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Picture of World Press Photo 16

Publisher's Description

The results of the World Press Photo contest, described by the British Journal of Photography as ‘the premier competition for photojournalism and reportage’

‘Some of the very best work being done around the world today’ – News Photographer

‘Will amuse, sadden, console and ultimately teach you much about this world of ours’– Popular Photography

Since 1955, the annual World Press Photo contest has set the standard in visual journalism. The competition is universally recognized as the definitive competition for photographic reportage.

Publishing the results of the latest annual World Press Photo Contest, this exceptional book contains the very best press photographs from 2015 – pictures submitted by photojournalists, picture agencies, newspapers and magazines throughout the world. Selected from thousands of images, these prizewinning photos capture the most powerful, moving and sometimes disturbing images of the year.

Sample images

Publisher: Thames & Hudson

Size: 245 x 190 mm

240 pages, illustrated in colour and black and white throughout


The results of the World Press Photo contest, described by the British Journal of Photography as ‘the premier competition for photojournalism and reportage’
£17.06

Picture of Cuba La Lucha

Publisher's Description

Magnum photographer Carl De Keyzer went to Cuba and came back with surprising, often tragicomical pictures of a split country. Fidel Castro on a wall poster, while a man on the same picture wears a T-shirt that spells FBI. Four Cubans withdrawing money in a bank, while Che Guevara watches them from a portrait above their heads.

In his new photobook, with an introduction by curator and publicist Gabriela Salgado, Carl De Keyzer captures Cuba’s duality in pictures. With a master’s eye, he paints the picture of a country that is still rooted in communism, while reaching for Western capitalism.

Sample images

Publisher: Lannoo

Size: 22cm x 31cm

176 pages

Carl De Keyzer
Magnum photographer Carl De Keyzer went to Cuba and came back with surprising, often tragicomical pictures of a split country.
£40.50

Picture of So Long, China

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Publisher's Description

For over thirty years, Patrick Zachmann has traveled across China, a country he discovered in 1982 while reporting on the Chinese film industry. From Hong Kong triads in the 1980’s to the mutation of the city of Beijing through Tiananmen Square protests, this book brings together around 350 B&W and colour photographs, in which the small and the great history meet in a changing country. The underlying theme of this long-term work is the issue of identity, that becomes for the new generations in loss of marks of identity, a major concern.

In an intimate format, this book recalls the travel diary punctuated with excerpts from Patrick Zachmann’s travel log written during his travels. These quotes bring new light on these photographs, as well as on the work of a photographer in a society where censorship and state manipulations prevail.

Publisher: Editions Xavier Barral

Size: 170 x 230 mm

592 pages, 345 black & white and colour photographs

Texts (in French): Patrick Zachmann

Patrick Zachmann
In an intimate format, this book recalls the travel diary punctuated with excerpts from Patrick Zachmann’s travel log written during his travels. These quotes bring new light on these photographs, as well as on the work of a photographer in a society where censorship and state manipulations prevail.
£35.25

Picture of Magnum Landscape

Publisher's price £14.95 > our price £4.99

Publisher's Description

In the tradition of great Magnum books this publication brings together work by the finest photographers of our time. For fifty years Magnum photographers, through commissions and their personal work, have produced images that comment on the state of the world. In photographing the landscape they are not just spectators but participants, aware that the land itself has been shaped by man, and that the very notion of a landscape depends on a human viewpoint. As each photographer records, interprets and finds a unique personal style, the variations on a theme are endless - landscapes of war, of agriculture, of industry, of cities and motorways, of desolation, celebration and tranquillity. The photographs gathered in this book invite us to rediscover landscape, and urge us to think more profoundly about the planet earth.

Publisher: Phaidon

Size: 150 x 210 mm

184 pages, 32 colour illustrations


Publisher's price £14.95 > our price £4.99
£4.99

Picture of Magnum Ireland

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Publisher's Description

The photographs include the extraordinary insights of Henri Cartier-Bresson, Elliot Erwitt, Joseph Koudelka, Inge Morath, Erich Lessing, Eve Arnold, Martine Franck, Martin Parr, Ian Berry, Donovan Wylie, Stuart Franklin and many others.

Comment and commentary is provided by six of the most notable Irish writers of our time – Anthony Cronin, Nuala O'Faolain, Eamonn McCann, Fintan O'Toole, Colm Tóibin and Anne Enright.

Organized decade by decade, the images show the lingering influence of rural life in the 1950s; the hidden stories of ordinary Irish men and women – as well as the sectarian conflict – during the troubled 1960s and 70s; and the country's renewed confidence and prosperity over the past three decades, right up to the present day.

Publisher: Thames & Hudson

Size: 260 x 258 mm

256 pages, with 236 illustrations in colour and duotone

Publisher's price £29.95 > our price £12.95

Introduction by John Banville
Publisher's price £29.95 > our price £12.95
£12.95

Picture of Fat Baby, The

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Publisher's Description

The Fat Baby is an epic collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards. The culmination of a dozen years of reporting, both on and off assignment, these stories, each one different in style and tone, immerse us in the lives of Honduran coffee growers, members of a Kansas City street gang, drought-plagued villagers from Niger, and doctors in an embattled Bosnian hospital. They chronicle the birth of a first child, an explosion of family violence, the struggle of a farming family to hang on to its ancestral home, and the unearthing of a half-hidden grave said to hold the remains of a slave.

Described as having an acute, sometimes hard-edged visual sensibility and a literary voice, Richards writes in order to come to terms with the complexities of what he is observing. At a time when photojournalists are often relegated to illustrating the ideas of others, he persists in interweaving his words and photographs to create boldly narrative stories that bear witness to the dramas of real lives and comment on the times in which we live. Deeply personal and prodigious in scope, The Fat Baby is a tribute to the emotional power of photography and a celebration of storytelling.

Publisher: Phaidon

Size: 290 x 214 mm

432 pages, 300 Duotone Photographs

Publisher's price £59.95 > our price £19.95

Eugene Richards
The Fat Baby is an epic collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards. Publisher's price £59.95 > our price £19.95
£19.95

Picture of Vanished Spain

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Publisher's Description

When the great filmmaker Carlos Saura was a young man, he desired to create a book about his native Spain that would transgress the propaganda imagery of the Franco regime. He strove to depict his country as seen through his camera when he set out on a journey through Andalusia and central Spain in his Fiat 600 in the late 1950s. The trip left a deep impression on his first documentary film, “Cuenca” (1958). Since his youth Saura has been fascinated not only by the process of photographing but also by its technology, as demonstrated by his museum-quality collection of hundreds of historical and self-made cameras. Torn between the two media at the beginning of his career, Saura eventually chose to become a filmmaker but has continued to take photographs.

Vanished Spain offers a comprehensive insight into Saura’s photography with a focus on his black-and-white work of the 1950s: compelling images of landscapes, villages, bullfights and people of another era. Photographs of Saura’s diploma film project, “La Tarde de Domingo” (1957), are also present in the book, making it the definitive representation of his photographic oeuvre.

Sample images

Publisher: Steidl

Size: 250 x 290 mm

256 pages

Carlos Saura
Vanished Spain offers a comprehensive insight into Saura’s photography with a focus on his black-and-white work of the 1950s: compelling images of landscapes, villages, bullfights and people of another era.
£52.20

Picture of Summer Days Staten Island

Publisher's Description

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski’s (born 1948) Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City. Captured on Osinski’s large format 4x5 camera as she wandered the island, her candid portraits of strangers, vernacular architecture and quotidian scenes reveal an invisible landscape within reach of the thriving metropolis of Manhattan. The neighborhoods that Osinski captured are devoid of the skyscrapers, swarms of pedestrians and choking masses of traffic that are a short ferry ride away. Instead, she captures kids riding bikes on open, empty streets, suburban homes with neatly tended yards and the small-town feel of New York’s least populous borough. Accompanying the series of images is an essay by Paul Moakley, Time magazine’s Deputy Director of Photography and Visual Enterprise.

Publisher: Damiani

Size: 12 x 9.5"

96 pages

Christine Osinski
Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski’s (born 1948) Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.
£22.50

Picture of Ground Zero (Signed)

Publisher's Description

Tenmei Kanoh came back to New York in the Summer of 2015, the city was overflowing with tourists. Kanoh felt transported back in time, to the windy rooftops of the World Trade Center. There are many ways to think about the change and the realities that occurred after 9/11. Photography can preserve a story for posterity, about events that will be buried in history.

Publisher: Akio Nagasawa Publishing

Size: 256 × 182 mm

140 pages

Limited edition: 300 copies

Tenmei Kanoh
Tenmei Kanoh came back to New York in the Summer of 2015, the city was overflowing with tourists. Kanoh felt transported back in time, to the windy rooftops of the World Trade Center. There are many ways to think about the change and the realities that occurred after 9/11. Photography can preserve a story for posterity, about events that will be buried in history.
£34.00

Picture of Labor Anonymous

Publisher's Description

Walker Evans shot the photographs collected in Labor Anonymous as an assignment for Fortune magazine, which published a small selection of 20 images in its November 1946 issue, under the title "On a Saturday Afternoon in Detroit." Until now, however, the entire series of 50 photographs has never been reproduced. Evans’ extraordinary serial studies of the facial expressions and postures of Detroit workers walking the city’s streets are fascinating both as portraiture and as a surprising dimension of his photographic style. Shooting passersby against a plywood backdrop as they crossed his field of vision from distant right to close left (some noticing him, most not), with the light striking and modeling their features, Evans found that what he was creating with these images was "the physiognomy of a nation." This book compiles the photographs, contact sheets, small-version printlets, Evans’ annotations to newspaper clippings, drafts for an unpublished text, telegrams and every available print Evans made, along with the Fortune spread as published. Labor Anonymous captures a long-vanished moment in American history, and a crucial project in Evans’ oeuvre.
Born in St. Louis, Missouri, Walker Evans (1903–75) took up photography in 1928. His book collaboration with James Agee, Let Us Now Praise Famous Men (1941), which portrayed the lives of three white tenant families in southern Alabama during the Depression, has become one of that era’s most defining documents. Evans joined the staff of Time magazine in 1945, and shortly after moved to Fortune magazine, where he stayed until 1965. That year, he became a professor of photography at the Yale University School of Art. Evans died at his home in Old Lyme, Connecticut, in 1975.

Publisher: D.A.P./Koenig

Size: 9.5 X 10"

170 pages, 50 duotone illustrations

Walker Evans
Walker Evans shot the photographs collected in Labor Anonymous as an assignment for Fortune magazine, which published a small selection of 20 images. Until now, however, the entire series of 50 photographs has never been reproduced.
£31.50

Picture of Rochester 585/716

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Publisher's Description

In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of ten photographers from Magnum Photos—Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie, plus Chien-Chi Chang, who documented the process in audio and video—established a temporary base of operations in Rochester, New York, former home to the once-dominant manufacturer of photographic film. Their goal: to create both a documentary archive of that city’s culture and landscape, and a photo-based experience engaging its residents; and to investigate a community of picture-makers comprised not only of Eastman Kodak, but also the Visual Studies Workshop, George Eastman House, Rochester Institute of Technology, and the citizensof Rochester. Over the course of almost three weeks, photographers, students, faculty, and residents worked together to create a visual record of the city and its people at a time of significant transition. Nathan Lyons, founding director of the Visual Studies Workshop, describes the resultas “not only a major documentary project, but a celebration of photography within the city that had for years been a center of imaging technologies.”

Upon arrival in Rochester, Martin Parr gave each photographer the task of assembling one hundred photographs to form the basis of an archive. Rochester 585/716 presents all one thousand images, together with commentary by poets Cornelius Eady and Marie Howe, art historian and photo theorist Laura Wexler, and photographer and educator Nathan Lyons. Five sets of the images were printed as a portfolio, each of which now resides in major private and public collections. Two artist proof sets were also created, one of which will be dispersed via the one thousand copies of this publication. Each individual copy contains a single loose print, selected at random from this additional set.

Postcards from America is an ongoing, collaborative project. Since 2011, a loose group of Magnum photographers—including the eleven featured in this volume— has periodically gathered in locations across America to experiment with the notion of working together to create a new documentary archive of the United States.

Publisher: Aperture (in collaboration with Pier 24)

Size: 8 1/2 x 11"

452 pages, 1000 four-color and black-and-white images 

*Each individual copy contains a single loose print 

Magnum Photographers
In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of ten photographers from Magnum Photos—Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie, plus Chien-Chi Chang, who documented the process in audio and video—established a temporary base of operations in Rochester, New York, former home to the once-dominant manufacturer of photographic film.
£45.00

Picture of Memento Mori

Publisher's Description

Memento Mori, Peter Mitchell’s first publication, was published in 1990 and documents the dramatic impact of the Quarry Hill redevelopment project in Leeds.

“I photograph dying buildings and Quarry Hill was terminal by the time
I got to it. Times change and I know there was no point in keeping Quarry Hill Flats. But what it stood for might have been worth remembering.”

Peter Mitchell (1943) is a British photographer who has documented Leeds and its surrounding area for more than 40 years. His work is an essential part of the colour documentary scene of the 1970s and ‘80s.

Facsimile edition of the first edition of 1990 with a new afterword by Peter Mitchell.

Sample images

Publisher: RRB Publishing

Size: 230 x 210 mm

136 pages

Peter Mitchell
A long overdue Facsimilie reprint of a title that has been out of print for many years.
£25.00

Picture of Documentary Impulse, The

Publisher's Description

Award-winning photographer Stuart Franklin's exploration of how we, as humans, are driven to visually document our experiences and the world around us.

Stuart Franklin took one of the most powerful photographs of the twentieth century - the 'tank man' in Tiananmen Square, Beijing, 1989. From his insightful position as a photographer, Franklin explores why we are driven to visually document our experiences and the world around us. He focuses on photography but traces this universal need through art, literature and science.

Looking at photojournalism, war photography and work recording our culture, Franklin identifies some of its driving impulses: curiosity, outrage, reform and ritual; the search for evidence, for beauty, for therapy; and the immortalization of memory.

As our understanding of 'documentary' continues to expand, Franklin considers photographic staging - where, perhaps, the future of the genre may lie: in search of truth over fact.

"This book traces what I shall call the documentary impulse. Here I mean the passion to record, with fidelity, the moments we experience and wish to preserve, the things we witness and might want to reform; or simply the people, places or things we find remarkable... Photography (and journalism) practised respectfully has the power to educate us all towards a greater understanding and empathy towards others." —Stuart Franklin

Sample images

Publisher: Phaidon

Size: 203 x 137 mm

216 pages, 18 colour illustrations, 17 black and white illustrations

Stuart Franklin
Award-winning photographer Stuart Franklin's exploration of how we, as humans, are driven to visually document our experiences and the world around us.
£17.96

Picture of Glasgow

Publisher's Description

In 1980 Raymond Depardon fulfils an order for the Sunday Times Magazine, but the reportage will never be published. The pictures will wait in the photographer's boxes until the exhibition Un moment si doux (Such a sweet moment) at the Grand Palais (14th November 2013 - 10th February 2014), where the audience discovers a sample of the Glasgow series and goes into raptures about it. Depardon grasps the light of Scotland as never before and sublimes the end of a working world. Glasgow's cloudy skies and soaked ground give an extraordinary beauty to the wanderings of working people, hanging around in front of the shops, walking towards the factories' walls and even playing about ruined houses. William Boyd, who is of Scottish descent and was educated in Glasgow, writes the preface of the book, which is bilingual (English-French). Here we publish the complete reportage: 72 colour photographs. The pictures will appear without captions, and only a short bilingual text by Depardon will introduce the reportage, behind Boyd's foreword.

 Sample images 

22.7*29.6 cm

Publisher: Seuil

144 pages

Raymond Depardon
Depardon's take on Glasgow in the 1980s
£19.79

Picture of Humanity (Signed)

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Payment  If you experience any problem with card payment because of the size of the transaction, please email info@beyondwords.co.uk

Publisher's Description

"Steve McCurry has given us the world through his iconographic image-making. He has been relentless in his pursuit of images that not only inform but sensitize us to places and people from faraway that are the D.N.A. of our planet. That he risks his life for us is of no concern to him. It is his way, an aspect of his pursuit of enduring art. That he is generous, compassionate, and humble is what drives this award-winning photographer and is what underlies his strength and the potency of his image-making.
   
McCurry is one of the best-known artists of the twentieth and twenty-first centuries, and one of the most influential. His images have helped connect us to parts of the world we have never been to, humanizing our perceptions of people throughout the world.
   
But there is one image of McCurry’s that almost everyone knows, even if they don’t know who made it. We are referring, of course, to Sharbat Gula, Afghan Girl (1984).
 It is not too much to say that Afghan Girl has changed the world, “searing the heart” of viewers, owing to its power to inform our perception of humanity. For over thirty years, it has enabled millions of people to connect with another person across wide gulfs of cultural difference. It is this sense of connectedness, achieved through photography, that is McCurry’s great and rare gift to humanity."

- John Stauffer, from the introduction to Humanity

Sample images

Publisher: 21st Editions

Size: 11 x 14"

Edition of fifty copies

9 bound and 3 free-standing platinum prints, each signed*

Handcrafted in New England

*This is the first time McCurry's work has been presented in platinum


Steve McCurry
Edition of fifty copies with 9 bound and 3 free-standing platinum prints, each signed.
£6,200.00

Picture of Magnum Photos: 100 Postcards

Publisher's Description

A boxed collection of 100 postcards featuring the work of more than 65 Magnum greats, curated from the bestselling book Magnum Magnum
Thames & Hudson has enjoyed exceptional success and critical acclaim in its collaborative ventures with Magnum Photos, the world’s most prestigious photo agency.

Now, with its 70th anniversary approaching in 2017, Magnum Photos has combined forces with Thames & Hudson once more on a range of gifts. Each product is aimed at either active photographers or those who simply love great photography, and will connect the Magnum brand with 
a greater audience than ever before.

Publisher: Thames & Hudosn

Size: 148 x 105 mm

100 Postcards


A boxed collection of 100 postcards featuring the work of more than 65 Magnum greats,
£15.26

Picture of Daido Tokyo

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Publisher's Description

From February 6 to June 5, 2016, the Fondation Cartier pour l’art contemporain in Paris will present a solo exhibition of Daido Moriyama, a legendary figure in Japanese photography.

Daido Moriyama (born 1938 in Ikeda) invented a new visual language in his work from the mid-1960s onwards. Frenetic and tormented, it depicts a reality that is grainy, blurry, and out-of-focus. Witness to the spectacular changes that transformed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a modern society. Often blurred, taken from vertiginous angles, or overwhelmed by close-ups, they show a proximity to and a particular relationship with the subject. Daido Moriyama’s photographs of Tokyo, in particular of the narrow streets of Shinjuku District—where all sections of the population live—, provide a harsh, crude vision of city life, the chaos of everyday existence, strange worlds, and unusual characters. Considering books as the best means to spread his work, Daido Moriyama has published more than 150 monographs so far. His work was shown in major solo exhibitions at the SFMoMA in San Francisco (1999), the Tokyo Metropolitan Museum of Photography (2008), the Philadelphia Museum of Art (2009), and the Tate in London (2012–13). It is also part of the collections of prestigious international institutions, including the MoMa in New York, the Getty Museum of Los Angeles, the Museum of Fine Arts in Boston and the Centre Pompidou in Paris, as well as the Fondation Cartier pour l’art contemporain in Paris. Twelve years after the organization of a landmark solo exhibition of Daido Moriyama, the Fondation Cartier pour l’art contemporain will present the exhibition Daido Moriyama, Daido Tokyo featuring a large selection of color photographs by the artist, shedding light on this lesser-known yet ubiquitous aspect of his photographic practice over the last two decades. The Fondation Cartier has also commissioned a slide show of 291 black-and- white photographs, which will plunge viewers into the unrelenting urban hustle and bustle of Tokyo.

The catalogue published in conjunction with the exhibition will include these images as well as a text by the artist, providing a unique occasion to discover Daido Moriyama’s recent work and to rediscover the subjects that are omnipresent in the artist’s work and his penchant for textures and shaky compositions.

Publisher: Fondation Cartier pour l’art contemporain

Size: 180 × 270 mm

248 pages, 377 color and black-and-white reproductions

Bilingual French-English Hardback, Text by Daido Moriyama ISBN: 978-2-86925-122-9 Price: £26; $40 Publication date: February 2016 Distribution: Thames & Hudson

Daido Moriyama
The catalogue published in conjunction with the exhibition at the Fondation Cartier pour l’art contemporain in Paris.
£23.40

Picture of Depth of Field

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Publisher's Description

This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians.

The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depression-era classic book, "Let Us Now Praise Famous Men", his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930’s to the 1970’s. The illustrations in the book range from his earliest images taken with a vest pocket camera, to his final photos using the then new SX-70 because his regular equipment became too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers Alan Trachtenberg, Jerry Thompson and John T. Hill. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’ work, the book also clarifies the photographer’s “anti-art” philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.

Publisher: Prestel

Size: 255 x 270 mm

408 pages, 350 black & white illustrations

Walker Evans
This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians.
£49.50

Picture of Sanrizuka (Signed)

Publisher's Description

Japan in the late sixties was the time when Daido Moriyama published "Nippon Gekijo" in Camera Mainichi magazine, and the first issue of Provoke was released. The exhibition "New Documents", curated by John Szarkowski, was held at MoMA in New York. Living in such an era, "for me, after all, photography is no more than a tool for ripping up and protesting against the times", said Kanoh.

Taking off from the U.S. military's Kadena Air Base in Okinawa, Boeing B-52 bombers repeatedly flew over North Vietnam for air raids. The world saw the break-up of the Beatles, and Mick Jagger, with his uniquely curling upper lip, bouncing around the stage in Hyde Park. The younger generation, whether students or non-students, were then very socially active, and they chose to resist authority. The “anger of youth” underlay their daily lives and thought.— Tenmei Kanoh

At the time, the outbreak of the Narita protest movement (also known as the Sanrizuka struggle) drew Kanoh’s attention when he was 28 years old. Being one of the angry young men, he put himself in the site with his camera. During that time, there were already a number of photographers who had featured Sanrizuka. Yet, Kanoh intelligently captured the uncertainty of information and the disorderly atmosphere that pervaded the Japanese youth.

Through his experiences working as a cameraman, Kanoh gazed at society with his unique perspective. Furthemore, although circumstances are different between then and now, the essence of social phenomena seen through his photography remains unchanged.

Forty three years have passed since then, and yet one plot of land remains intact in the middle of the airport, showing that the protest has passed to the next generation. Kanoh expresses that, with such deep attachment to the land and tenacity of ownership, he knows the profound desire and great fortitude of human beings. “Decades have past and I wonder what the young of today have in their minds. I wonder whether I will witness their action and intellect in response to the crucial issue of the amendments to the 9th Article of the Constitution of Japan.” We invite you to see these works on the Sanrizuka struggle by Tenmei Kanoh.

Publisher: Zen Foto Gallery

Size: 257 x 182 mm

144 pages, 131 images

Tenmei Kanoh
for me, after all, photography is no more than a tool for ripping up and protesting against the times"
£37.00

Picture of Road Wallah (Signed)

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Premier Padmini taxis, first introduced to the streets of Mumbai in the 1960s, have now all but disappeared following the introduction of laws to reduce pollution in the city. Locally known as 'Kaali-Peeli', there were once more than 60,000 of these iconic black and yellow cabs struggling through the chaos of Mumbai's streets.

Over a four year period Dougie Wallace documented these elaborate Bollywood disco bars on wheels. The crowded streets of Mumbai and the assortment of passengers provide a dynamic and intense backdrop, as do the cabs themselves. Many are pimped with large speakers in the boot that blast out Bollywood hits, or are colourfully decorated inside with posters of Bollywood actresses, upholstered in loud hypnotic patterns, or feature Hindu gods and goddess on the dashboard.

Over recent years London-based photographer Dougie Wallace has establised an enviable reputation as one of the leading street photographers not just in the UK but in the World. He is recognised for his expressive social documentary and a distinct and direct style of street photography. As he says; ‘Human behaviour motivates my pictures. People, their interactions and emotions fascinate me… Translating this, through my lens, into social wit, criticism and humorous vignettes is what stimulates me.’

Since 2014 Wallace has published two successful books, Stags, Hens & Bunnies (Dewi Lewis) and Shoreditch Wildlife (Hoxton Minipress). These have led to several important exhibitions in Europe, the United States and India where he was recently included in a British Council exhibition in Delhi. He also continues to attract considerable press and media attention for his work and his photographs feature regularly in many leading international publications.

Sample images

Publisher: Dewi Lewis Publishing

Size: 370 x 280 mm

96 pages, 65 colour photos

Dougie Wallace
Premier Padmini taxis, first introduced to the streets of Mumbai in the 1960s, have now all but disappeared following the introduction of laws to reduce pollution in the city. Over a four year period Dougie Wallace documented these elaborate Bollywood disco bars on wheels.
£35.00

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