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Picture of Good Goddamn
 (Signed)

Publisher's Description

Good Goddamn is a short photobook about a man from rural Texas and his last few days of freedom before going to prison.

First edition limited to 750 copies.

Size: 9x12"

44 pages. 27 duotone reproductions on Mohawk Superfine uncoated paper.

Bound with carton staples.

15x20.25" foldout poster included. ISBN 978-0-692-94637-4.

Sample images

Bryan Schutmaat
Good Goddamn is a short photobook about a man from rural Texas and his last few days of freedom before going to prison.
£35.00

Picture of Self/Portrait Artists’ book (Signed and numbered
)

Publisher's Description

Teresa Eng spent time as an artist in resident in China in 2012 and 2015, observing the rapid development the cities and its surroundings.
In “Self/Portrait”, Teresa presents portraits of Chinese millenials that she approached in a shopping centre alongside one of their selfie from their mobile phone. The portraits, introspective by nature, are lit by the bright LED advertisements. In contrast, each subject’s selfie reveals details of their lives and interests as well as how they want to be seen. “Self/Portrait” speaks of individualisation in a transitioning capitalist society as well as the need to belong.
 
Signed and numbered



Size: 215mm x 265mm


36 pages plus 15 throwouts
, 69 colour images

Housed in a dichroic slipcase


Each with a 8 x 10″ lambda print (signed & numbered), certificate of authenticity and envelope

Teresa Eng
In “Self/Portrait”, Teresa presents portraits of Chinese millenials that she approached in a shopping centre alongside one of their selfie from their mobile phone.
£195.00

Picture of Homing In | B-sides Box Set (Signed)

Publisher's Description

We are happy to announce Todd Hido has produced his 2nd B-Sides Box Set. His new Box Set, Homing In, offers a new glimpse into Hido's highly prolific process and unveils unpublished House Hunting photographs, overlooked images of his muse Khrystyna, and even brand new work made this year from the original set of Twin Peaks.
 
50 individual cards, 47 photographs

Numbered edition of 2000

Size: 3-7/8 x 2-7/8 x 1-1/8" two-piece archival acrylic box

Todd Hido
3-7/8 x 2-7/8 inch cards in a two-piece archival acrylic box
£45.00

Picture of TBW Book Series No. 5

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Shortlisted for the Paris Photo / Aperture Foundation PhotoBook of the Year Award 2017

FOUR BOOK SET

Book 1: Mike Mandel - Boardwalk Minus Forty
Book 2: Susan Meiselas - Prince Street Girls
Book 3: Bill Burke - They Shall Take Up Serpents
Book 4: Lee Friedlander - Head

Our fifth Subscription Series gathers four iconic living American photographers to offer entirely new bodies of never before seen work. Reaching back 30 years and beyond, the books feel contemporary through deliberate choices in editing, sequence, and design, while continuing to celebrate their vintage origins. Each artist's vision, while individually experienced, comes together to form a powerful quartet of books.

Mike Mandel - Boardwalk Minus Forty

Created during the artist's time as a student at the San Francisco Art Institute, Boardwalk Minus Forty was one of Mandel's first serious forays into what he jokingly refers to as "real photographs." Known later for his conceptual bodies of work, most notably Evidence, created with fellow artist Larry Sultan in the late 1970's and now regarded by many as one of photography’s most influential photo books, Boardwalk is a rare look back at the foundation the artist was building all along.

Susan Meiselas - Prince Street Girls

Shot during a short period in the late 1970s in New York's Lower East Side, Meiselas developed a close and lasting bond with a group of eleven neighborhood girls, collectively known as the Prince Street Girls. This book is an intimate and sprawling view of the girls’ formative years in an ever-changing city. Meisalas, a highly renowned and respected photographer, works today as a member of Magnum. Her early 1970's work, Carnival Strippers, and her following work in Nicaragua remain seminal photographic achievements to this day.

Bill Burke - They Shall Take Up Serpents

Continuing with Burke's tradition of examining niche American cultures, Serpents pulls us into the surreal, intense, and at times consuming world of coal miners doubling as religious snake handlers by the work-week's end. Here we see Burke building a lyrical narrative connecting the two groups that feels effortless. Known for using a variety of camera and film formats, Burke strings together images that alone might seem out of place but together weave the iconic storytelling the artist has become widely known and respected for.

Lee Friedlander - Head

Spanning 50 years of the artist's work, Friedlander dove into his archives to assemble a collection of images that crystallizes one of his signature shooting motifs. The book oscillates in tone from serious to humorous and back again. With a fluidity that belies the seemingly disparate images, Friedlander reminds viewers of his brilliance as both photographer and master of the bookmaking medium. Head is a fascinating glimpse into the process and approach of one of the world's most important and enigmatic living artists.

Edition of 1000

Size: 8.5 x 10.5"

Mike Mandel, Susan Meiselas, Bill Burke and Lee Friedlander
Shortlisted for the Paris Photo / Aperture Foundation PhotoBook of the Year Award 2017
£115.00

Picture of A Pink Flamingo

Edition of 750. Signed copies.

Travelling is the broadening of horizons in hope of betterment. In the story of American settlement this process is both physical and metaphorical. Settlers struck out in search of new horizons; visions of a landscape from which they hoped to enclose a new life. The Oregon Trail was one such journey.

Now the landscape is fenced, with the people in it, the terrain has been charted and limitless opportunity capped, but yearning remains. In a sense America has never stopped travelling west; whilst the pursuit of happiness leads toward an ever-receding goal, people wait for greener grass.

with essay by Dai George

104 pages
49 Colour Plates
22.86 cm x 27.94 cm
Embossed Hardcover
Designed by Stanley James Press


Jack Latham

Edition of 750. Signed copies.

Travelling is the broadening of horizons in hope of betterment. In the story of American settlement this process is both physical and metaphorical. Settlers struck out in search of new horizons; visions of a landscape from which they hoped to enclose a new life. The Oregon Trail was one such journey.

Now the landscape is fenced, with the people in it, the terrain has been charted and limitless opportunity capped, but yearning remains. In a sense America has never stopped travelling west; whilst the pursuit of happiness leads toward an ever-receding goal, people wait for greener grass.

with essay by Dai George

104 pages
49 Colour Plates
22.86 cm x 27.94 cm
Embossed Hardcover
Designed by Stanley James Press


£35.00

Picture of Crash

Publisher's Description

”I do not fully understand it at first.
The gradual and painful insight into a decisive and violent shift.
The world I grew up in is under threat.
The landscapes stretch out, as beautiful and imperturbable as ever.
These landscapes have met my eyes since the day I was born.
I can no longer see them as before”

JH Engström, Smedsby September 2017
 
The book CRASH is based on a series of landscapes photographed close to JH Engström’s home in Smedsby, Värmland in Sweden.
The collision between the hauntingly beautiful landscapes, surrounding JH Engström in his daily life, and the knowledge of what is happening in the ”big world” is the emotional fuel for the book CRASH.

Limited edition of 900 copies

Publisher: Akio Nagasawa Publishing

Size: 221 x 282 mm

70 pages

JH Engström
The book CRASH is based on a series of landscapes photographed close to JH Engström’s home in Smedsby, Värmland in Sweden.
£76.00

Picture of Kaos (Signed)

Overseas deliveries  Please note that, as this is an extremely heavy item, overseas postage will be charged at three times our standard rates.

Publisher’s Description

What makes Albert Watson one of the world’s most revered photographers, hailed by peers, critics, and collectors alike? Is it his unparalleled portfolio of celebrity portraits? Breathtaking landscapes? Sensual nudes, still lifes, illustrious fashion shoots?

KAOS presents a kaleidoscopic overview of Watson’s career to date and the dazzling array of subjects, objects, people, and places he has encountered along the way. A skillfully curated survey of a uniquely diverse, dynamic portfolio, it spans nearly half a century of photography to encounter stars, statesmen, women, and strangers; bound through neon-blazing cities; find figures poised, gymnastic, or shimmering with nude eroticism; roam the bright lights and the backstreets; soak up extravagant sunsets; enter the controlled studio environment; and breathe in the elemental wilds of the photographer’s native Scotland.

From Watson’s breakthrough portrait of Alfred Hitchcock for the Christmas 1973 edition of Harper’s Bazaar to a 2016 shot of Kanye West, each photograph reverberates with tightly coiled power, tension, and poetry. Whether it’s a portrait of a Las Vegas dominatrix, Elvis’s gold suit, a chimpanzee, or a street scene in China, Watson excels in capturing the surface seamlessly and probing its myriad depths. Along the way, his celebrity portraiture, including the likes of David Bowie, Jay Z, Mick Jagger, Michael Jackson, Jack Nicholson, Steve Jobs, and Andy Warhol, shows a particular interest in the private person behind the iconic façade.

This remarkable collection is accompanied by an essay from the recently retired head of photographs at Christie’s, Philippe Garner, and extensive quotes from Watson, as well as dozens of previously unpublished Polaroids, culled from Watson’s personal archives. The result is a defining document of the “photographer’s photographer,” iridescent in its graphic, often cinematic allure, and irresistible in its eclectic glory.

Collector’s Edition of 1,000 copies (No. 201-1,200), each numbered and signed by Albert Watson.

Sample images

Publisher: Taschen

Size:372 x 500 mm

408 pages

Albert Watson
Collector’s Edition of 1,000 copies (No. 201-1,200), each numbered and signed by Albert Watson.
£1,150.00

Picture of Iceland, Above & Below (Luxury Edition - Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Hans Strand’s stunning images of Iceland with a collection of images combining aerial views and studies from the ground and below.

See Hans Strand's website for sample images.

30 available with two signed A3 prints of #100 edition & #30 edition – book embossed, numbered and signed.

In limited edition slipcase.

Publisher: Triplekite

Size: 270 x 305 mm

120 pages

Hans Strand
Luxury Edition with two prints
£265.00

Picture of Iceland, Above & Below (Special Edition - Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Hans Strand’s stunning images of Iceland with a collection of images combining aerial views and studies from the ground and below.

See Hans Strand's website for sample images.

50 available with signed printed A3 print of #50 edition – book embossed, numbered and signed.

In limited edition slipcase.

Publisher: Triplekite

Size: 270 x 305 mm

120 pages

Hans Strand
Special Edition with print
£160.00

Picture of Perigee (Signed)

Publisher's Description

Walking through the Luxembourgish Ardennes, Gaffney documented his wanderings using polaroids. Later, he re-explored certain routes after nightfall, to photograph under the light of the full moon.

Bathed in its soft otherworldly glow, the forest’s narrow steep valleys evoke a mysterious, psychological wilderness, in what is in reality, a highly managed man-made environment.

“Drawn with light that is barely perceptible to the eye, Gaffney’s photographs emerge out of intuition, coincidence, and an underlying longing for connection and stillness. And although it’s tempting to call them landscapes, they are created through different ways of knowing a place – ways that acknowledge the moving, feeling body, rather than the distanced and distancing eye, as the foundation of our experience.” - Eugenie Shinkle

Perigee is a set of two photobooks in an edition of 750 copies. "The smaller white book is a softcover, but it's not actually a paper back. It's actually a vinyl cover magnet, so this smaller book attaches to the larger one."

Self-published in association with the CNA, Luxembourg.

Sample images

Book 1:
Tri-tone printed on Mohawk Superfine uncoated paper
25 polaroid images on 68 pages
Japanese fold binding
Magnetic white vinyl cover
153mm x 203mm

Book 2:
Printed with UV inks on Lessebo uncoated paper
12 colour images on 24 pages
Handmade lay-flat binding
Ferrous metal cover
230mm x 305mm

Paul Gaffney

Publisher's Description

Walking through the Luxembourgish Ardennes, Gaffney documented his wanderings using polaroids. Later, he re-explored certain routes after nightfall, to photograph under the light of the full moon.

Bathed in its soft otherworldly glow, the forest’s narrow steep valleys evoke a mysterious, psychological wilderness, in what is in reality, a highly managed man-made environment.

“Drawn with light that is barely perceptible to the eye, Gaffney’s photographs emerge out of intuition, coincidence, and an underlying longing for connection and stillness. And although it’s tempting to call them landscapes, they are created through different ways of knowing a place – ways that acknowledge the moving, feeling body, rather than the distanced and distancing eye, as the foundation of our experience.” - Eugenie Shinkle

Perigee is a set of two photobooks in an edition of 750 copies. "The smaller white book is a softcover, but it's not actually a paper back. It's actually a vinyl cover magnet, so this smaller book attaches to the larger one."

Self-published in association with the CNA, Luxembourg.

Sample images

Book 1:
Tri-tone printed on Mohawk Superfine uncoated paper
25 polaroid images on 68 pages
Japanese fold binding
Magnetic white vinyl cover
153mm x 203mm

Book 2:
Printed with UV inks on Lessebo uncoated paper
12 colour images on 24 pages
Handmade lay-flat binding
Ferrous metal cover
230mm x 305mm

£60.00

Picture of Night Procession (Signed)

Publisher's Description

Photographs by Stephen Gill
Words by Karl Ove Knausgård 

In March 2014, my family and I moved from east London to rural south Sweden where my partner Lena is from. I understood that these new surroundings would inform my work in very different ways and that nature would play a key role. I was looking forward to making work that did not feel restricted and suffocated by modern photographic technology nor would make an inaccurate projected impression of the natural landscape we had become part of. 

On my many walks, I soon came to realise that this new, apparently bleak, flat and open landscape was in fact teeming with intense life. Small clues appeared during daylight hours that helped me understand the extent of activity during the night. Clusters of feathers, animal footprints of all sizes showing regular overlapping routes, gnawed branches, eggshells, ant hills, nibbled mushrooms and busy snails and slugs working through the feast provided from the previous night

I started to imagine the creatures in absolute darkness on the forest floor driven by instincts and their will to survive. I imagined them encountering each other. I thought of their eyes – near redundant in the thick of the night – and their sense of smell and hearing finely tuned and heightened. 

Envisaging where this activity might unfold, coupled with a hopeful foresight, I placed cameras equipped with motion sensors, to trees, mostly at a low level, so that any movement triggered the camera shutter and an infra-red flash (which was outside the animals’ visual spectrum). 

The first results filled me with fascination and joy as they presented what felt like stepping off into another parallel and unearthly world.  The silent photographs also seemed to invent sounds. This frame of mind and way of working took me back to my first ever photo project at the age of 13, sitting in the bathroom window of my parents’ house in Bristol with a 10-metre cable release, attached to the camera, attempting to photograph garden birds.

As time went on I started to think, if I were a deer where would I drink from, or if an owl where would I prefer to perch, and positioned cameras in such places. I was already composing the rectangular view in my mind’s eye – even though the nocturnal animals were absent – imagining they were there.  Nature itself helped to decide the palette and the feel of the images as plant pigments were incorporated from the surrounding areas to make the final master prints.

I had grappled for many years with this idea of stepping back as the author of images to give space for chance and to encourage the subject to step forward. I had attempted this in various ways; for example, in 2005, by burying colour prints close to where they were made, as a collaboration, to entice the place itself to leave its physical mark on the images once they had been unearthed. Or, between 2009 - 2013, in the series Talking to Ants, I placed objects such as plant life, insects, seeds and dust from the place I was photographing inside the film chamber to create in-camera photograms creating a confusion of scale. Or, in 2012, in Best Before End, as a photographic response to the rise of high-energy drinks, I used the drinks themselves to part-process the film as they ate into the emulsion. These approaches added an element of uncertainty, without knowing exactly where the images would land, and relied on a point where intentions met chance with the hope that the subject itself could play a part, lead the way or become embedded in the finished images.

This time, though, it felt as if I was stepping out altogether, so that the subjects would orchestrate and perform and take on the role of author while at that moment I was likely to be sleeping. This was nature’s time to speak and let itself be felt and known. 

Stephen Gill

Cloth bound hardback
160 Pages
86 colour plates
218 mm x 270 mm
Book contains inserted 16 page saddle stitched booklet with words
170 mm x 240 mm
Publication date - September 2017
Published by Nobody

Stephen Gill

Publisher's Description

Photographs by Stephen Gill
Words by Karl Ove Knausgård 

In March 2014, my family and I moved from east London to rural south Sweden where my partner Lena is from. I understood that these new surroundings would inform my work in very different ways and that nature would play a key role. I was looking forward to making work that did not feel restricted and suffocated by modern photographic technology nor would make an inaccurate projected impression of the natural landscape we had become part of. 

On my many walks, I soon came to realise that this new, apparently bleak, flat and open landscape was in fact teeming with intense life. Small clues appeared during daylight hours that helped me understand the extent of activity during the night. Clusters of feathers, animal footprints of all sizes showing regular overlapping routes, gnawed branches, eggshells, ant hills, nibbled mushrooms and busy snails and slugs working through the feast provided from the previous night

I started to imagine the creatures in absolute darkness on the forest floor driven by instincts and their will to survive. I imagined them encountering each other. I thought of their eyes – near redundant in the thick of the night – and their sense of smell and hearing finely tuned and heightened. 

Envisaging where this activity might unfold, coupled with a hopeful foresight, I placed cameras equipped with motion sensors, to trees, mostly at a low level, so that any movement triggered the camera shutter and an infra-red flash (which was outside the animals’ visual spectrum). 

The first results filled me with fascination and joy as they presented what felt like stepping off into another parallel and unearthly world.  The silent photographs also seemed to invent sounds. This frame of mind and way of working took me back to my first ever photo project at the age of 13, sitting in the bathroom window of my parents’ house in Bristol with a 10-metre cable release, attached to the camera, attempting to photograph garden birds.

As time went on I started to think, if I were a deer where would I drink from, or if an owl where would I prefer to perch, and positioned cameras in such places. I was already composing the rectangular view in my mind’s eye – even though the nocturnal animals were absent – imagining they were there.  Nature itself helped to decide the palette and the feel of the images as plant pigments were incorporated from the surrounding areas to make the final master prints.

I had grappled for many years with this idea of stepping back as the author of images to give space for chance and to encourage the subject to step forward. I had attempted this in various ways; for example, in 2005, by burying colour prints close to where they were made, as a collaboration, to entice the place itself to leave its physical mark on the images once they had been unearthed. Or, between 2009 - 2013, in the series Talking to Ants, I placed objects such as plant life, insects, seeds and dust from the place I was photographing inside the film chamber to create in-camera photograms creating a confusion of scale. Or, in 2012, in Best Before End, as a photographic response to the rise of high-energy drinks, I used the drinks themselves to part-process the film as they ate into the emulsion. These approaches added an element of uncertainty, without knowing exactly where the images would land, and relied on a point where intentions met chance with the hope that the subject itself could play a part, lead the way or become embedded in the finished images.

This time, though, it felt as if I was stepping out altogether, so that the subjects would orchestrate and perform and take on the role of author while at that moment I was likely to be sleeping. This was nature’s time to speak and let itself be felt and known. 

Stephen Gill

Cloth bound hardback
160 Pages
86 colour plates
218 mm x 270 mm
Book contains inserted 16 page saddle stitched booklet with words
170 mm x 240 mm
Publication date - September 2017
Published by Nobody

£43.00

Picture of NZ Library | Set 3 (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

NZ Library books are limited to 350 numbered, signed and individually slipcased copies. The retail price for single copies is £150; when purchased as a set, a generous discount is extended, for a per-title price of £100.

NZ Library: Set Three includes the following six titles:

BEVAN DAVIES | New York, 1975
KATY GRANNAN | Hundreds of Sparrows: Volume 1
ANTHONY HERNANDEZ | Discarded
JOHN HUMBLE | Manifest Destiny
SAGE SOHIER | Americans Seen
MARK STEINMETZ | Angel City West: Volume 2

Publisher: Nazraeli Press


NZ Library books are limited to 350 numbered, signed and individually slipcased copies. T
£540.00

Picture of The First March of Gentlemen (Signed)

First printing sold out. Taking advance orders for second printing, due December 2017.

Publisher's Description

“The First March of Gentlemen” is a fictitious narrative composed of authentic stories. Historical events related to the town of Września came to be the starting point for reflection on the protest and disciplinary mechanisms. In the series of collages, the reality of the 1950s Poland ruled by the communists blends with the memory of the  Września children strike from the beginning of the 20th century. This shift in time is not just a coincidence, as the problems which the project touches upon are universal, and may be seen as a metaphor for the contemporary social tensions.

The First March of Gentlemen was created within Kolekcja Wrzesińska residency

Our copies are signed and come with a free poster


Publisher: Muzeum Dzieci Wrzesińskich

Size: 165 × 207 mm

72 pages, 48 illustrations

Print run: 600 copies



collages and photos by Rafał Milach

text by Maciej Pisuk, Rafał Milach, Karol Szymkowiak

design by Rafał Milach & Ania Nalecka / TBD

Rafał Milach
“The First March of Gentlemen” is a fictitious narrative composed of authentic stories.
£45.00

Picture of Sleeping by the Mississippi - Special Edition

The publishers will increase the price as the edition sells out (as it nearly has - 11 August). Please do not order online in the usual way but email info@beyondwords.co.uk to check the current price first.

Due to publish September 2017

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Sleeping by the Mississippi by Alec Soth is one of the defining publications in the photobook era. First published by Steidl in 2004, it was Soth’s first book, sold through three editions, and established him as one of the leading lights of contemporary photographic practice. This MACK edition launches to coincide with the first exhibition in London dedicated to the series at Beetles+Huxley gallery, and includes two new photographs that were not included in the previous versions of the book.

Evolving from a series of road trips along the Mississippi River, Sleeping by the Mississippi captures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format colour photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, Sleeping by the Mississippi elicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker in the original essay published in the book, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’

Like Robert Frank’s classic The Americans, Sleeping by the Mississippi merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. Thirteen years since the book was first published, the artist’s lyrical view has undoubtedly acquired a nuanced significance – one in which hope, fear, desire and regret coalesce in the evocative journey along this mythic river.

Limited edition of 150 copies, each comprising a signed copy of the first printing of the MACK edition of the book, housed in a slipcase with a signed and numbered print [signed and numbered 1/150 - 150/150]


PLEASE NOTE Retail price will increase as the edition sells through.

Publisher: Mack Books

Size: 280 x 275 mm

120 pages
, 48 colour plates



Printed linen hardback housed in an embossed slipcase, with a signed and numbered print

Alec Soth
The publishers will increase the price as the edition sells out (as it nearly has - 11 August). Please do not order online in the usual way but email info@beyondwords.co.uk to check the current price first.
£1,200.00

Picture of Milky Way

Publisher's Description

Milky Way is a series of pictures of the author’s (b. 1974, French) wife and child during breastfeeding. The aesthetic aspect is determined by the feeding behaviour which imposes its geometry on bodies and on space they occupy. These images contain familiar echoes of classic icons but adorn themselves with modern elements. From these everyday moments, seized with harshness, without bitterness, emerges the force of exchanges between two beings and the milk becomes, as in the Greek legend of the Milky Way, the vector of a world under construction.

First edition of 500 copies.

Publisher: Libraryman

Size: 215 x 275 mm

64 pages. 62 color plates

Offset printed clothbound hardcover. Linen thread bound. Blue headband. Authentic tip-in image on front cover with spine text in white foil and blind embossed illustration on back cover. Foiled endpapers in white.

ISBN 978–91–88113–08–5

Vincent Ferrane
First edition of 500 copies. Special edition of 25 copies + 6 Artist Proofs, numbered, in paperboard slipcase, screen printed in red, with signed original print. Choice of 2 prints
£45.00

Picture of Kito

Publiser's Description

Masako Tomiya is a photographer originally from the region of Aomori, north Japan. She has lived in Tokyo for years, and one day, she received news that her sister and sister-in-law, who live near her hometown, were both pregnant. This news inspired Tomiya’s series Kito, a reflection on identity, family, transmission and the passing of time.

“Kito” means “homeward” in Japanese. Inverted, “toki” takes on a completely different meaning: “time”. In her poetic series, Tomiya plays with this dual sense. Her reflective photographic journey is undertaken with a subtle meditation on nature, and its seasonal transformation, alongside a representation of human life through women. Tomiya stages self-portraits and captures the daily lives of her mother, sisters and new-borns, to explore how her sense of home has altered with time.

I’ve lived my life asking myself
“What am I? What is this world?”
For a long time, I wandered without answers, and before I knew it I was older.
Had time flown by, or was it all a dream resembling a memory?
This story transcends time and meaning and self
by staring down the idea of “myself.”


First edition of 1,000 copies

Publisher: Chose Commune

Size: 220 x 270 mm

80 pages, 38 photographs

French / English / Japanese

Masako Tomiya
“Kito” means “homeward” in Japanese. Inverted, “toki” takes on a completely different meaning: “time”. In her poetic series, Tomiya plays with this dual sense.
£45.00

Picture of Angel City West: Volume 2 (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

“Mark Steinmetz makes photographs of ordinary people in the ordinary landscapes they inhabit. His frames document those fluid moments of real, lived life, moments not just grabbled or stolen, but ones where he says, ‘It’s important to take an internal pause.’ An element of the seeming offhand magic in his photographs is how his sense of this “internal pause,” of a near cinematic freeze frame, only enhances his images’ apparent spontaneity. The best art often hides its technique . . . Steinmetz is, in fact, is a “street” photographer: a 21st century embodiment of the 19th century flâneur, a man in the world, sensitive to ephemeral moments as photographic capsules of our larger lives. This will come as no surprise to anyone who knows Steinmetz’s artistic history as a mentee of Garry Winogrand.

You don’t have to be a creature of the urban streetscapes that Steinmetz so closely observes in this book in order to “get” his work. From his books of photographs of Greater Atlanta, to the small world of a children’s baseball diamond in The Players, Mark Steinmetz’s camera focuses closely on these ordinary, even banal, moments of people’s daily lives, even when in some images, the people themselves are absent at the instant of the camera exposure. Like the more formal compositions of Cartier-Bresson, Steinmetz’s photographs capture their own “decisive moment,” less stylized for sure, but often more animated: simply the images of an “American” photographer.” — From the Introduction by John Bailey

Volume 2 in Mark Steinmetz’s triology Angel City West. Building upon the narrative he began with Volume 1, published in NZL Set 2, Steinmetz presents 51 previously unpublished photographs made during his stay in Los Angeles in 1981–84.

John Bailey, renowned cinematographer and expert on the history of cinematography, provides a thoughtful introduction from the perspective of his own chosen medium, as well as that of a Los Angeles native.

Angel City West: Volume 2 is printed in a limited edition of 350 numbered, signed and slipcased copies.

Publisher: Nazraeli Press

Size: 12 x 15"

64 pages, 51 duotone plates

Limited edition of 350 numbered and signed copies.

Mark Steinmetz
Volume 2 in Mark Steinmetz’s triology Angel City West. Building upon the narrative he began with Volume 1, Steinmetz presents 51 previously unpublished photographs made during his stay in Los Angeles in 1981–84.
£180.00

Picture of Fragile (Special Edition)

75 available with signed printed A3 print of cover image.

Publisher's Description

‘The work in this book is an attempt to reconcile some of the conflicting aspects that are of interest to me in the landscape. The images here are an investigation into how the most fragile elements seem to have their very existence challenged and their vulnerability magnified when set against the strength and solidity of their surroundings’.

Valda Bailey is a freelance photographer living in Sussex who first became passionate about photography when she was 14. Her approach to photography is greatly informed by her background in painting and her influences come as much from artists as photographers. She is largely motivated by colour and form and the tension and dynamism that these components can bring to an image.

Her objectives are to portray an interpretation of a scene rather than a literal representation. She makes her images using camera movement and multiple exposures – two techniques which help to create abstract shapes and blur extraneous detail.

She has spent time in New York under the expert tutelage of noted street photographer, Jay Maisel and has been greatly influenced by his teaching about light, colour and gesture.

Her work has been featured in broadsheet newspapers, national and international publications and she has recently been invited to teach for Light & Land Photographic Workshops run by Charlie Waite. She has exhibited most recently in London and last summer was the first woman to be invited to join six other photographers to exhibit at the biennial Masters of Vision in Southwell.

She has images in private collections worldwide and her work has been purchased by notable members of the art and photographic community.

Publisher: Triplekite

Size: 240 x 240mm

48 pages, 25 plates

Valda Bailey
Special edition with signed printed A3 print of cover image
£55.00

Picture of Edit Beijing (Limited Edition with Signed Print)

Publisher's Description

Design by Sybren Kuyper aka SYB. The book comes inside a simple slipcase.

Limited Edition of 500 copies + signed C Print

Guy Tillim
Design by Sybren Kuyper aka SYB. The book comes inside a simple slipcase.
£70.00

Picture of Das Auge der Liebe (The Eye of Love)

Publisher's Description

First published in 1954, Das Auge der Liebe (The Eye of Love) by the Swiss photographer René Groebli is a small book featuring images that were made during the honeymoon with his wife Rita in France.

In Groebli's own words: "I tried to convey the typical atmosphere of French hotel rooms. There were so many impressions: the poor-looking furniture in a cheap hotel, the word 'Amors' embroidered on the curtains. And I was in love with the girl, the girl who was my wife. I think a series of photographs should be compared with a novel or even a poem rather than a painting: let us tell something!"

This poem in black and white is now ready for another closeup. Sturm & Drang is proud to present this extended re-edition of "Das Auge der Liebe" with five additional images chosen by the photographer.

Das Auge der Liebe from René Groebli is presented as a limited edition hardcover book. This First Edition of this reprint with 30 plates is limited to 1000 numbered copies.

New extended re-edition of the original 1954 book without glassine wrapped cover.


Publisher: Sturm & Drang publishers

Size: 297 x 210 mm

48 pages

Rene Groebli
First published in 1954, Das Auge der Liebe (The Eye of Love) by the Swiss photographer René Groebli is a small book featuring images that were made during the honeymoon with his wife Rita in France.
£45.00
£43.95

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