Beyond Words


Latest Newsletter- 26 January 2015


Light, Gesture, and Color

Jay Maisel

Publisher's Description

In Light, Color, Gesture author Jay Maisel offers amazing insights, captivating stories, and expressive images, all of which come together to create a groundbreaking book that has the power to change the way students think about and create photographs forever. They’ll go beyond the buttons and dials of their camera to learn how to finally “see” like a photographer, and how to capture the world around them  in a way that delights, intrigues, and challenges the viewer.

This book uncovers the true craft and storytelling power of photography, and Jay does it in a way that makes students realize that the secret to creating the images they’ve always dreamed of is not about their camera’s metadata; it’s about something much more significant. Light, Color, Gesture will open their eyes, engage their mind, and unlock their creative potential. This book will allow students to take a big leap forward in the understanding and creation of their photography. They will never “see” the same again.

Jay Maisel is a true living legend in the photographic world, best known for capturing the light, color, and gesture found in everyday life. Some of his commercial accomplishments include five Sports Illustrated Swimsuit Issue covers, the first two covers of New York magazine, and the cover of Miles Davis’ Kind of Blue. His work has impacted, informed, and inspired generations of photographers all over the world.

Publisher: New Riders

264 pages


Japan Coast

Silva Bingaz

Publisher's Description

"I was on a path that wended its way between heaviness and lightness in the real and certain existence of the most fundamental things. This path resembles the highly variegated and over­lapping tales of Asian literature and I followed it, bitter in the knowledge that I will never achieve lightness. There, I photographed women, men, third-genders, children, pregnant women, pea­sants, houses, cars, trees and animals.

In the process, I tried to take into account the masculine world and its limits through my female identity. Thus, I show the fragility of manliness by photographing a woman’s hand touching a man, but also by photographing a man who exposes his muscles. In the same way, I show the lightness of a sunflower by photographing “Medusa” in her eternal prison; the eye of tradition by photog­raphing the eye of a peasant behind branches, or the eye of the of the city through a youth who identifies as being a gang member. During my second stay in Tottori, for a week in 2011, my goal was to explore the traces of the space between life and death, by walking through a hospital where people go to die, children’s homes and cemeteries. I therefore want to show cemetery flowers as an characteristic illusion of our industrial era.

In closing, I would like to say that the allusions I make to birth and death, the masculine wor­ld, love and the unknown end of life do not mean that I chase after dreams. In the words of Italo Calvino, ‘Whenever humanity seems condemned to heaviness, I think I should fly like Perseus into a different space. I don’t mean escaping into dreams or the irrational. I mean that I have to change my approach, look at the world from a different perspective, with a diffe­rent logic and with fresh methods of cognition and verification’.” Silva Bingaz

Publisher: André Frère Editions

Size: 215 x 290 mm

96 pages, 55 colour photographs



Adrien Missika

Publisher's Description

"Amexica" is a project by Adrien Missika that took shape during a trip along the border between Mexico and the United States. The artist used a drone mainly to film several natural and urban sites between Ciudad Juarez and Tijuana, to offer a different point of view on this closely monitored zone. Missika's efforts have given rise to a highly ambitious piece, the most politically charged work of his output.

Publisher: les presses du réel

Size: 140 x 185 mm

260 pages


Epic: Roads of Iceland

Stefan Bogner

Publisher's Description

Stunning photographs of the long, sweeping roads of Iceland. The images are magical, capturing the personality of the country and illustrating a landscape of extremes. 

Publisher: Delius Klasing Verlag

Size: 298 x 280 mm

224 pages, 116 colour images


First World War Now, The

David Van Reybrouck

Publisher's Description

Carl De Keyzer invited ten top international photographers - colleagues of his at the celebrated Magnum agency - to shoot a series on how the First World War continues to reverberate in their countries. He chose nations that were directly involved in the conflict: Germany, Britain, Russia, Austria, Italy, Belgium, the United States, Australia, the Balkan countries and France.

Photographers featured:
Mark Power (UK); Alex Majoli (Italy); Chien-Chi Chang (Austria); Gueorgui Pinkhassov (Russia); Thomas Dworzak (Germany); Carl De Keyzer (Belgium); Nikos Economopoulos (Greece); Alec Soth (USA); Trent Parke (Australia); Antoine D'Agata (France).

Publisher: Hannibal Publishing

Size: 325 x 245 mm

240 pages, 45 colour, 125 black & white images


Mountain Photographs 1879 - 199

Vittorio Sella

Publisher's Description

Vittorio Sella is still considered to be one of the best mountain photographers. His photos have a historical and artistic value and are popular with mountaineers. Many of the mountains he climbed had never been photographed before and are used as a reference to detect the melting of glacier ice. An intriguing black and white document of mountains and mountain people

The volume, realized in close collaboration with the Sella Foundation, gathers the photos taken by legendary Vittorio Sella at the turn of the last century while on expeditions to the world's highest mountaintops. In the words of Ansel Adams, "Sella's strikingly elegant photographs revealed [the mountains] in all their sheer majesty." Even today climbers still use Sella's photographs to map out routes and to gain a fuller appreciation of the challenges that lie ahead. In addition to documenting important scientific expeditions, the photos have a considerable artistic value, recognized internationally; they are exhibited in the world's leading museums.

Publisher: Lannoo Publishers

Size: 13.5 in x 15.75"

240 oages, 220 images


Buildings in Colorado 1964-1980

Robert Adams

Publisher's Description

This two-volume publication examines the early work of photographer Robert Adams (born 1937) in relation to the German architect Rudolf Schwarz (1897–1961). In a previously unpublished text, Adams reveals a close connection between his photography and the European architect. In the 1960s, on his only European tour, Adams focused specifically on Rudolf Schwarz's churches in Aachen and Cologne, which left a lasting mark on Adams and inspired his decision to become a photographer and his early choice of subject, the Denver suburbs. As Adams wrote, Schwarz's buildings "helped suggest to me, when I returned to America, that not just churches, but whole urban and suburban landscapes might be revealed as sacred if we brought to them a measure of the same passionate regard that Schwarz had brought to his specifically religious commissions."

Publisher: Walther König

Size: 8 x 9"

156 pages, 106 images



Rémi Coignet

Publisher's Description

Since 2008, Rémi Coignet has pursued engagements with those artists that inspire him, and for whom the photobook is an essential form in their work. In this book, a selection of more than 20 photographers, publishers and curators reread their respective work, and reveal their intentions in the process. It is Coignet’s hope that from these interviews a geography of contemporary photography will emerge. With photobooks and the series that artists tend to conceive as a foundation to conversation, he approaches Irène Attinger, Lewis Baltz, JH Engström, Ethan Levitas, Daido Moriyama, Lesley A. Martin, Anders Petersen, Paul Graham, Raphaël Dallaporta and many others.

Publisher: Idea Books

Size: 130 x 200 mm

246 pages, no illustrations


Twenty Years

Jason Langer

Publisher's Description

Jason Langer’s Twenty Years pursues a solitary journey through the nocturnal streets and dimly lit rooms of a dream like world. Spanning 20 years of his career, this aptly titled book is the first survey of Langer’s work. Included are many previously unpublished images, surrealist experimentation and figure studies, as well as his singular investigation of the city of Berlin. Langer’s photographic language has been variously described as cinematic and poetic, haunting and romantic. Best known for his noir visions of contemporary urban life, Langer has photographed not only some of the world’s great cities, but intimate scenes as well, ranging from male and female nudes to inanimate objects captured in moments of lifelike feeling. Whatever their subject, his carefully crafted images, rich with lush, black tones, exude an air of vintage, timeless mystery–“as much Hopper and Raymond Chandler as Steichen” (Bomb magazine).

Publisher: Radius Books

Size: 12 x 11.5"

172 pages, 100 duotone images


Blue Hour, The

Uri Gershuni

Publisher's Description

"In the blue hour, Uri Gershuni wanders through the English village of Lacock, in the rural county of Wiltshire, which was home in the nineteenth century to the inventor of photography William Henry Fox Talbot, a countryside gentleman and pioneer of photography. […]

Gershuni’s trip to the village is not a first trip, nor indeed is it properly described as a trip. First, this is not Gershuni’s first visit to Lacock, but a return visit. He first visited the village three years ago in search of the origins of photography. This time Uri Gershuni finds a mode of movement in his non-movement, and this possibility, it turns out, opens up before him when he sits facing the computer screen, through which he may once again visit the village, at least virtually. […]

Google Maps: a single stroke of the keyboard produces a map of the village; drag Pegman over from the left-hand corner into the map, and you’re there, in Street View, on the road leading into the village, tailing a speeding white car; then the road clears, someone is running by the side of the road, there are tall trees, you pass the runner, you can look up at the tree tops[…]" Excerpts from Hagi Kenaan's text, which accompanies the work.

The Blue Hour describes a journey in 255 images not only through Talbot’s village, but also into the depths and layers of photographic language. The images taken from Google Street View, turned black&white, are arranged neatly one image per page. This classical display creates a contrast to the photographies which exhibit all traces of their technical creation and contributes to the book’s ageless look-and-feel.

Publisher: Green Box

Size: 226 x 170 mm

260 pages, 255 illustrations

Journey into the future – Stop #2 GUDYM

Sergey Shestakov

Publisher's Description

The first stop on Sergey Shestakov’s journey was Chernobyl and Pripyat, where he created a testament to nuclear nightmare. The second stop is in the village of Gudym, near Anadyr, the capital of Chukotka. In Gudym, also known as Anadyr-1, the secret facility ’C‘ was built in 1958. An underground depot for nuclear weapons built by decree of Nikita Khrushchev, who once threatened the US saying, “We also have rockets on Chukotka !” It was part of the Russian nuclear umbrella. Rockets and explosives were stored in the granite mountain of Gudym. Since 1986 nuclear weapons started to be removed from the facility. The facility was finally dissolved in the 1990s. The military abandoned it in 2002.Today, it remains the “city without a name”, a realm of entropy. 

The works of Sergey Shestakov can be found in the collections of various museums (State Museum for Oriental Arts, Russian State Russian State Museum of Arctic and Antarctic, Multimedia Art Museum, Moscow Museum of Modern Art, Musée de l’Elysée Lausanne),in the collection of Gazprombank, and in private collections in Russia, Germany, France, Brazil, Mexico, Portugal, and Latvia.

Publisher: seltmann+söhne

Size: 273 x 245 mm

144 pages, 70 images


Gardening at Night

Cig Harvey

Publisher's Description

Gardening at Night is an exploration of home, family, nature, and time. It’s predecessor, You Look at Me Like an Emergency, captured journeys in finding and defining home, while Gardening at Night denotes settling into one’s landscape, and creating life where you are. 

The narrative throughout has a delicious element of magical realism – the viewer is left with the feeling of waking within a dream. On the other hand there is familiarity in what she evokes – something primal and instinctual that points to each person’s connection to nature. 

Seasons figure prominently as metaphors for the cycle of life, and interplays between shadow and light underscore the work. Each photograph and written vignette offers a tactile experience of things that ordinarily seem intangible – the secret life of birds, of barren winter trees, of the lake in spring time, or the girl in the window whose house you pass every day. 

The seventy five jewel-toned images are arresting and weighted, but punctuated, as always by Cig’s characteristic whimsical style. The result is an intensely personal collection that captures an experience of the world that is at once otherworldly and yet instantly familiar.

Publisher: Schilt Publishing

Size: 225 x 225 mm

144 pages with approx. 80 photographs in full colour


Theatres of War

Luca Campigotto

Publisher's Description

Luca Campigotto has specialized in the photography of landscapes and architecture, linked to the theme of travel. He presents in this volume his personal research on the places that were theatres of First World War, on its 100th anniversary. Like a journey across time, Luca Campigotto's photographs offer a glimpse of natural mountain landscapes that have certainly changed yet remain perfectly recognizable. In these pictures, battle and encampment sites become the object of a contemporary work, of visual choices capable of balancing plays of light, shadow, colour and depth, and of exercising sophisticated control over the outcome of the shooting. Campigotto's pictures reveal not only physical traces, that nature has preserved for one hundred years, but even the emotions generated by painful human traces. Up at these peaks, the echo of the Great War still rings with its full intensity, bouncing off the countless tales of war, memories and episodes, the relics conserved in village museums.

Publisher: Silvana

Size: 340 x 280 mm 

152 pages, 80 in colour


Eyes Wide Open: 100 Years of Leica

Publisher's Description

A note in a workshop log proves that at the latest in March 1914, Oskar Barnack put the finishing touches on the first working model of a compact camera for 35 mm standard cinema film. He had not merely invented a new camera – the Leica (= Leitz/camera), not introduced until 1925 due to the war, in fact ushered in a paradigm shift in photography. The Leica made it easier for amateurs, newcomers, and emancipated women to take pictures, but, more than that, it also enabled a whole new way of seeing things – a faster, more dynamic view of the world from new angles. Just in time to mark a milestone birthday of the legendary compact camera, and for the first time in this thematic breadth, this volume with about 1.200 images offers a wide artistic and cultural history of the Leica from the 1920s to the present day.
Essays by international authors examine topics including the technical genesis of the Leica, its influence on photojournalism, and its significance for a wide variety of avant-garde currents in art photography. Heretofore unpublished documents from the archives of the Leica Camera AG round off this multifaceted 100-year cultural chronicle.

Photographs by: 
Michael Ackerman, Jane Evelyn Atwood, Ilse Bing, Edouard Boubat, René Burri, Robert Capa, Henri Cartier-Bresson, Mark Cohen, Bruce Davidson, Michel Vanden Eeckhoudt, William Eggleston, Richard Fleischhut, Robert Frank, Lee Friedlander, Alberto Garcia Alix, Gianni Berengo Gardin, Ralph Gibson, Bruce Gilden, René Groebli, George Grosz, Ara Güler, Elisabeth Hase, Fred Herzog, Frank Horvat, Thomas Hoepker, Barbara Klemm, William Klein, Robert Lebeck, Saul Leiter, Ulrich Mack, Ramón Masats, Susan Meiselas, Jeff Mermelstein, Joel Meyerowitz, Will McBride, László Moholy-Nagy, Victor Palla, Alexander Rodtschenko, Paolo Roversi, Erich Salomon, Jeanloup Sieff, Klavdij Sluban, Louis Stettner, Christer Strömholm, Sabine Weiss, Kai Wiedenhöfer, Tom Wood and many others 


Size: 270 x 320 mm

564 pages ca. 1200 color illustrations


Brown Sisters, Forty Years

Nicholas Nixon

Publisher's Description

In August 1974, the photographer Nicholas Nixon made a group portrait of his wife, Bebe, and her three sisters, Heather, Mimi, and Laurie. He did not keep the image, but in 1975 he made another portrait of the four—who then ranged in age from fifteen to twenty-five—with an eight-by-ten-inch view camera, whose large negatives capture a wealth of detail and a luscious continuity of tone. Nixon and the sisters have gathered for an annual portrait ever since.

Publisher: MoMA Publications

Size: 11.5 x 9.5"

96 pages



Heikki Kaski

Publisher's Description

Finnish photographer Heikki Kaski shot the images for this photobook in a small town called Tranquillity, located in Central Valley, California. Hot and dusty, with junk piled in empty lots and run-down buildings, it seems to be a typically quiet place in the middle of nowhere, resigned to its own character. Yet in the people Kaski portrays, one can sense an underlying tension. Their faces are rarely divulged – covered by hair, turned away or blasted in white light – so we are forced to read their bodies and postures, or to look for signs in the birds swirling overhead, the gnarled trees and dried grasses, the patient dogs. “Tranquillity” won the Unseen Amsterdam dummy award in 2013.

See here to browse a copy.

Publisher: Lecturis

Size: 190 x 260 mm

118 pages


Winslow Arizona

Stephen Shore

Publisher's Description

Winslow Arizona features a selection of images Stephen Shore presented in contemporary artist Doug Aitken’s project “Station to Station.” For the project, which Aitken calls a “nomadic happening,” he rented a train, which departed from New York and traveled to nine cities, including Minneapolis, through the southwest, and finally arriving San Francisco in a three-week journey. He invited artists, writers, filmmakers, and performers to participate, and staged a “happening,” which involved exhibitions and performances, at each stop. 

The images in Winslow Arizona, which Stephen Shore shot in a day while revisiting Winslow, Arizona, where he made his seminal work American Surfaces, are presented unedited, in the order that he shot them, making it an improvisational work

Browse a copy

Publisher: Amana

Size: 270 x 210 mm

132 pages


Koan (Signed)

Xiaoyi Chen

Publisher's Description

Chinese photographer Xiaoyi Chen uses the photogravure process to create extraordinarily beautiful prints on a variety of Japanese and other fine art papers. Chen's vision originates from immersion in Zen and Taoist philosophies: philosophies which, in contradiction to Western thought, emphasise the inadequacy of language and words, and the importance of intuition over reason and logic, to transform the self. In Zen Buddhism Koan is a story or riddle used to help in the attainment of a state of spontaneous reflection, free from planning and analytical thought.

The book's images, mostly landscapes, many taken in Iceland, often dissolve to abstraction. Chen's radiant images, in a complementary sequence and design, produce a photo book that provides an exhilarating visual experience.

Sample images

Publisher: PJB Editions

Size: 215 x 273 mm

72 pages, 40 photographs



Olaf Unverzart

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Serious Alpine photography began in the middle of the 19th century by photographers who lugged large plate cameras into inaccessible regions to produce some of the most spectacular images of their time. Nearly two hundred years later, Olaf Unverzart has photographed the Alps and given them a 21st century perspective. Disappearing glaciers, the steeply inclined asphalt roads of the Tour de France, machinery crushed by avalanches, or huge cement fortifications imbedded in rock and defying nature—Unverzart’s large-format images focus on the marks humankind leaves behind when attempting to master nature. He also documents nature’s own power—in the form of avalanches and mudflows—when it overcomes these misguided efforts. Much more than another collection of nature photographs, this volume is a powerful reminder of the ramifications of human intervention toward Earth’s most majestic features—a story told without ideology or didactics, through the eyes of a keen and hopeful observer.

Publisher: Prestel

Size:230 x 300 mm

192 pages90 colour illustrations


Perspectives on Place: Theory and Practice in Landscape Photography

J.A.P. Alexander

Publisher's Description

Creative Landscape Photography accessibly navigates the history of this rich and diverse genre and looks critically at how contemporary practitioners continue to find new and innovative ways of engaging with the landscape and their surroundings. Practical issues are addressed, such as effective composition and managing challenging lighting conditions. However, this book bridges theory and practice by demonstrating how particular visual approaches have been adopted by photographers and artists to facilitate the communication of ideas and themes, as well as more abstract concepts. 

Writer, educator and professional photographer Jesse Alexander provides an inspiring and challenging insight into the territory of contemporary landscape photography, which will help foundation level and undergraduate students to improve the visual qualities of their landscape images as well as develop their understanding of how to represent the landscape more meaningfully. 
This book is aimed for students as well as enthusiasts that have already acquired a basic understanding of camera controls and photographic materials, and who wish to explore the specific territory of landscape practice for the first time and who might wish to challenge themselves to create imagery with greater intellectual meaning. 
Fundamental practical elements will be addressed (exposure, depth-of-field etc.) although this will be within the context of landscape practice, and aimed at developing the reader's knowledge and refining technical ability to apply to their own photographic work with greater confidence. The book will be illustrated with up to 200 colour photographs that will serve as technical illustrations; as points to enlighten particular concepts and ideas; as examples of the diversity of the genre as explored by historic photographers, contemporary artists, commercial and documentary photographers; and as sources of creative inspiration. Some images will be drawn from relevant libraries and archives and introduce readers to the canon of the genre, and others will be acquired directly from contemporary practitioners, including a small selection of the author's work. 

Publisher: Bloomsbury

Size: 270 x 210 mm

192 pages, 200 illustrations



France (standard edition)

Michael Kenna

Overseas deliveries  Please note that, as this is an extremely heavy item, overseas postage will be charged at three times our standard rates.

SHIPPING OCTOBER 2014. Nazraeli Press is thrilled to announce Michael Kenna’s long-anticipated monograph on France. Kenna first visited France in 1973 and has been photographing there since the early 1980s. He has produced thousands of photographs on subjects such as Mont St Michel, Le Notre’s Gardens, the Calais Lace Factories and Chateau Lafite Rothschild. France encompasses work from these projects and many others. Comprising 275 duotone plates, this gorgeous new book was edited by the artist himself, who selected both well-known and previously unpublished material from his own archive. It coincides with an exhibition of his Paris studies at Le Musée Carnavalet opening October 2014. 

Casebound in burgundy-dyed silk cloth and housed in an elegant gold-stamped black slipcase, France is printed in duotone on matt art paper. The book opens with an introduction in French and English by renowned historian and curator Jean-Claude Lemagny.

Michael Kenna is widely considered to be the most influential landscape photographer of his generation. The subject of some 50 monographs, Kenna’s work is included in the permanent collections of over 100 museums and institutions worldwide, and has been widely exhibited and written about internationally since the mid-1970s. Michael Kenna was presented with the prestigious Chevalier of the Order of Arts and Letters by the French Ministry of Culture in 2000.

A selection of Kenna’s images of France

312 pages, 275 images, 12 by 13 inches

Nazraeli Press

River Winter, The SIGNED

Jem Southam


Publisher's Description

“Winters, like ice ages, are Janus faced, for after the freeze comes thaw and flood, as water is returned to life and movement. Freeze, thaw, flood: the great climatic cycles that created the topography of the northern hemisphere, and which continue to shape the idea of winter that lies deep in our cultural imagination.”
Richard Hamblyn

In November 2010, after a photographic lull of half a year, Jem Southam took a photograph which became the first in this series, The River  Winter and which spurred him to make one of the most concentrated bodies of work in his career. From late autumn through to the earliest signs of spring, along the banks of the river Exe in Devon, Southam chose locations and took photographs, returning at regular intervals. This pattern continued for the next five months with Southam documenting the subtle agencies of change transforming the landscape. By the end of January 2011 he realized this had become a new work, one that caught the effects of the Earth’s turn on film, one which followed the passage of a single winter.

The shift in seasons is presented through a sequence of ten by eight colour contact prints, with which an essay by Richard Hamblyn explores how, since the last ice-age, winter has embedded itself into our cultural psyche.

Jem Southam (b. 1950) is a key figure in British landscape photography, working across twenty-five years. His work is included in many important collections including Rijksmuseum, Museum Folkwang, and the Yale Centre for British Art. He has been the subject of numerous solo shows including Tate St. Ives in 2004 and The Victoria & Albert Museum in 2006.

Publisher: MACK Books

Size: 330 x 277 mm

96 pages, 40 colour plates

Songbook (Signed)

Alec Soth

Signed copies available April 2015

Publisher's Description

Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks.

With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united.


Sample images

Publisher: Mack Books

Size: 285 cm x 273 mm

144 pages, 75 tritone plates

2014 Michael Kenna Wall Calendar

Michael Kenna

Publisher's Description

Michael Kenna’s intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our eighteenth calendar featuring his work. The 2014 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using “Daido black” ink. It features thirteen photographs: Two Leaning Trees, Kussharo Lake, Hokkaido, Japan. 2013; Yuanyang, Study 1, Yunnan, China. 2013; Alley of Trees, Damyang, Jeollanamdo, South Korea. 2012; Skyline, Shanghai, Study 5, China. 2011; Bamboo and Tree, Qingkou Village, Yunnan, China. 2013; Three Posts and Island, Jangsan-do, Shinan, South Korea. 2013; Chateau Lafite, Study 5, Bordeaux, France. 2012; Sand Dune, Wooi-do, Shinan, South Korea. 2012; Baby Elephant, Phuket, Thailand. 2011; Moai, Study 50, Ahu Tongariki, Easter Island. 2001; Pont Neuf, Study 3, Paris, France. 2011; Sadakichi‘s Docks, Otaru, Hokkaido, Japan. 2012; and Snow Clad Trees, Heilongjiang, China. 2012.

Publisher: Nazraeli Press

Size: 14 x 18"

13 duotone plates

Michael Kenna Calendar 2015

Michael Kenna

Publisher's Description

Wire-O, 14 x 17 inches, 13 duotone plates.   

Michael Kenna's intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our nineteenth calendar featuring his work. The 2015 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using Daido black ink. It features thirteen photographs: Wanaka Lake Tree, Study 1, Otago, New Zealand. 2013;  Tree in Snowdrift, Wuchang, Heilongjiang, China. 2011; Milford Sound, Study 2, New Zealand. 2013; Yuanyang, Study 3, Yunnan, China. 2013; Thirty Six Birds, Isle of Skye, Scotland. 2005; Late Afternoon Rainbow, Tasmania, Australia. 2013; Seaweed Farms, Study 7, Xiapu, China. 2010; Sandjeika Beach, Odessa, Ukraine. 2013; Night Pagoda, Nindge, Fujian, China. 2010; Harvest Moon, Seattle, Washington, USA. 2013; Maple in Autumn, Kyoto, Honshu, Japan. 2001; Pont des Arts, Study 3, Paris, France. 1987; Snow on Pebbles, Toya Lake, Hokkaido, Japan. 2009.

Michael Kenna 2013 calendar

Michael Kenna

Please note this is the 2013 calendar.

Michael Kenna’s intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our seventeenth calendar featuring his work. The 2013 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using “Daido black” ink. The subject of this year's calendar is France: Homage to Atget, Parc de Sceaux, France. 1988; Intra Muros, St. Malo, France. 1993; Dawn Mist, Mont St. Michel, France. 1994; Fontaine du Palmiere, Study 2, Paris, France. 2007; Sunrise, St. Valery sur Somme, France. 2009; Printemps, Bargeme, France. 2011; Pebbles and Beach House, Cayeaux sur Mer, France. 2009; Tidal Pool and Posts, Berck Plage, France. 2003; La Trappa, Vielle Ville, Nice, France. 1996; Abbey Façade and Star Trails, Hautvillers, France. 2001; Night Shadows, Saint Malo, France. 2000; Ciel d’Orage, Bargème, France. 1996; In-Between, Courances, France. 1997.

Silent Landscape SIGNED

Jan Tove

We have signed copies of the first printing only.  A decision has yet to be made on a second printing. Remaining copies have slight imperfections on the cover or in the printing.  We will send you the best copy we have.

Jan Tove's first published work for several years, Silent Landscape represents a significant maturation in his vision.  If, in Riverside, the relatively traditional nature photography of Beyond Order coexisted with work influenced by contemporary American landscape photographers, here they are successfully integrated.  Photographs mostly from Sweden but also from Norway, Denmark and Scotland.  See here for all the spreads from the book.

Period of Juvenile Prosperity, A

Mike Brodie

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

But I needed to find out for myself. Two weeks later I was gone, witnessing my new world wizz by, especially at dusk, then darkness as I watched the sum of all the city lights cast my silhouette across the pine trees of the Florida panhandle. This was it, I was riding my very first freight train. And soon, what would begin as mere natural curiosity and self-discovery would evolve into a casting call of sorts, taking photographs of my newfound friends.
Mike Brodie

For sample images, see Mike Brodie's website

Publisher: Twin Palms

2nd printing

Size: 11 x 13 Inches

104 Pages, 60 Four-colour Plates

Silent Respiration of Forests

Takeshi Shikama

Signed Copies

Publisher's Description
'The depth of the forest was filled with an uncanny air For something seemed to be lurking there.'

This series of photographs is an expression of my search for the soul of the deep forests.

One day in early autumn in 2001, just as twilight was setting in, I had lost track of the mountain paths. I happened to wander into a shady forest, where I found myself suddenly seized with a strong desire to take photographs. The following day, I set out once again, carrying my camera with me this time, and searched for the same forest. This experience made me realize that I was not taking photographs of the forest out of my own will, but that the forest was inducing me to take its photographs.

Looking back in retrospect, I have a feeling that this might have all begun with my decision to build a mountain lodge with my own hands. In order to clear a plot of land for constructing a lodge inside a small forest, I had to fell Japanese red pine trees some eighty years old. Although many years have elapsed since then, I still vividly remember the sensation I had as I sat astride the felled down trees, stripping them of their barks. The trees collapsed onto the ground with a huge thud, making my entire body tremble; I looked up and remained motionless for a while, totally overwhelmed by the vastness of the sky. Almost as if stained by the blood rushing from another person's wound, I was covered with splashes of tree sap spurting from the edge of the blade of my hatchet. This made me acutely aware of the living energy of the trees, and I immediately decided to make the most of this power in the lodge I was about to build.

It took me some ten years to finish constructing the lodge. Thirty-six Japanese red pine trees growing in that forest were used for the ground sills, the central pillar and the beams. This probably explains why it is so very cozy and comfortable inside my mountain lodge. While continuously handling wood for building my lodge, I believe that I have come to feel things I could neither see nor hear before. And it could well be that, lured by this strange power, I started to travel all over Japan visiting the depth of forests.

The Silent Respiration of Forests is a collection of photographs which I was able to take, inspired by this power of the forest.

Takeshi Shikama

Publisher: TOSEI-SHA Publishing Co
Size: 270 x 380 mm
64 pages

Publisher's Price: £ 50.00


Michael Kenna

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Shinan, an archipelago of 1,004 exquisite and unspoiled islands situated in the South West of Korea, is also known as “The Island of Angels”. Michael Kenna photographed there over a period of two years. The resulting monograph, “Shinan”, is comprised of sixty-two black and white images in which the artist emphasizes suggestion rather than description; sparce and graphic elements evoke a whole world. Elegantly printed with our special Daido black ink and tinted spot varnish on Japanese matte art paper, this first printing of Shinan is limited to 3,000 slipcased copies. A special edition of 250 signed and numbered copies, presented in a custom clamshell box, is also available. “Breathtakingly beautiful” – it sounds like a cliché, but the phrase encapsulates the feeling that echoed in my mind the moment I saw Michael Kenna’s work... It is as if Mother Nature is trying to show off her creation through the medium of these images. – Lee Chuyoung, Curator of National Museum of Contemporary Art, Korea.

Watch a video of Kenna working in Shinan.

Browse Kenna Shinan image archive.  The images are not guaranteed to be the same as the contents of the book.

All copies of the limited edition have been sold.

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