limits, or restricted to photographers. By attaching a thermographic video camera designed for long range border enforcement and insurgent detection to a robotic motion control arm, Mosse has gathered the source footage used to composite the resulting ‘heat maps’. These durational photographs are thermal panoramas made up of hundreds or sometimes thousands of overlapping ‘cells’ or individual frames, a truncated spatio-temporal form that speaks to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo.

Describing space and perspective in ways that seem to echo depictions of medieval cityscapes, such as the Nuremberg Chronicle, these images document the fences, security gates, portaloos, loudspeakers, food queues, tents and temporary shelters of camp architecture. The various ways in which each camp interrelates with adjacent citizen infrastructure are made apparent – by turns marginal, ruderal, isolated, overlooked, concealed, integrated, dispersed, regulated, militarized – allowing the reader to meditate on the situations in which these people are forced to live, and what that shows us about the approach and policies of each host nation and community. Reading heat as both metaphor and index,The Castle allows the
reader to meditate on the current conditions of refugees through ideas of hypothermia, exposure, climate change, mortality, and biopolitics.

Publisher: Mack Books

OTA-bound paperback with 28 double gatefolds

Richard Mosse
The Castle is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia.
£40.00

Picture of Ouarzazate (Signed)

Publisher's Description

Ouarzazate is a small city in the Moroccan desert famous for its movie studios and filming locations, an industry which began with David Lean and Lawrence of Arabia.

Invited by the American Friends of the Marrakech Museum for Photography and the Visual Arts to propose a project for his artist residency there, Ruwedel photographed the movie sets in 2014 and 2016.

Much of the filming activity in Ouarzazate has been for costume and Biblical epics. Cleopatra, The Garden of Eden, The Mummy, The Last Temptation of Christ; but also The Sheltering Sky and The Hills Have Eyes. Many of the sets appear to have been abandoned while others are constantly repurposed.

An Egyptian portal leads to a medieval village. An authentic Kasbah in ruins is actually a ruined replica of a “real” Kasbah elsewhere. Shepherds drive their flocks past “ancient” siege machines and Roman columns. “I was reminded of certain passages in Nathaniel West’s Day of the Locust.”

Far from the American deserts where he has produced much of his work of the past thirty years, in Morocco Ruwedel continues his long term interest in contemporary ruins and the histories of both landscape and landscape photography. The photographs are eerily reminiscent of 19th century European photography of ancient Egypt and the Middle East.

Limited edition
Signed by the artist

Publisher: Mack Books

Size: 136 pages

Mark Ruwedel
Limited edition, signed by the artist.
£75.00

Picture of Public Matters (Signed)

Publisher's Description

Capturing the spirit of protest and parade, Public Matters brings together photographs made by Janet Delaney in Reagan-era San Francisco. At this turbulent time in the mid eighties, Delaney was living in the primarily Latino neighbourhood of the Mission District. She would spend the weekends photographing public gatherings, from the annual Cinco de Mayo parade, to the Peace, Jobs and Justice marches, which rallied against the U.S. invasion of Nicaragua. If political governance was regressing, the West Coast city was a place where, as Delaney remembers, ‘progressive ideas would always be upheld.’ Celebrating multiculturalism and collective struggles for social justice, Public Matters surfaces at a juncture when the message of building bridges is needed now more than ever.

In the vintage glow of her sun-drenched images, Delaney leads us in and out of crowds – among demonstrators, fair-goers, cross-dressers, union organisers, beauty pageants, dancers, salesmen, mothers, kids, and market punters – searching for as many intimate moments as she found collective voices. Fearlessly upbeat, her photographs nevertheless intimate a time when, as Delaney recollects, people ‘were reeling from the shift to a conservative government. The demands of the 1960s were addressed in the 70s: the end of the Vietnam war, women’s rights, environmental issues, gay rights, to name a few. Then when Reagan was elected all this came to a halt.’ And as soon as the streets were filled with placards – ‘babies are for loving, not for bombing’; ‘Hatred can never cure the disease of fear, only love can do that’ – Delaney was there, in the middle of the maelstrom, making pictures of public matters.

Essay by Nathan Heller

Publisher: Mack Books

Janet Delaney
Capturing the spirit of protest and parade, Public Matters brings together photographs made by Janet Delaney in Reagan-era San Francisco.
£30.00

Picture of Liberty Theater (Signed)

Publisher's Description

Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group. Solomon’s images depict a complex terrain of social and emotional issues inherited over generations: a world of class and gender divisions, implied and overt racism, competing notions of liberty, and lurking violence. Journeying through Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South California, Solomon draws attention to cultural idiosyncrasies, paradoxes and theatrical displays: a Daughter of the Confederacy sits in costume with a china doll from her collection; a dead tree stump, fenced and suspended with wires is elevated to the status of a Civil War monument; African American boys examine a vitrine of guns as two white police manikins loom behind them. Poised between act and re-enactment, the animate and the inanimate, Solomon’s images reveal how history becomes a vernacular performance and identity a form of theatre.

Publisher: Mack Books

128 pages, 77 tritone plates

Rosalind Fox Solomon
Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group.
£30.00

Picture of New York

Publisher's Description

The starting point for Evelyn Hofer’s New York is the 1965 book New York Proclaimed, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication. New York Proclaimed is an example of Hofer’s perhaps most important body of work, her city portraits: books that present comprehensive prose texts by renowned authors alongside her self-contained visual essays with their own narratives. The newly conceived New York focuses on Hofer’s photos of the 1960s as well as until now unpublished images from the early 1970s.

In Hofer’s photos of the street and (semi-)public spaces, people and architecture become symbols of a particular time and place. She immersed herself in New York society and captured these aspects of the everyday—inconspicuous and subtle, yet all the more enduring for being so—in images that invariably reflect the zeitgeist. New York contains a new essay by John Haskell which posits possible stories behind Hofer’s photos and draws connections between images taken over the course of ten years.

Publisher: Steidl

Size: 21.5 x 28 cm

144 pages, 93 images

Evelyn Hofer
The starting point for Evelyn Hofer’s New York is the 1965 book New York Proclaimed, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication.
£36.00

Picture of Perfect Places, Perfect Company

Publisher's Description

A reworking of a series of photographs made in the mid-1980s at Colorado’s Pawnee National Grassland and first published under the title Perfect Times, Perfect Places, this pair of books conveys the privilege and sensory pleasure of walking a vast, open space. With Kerstin, his wife, and Sally, their dog, Robert Adams would drive out to the reserve to experience silence, stillness and affection. Although he is perhaps best known for picturing a damaged American geography, here Adams has recorded scenes that are flawless.

Publisher: Steidl

Size: 26 x 32 cm

108 pages, 55 images

Robert Adams
A reworking of a series of photographs made in the mid-1980s at Colorado’s Pawnee National Grassland and first published under the title Perfect Times, Perfect Places, this pair of books conveys the privilege and sensory pleasure of walking a vast, open space.
£61.20

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