Publisher's Description
The allure of Antarctica, a place still mysterious, untamed, and unspoiled, has beckoned tourists in increasing numbers as more and more people vie for a glimpse of its terrible beauty and stunning vistas. But there is one aspect of Antarctica they never see, perhaps the most interesting of all—the world beneath the ice. This book, a collection of the finest photographs ever taken underwater in deep Antarctica, illuminates a world brimming with strange and beautiful life forms. For the first time anywhere, Under Antarctic Ice brings together the stories, the science, and the natural beauty of one of earth's most vibrant and enchanting realms.
Internationally renowned photographer Norbert Wu was given unprecedented access to the icy waters off Antarctica by the U.S. National Science Foundation to obtain these dynamic photographs. In the extreme conditions that prevail in these seas, invertebrates can grow to enormous sizes: sponges are as big as bears, jellyfish tentacles extend thirty feet, and giant sea spiders crawl through beds of soft coral.
Wu has also focused his lens on the birds and mammals living at the edge of water and ice. We are humbled before mammoth icebergs, witness a killer whale stalking prey from a narrow crack in the ice, and see what penguins look like swimming underwater.
Jim Mastro's introductory text elegantly condenses forty years of scientific research into a clear and concise natural history of this unique place.
Publisher: University of California Press
Size: 10.7 x 10.2"
176 pages
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Publisher's Description
Continuing the aerial photography that gave such visual command to his previous National Geographic titles, Through the Eyes of the Gods: An Aerial Vision of Africa and Through the Eyes of the Condor: An Aerial Vision of Latin America, Robert Haas now trains his lenses on the regions that transect the Arctic Circle. His latest project yields stunning images that show not a "blinding storm of white" as one might think—but rather, a dramatic and surprising diversity of brilliant colors and unexpected subjects. Photographing over a three-year period, Haas captured imagery that reflects three key elements of the region: the arctic landforms, the iconic wildlife, and the footprint of man. This book strives for and succeeds in producing a visual record that will reshape our ideas of what the Arctic has to offer and why we should protect it.
Publisher: National Geographic
Size: 11 x 15"
220 pages; 125 color photographs, 7 maps
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Publisher's Description
Step aboard a private plane for a breathtaking tour of the immense and varied wilderness of Latin America—lush lands and scenic waterways nearly impossible to experience any other way.
Your guide to this remarkable vision is Robert B. Haas, award-winning environmentalist and one of the world's foremost artists in aerial photography. Poignant essays penned by Haas while living in Latin America expand on themes important to understanding the region: culture, economy, development, tourism, and more.
Publisher: National Geographic
Size: 11 x 15"
232 pages
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Publisher's Description
With the Middle East and Asia as his far-ranging home territory, Reza Deghati's photos chronicle 30 years of turmoil, hope, and splendor. Now some of his most dramatic works are in this volume, filled with pictures that convey torment and upheaval, but also the art, culture, and traditions of Iraq, Iran, Afghanistan, and other areas—and the photographer's understanding of humanity and deep commitment to justice.
Reza's own narration focuses attention on the costs of war and the human condition. For readers interested in world history, current events, and the human experience, this photographic tour de force is a must.
Publisher: National Geographic
Size: 11" x 14"
296 pages, 200 color and black-and-white photographs
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Publisher's Description
Reflections in Black, the first comprehensive history of black photographers, is a groundbreaking pictorial collection of African American life. Featuring the work of undisputed masters such as James VanDerZee, Gordon Parks, and Carrie Mae Weems among dozens of others, this book is a refutation of the gross caricature of black life that many mainstream photographers have manifested by continually emphasizing poverty over family, despair over hope. Nearly 600 images offer rich, moving glimpses of everyday black life, from slavery to the Great Migration to contemporary suburban life, including rare antebellum daguerrotypes, photojournalism of the civil rights era, and multimedia portraits of middle-class families. A work so significant that it has the power to reconfigure our conception of American history itself, Reflections in Black demands to be included in every American family's library as an essential part of our heritage. A Los Angeles Times and Washington Post Book World Best Book of 2000, and a Good Morning, America best gift book of 2000.
Publisher: Norton
Size: 22.5 x 30.5"
368 pages
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Publisher's Description
Manuel Alvarez Bravo was one of the foremost practitioners of visual arts in the twentieth century. Manuel Alvarez Bravo, the first major retrospective of his eighty-year career, showcases hundreds of iconic photographs and unveils more than twenty previously unpublished images. Featuring landscapes, still lifes, rural and urban scenes, religious and vernacular subjects, as well as portraits of luminaries such as Diego Rivera, Frida Kahlo, Carlos Fuentes, and Octavio Paz, the work is chronologically arranged and richly varied. Three illuminating essays reveal the poetry of Bravo's photographsfrom his use of light and form to his fascination with dreams and his preoccupation with death. This definitive monograph is a powerful tribute to Mexico's most distinguished photographer.
Manuel Alvarez Bravo (1902-2002) received his first camera in 1923 and would go on to become Mexico's most celebrated photographer.
Publisher: Chronicle
Size: 10-1/4 x 11"
320 pages, 350 duotone photographs
Publisher's Description
A prolific landscape record evolved as soon as cameras and equipment could be reliably used outdoors. Most nineteenth-century photographers worked on government-sponsored surveys. Others helped to lure investors westward with the images they made along the routes of the railroads. At the same time, Americans were hanging framed images by such photographic artists as Carleton Watkins and Eadweard Muybridge on their parlor walls. Photographs of unspoiled national treasures such as those by Ansel Adams exerted considerable influence on the federal government's efforts to create national parks. Modern and contemporary photographers have recorded their impressions of both man's and nature's impact on the land, from Robert Dawson's images of polluted waterways to Emmet Gowin's views of the aftermath of Mount St. Helens's spectacular eruption.
Seductive beauty, promise, and myth mingle with America's history and its technological and economic progress in these landscape photographs. Whether incorporating the nineteenth-century notion of the sublime or twentieth-century theories of social documentary, each is a witness to a profound and often complex relationship to the land.
Publisher: Smithsonian
Size: 9.1 x 9"
Publisher's Description
In this treasure trove of photographs and artifacts from the royal collection at Windsor Castle, the stories of Britain's two greatest Antarctic expeditions are told in the up-close, at times heartbreaking images of their official chroniclers, as they were presented to King George V. From Herbert Ponting's striking 1911 image of Robert Falcon Scott's ship Terra Nova glimpsed through the mouth of an ice grotto to Frank Hurley's ghostly 1915 portrait of Ernest Shackleton's ice-coated and doomed ship Endurance, these are some of the most iconic and telling images of polar exploration ever made. Some are larger than 18 x 11 inches here, and all of them are beautifully reproduced in color to retain their original tints. Three essays and extensive commentary are contributed by two royal archivists and explorer David Hempleman-Adams, the first man to reach both geographic and both magnetic poles and climb the highest peaks on all seven continents.
"This book lovingly reproduces the best of [the] photographs, and brings the reader tantalizingly close to the heroes of these expeditions and the suffering and sorrow they endured. The text throughout is excellent; the authors describe Ponting's famous photograph of a ship seen through a sloping ice grotto 'as significant an image as Neil Armstrong standing on the moon for the first time'."—NYTimes
Publisher: Bloomsbury
Size: 10.95 x 9.5"
256 pages
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Publisher's Description
Presented here in 140 haunting duotone images that could have been made at any time in the past century and a half, David Plowden gives us a remarkable portrait of the barn as an icon of our agricultural heritage and also a touchstone of something essentially American. His images depict barns set in landscapes of vast farmland, revealing minutely details of interior woodwork, painted advertising weathering away, and intricate stone- and brickwork rarely duplicated today. From the round-roofed Gothic barns of Michigan to the gambrelled dairy barns of Wisconsin, these vernacular structures still embody the purpose of their construction and the traditions of their builders.
Publisher: Norton
Size: 11.25 x 11.8"
160 pages
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Publisher's Description
Through the extraordinary images and insights of the world's master photographers, Photowisdom explores the richness of contemporary photographic practice. Photowisdom features commentaries from original interviews with world-leading photographers alongside exquisite reproductions of key images chosen by the artists themselves.The result is an unprecedented collection of 200 images showcasing each master photographer's work and their unique voice. Photowisdom will support a project with award-winning charity PhotoVoice (www.photovoice.com) to help children in rural Afghanistan express their concerns, and grasp opportunities through photograph.
Publisher: Chronicle
Size: 12 x 12"
216 pages, 200 full-colour photographs throughout
Publisher's Description
Louis Faurer was one of America's "quiet" photographers, known for his raw, melancholy, and psychologically charged photographs of life on the street, in particular his evocative shots of Times Square in the 1940s and 50s. Sharing a darkroom with his more famous colleague and friend Robert Frank, Faurer frequently drew on film noir compositional techniques to create memorable images, and was a lasting influence on Frank and other members of the New York school of photography. This catalog is illustrated with 140 large duotone and 10 color reproductions, including close-up views filling two pages.
"His work is gritty and edgy, but always sympathetic. He interpreted his subjects with a moving combination of tenderness and humor, the qualities that his friend and colleague Robert Frank regards as the key ingredients in Faurer's photography."—Katherine Ware
Publisher: Merrell
Size: 11.5 x 11.45"
Publisher's Description
Winner of the 2010 Independent Publisher Book Award Bronze Medal in the Photography National Category, given by Independent Publisher Online
John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II.
This handsome book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.
Publisher: Yale University Press
Size: 9 3/8 x 11 7/8"
180 pages, 175 duotone illustrations
Publisher's Description
Publisher: Phaidon
Size: 220 x 160 mm
272 pages, 268 colour photographs
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Pubisher's Description
Edward Steichen is unquestionably one of the most prolific, versatile, influential and controversial names in the history of photography. This is the most complete and wide-ranging volume on Steichen ever published.
Admired by many for his achievements as a fine-art photographer, he nevertheless impressed countless others with the force of his commercial work. Portraiture, the nude, fashion, landscape, cityscape, dance, theatre, war, advertising, still life and flower photography – no genre, it seems, went unexplored or unaffected by him.
Graphic design, typography and art direction were also fertile ground for Steichen and his curation of the exhibition The Family of Man – which attracted well over nine million visitors worldwide – was greatly admired.
Hundreds of vintage photographs are accompanied by essays from a range of scholars who explore Steichen’s subjects and his legacy.
Includes a full bibliography and a chronology of his career.
Publisher: W. W. Norton & Co
Size: 260 x 310 mm
336 pages, 250 Illustrations, 250 in colour
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Publisher's Description
Publisher: Phaidon
Size:350 x 297 mm
224 pages, 200 colour illustrations
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Publisher's Description
Publisher: Phaidon
Size:250 x 250 mm
504 pages, 468 colour illustrations, 32 black and white illustrations
Publisher's Description
Eve Arnold is one of the great photographers of the modern era.
This new collection features her exceptional photographs of people, both famous and unknown, captured in formal and informal settings. In addition to Arnold’s superb individual portraits of Monroe, Dietrich, Gable, Crawford, and more, there are a number of Photo Stories: visual essays made on assignment, including Malcolm X and the Black Muslims; her seminal work In China; and more.
The work is organized into three key periods: 1948-60, her early career, and becoming the first woman member of Magnum; 1961-70, when she moved to the UK and began working with color film; 1971-97, with assignments in the Middle East, Afghanistan, and beyond. 150 color illustrations.
Publisher: Thames & Hudson
Size: 11.4 x 9.3"
176 pages
Publisher's Description
Since the early nineties, American artist Catherine Opie (*1961) has been working on a diverse photographic oeuvre that explores our notions of sexual and cultural identity with penetrating acuity. Influenced by social documentary photographers such as Walker Evans and Dorothea Lange, her works—from early portraits of the transgendered and tattooed to her urban landscapes of cities such as Los Angeles or New York—examine social norms and deviations.
All of Opie’s principal works are assembled in this volume, the most in-depth presentation of her work to date. It features color reproductions of all of her series, including Portraits, Self-Portraits, Freeways, Houses, Domestic, American Cities, Icehouses, and Surfers.Containing an extensive essay, interviews with the artist, introductions to all of the series, a newly revised and comprehensive list of exhibitions, as well as a bibliography, this will be the standard reference work for future studies on Catherine Opie.
Publisher: Hatje Cantz
Size: 313 x 260 mm
288 pages, 237 color illustrations.
Publisher's price £50
One of the world's preeminent photographers, Irving Penn is famous for portraiture, still life, and other commercial work. He is less well known as a superb photographer of the female nude. His most important pictures in this genre were made in 1949-50 during intense sessions with artist's models that were essentially an artistic antidote to the ephemeral fashion world. Charged with powerful, physical, and sexual energy, yet somehow chaste, the images are among the most ambitious and successful nudes ever made. Sequenced to reveal the artist's progressive exploration of his theme, the photographs constitute a remarkable whole -- a frieze of life based on a love affair with earthly goddesses.
-- The great 1949-50 nudes by Irving Penn have scarcely been seen and have never been the subject of serious book-length study.
-- The book features faithful tritone reproductions of Penn's exquisitely wrought prints in silver and platinum and four dramatic gatefolds.
Publisher's price £35
Terry Falke's wry, lyrical photographs center on the terrain of the American Southwestand the ubiquity of humanity's imprint on it. The images in Observations in an Occupied Wilderness both honor and subvert the grand tradition of western landscape photography, conveying the bleak splendor of the land and Falke's sheer love of looking. Gorgeous, sardonic, and playful, Falke's work emphasizes beauty and incongruity, and is as much about human nature as it is about the land. Shot with a large-format camera, the resultant images are personal and provocative, raising as many questions than they answer. This remarkable debut monograph is a shrewd exploration of our last wild places.
Terry Falke, a native Southwesterner, has photographed various aspects and issues in the American landscape for more than 30 years. His work has been featured in many group and solo exhibitions and is held in numerous major public collections. He lives near Dallas, Texas.
11-3/4 x 10 in; 120 pp;
75 color photographs, two 4-page gatefolds