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Picture of Desire: New Erotic Photography

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Publisher's Description

Gorgeous and wide-ranging, this collection of works by established and up-and-coming photographers showcases new developments in erotic photography.

The invention of photography gave artists a new means of expression—and a new way of depicting the human body. This elegant, compelling collection of images from new and established photographers demonstrates how technology has altered the genre—not only in terms of technique, but also composition, theme, and content. This incredibly diverse collection features the works of more than 30 artists from around the world, including Evan Baden’s explorations of the ways youth culture views sex, intimacy, and privacy; Noritoshi Hirakawa’s erotic and intimate portraits, which challenge mainstream conceptions of sexuality and heterosexual desire; David Bellemere’s dreamlike works, which are inspired by 1970s aesthetics, nature, light and the female body shape; and Ana Kraš’s surreal photographs that seem like they were taken coincidentally. At once cutting-edge and tasteful, this compelling volume presents a wide range of erotic photography.

Publisher: Prestel

Size: 210 x 280 mm

280 pages, 220 colour illustrations, 20 b/w illustrations

Patrick Remy
Gorgeous and wide-ranging, this collection of works by established and up-and-coming photographers showcases new developments in erotic photography.
£26.99

Picture of Revelations

Publisher's Description

Published alongside a major exhibition, Revelations explores a radical expansion of the visual field brought about by early scientific photography, and the ways this informed and inspired photography's applications within modern and contemporary art.

Early scientific imagery such as X-Ray, photomicrography and experimental high-speed photography exposed and surpassed the limits of human vision. In doing so, it revealed important formal possibilities to artists, and spoke to them in clear and articulate terms about man’s changing relationship to science and technology. Drawing on the National Collections held in Bradford and London, and further international collections, a selection of photographs, book spreads and other documents demonstrate new modes of representation established by early scientific photography and their profound impact on the histories of photographic art.

Publisher: Mack Books

Size: 170 x 223 mm

216 pages, 152 colour plates

Sample pages

Ben Burbridge
Published alongside a major exhibition, Revelations explores a radical expansion of the visual field brought about by early scientific photography, and the ways this informed and inspired photography's applications within modern and contemporary art.
£22.50

Picture of World Press Photo 15

Publisher's Description

Every year since 1958 an international jury has convened in Holland under the auspices of the World Press Photo Foundation to choose the finest press photographs of the year. Universally recognized as the definitive competition for photographic reporting, it draws submissions from photojournalists, newspapers, and magazines throughout the world.

Publishing the results of the most recent competition, this book contains the most haunting and inspiring photographs from 2014—some 150 pictures selected from more than 100,000 images submitted. These prize-winning works are extraordinary not only for their technique but also because they capture the most powerful, moving, and sometimes disturbing moments of the year.

Publisher: Thames & Hudson

Size: 287 x 230 mm

160 pages


Publishing the results of the most recent competition, this book contains the most haunting and inspiring photographs from 2014—some 150 pictures selected from more than 100,000 images submitted.
£17.06

Picture of Chinese Photobook SIGNED

Signed by Martin Parr

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Publisher's Description

In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium’s culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians’ short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage. This deluxe, lavishly produced volume is based on a col- lection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr’s interest in pro- paganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers. 

Sample images

Publisher: Aperture

Size: 11 3/8 x 12 5/8"

480 pages, ca. 1000 four-colour images

Martin Parr and WassinkLundgren
China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage
£100.00

Picture of Landscape in my Mind: Landscape photography today. Hamish Fulton to Andreas Gursky

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Publisher's description

Landscape in my Mind is a pictorial journey through the landscapes of current art photography. The exhibition covers the whole gamut of current positions in international landscape photography from Hamish Fulton to Andreas Gursky. Always a network of connections between man and nature landscape presents itself as a mental projection level of the perception of our surroundings – both close and distant.

The works of art function as 'distorted' mirrors of perceived reality; they are not pure documentations produced at the click of a camera but hybrid tableaus between fiction and abstraction, metaphors of the view of the world and beyond. Typically, the photographs are 'pictures painted with the camera' in large format, which exude the self-confidence of New Photography. Blurring effects and compositional qualities enhance the tableau’s painterly and pictorial value. Consequently, artists such as Elger Esser or Jörg Sasse, for example, see themselves more as 'picture composers' rather than photographers. Rather than the objective perception of landscape as found in say Thomas Struth, these images elicit emotions in the observer, including feelings of being overwhelmed, melancholy, disquiet and dread.

Some of the artists in the exhibition present landscape photography as an experience and adventure, and resort to manipulative means in doing so. 'Global landscapes' produced as digital collages and enriched using found footage from the Web. Others destroy the illusion as when Thomas Ruff reveals images in pixeled resolution to be nothing more than digital information. Moreover, we have never set eyes on Mars. Roland Barthes’ pronouncement on photography that 'this is how it was' is annulled given the full spectrum of manipulation and fiction. Landscape photography as a painterly construction of reality.

Publisher: Verlag für moderne Kunst

Size: 282 x 297 mm

176 pages, 60 illustrations in colour

Roland Lippuner, Lisa Ortner-Kreil, Christoph Ransmayr, Florian Steininger, Ingried Brugger
Landscape in my Mind is a pictorial journey through the landscapes of current art photography.
£25.20

Picture of Photography Visionaries

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Publisher's Description

Photography Visionaries is an inspiring guide to 75 of the most influential photographers from around 1900 to the present. Entertainingly written by an expert on photography, it provides fascinating insight into the lives and careers of men and women working in a medium which perhaps more than any other in the visual arts has been deeply affected by technological change.

The entries are arranged chronologically, instilling in the reader an understanding of what marks each photographer as a visionary. Each entry is less about providing a full biography of the person and more about creating a sense of excitement regarding their work and the lasting impact that it has had on photography.

With the aid of an arresting selection of photographs, some well-known and others less so, this book offers a unique and engaging perspective on the development of photography through some of its most inventive practitioners.

Publisher: Lawrence King

Size: 290 x 200 mm

312 pages, 340 illustrations

Mary Warner Marien
Photography Visionaries is an inspiring guide to 75 of the most influential photographers from around 1900 to the present.
£22.46

Picture of First World War Now, The

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Publisher's Description

Carl De Keyzer invited ten top international photographers - colleagues of his at the celebrated Magnum agency - to shoot a series on how the First World War continues to reverberate in their countries. He chose nations that were directly involved in the conflict: Germany, Britain, Russia, Austria, Italy, Belgium, the United States, Australia, the Balkan countries and France.

Photographers featured:
Mark Power (UK); Alex Majoli (Italy); Chien-Chi Chang (Austria); Gueorgui Pinkhassov (Russia); Thomas Dworzak (Germany); Carl De Keyzer (Belgium); Nikos Economopoulos (Greece); Alec Soth (USA); Trent Parke (Australia); Antoine D'Agata (France).

Publisher: Hannibal Publishing

Size: 325 x 245 mm

240 pages, 45 colour, 125 black & white images

David Van Reybrouck
Carl De Keyzer invited ten top international photographers - colleagues of his at the celebrated Magnum agency - to shoot a series on how the First World War continues to reverberate in their countries.
£31.50

Picture of Eyes Wide Open: 100 Years of Leica

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Publisher's Description

A note in a workshop log proves that at the latest in March 1914, Oskar Barnack put the finishing touches on the first working model of a compact camera for 35 mm standard cinema film. He had not merely invented a new camera – the Leica (= Leitz/camera), not introduced until 1925 due to the war, in fact ushered in a paradigm shift in photography. The Leica made it easier for amateurs, newcomers, and emancipated women to take pictures, but, more than that, it also enabled a whole new way of seeing things – a faster, more dynamic view of the world from new angles. Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume with about 1.200 images offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
Essays by international authors examine topics including the technical genesis of the Leica, its influence on photojournalism, and its significance for a wide variety of avant-garde currents in art photography. Heretofore unpublished documents from the archives of the Leica Camera AG round off this multifaceted 100-year cultural chronicle.

Photographs by: 
Michael Ackerman, Jane Evelyn Atwood, Ilse Bing, Edouard Boubat, René Burri, Robert Capa, Henri Cartier-Bresson, Mark Cohen, Bruce Davidson, Michel Vanden Eeckhoudt, William Eggleston, Richard Fleischhut, Robert Frank, Lee Friedlander, Alberto Garcia Alix, Gianni Berengo Gardin, Ralph Gibson, Bruce Gilden, René Groebli, George Grosz, Ara Güler, Elisabeth Hase, Fred Herzog, Frank Horvat, Thomas Hoepker, Barbara Klemm, William Klein, Robert Lebeck, Saul Leiter, Ulrich Mack, Ramón Masats, Susan Meiselas, Jeff Mermelstein, Joel Meyerowitz, Will McBride, László Moholy-Nagy, Victor Palla, Alexander Rodtschenko, Paolo Roversi, Erich Salomon, Jeanloup Sieff, Klavdij Sluban, Louis Stettner, Christer Strömholm, Sabine Weiss, Kai Wiedenhöfer, Tom Wood and many others 

Publisher:Kehrer

Size: 270 x 320 mm

564 pages ca. 1200 color illustrations


Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume with about 1.200 images offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
£70.20

Picture of European Portrait Photography since 1990

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Publisher's Description

An examination of European portraiture since the 1990s, this book shows how major changes in the continent’s political and societal realms have inspired photographers to capture a new identity—both collective and individual.

The 1990s saw a resurgence of the portrait genre of photography, especially in Europe, where the collapse of communism and the solidification of the European Union raised enormously important questions about national identity and shared historical and cultural values. This volume delves into this important development, featuring full-page reproductions of work by Rineke Dijkstra, Jurgen Teller, Thomas Ruff, Nikos Markou, Anders Petersen, Clare Strand, and others from dozens of countries around the continent. Taken as a whole, these portraits comprise a new genre—one that represented a break from postmodernist strategies and which allowed for experimentation and the exchange of ideas.

Publisher: Prestel

Size:235 x 315 mm

240 pages150 colour illustrations50 b/w illustrations


An examination of European portraiture since the 1990s, this book shows how major changes in the continent’s political and societal realms have inspired photographers to capture a new identity—both collective and individual.
£36.00

Picture of Post-Photography: The Artist with a Camera

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Publisher's Description

The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before.

Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras.

This book is split into five sections – Something Borrowed, Something New; Layers of Reality; All the World Is Staged; Hand and Eye; and Post-Photojournalism – which cover the key strategies adopted by 53 of the most exciting and innovative international artist-photographers of the 21st century.

Publisher: Lawrence King

Size: 280 x 216 mm

272 pages, 196 colour illustrations

Robert Shore
The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before.
£22.46

Picture of Taylor Wessing Photographic Portrait Prize 2014 Catalogue

Publisher's Description

The Taylor Wessing Photographic Portrait Prize celebrates the vitality and excellence in portrait photography today. This prize is one of the most important platforms for contemporary portrait photographers internationally, and sixty stunning reproductions of the selected works provide an excellent overview of current photographic styles, trends and techniques.

This book provides a unique opportunity to see an inspiring range of portraits from contemporary photographers selected from thousands of submissions. The works included are not only about the subjects – people who appear intriguing, defiant or relaxed – but also reveal the outstanding skill of the photographers, whose intelligence and diligence enable them to capture a moment in time, and to convey something of the spirit of those photographed.

Fully illustrated in colour throughout, the book features all the selected entries from this year’s competition, as well as comments and insights from the judges. The catalogue includes an extended essay about contemporary portraiture.

Publisher: National Portrait Gallery

Size: 280 x 220mm

80 pages, 60 illustrations


The Taylor Wessing Photographic Portrait Prize celebrates the vitality and excellence in portrait photography today. This prize is one of the most important platforms for contemporary portrait photographers internationally.
£13.50

Picture of Paris Magnum

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Publisher's Description

By documenting the everyday workings of the city, Magnums photographers capture the essence of Parisian life. Their photographs show the city as it lives and breathesfrom fashion shows to underground jazz clubs, from the bustling metro to outdoor cafés, and from the Art Deco Fouquets hotel to the working class Goutte dOr neighborhood. Even celebrities appear as ordinary citizens encountered in their own milieufrom former President François Mitterrand to novelist Marguerite Duras, singer Edith Piaf to actress Catherine Deneuve, fashion designer Christian Dior to artist Giacometti. The citys rich history and traditions are inherent in images depicting the bravery of an unknown female resistance fighter, the exuberant joy upon the Liberation of Paris, the eroticism of burlesque dancers, or the excitement of the final lap of the Tour de France. Crusty baguettes, buttery escargot, glasses of wine, and abundant butcher cases attest to the gastronomic pleasures of the city, and all of the monumentsthe Eiffel Tower, Arc de Triomphe, Notre Dameappear like cast members at curtain call. This book celebrates the myriad aspects of Paris in a volume as captivating for the lifelong Parisian as it is for the armchair traveler.

Publisher: Flammarion

Size: 250 x 318 mm

304 pages


This book celebrates the myriad aspects of Paris in a volume as captivating for the lifelong Parisian as it is for the armchair traveler.
£36.00

Picture of Photography Book (2nd Edition)

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Publisher's Description

A revised and updated edition of Phaidon's bestselling book, which brings this landmark work fully up-to-date with new additions covering the latest developments in photography.

The Photography Book is an unsurpassed collection of more than 550 superb images that represent the world's best photographers from the mid-nineteenth century to today.

Arranged alphabetically by photographer, it showcases pioneers such as Gustave Le Gray and Daguerre, icons like Robert Capa and contemporary names such as Richard Wentworth and Carolee Schneemann. The selection encompasses fashion, sport, natural history, reportage, society portraiture, documentary and art, with concise text providing useful insight into each work and its creator. Also included are extensive cross-references and glossaries of technical terms and movements.

Publisher: Phaidon

Size: 290 x 210 mm

576 pages, 563 illustrations

Ian Jeffrey
A revised and updated edition of Phaidon's bestselling book, which brings this landmark work fully up-to-date with new additions covering the latest developments in photography.
£35.96

Picture of Islands of the Blest

Publisher's Description

These photographs depict various places in the American West, and were taken over a one hundred-year period, from the 1870s through the 1970s. The photographers represented range from the completely unknown to some of America’s most distinguished practitioners of the medium. All of the images were sourced from digital public archives.

Sample images

Publisher: Silas Finch

Size: 11.5 x 13.5"

68 pages, 44 b&w plates

Offset printed with UV inks on uncoated paper. 

Edited by Bryan Schutmaat and Ashlyn Davis
These photographs depict various places in the American West, and were taken over a one hundred-year period, from the 1870s through the 1970s.
£30.95

Picture of This Place

Publisher's Description

This Place explores the complexity of Israel and the West Bank, as place and metaphor, through the eyes of twelve internationally acclaimed photographers, each of whom use photography to ask essential questions about culture, society and the inner lives of individuals. The photographers, all outsiders to Israeli and Palestinian society, represent an array of nationalities, cultures, and visual grammars; they are Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Rosalind Solomon, Thomas Struth, Jeff Wall, and Nick Waplington

As each artist pursues their own line of investigation, what emerges is a dissonant and startling portrait; together, the highly individualised works combine to create not a single, monolithic vision, but rather a diverse and fragmented portrait, alive to all the rifts and paradoxes of this important and much contested space. This book accompanies a monumental exhibition, curated by Charlotte Cotton, which features more than 600 images, all newly-commissioned work, the product of four years of artist residencies. It includes an essay by the curator and extensive interviews with each of the participating artists.

Publisher: Mack Books

Size: 200 x 260 mm

192 pages, 300 colour plates


This Place explores the complexity of Israel and the West Bank, as place and metaphor, through the eyes of twelve internationally acclaimed photographers, each of whom use photography to ask essential questions about culture, society and the inner lives of individuals.
£27.00

Picture of Photographers’ Sketchbooks

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Publisher's Description

Photography is so much more than pushing a button ...

It is a way of seeing, a way of life, a grasping of life. At the same time it involves an enormous amount of preparatory work, research, and trial and error. All photographers – the visually restless, the diarists, the experimenters, the R&D obsessives, the collectors and the cross-genre free-wheelers – know this as they dream of future pictures and agonize over the next big project. They create speculative work that may blossom into something important, or wind up in a box under the bed – or its virtual equivalent.

This book offers a rare behind-the-scenes look at the working methods of nearly 50 photographers from around the world.

In their own words, they present selections from their ‘sketchbooks’: everything from Polaroid studies to smartphone snaps, diaries, found photography, installations, zines, blogs and online photo streams alongside traditional contact sheets, photo albums and book dummies. 

With over 500 images, Photographers’ Sketchbooks is a compelling insight into the ways professional photographers realize a personal vision.

Publisher: Thames & Hudson

Size: 220 x 297 mm

320 pages, with 520 illustrations


Stephen McLaren and Bryan Formhals
This book offers a rare behind-the-scenes look at the working methods of nearly 50 photographers from around the world.
£26.96

Picture of Open Road

Reprinting.  Orders will be despatched when 2nd printing arrives

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Publisher's Description

“Joyrides, voyages of discovery, surveys, wanderings, migrations, polemics, travel diaries, and assessments of the nation. Is America even imaginable without the road trip?”—David Campany

The road trip is an enduring symbol in American culture. Ever since cars became widely available, the road stretching over the horizon has represented a sense of possibility and freedom, discovery and escape—a place to get lost and find yourself in the process. The American road trip has appeared prominently in lit­erature, music, and movies, but it has had an especially powerful influence on photography. As photographers have embarked on trips across the United States with the express purpose of making work, they have created some of the most important photographs in the history of the medium: from images by Walker Evans, Henri Cartier-Bresson, and Berenice Abbott to Robert Frank’s seminal 1950s odyssey, The Americans. From Stephen Shore to Ryan McGinley, hundreds of other photographers have continued the tradition.

The Open Road is the first book to explore the photographic road trip as a genre. It opens with a comprehensive introduction, which traces the rise of road culture in America and considers photographers on the move across the country and across the century, from the early 1900s to present day. Each chapter explores one body of work in depth through informative texts and a portfolio of images, beginning with Robert Frank, and including such renowned work as Garry Winogrand’s 1964, Joel Sternfeld’s American Prospects, William Eggleston’s Los Alamos, and Alec Soth’s Sleeping by the MississippiThe Open Road is a visual tour-de-force, pres­enting the story of photographers for whom the American road is muse.

Sample pages

Publisher: Aperture

Size: 10 × 11 1/2"

336 pages , ca. 250 duotone and four-colour

David Campany
Reprinting. Orders will be despatched when 2nd printing arrives. The Open Road is the first book to explore the photographic road trip as a genre. It is a visual tour-de-force, pres­enting the story of photographers for whom the American road is muse.
£36.00

Picture of Looking at Images

Publisher's Description

A deeper look at 120 selected photographs published in LensWork and LensWork Extended

  • Short, thought-provoking discussions about photography and the creative process
  • Encompassing aspects of image content, context, composition, and artmaking
  • Improve your photography and deepen your aesthetic eye by learning to see, feel, understand, think, and speak about images.
  • A dynamic teaching tool and study aid — including expanded Table of Contents and 4-page detailed Index
  • State-of-the-art, museum-book quality duotone printing

Brooks Jensen’s in-depth commentaries are not critiques, but instead discuss aspects of photography through image content, context, and composition. Looking at Images is a study aid — an engaging look at images as a platform to think about photography and the creative process. The intent is to provide photographers with tools to help them think about their own creative work. For the first time, these commentaries are available in book form!

Includes color images as well as black-and-white!

Publisher: Lenswork

Size: 9 x 8” 

264 Pages



Brooks Jensen
A deeper look at 120 selected photographs published in LensWork and LensWork Extended
£30.95

Picture of Photobooks Spain 1905-1977

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Publisher's Description

The form of the photo book allows for narrative meaning to arise from the images, and as such, has been used by many of the most preeminent photographers to present and communicate their works. In Spain particularly, the photo book is colored by a complex national history: the Civil War, the transition to democracy, the social and cultural role of the peasantry and the evolving role of women have all been significantly documented via the photo book. The relationship of Spanish culture and photography to the photo book is comprehensively explored in this volume, published to accompany an exhibition at the Museo Nacional Centro de Arte Reina Sofía. This volume collects the work of not only well-known photographers such as José Ortiz Echagüe, Alfonso, Francesc Català-Roca, Ramón Masats, Xavier Miserachs, Francisco Ontañón and Colita, but also relatively unknown figures, such as Antonio Cánovas, the collective work of Misiones Pedagógicas (Teaching Missions), José Compte, Enrique Palazuelo, Luis Acosta Moro and Salvador Costa. Text by Horacio Fernández explains the cultural significance of these artists' works and further delves into the complex relationship between the Spanish photo book and literature.

Publisher: RM/Museo Nacional Centro De Arte Reina Sofía

Size: 8.75 X 11.25"

264 pages


In Spain particularly, the photo book is colored by a complex national history: the Civil War, the transition to democracy, the social and cultural role of the peasantry and the evolving role of women have all been significantly documented via the photo book.
£40.50

Picture of Shooting Space: Architecture in Contemporary Photography

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Publisher's Description

Photography has always played a vital role in how architecture is communicated. For most of us, it is how we experience the most exceptional, arresting, unreachable, beautiful or ephemeral works we cannot visit in person. With immediate distribution and consumption of imagery now so readily available, photography and architecture together are more important than ever before. 

Single photographers are increasingly working closely and even exclusively with particular architects, allying their work with the design process itself. Some photographers are using new technologies to create visions of new architectures and imagined futures and others seek change through journalistic and social documentation. 

Shooting Space: Architecture in Contemporary Photography will cover a diverse range of subjects and themes across the built environment. Presenting the work of leading contemporary architects (from Koolhass to Zadid), intense urbanisation and evolving natural landscapes by international photographers as diverse as Helene Binet, Thomas Struth and Richard Wentworth. 

Presenting the most extraordinary work of contemporary architectural photography,Shooting Space will not only provide a quick and engaging display of beautiful photography but more careful examination will reward the reader with a timely survey of our built environment.

Publisher: Phaidon

Size: 290 x 250 mm

240 pages, 200 illustrations


Presenting the most extraordinary work of contemporary architectural photography,Shooting Space will not only provide a quick and engaging display of beautiful photography but more careful examination will reward the reader with a timely survey of our built environment.
£44.78

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