Beyond Words
Display per page
Picture of Lens-Based Sculpture: The Transformation of Sculpture Through Photography

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Lens-Based Sculpture shows the relation between sculpture and photography for the first time from the perspective of the history of sculpture.

The overview with 200 works, spanning the twentieth century and beyond, from more than 70 international artists shows how modern sculpture detached itself from the millennial principle of statuary sculpture and evolved into a new artistic praxis where the whole of reality with its diverse tactile, spatial, and media phenomena is sculptural material.

The photo camera serves as sculpture's primary tool, as a sketchbook and facilitator for spatial and structural representation in mass and form.

Featuring the work of Umberto Boccioni, Marcel Duchamp, Tony Cragg, Valie Export, Rebecca Horn, Ron Mueck, Bruce Nauman, Giuseppe Penone, and Kiki Smith, among many others.

Publisher: Walther Koenig

Size: 295 x 240 mm

432 pages, 300 colour illustrations


Lens-Based Sculpture shows the relation between sculpture and photography for the first time from the perspective of the history of sculpture.
£34.20

Picture of The A-Z of Spanish Photographers

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

With impressive comprehensiveness, this book documents more than 600 Spanish photographers working in genres and idioms from classical to contemporary photography, reportage to fashion and advertising, press, architecture, landscape and portraiture.

Publisher: LA FÁBRICA

8.25 X 11.25”

672 pages, illustrated throughout


§With impressive comprehensiveness, this book documents more than 600 Spanish photographers working in genres and idioms from classical to contemporary photography, reportage to fashion and advertising, press, architecture, landscape and portraiture.
£72.00

Picture of Exit 53: Nudes

Publisher's Description

In the history of art, there are abundant nudes of all types, but from a contemporary perspective they have become less numerous, their innocence almost entirely disappeared. With photography’s establishment as an art form, other ways of seeing have emerged that look at the body beyond its sexual, sensual, or even aesthetic connotations. The pictures in this edition break through the stereotypes to rediscover real beauty, where the idea of the photographer and model is an anachronism. With an essay by Sergio Rubira, portfolios by Jorge Fuembuena, Naomi Harris, Paul Kooiker, Malerie Marder and Cheryl Sourkes, and contributions by more than fifteen exemplary artists.

Publisher: Idea Books

SIze: 210 x 260 mm

176 pages, illustrated in colour & bw,

Spanish/English


The pictures in this edition break through the stereotypes to rediscover real beauty, where the idea of the photographer and model is an anachronism.
£32.00

Picture of #SANDY

Publisher's Description

#SANDY is a book of iPhone photos of Hurricane Sandy by acclaimed photographers including Benjamin Lowy • Stephen Wilkes • Ed Kashi/VII • Hank Willis Thomas • Richard Renaldi • Lyle Owerko • Wyatt Gallery • Michael Christopher Brown • Ruddy Roye • Craig Wetherby • 13th Witness • Sam Horine • Andrew Quilty • Giles Clarke • Erica Simone • Yosra El-Essawy • Duffy Higgins • Brent A. Bartley • Dylan Chandler • Nicole Sweet

In October 2012, Hurricane Sandy devastated communities in the New York City, New Jersey, and Connecticut areas. In response, Foley Gallery and photographer Wyatt Gallery organized an exhibition of iPhone photographs of the storm by the photographers listed above. Hundreds of people attended the one night event and almost 400 photographs were purchased. Over a year later many residents are still struggling to regain normal living conditions.

Publisher: Daylight

Size: 8 x 8"

94 color photographs


#SANDY is a book of iPhone photos of Hurricane Sandy by various acclaimed photographers.
£27.25

Picture of Tokyo 2020
Publisher's Description
In selecting nine independent photographers who are actively producing new work and currently still in the early years of their respective careers, this volume does not attempt to show a comprehensive representation of the current state of Japanese photography, but rather focuses on how these young artists reflect the country’s present concerns and future aspirations as it looks forward to hosting the Olympic Games in 2020. Included are wildly different works by Maya Akashika, Yuji Hamada, Go Itami, Kosuke, Yoshinori Mizutani, Wataru Yamamoto, Daisuke Yokota, Kazuo Yoshida and Yumiko Utsu, plus artists’ statements, biographies and an essay by Ivan Vartanian.

192 p, ills colour & bw, 21 x 28 cm, pb, Japanese/English

Hideto Fuse Ivan Vartanian

Publisher Amana

9 Japanese Photographers
Survey of the work of nine young Japanese photographers
£36.50
£35.75

Picture of Screendump 2: on the appropriation of photos found online

Publisher's Description

The Screendump project is an ongoing investigation and exploration of photography in the virtual world. In Screendump #1 (2011) the use of Google Street View was examined as a source of material for artists. In Screendump #2, the authors continue their exploration of the virtual photography with a closer look on the appropriation of photos found online. The publication shows the work of artists that run off with footage from amateurs.

The overwhelming amount of online pictures changes the way we look at photography, the value we assign to photos and the role they occupy in our existence. Due to the arrival of smartphones the act of photographing has become a evident part of our daily lives. Photography is no longer the exclusive domain of journalists, artists and specialists: photography belongs to everyone.

Screendump #2 contains works by Willem Popelier, Corinne Vionnet, Peter Mann, Penelope Umbrico and Joachim Schmid.

20 x 27 cm | 64 p. | paperback | ENG/NL | 20
text: Suzan Geldhoff & Karin Krijgsman
design: Rob van Hoesel

edition: 500


A close look at the appropriation of photos found online. The publication shows the work of artists that run off with footage from amateurs.
£21.50
£20.99

Picture of An American Odyssey

Overseas deliveries  Please note that, as this is a very heavy item, overseas postage will be charged at three times our standard rates.

Publisher's Description

These rediscovered Photochrom and Photostint postcard images from the private collection of Marc Walter were produced by the Detroit Photographic Company between 1888 and 1924. Using a photolithographic process that predated the autochrome by nearly 20 years, they offered people the very first color photographs of the United States. Suddenly, the continent's colors were available for all to see. The rich ochres and browns of the Grand Canyon, the dazzle of Atlantic City, became a visual delight not only for eyewitnesses, but for Americans far and wide.

Imbued with this sense of discovery and adventure, the pictures gathered here are a voyage through peoples, places and time at once. They take us through North America’s vast and varied landscape, encounter its many communities, and above all transport us back to the New World of over a century ago. Over more than 600 pages including fold-out spreads, this sweeping panorama takes us from Native American settlements to New York's Chinatown, from some of the last cowboys to Coney Island's heyday. As luminous now as they were some 120 years ago, these rare and remarkable images that brought America to Americans now bring American's past to our present.

The authors:
Graphic designer, photographer, and collector Marc Walter specializes in vintage travel photographs, particularly photochroms, of which he has one of the world's largest collections. He has widely published books with images from his collection as well as his own photographs.

Sabine Arqué is a documentarian, iconographer, and author. She has collaborated on numerous books on the subjects of travel, the history of tourism and photography.

Hardcover with fold-outs, 11.4 x 15.6 in., 612 pages

Multilingual Edition: English, French, German

 


A massive collection of Photochrom and Photostint postcard images produced between 1888 and 1924.
£121.50

Picture of Window in Photographs

Publisher's Description

Photographers have been irresistibly drawn to the window as a powerful source of inspiration throughout the history of the medium. As one of the first camera subjects, the window is literally and figuratively linked to the photographic process itself. By bringing together key works, arranged thematically rather than chronologically, and presenting pairings within broader stylistic movements, this volume examines the motif of the window as a symbol of photographic vision.

The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum’s permanent collection. The theme is presented in a wide range of contexts, from one of the earliest images by William Henry Fox Talbot or Julia Margaret Cameron’s 1864 allegorical use of the motif, to works by members of the Photo-Secession, including Gertrude Käsebier and Fred Holland Day. The documentary thread of the street photographer can be followed in Eugène Atget’s record of the oldquartiers of Paris and later twentieth-century photographs by William Eggleston, Walker Evans, and Lee Friedlander. Alfred Stieglitz and Paul Strand chose to utilize the theme of the window for its more graphic possibilities. More recently, photographers Shizuka Yokomizo and Gregory Crewdson explored conceptual aspects of the window to investigate themes of voyeurism and invented narrative, while Uta Barth and Yuki Onodera created more abstract visions.

The book accompanies the exhibition At the Window: The Photographer’s View, on view at the J. Paul Getty Museum from October 1, 2013 to January 5, 2014.

Publisher: Getty Publications

Size: 7 1/4 x 8 5/8"

112 pages, 84 color and 4 b/w illustrations

Karen Hellman
The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum’s permanent collection.
£15.26

Picture of Architecture in Photographs

Publisher's Description

From the invention of photography in 1839, architecture was second only to portraiture as the most favored subject for the camera. The fact that buildings were immobile was advantageous for the long exposures needed in the early days, but architectural images were popular for other reasons: they documented dynastic, civic, and religious achievements; educated architects about construction and decorative details; and whetted curiosity about distant lands. Later photographers found innovative ways to depict structures of every era and type.

Arranged chronologically, Architecture in Photographs spans the history of the medium and includes works in a variety of photographic processes by such distinguished nineteenth-century practitioners as Henri le Secq, Gustave Le Gray, and Roger Fenton; twentieth-century photographers Eugène Atget, Alfred Stieglitz, and Walker Evans; contemporary artists Ed Ruscha, Lewis Baltz, and Steven Shore; and younger image makers Catherine Opie and Michael Wesely.

The seventy-five images presented here, all from the collection of the J. Paul Getty Museum, form a panoply of architectural structures and styles, from Egyptian ruins to Greek temples and Gothic cathedrals, and from skyscrapers and Modernist schools to mundane vernacular dwellings.

The book is published to coincide with the exhibitionIn Focus: Architecture, on view at the J. Paul Getty Museum from October 15, 2013, to March 2, 2014.

Publisher: Getty Publications

Size: 7 1/4 x 8 5/8"

112 pages, 75 colour and 4 b/w illustrations

Gordon Baldwin
Arranged chronologically, Architecture in Photographs spans the history of the medium. The seventy-five images presented here, all from the collection of the J. Paul Getty Museum.
£15.26

Picture of Nude in Photography

Publisher's Description

Born like Venus on the half shell from the centuries-long tradition of the nude in painting, the nude first appeared as a subject matter in photography with the introduction of the medium itself, between 1837 and 1840, and has continued as an ever-evolving theme through changing technical developments and cultural mores to the present day. This volume surveys the subject of nudity from the earliest surviving photographs of Greek and Roman sculpture through studies of living nude models for aesthetic or scientific purposes to the burgeoning practice of exploring the human body as pure form.

The seventy-eight works, selected from the extensive collection of the J. Paul Getty Museum and further contextualized here in the essay “Masterworks of the Nude,” span the entire arc of the history of photography in a manner that is both fresh and illuminating. Among the sixty-four photographers included are nineteenth-century masters Julia Margaret Cameron, Edgar Degas, and Thomas Eakins; early-twentiethcentury artists Man Ray, Alfred Stieglitz, and Edward Weston; mid-twentieth-century innovators Bill Brandt, Harry Callahan, and Minor White; late-twentieth-century image makers Diane Arbus, Robert Mapplethorpe, and Herb Ritts; and contemporary artists Chuck Close, Timothy Greenfield-Sanders, and Mona Kuhn.

Publisher: Getty Publications

Size:7 1/4 x 8 5/8"

112 pages, 88 colour 
illustrations/p>


The seventy-eight works, selected from the extensive collection of the J. Paul Getty Museum, span the entire arc of the history of photography in a manner that is both fresh and illuminating.
£17.06

Picture of Photography Today

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates

Publisher's Description

This major new survey of contemporary photography considers the work of 80–100 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary. It traces the development of photography as an art form in each of these genres individually and also looks at the ties and links between them. What is revealed is a complex story with numerous tangents. Mark Durden's narrative, combined with rich illustrative content and an easily accessible design, guides a clear path through this story, showcasing the work of great individual photographers while also being able to place this into the larger narrative of the medium's development.

Publisher: Phaidon

Size: 290 x 250 mm

464 pages, 500 illustrations/p>

Mark Durden
This major new survey of contemporary photography considers the work of 80–100 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary.
£40.50

Picture of World Press Photo 14

Publisher's Description

‘Nothing short of magnificent … to say that these photographs are breathtaking is an understatement: the mesmerising talent of each artist must be seen to be appreciated’ – Aesthetica
‘The best in visual reportage from all over the world’– Independent on Sunday
‘Will amuse, sadden, console, and ultimately teach you much about this world of

Since 1955, the annual World Press Photo contest has set the standard in visual journalism

World Press Photo 14 brings you the winners – the most striking images and compelling stories from 2013.

Selected from nearly 100,000 pictures taken by over 5,700 photojournalists and documentary photographers from 132 countries, the prize-winning pictures are presented in a moving, sometimes disturbing document. World Press Photo 14 both informs and inspires an understanding of the world.

Visit the World Press Photo site for images.

Publisher: Thames & Hudson

Size: 210 x 150 mm

160 pages


Selected from nearly 100,000 pictures taken by over 5,700 photojournalists and documentary photographers from 132 countries, the prize-winning pictures are presented in a moving, sometimes disturbing document.
£15.26

Picture of Obscura – 121 views

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

“OBSCURA – 121 views” reflects the diverse spectrum of modern pinhole photography! 11 poetically named chapters serve as an echo chamber for associations and interpretations. Photographers from the worldwide photo community were invited to use the chapters’ headlines as inspiration for contributing their very subjective views on each topic, to experiment with the possibilities of the pinhole camera to create a different kind of reality. An international jury picked out the best photographs from more than 3.000 submissions. Out of these photographs, an extraordinary photo book was created, telling many small but very personal visual stories.

Publisher: Revolver Publishing

Size: 28 x 28 cm,

200 pages

German/English


“OBSCURA – 121 views” reflects the diverse spectrum of modern pinhole photography!
£31.25

Picture of Land/Sea Volume 1

First in a planned series of landscape photography collections, each one involving a photo essay by five different photographers, in this case Joe Wright, Valda Bailey, Al Brydon, Giles McGarry and Finn Hopson.  Also includes an essay by Paul Kenny.

Triplekite Publishing

Book Size: 230mm x 240mm
Pages: 68
Printing: Litho, waterless press
Cover: Soft bound, uncoated stock, soft laminated
Inner pages: 150gsm sealed and 60gsm bible paper


First of Triplekite's planned series of landscape photography collections
£20.00

Picture of Machiguchi Satoshi 1000 Photobooks

Publisher's description

Machiguchi Satoshi 1000 presents (over) 1000 pages of full-framed, close-cropped photographs of some of the most influential photo-books of the past seven decades. A resource and a treasure, it is authored by art director Satoshi Machiguchi, an individual referred to as “the son of a photo-book” and known for his work as a designer of photo- and art-books with photographers such as Daido Moriyama.
Flipping through the pages of semi-blurred extracts and details feels like watching time pass by. Commencing with 'Snowland' by Hiroshi Hamaya and Robert Frank's 'The Americans' – two titles that Machiguchi received as a child in the '70s – the book moves chronologically through publications by Diane Arbus, Joel Meyerowitz and Kishin Shinoyama before concluding with the 2011 title 'Everything happens for the first time' – which Machiguchi himself designed

Publisher: 1000BUNKO

Size: 147 x 105 mm

1000 pages

Satoshi Machiguchi
Machiguchi Satoshi 1000 presents (over) 1000 pages of full-framed, close-cropped photographs of some of the most influential photo-books of the past seven decades.
£38.70

Picture of Photobook: A History Volume III SIGNED

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher Description

Following the success of volumes I and II of The Photobook: A History (published in 2004 and 2009 respectively), this is the third volume bringing this study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new 'layered' photobook approach. 

While the history of photographs is a well-established canon, less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. Volume III, co-edited by Martin Parr and Gerry Badger, expands this study and history of the photobook further. It explores the symbiotic relationship between the contemporary propaganda book vs. the protest photobook, sex and youth culture, photographers examining their own environments and the impact of the Internet and social media on the nature of the photobook, among much else. 

The book is divided into 9 thematic chapters, each featuring general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The introductory chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown.

SIGNED BY GERRY BADGER AND MARTIN PARR

Publisher: Phaidon

290 x 250 mm

320 pages, 900 colour illustrations

Martin Parr and Gerry Badger
Following the success of volumes I and II of The Photobook: A History this is the third volume bringing this study of the photobook fully up to date, with specific exploration of the contemporary, postwar photobook.
£59.95

Picture of Foto/Industria

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Ever since it was invented in the 19th Century, photography has been used by companies for the purposes of production, communication, identification and memory. Photography has also spurred changes in social processes by showing the inhumanity of certain jobs. Far removed from advertising, where images are conceptualised in advance, industrial photography relies above all on the photographers eye, creativity and perception of places and people. That is why great photographers have worked on specific projects. Through this book, the aim of MAST Foundation is to stimulate aesthetic and strategic reflection about the use companies make of photography and, with the collaboration of François Hébel, director of Les Rencontres de la Photographie dArles, they created the first Biennials of Industrial Photography. For this first international edition, seventeen photographers have been selected. They have done brilliant work for companies, making it a significant part of their output. Among the vast amount of material, photographic collections and noteworthy publications have been chosen, together with two photographers that, with an external eye, have documented different realities: David Goldblatt has concentrated himself on the work on the mines while Jacqueline Hassink on the places of business power. Catalogue of the first Biennials of Industrial Photography: the new event dedicated to corporate and industrial photography. 17 admission-free exhibitions in 11 historical venues from October 3rd to 20th, 2013 in Bologna, Italy. The Isabella Seràgnoli Foundation created the Foto Industria Bologna to stimulate thought about the aesthetic and strategic uses companies make of photography and collect quality images in connection with the photo gallery that Urs Stahel is setting up at MAST, its Arts, Experimentation and Technology exhibition space. The artistic director of the Biennials is François Hébel, director of Les Rencontres de la Photographie dArles.

Publisher: Contrasto

Size: 176 x 176 mm

692 pages


Ever since it was invented in the 19th Century, photography has been used by companies for the purposes of production, communication, identification and memory. Photography has also spurred changes in social processes by showing the inhumanity of certain jobs. Far removed from advertising, where images are conceptualised in advance, industrial photography relies above all on the photographers eye, creativity and perception of places and people. That is why great photographers have worked on specific projects. Through this book, the aim of MAST Foundation is to stimulate aesthetic and strategic reflection about the use companies make of photography and, with the collaboration of François Hébel, director of Les Rencontres de la Photographie dArles, they created the first Biennials of Industrial Photography. For this first international edition, seventeen photographers have been selected. They have done brilliant work for companies, making it a significant part of their output. Among the vast amount of material, photographic collections and noteworthy publications have been chosen, together with two photographers that, with an external eye, have documented different realities: David Goldblatt has concentrated himself on the work on the mines while Jacqueline Hassink on the places of business power. Catalogue of the first Biennials of Industrial Photography: the new event dedicated to corporate and industrial photography. 17 admission-free exhibitions in 11 historical venues from October 3rd to 20th, 2013 in Bologna, Italy. The Isabella Seràgnoli Foundation created the Foto Industria Bologna to stimulate thought about the aesthetic and strategic uses companies make of photography and collect quality images in connection with the photo gallery that Urs Stahel is setting up at MAST, its Arts, Experimentation and Technology exhibition space. The artistic director of the Biennials is François Hébel, director of Les Rencontres de la Photographie dArles.
£26.96

Picture of A Year in Photography: Magnum Archive

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Now available again in an attractive new compact format, this generously illustrated book for lovers of photography includes 365 images from the greatest photojournalists of today and yesterday.

Founded by Henri Cartier-Bresson, Magnum Photos is an iconic international photographic cooperative whose members have captured the major historical events of their times, as well as private and intimate moments. A year’s worth of these images is offered in this visually stunning book that features full-page reproductions organized to reflect what Cartier- Bresson himself declared a “community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.” Nearly 70 photographers are represented with five to six images each, and the current Magnum members have selected the photographs that they consider to best represent their own output. Published in a brilliant new compact format, running more than 700 pages, this book includes images that make history both individual and universal.

752 pages, 20x20, 7.9 x 7.9 Inches, 365 colour illustrations


Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Now available again in an attractive new compact format, this generously illustrated book for lovers of photography includes 365 images from the greatest photojournalists of today and yesterday.

Founded by Henri Cartier-Bresson, Magnum Photos is an iconic international photographic cooperative whose members have captured the major historical events of their times, as well as private and intimate moments. A year’s worth of these images is offered in this visually stunning book that features full-page reproductions organized to reflect what Cartier- Bresson himself declared a “community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.” Nearly 70 photographers are represented with five to six images each, and the current Magnum members have selected the photographs that they consider to best represent their own output. Published in a brilliant new compact format, running more than 700 pages, this book includes images that make history both individual and universal.

752 pages, 20x20, 7.9 x 7.9 Inches, 365 colour illustrations

£17.99

Picture of Photoworks (Issue 20: Family Politics)

Publisher's Description 

With Issue 20, Photoworks becomes Photoworks Annual, and sports a new format and a fresh design.

Taking the theme Family Politics, the eagerly anticipated issue explores contemporary thinking on the most universal of photographic subjects.

Contents include: commissioned work from Jowhara Alsaud and Claudia Sola

Folios by Broomberg & Chanarin, David Moore and John Clang.

Conversations between: Marianne Hirsch and Lorie Novak, Wendy Ewald and Anthony Luvera, Bettina von Zwehl and Kelley Wilder.

And writings from Michael Bonesteel, Susan Bright, Terry Dennett, Geoffrey Batchen, Blake Stimson, Sarah James, Stephanie Schwartz, Jack Halberstam, Aaron Schuman, Blake Morrison, Andrew Kötting, Sue Hubbard and David Campany amongst others.


Taking the theme Family Politics, the eagerly anticipated issue explores contemporary thinking on the most universal of photographic subjects.
£18.00

Picture of Eyemazing: The New Collectible Art Photography

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Pushing boundaries and defying conventions, EYEMAZING magazine has been at the vanguard of art photography journals for the last decade.

The magazine has redefined the boundaries and possibilities of contemporary art photography, and is renowned worldwide for unearthing fresh talent and influencing galleries and collectors alike.

Masterfully curated by Eyemazing Susan, founder of Eyemazing magazine and one of the most original minds in the photography world today, this comprehensive book is just as groundbreaking as the magazine itself.

Featuring work by 131 photographers, including such famous figures as Michael Ackerman, Bettina Rheims, Sally Mann and Roger Ballen, alongside those Eyemazing Susan has discovered and championed, this book brings together a selection of the best work published in Eyemazing magazine over the last ten years into two ethereal streams of imagery: ‘Dreams and Memories of a Past Life’ and ‘Our Body, Our Cage. Our Body, Our Home’.

With outstanding reproductions on an ambitious scale and supporting essays and biographical profiles of the featured artists, Eyemazing is an unprecedented opportunity to have the very best of the new collectible art photography in a single, novel volume.

Publisher: Thames & Hudson

Size: 335 x 245 mm

544 pages, 423 Illustrations, 423 in colour


Pushing boundaries and defying conventions, EYEMAZING magazine has been at the vanguard of art photography journals for the last decade.
£58.50

1 2 3 4 5 NextLast
Shopping cart
You have no items in your shopping cart.
newsletter
Email: