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Picture of 99 x 99s

Publisher's Description

224 pages with 198 photographs of 99 ice creams and 99 locations. Essay by Michael Smith and designed by YES. 

Publisher: Antenne Books

Size: 290 x 220 mm

224 pages

Luke Stephenson
198 photographs of 99 ice creams and 99 locations.
£0.00

Picture of Shot at Dawn

Publisher's Description

This book is published in association with the Ruskin School of Art at the University of Oxford.

Produced over the eighteen month period leading up to the centenary of the outbreak of the First World War, Shot at Dawn is a new body of work by the British photographer Chloe Dewe Mathews that focuses on the sites at which British, French and Belgian troops were executed for cowardice and desertion between 1914 and 1918. The project comprises images of the locations at which individuals were shot or held in the period leading up to their executions and all were taken as close to the exact time of execution as possible and at approximately the same time of year.

The book provides a complete visual record of Shot at Dawn. It also contains a critical analysis of the work by the celebrated writer Geoff Dyer and expert contextual essays on cowardice, desertion and psychological trauma brought on by military service by the acclaimed historians Sir Hew Strachan and Dr Helen McCartney.

Publisher: Ivory Press

Size: 295 x 236 mm

126 pages.

Chloe Dewe Mathews
Shot at Dawn is a new body of work by the British photographer Chloe Dewe Mathews that focuses on the sites at which British, French and Belgian troops were executed for cowardice and desertion between 1914 and 1918.
£47.75

Picture of New York

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Publisher's Description

With painstaking care and the use of multiple exposures, Jeff Chien-Hsing Liao crafts each of his images with technological precision. Shooting primarily with a large-format film camera, then scanning and digitally editing the negatives, Liao creates enormous, detail-driven panoramas of the social and urban landscape of New York. This oversized monograph includes photographs taken over the last ten years. From rehabilitated Coney Island to the Grand Concourse in the Bronx, from the demise of Shea Stadium in Queens to the newly built One World Trade Center, Liao has created a lasting document of a significant period of transformation in New York’s skyline and social fabric. His unique perspective on New York is both personal and hyperreal, managing to capture both the lasting charm of the city’s well-known landmarks as well as the moment when New York entered the twenty-first century.

Publisher: Aperture

Size: 16 1/2 × 13 3⁄8"

160 pages , 100 four-colour images

Jeff Chien-Hsing Liao
With painstaking care and the use of multiple exposures, Jeff Chien-Hsing Liao crafts each of his images with technological precision. Shooting primarily with a large-format film camera, then scanning and digitally editing the negatives, Liao creates enormous, detail-driven panoramas of the social and urban landscape of New York.
£54.00

Picture of Myth and Landscape

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Publisher's Description

Myths and legends have often been inspired and shaped by geologic landforms and similarly, British photographer David Parker uses the natural world as an arena for the personal exploration of new mythic, symbolic, and metaphoric motifs, a theme he previously developed in the award winning book The Phenomenal World (2001). Building on this work, Myth and Landscape brings together images from Sirens and New Desert Myths, two larger projects created in parallel and sharing a common esthetic. For Parker the siren song is a call to contemplation, and his pictures chart many fascinated encounters with an enchanted world of forgotten archetypes, further exploring the tension between the temporal and eternal in our secular age.

Publisher: Kehrer Verlag

Size: 335 x 235 mm

136 pages, 55 colour illustrations

David Parker
Myths and legends have often been inspired and shaped by geologic landforms and similarly, British photographer David Parker uses the natural world as an arena for the personal exploration of new mythic, symbolic, and metaphoric motifs.
£28.80

Picture of Last Great Wild Places: Forty Years of Wildlife Photography

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Publisher's Description

A collection of unparalleled photographs—spanning forty years and seven continents—by one of the world’s foremost wildlife photographers. Capturing the splendor of wild places and intimate moments with animals, this luxurious volume chronicles legendary nature photographer Thomas D. Mangelsen’s photographic adventures in the field. Driven by a passion for sharing and preserving the Earth’s last great wild places, Mangelsen is as much a conservationist as a natural history photographer and artist. From majestic elephants and giraffes on the plains of Kilimanjaro to polar bears in the Arctic, and from mountains and prairies to primordial jungles, Mangelsen invites us to witness fleeting wildness. A quiet call to action, an inventory of our planet as it battles climate change, and a celebration of wildness and its intrinsic value, The Last Great Wild Places is a record of the Earth’s last great locales, one that will inspire present and future generations with the message that what we have can, and must, be saved.

Publisher: Rizzoli

Size: 18 1/2 x 12"


Thomas D. Mangelsen
A collection of unparalleled photographs—spanning forty years and seven continents—by one of the world’s foremost wildlife photographers.
£54.00

Picture of Lake Las Vegas/Black Mountain (Signed)

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Publisher's Description

Until 2008 Nevada was the fastest-growing state in America. But the recession stopped this urbanizing gallop in the Mojave Desert, and Las Vegas froze at exactly the point where its aspirational excesses were most baroque and unfettered. In this third Radius Books’ installment of noted photographer Michael Light’s aerial survey of the inhabited West, the photographer eschews the glare of the Strip to hover intimately over the topography of America’s most fevered residential dream: castles on the cheap, some half-built, some foreclosed, some hanging on surrounded by golf courses gone bankruptcy brown, some still waiting to spring from empty cul-de-sacs. Throughout, Light characteristically finds beauty and empathy amidst a visual vertigo of speculation, overreach, environmental delusion, and ultimate geological grace. Janus-faced in design, one side of the book plumbs the surrealities of “Lake Las Vegas,” a lifestyle resort comprised of 21 Mediterranean-themed communities built around a former sewage swamp. The other side of the book dissects nearby Black Mountain and the city’s most exclusive – and empty — future community where a quarter billion dollars was spent on moving earth that has lain dormant for the past six years. Following the boom and bust history of the West itself, Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin. Essays by two of the world’s most celebrated cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer resonant counterpoint.

Publisher: Radius Books

Size: 10.5 x 16.5"

128 pages, 44 colour illustrations

Michael Light
Following the boom and bust history of the West itself, Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin.
£55.00

Picture of Hong Kong Parr (Signed)

Publisher's Description

An art book titled Hong Kong Parr features select works from Martin Parr's recent Hong Kong project (2013) commissioned by Blindspot Gallery. The book is published to accompany his first solo exhibition in Hong Kong in September 2014.

Bridging the divide between art and documentary photography, Parr's work features the recurrent subjects of consumption, leisure, food culture and national eccentricities, which take on a vibrant rendition in his Hong Kongproject. From the faces of Mainland tourists in Hong Kong's shopping districts, local people in an entertainment whirlwind at the racecourse or the ballroom, to gory raw food in the wet market, Parr captures the intensity of urban life in Hong Kong as well as the social and cultural peculiarities of the city.

The plastic feel of the book cover is an intentional nod to consumerism which is one of the recurrent subject matters of the artist. There is also a 24-page small booklet with portraits of Hong Kong people bind in at the end of the book. 

Virtual tour of exhibition the book accompanies

Publisher: Blindspot Gallery and GOST Books

Size: 267 x 203 mm 

112 pages + 24 page booklet

Limited edition of 1,800 copies

Martin Parr
From the faces of Mainland tourists in Hong Kong's shopping districts, local people in an entertainment whirlwind at the racecourse or the ballroom, to gory raw food in the wet market, Parr captures the intensity of urban life in Hong Kong as well as the social and cultural peculiarities of the city.
£35.00

Picture of Unnamed Road

Publisher's Description

For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring. 

Lee, who describes her photographic state as ‘meditative’, regards the act of photography as emotional and experiential, a moment when ‘that absolute “echo” within myself travels through time and space’. Yet she struggled to find neutrality in a charged territory that she describes as ‘uncomfortable’; it was only in final trips to sites in 2011 that she found distance – thus opening out the work to signify more that Israel and its conflict. Lee’s work is often concerned with the materiality of printing technique, and for twenty years she has utilised a liquid photo-sensitive emulsion brushed on handmade rice paper, a method akin to painting. In Unnamed Road, for the first time digital processes were employed; and yet the images remain explorations of chance and imperfection, drawing the viewer into a realm where fullness of vision is the subject matter.

Publisher: Mack Books

Size: 226 x 260 mm

106 pages, 45 tritone plates

Jungjin Lee
Jungjin Lee's latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape.
£31.50

Picture of Avannaa

Publisher's Description

Avannaa is a selection of Tiina Itkonen’s photographs of Greenland’s landscape in 2002 – 2010. Itkonen has traveled over 1,500 kilometers in the west coast of Greenland by small plane, helicopter, cargo ship, oil tanker, sailboat, small fishing boat, and dog sled. Along the way she has spent time in small villages. Despite the timeless beauty captured in these photographs, there is also a subliminal awareness of the threat to the environment due to global warming. Tiina Itkonen (b. 1968) lives and works in Helsinki, Finland. Since 1995 Itkonen has traveled regularly to Greenland to photograph polar landscape and people. Her work has been exhibited internationally such as at the 54th Venice Biennial, 17th Biennale of Sydney, Danish National Museum of Photography, Kunstmuseum Wolfsburg, Ludwig Museum and New York Photo Festival. Itkonen’s first book Inughuit was published in 2004.

Publisher: Kehrer Verlag

Size: 300 x 240 mm

104 pages, 45 colour illustrations

Tiina Itkonen
Avannaa is a selection of Tiina Itkonen’s photographs of Greenland’s landscape in 2002 – 2010.
£28.80

Picture of Ocean and Desert (Signed)

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Publisher's Description

This new project by German-born photographer Renate Aller, titled Ocean and Desert, is an extension of the ongoing series and sold-out book oceanscapes (Radius Books, 2010). Aller has continued to make images of the ocean from a single vantage point—for which she is internationally known—but for the last several years, she has also photographed sand dunes in New Mexico and Colorado.

She has now paired the resulting images in a fascinating new series that continues her investigation into the relationship between Romanticism, memory, and landscape in the context of our current socio-political awareness. There is both a visual and visceral relationship between the two bodies of work, as though the minerals of the sand dunes carry the memory of the ocean waters that were there millions of years before. The desert images also capture visitors to the dunes, who engage in beach activities far away from any large body of water. And while these parallel realities are from completely different locations, the simultaneous, multiple activities on the sloping sand hills appears as if layers of different people and activities were choreographed next to rolling waves of the sea.

Aller’s first combination of these images was in book form, for a mammoth hand-made book that was 36 inches wide. The overwhelming success of that object has inspired the new trade copy edition, which is as large a binding that can be mechanically bound, and includes an expanded selection of the work.

Sample images

Publisher: Radius Books

Size: 16.75 x 11.25"

136 pages, 104 colour images.

Renate Aller
Aller has continued to make images of the ocean from a single vantage point—for which she is internationally known—but for the last several years, she has also photographed sand dunes in New Mexico and Colorado.
£60.00

Picture of Uncommon Places: The Complete Works

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Publisher's Description

Originally published in 1982, Stephen Shore’s legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take colour beyond the domain of advertising and fashion photography, and his large-format colour work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years.

Uncommon Places: The Complete Works presents a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty more images and a statement discussing the rediscovery of photographs never previously printed and what it means to expand a classic series.

Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits.

An essay by noted critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by fiction writer Lynne Tillman examine his methodology as they elucidate his roots in the Pop and Conceptual art movements of the late 1960s and early 1970s. The texts are illustrated with reproductions from Shore’s earlier series ‘American Surfaces’ and ‘Amarillo: Tall in Texas’.

Publisher: Thames & Hudson

Size: 262 x 327 mm

208 pages, 186 Illustrations, 186 in colour

Stephen Shore
Uncommon Places: The Complete Works presents a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic.
£35.96

Picture of Zero Footprint (Signed)

Publisher's Description

This portfolio consists of images taken over a five year (and counting) period from precisely the same location our hillside studio in the Glenkens area of Dumfries and Galloway.

Having built a low carbon house on the hillside we were inspired to see if we could apply some similar principles to our photography.

The restriction is a geographical one only - we can use any lens and point the camera in any direction, taking advantage of the changes in season and dramatic variances in natural light. Although it's a beautiful outlook, our view doesn't necessarily lend itself to a good composition for a traditional landscape photograph and we quickly realised that some of the bests shots we would get are those of the banks of fog and mist that roll in and often spend the entire day moving like a tide backwards and forwards in the glen.

Sample images

Publisher: Leeming + Paterson



Leeming + Paterson
This portfolio consists of images taken over a five year (and counting) period from precisely the same location our hillside studio in the Glenkens area of Dumfries and Galloway.
£40.00

Picture of on Landscapes, Interiors, and Some Nudes

Publisher's Description

In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each book features the creative process and core thinking of a photographer told in their own words and through pictures of their choosing. Each volume is introduced by a well-known student of the featured photographer.

In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.

Publisher: Aperture

Size: 7 1/2 × 10"

128 pages , 74 black and white and four-color images

Todd Hido
In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy.
£17.96

Picture of Open Road

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Publisher's Description

“Joyrides, voyages of discovery, surveys, wanderings, migrations, polemics, travel diaries, and assessments of the nation. Is America even imaginable without the road trip?”—David Campany

The road trip is an enduring symbol in American culture. Ever since cars became widely available, the road stretching over the horizon has represented a sense of possibility and freedom, discovery and escape—a place to get lost and find yourself in the process. The American road trip has appeared prominently in lit­erature, music, and movies, but it has had an especially powerful influence on photography. As photographers have embarked on trips across the United States with the express purpose of making work, they have created some of the most important photographs in the history of the medium: from images by Walker Evans, Henri Cartier-Bresson, and Berenice Abbott to Robert Frank’s seminal 1950s odyssey, The Americans. From Stephen Shore to Ryan McGinley, hundreds of other photographers have continued the tradition.

The Open Road is the first book to explore the photographic road trip as a genre. It opens with a comprehensive introduction, which traces the rise of road culture in America and considers photographers on the move across the country and across the century, from the early 1900s to present day. Each chapter explores one body of work in depth through informative texts and a portfolio of images, beginning with Robert Frank, and including such renowned work as Garry Winogrand’s 1964, Joel Sternfeld’s American Prospects, William Eggleston’s Los Alamos, and Alec Soth’s Sleeping by the MississippiThe Open Road is a visual tour-de-force, pres­enting the story of photographers for whom the American road is muse.

Sample pages

Publisher: Aperture

Size: 10 × 11 1/2"

336 pages , ca. 250 duotone and four-colour

David Campany
The Open Road is the first book to explore the photographic road trip as a genre. It is a visual tour-de-force, pres­enting the story of photographers for whom the American road is muse.
£36.00

Picture of Last Stand (Signed)

Publisher's Description

Focusing on military defence structures that remain and their place in the shifting landscape that surrounds them. Many of these locations are no longer in sight, either subsumed or submerged by the changing sands and waters or by more human intervention. At the same time others have re-emerged from their shrouds.

Over these four years Marc has traveled to 143 locations to capture these images along the coastlines of the UK, The Channel Islands, Northern & Western France, Denmark, Belgium and Norway


Publisher: Triplekite Publishing

Size: 270 x 235 mm

176 pages, 86 plates

Marc Wilson
Focusing on military defence structures that remain and their place in the shifting landscape that surrounds them.
£35.00

Picture of Chronophagia

Publisher's Description

Beirut. Tripoli. Havana. Chernobyl. New Orleans. Rio. Amman. Versailles. Over the course of thirty years, Robert Polidori has travelled the world photographing places with names so familiar we feel we know them already. On the occasion of his first museum retrospective in the United States, the artist has selected more than one hundred photographs for this volume that challenge our preconceptions, mining both the accoutrement and the psychology of space for what they tell us—and for what they withhold—about history, memory, identity, and time. The catalogue to this exhibition is now published as a book.

Publisher: Steidl

152 pages

Robert Polidori
On the occasion of his first museum retrospective in the United States, Polidori has selected more than one hundred photographs for this volume
£28.80

Picture of Landscape and Industry

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Publisher's Description

Landscape and Industry is both a set of photographs covering a range of landscapes and industries, and an exploration of how contemporary art can draw on the influences of early industrial “record picture” photography and 19th century “Naturalist” landscape painting. Photographed on large format in a matter of fact aesthetic, the subjects include Battersea Power Station, Birmingham car factories, Pennsylvanian coal mines, cityscapes of London, New York and Paris, the Bedford brickworks and the industrial remains on the Hoo Peninsula.

As Michael Collins writes in the introductory essay: “The matter of fact nature of photography is its eloquence. Its creativity comes not from an a priori imagining, but a patient observation, and from that close reading, the photograph exposes an unlimited visual dimension. It is the inclusion of the unsolicited, unimagined and unwelcome that make the photograph feel so realistic and authentic. The photographic truth isn’t stranger than fiction, it’s more fascinating… At its prime, it is the visual art par excellence because it is wholly about looking. There is no mark making. Everything is observed.”

Publisher: Dewi Lewis

Size: 248mm x 305mm

144 pages, 64 colour photographs   

Michael Collins
Landscape and Industry is both a set of photographs covering a range of landscapes and industries, and an exploration of how contemporary art can draw on the influences of early industrial “record picture” photography and 19th century “Naturalist” landscape painting.
£31.50

Picture of Paris: City of Light

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Publisher's Description

Christopher Thomas captures the streets and sights of Paris devoid of people in the photographer’s signature, hauntingly beautiful style.

Imagine an entirely empty Louvre, or the Eiffel Tower minus the lines of tourists waiting to ascend. By taking advantage of the late night and early morning hours of a notoriously busy city, Christopher Thomas is able to capture familiar sights devoid of people. Using a large-format camera, long exposures, and the last of his remaining Polaroid film, Thomas shows us Paris as an explorer might experience a forgotten city. Without the human element, the buildings, streets, landmarks, and gardens take on an architectural significance that is at once majestic and intimate. As with his other books in the series, these photographs are stunningly reproduced on heavy paper and bound in a linen cover. Framed by the ragged edges that characterize Polaroids, each print is given space to breathe on the page. The result is a sequence of dream-like images that encourage close, contemplative examination. Fans of Thomas’ earlier books on New York and Venice, and anyone who loves Paris, will treasure this exquisite tribute to one of the world’s most captivating cities.

Publisher: Prestel

Size: 300 x 280 mm

160 pages80 b/w illustrations

Christopher Thomas
Christopher Thomas captures the streets and sights of Paris devoid of people in the photographer’s signature, hauntingly beautiful style.
£36.00

Picture of Landmark: The Fields of Landscape Photography

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Publisher's Description

Landscape photography has traveled far from its origins in the picturesque or pastoral. It is at the cutting edge of contemporary image-making with leading photographers creating work that transcends definitions of “art” or “documentary.” This is the first truly international survey of a vibrant, burgeoning field of photography, its masterful image-makers, and their work.

William A. Ewing has selected more than 230 photographs by over 100 photographers, ranging from renowned figures such as Susan Derges, Edward Burtynsky, and Simon Norfolk, to younger rising stars including Pieter Hugo, Olaf Otto Becker, and Penelope Umbrico. Each of them represents an individual viewpoint of a shared concernfor our changing landscape and environment.

Organized into ten themes—Sublime; Pastoral; Artefacts; Rupture; Playground; Scar; Control; Enigma; Hallucination; and Reverie—Landmark is an intelligent and poetic survey which captures a genre of photography to perfection.

Publisher: Thames & Hudson

Size: 12 x 10"

256 pages, 240 colour illustrations

William A. Ewing
This is the first truly international survey of a vibrant, burgeoning field of photography, its masterful image-makers, and their work.
£35.96

Picture of Stephen Shore: Survey

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Publisher's Description

Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. This book copublished with Fundación MAPFRE in conjunc¬tion with the first-ever retrospective exhibition, includes over 250 images that span Shore’s impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces, and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore’s contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. Both the exhibition and the narrative of the catalogue are conceptualized around three particularly revealing aspects of Shore’s work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape, and his significant use of color within a photographic context.

Publisher: Aperture

Size: 11 3/4 × 9 1/2"

300 pages , 250 black-and-white and four-color images 

Stephen Shore
This book copublished with Fundación MAPFRE in conjunc¬tion with the first-ever retrospective exhibition, includes over 250 images that span Shore’s impressive and productive career.
£36.00

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