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Latest Newsletter- 20 June 2017

Our latest newsletter has information about new and forthcoming titles from Michael Kenna, Alec Soth, Paul Graham, Mandy Barker, Toshio Shibata, Bruce Barnbaum and more.

Featured

Scrapbooks from 1969 to 1985

Walter Pfeiffer

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Walter Pfeiffer’s Scrapbooks from 1969 to 1985 are a very unique Wunderkammer. Pfeiffer’s polaroids and photographs alternate with miscellaneous objects – newspaper clippings, postcards, packaging, tickets – and brief punning notes. Pfeiffer assembles all of this into a large collage full of surprising references and comparisons that is both a visual diary and creative foundation of his artistic work. In his Scrapbooks, Pfeiffer’s keen view of Eros, Zeitgeist and popular culture, his disrespectful humor as well as his appreciation for the poetry in the mundane and banal, are sharply revealed. They offer a view into Pfeiffer’s meandering and playful universe and are a contemporary document that captures the Zeitgeist of the 1970s and 1980s with ephemeral elegance.

Publisher: Edition Patrick Frey

Size:323 x 252 mm

460 pages

978-3-905929-25-6

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Thirty-six Views of Mount Fuji


Raoul Ries

Publisher's Description

Mount Fuji is widely considered a majestic mountain—lauded, interpreted, surmounted. In the early nineteenth century, Katsushika Hokusai honored it with thirty-six woodcuts. Working according to Japanese tradition, he used symbols representing the seasons and depicted people engaged in activities alluding to the future. The genre is known as Ukiyo-e and the images describe a world in flux, in terms of both space and time. Inspired by this artistic concept, the Luxembourgian artist Raoul Ries circumnavigated Fuji with his camera, capturing realistic moments. The mighty mountain always bursts into the frame, like a leitmotif: sometimes sublime, sometimes hidden, as if playing a game with the viewer. At the end of the journey, not only have readers become familiar with Fuji’s various angles of view, but they’ve also been given a good look at Japanese society, its connection with nature and its everyday life. In short, what we find here is landscape photography with an idea and wit.
Exhibition: Galerie Clairefontaine, Luxembourg, 27.4.–27.5.2017

Publisher: Hatje Cantz

Size: 285 x 249 mm

80 pages, 37 illustrations

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A World Within

Idris Khan

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

If time were condensed into a single moment, the world might look like one of Idris Khan’s works of art. Born in Birmingham in 1978, the artist, who’s currently rising rapidly in the art world, works with photographs, sculptures, installations, paintings, and film. He always layers various media—for example, every page of the Quran, the scores for every Beethoven sonata, or every JMW Turner postcard from the Tate Britain—in a way that condenses the colors and shapes so much that they become abstract. The British newspaper The Guardian describes Khan’s works as “experiments in compressed memories.” The catalogue from The New Art Gallery Walsall illustrates the whole palette of Khan’s art and shows the meditative, yet monumental character of his work.


Ed. The New Art Gallery Walsall, text(s) by Oliver Basciano, Idris Khan, Thomas Marks, Deborah Robinson, Stephen Snoddy, graphic design by Herman Lelie

Publisher: Hatje Cantz

Size: 250 x 290 mm

304 pages, 134 illustrations

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Wolfgang Tillmans

Wolfgang Tillmans

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

In his creative artistic work, Wolfgang Tillmans revolutionized the medium of photography in an unprecedented way and opened it up towards other media. Beginning in the early nineties, Tillmans documented the people and situations in his immediate surroundings in scenes from London, New York, or Berlin, creating the portrait of a new generation in a style-defining manner. Since the late nineties he has been creating a greater number of cameraless, abstract images that develop from his direct work with and on photographic paper, some of which acquire a sculptural, object-like character. He has also been developing innovative, anti-hierarchical installations of his photographs in space in exhibition contexts. This catalogue is published on the occasion of an extensive exhibition of Tillmans’s oeuvre at the Fondation Beyeler in Basel and arranges and groups his works in a fresh way.

Publisher: Hatje Cantz

Size: 245 x 305 mm

304 pages, 383 illustrations


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Tokyo Is Yours

Meg Hewitt

Publisher's Description

The culmination of a two year project inspired by manga, surrealism and film noir and set in Japan post the Great East Earthquake of 2011

Initially fascinated by the apparent inability to evacuate Tokyo in the case of a major disaster, I wanted to explore what it is like to live there.

I was confronted by a culture that still surprises me in both its traditions, and in its innovations and how they co-exist in this inescapable bubble.

I strive to use a visual narrative to question our relationship with the world and with each other regardless of origin. To focus on connection and the strong visceral relationships equally found with people, places, animals and objects.

It is a quest to explore the layers between things, memories, human connection, fear and escapism through the fantasy and metaphor I find in reality.

Publisher: Narayana Press

Size: 170 x 245 mm

104 pages

All books are hand numbered and signed in an edition of 800

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Halo

Rinko Kawauchi

Publisher's Dsecription

In recent years, Rinko Kawauchi’s exploration of the cadences of the everyday has begun to swing farther afield from her earlier photographs focusing on tender details of day-to-day living. In her series and resulting book Ametsuchi (2013), she concentrated mainly on the volcanic landscape of Japan’s Mount Aso, using a historic site of Shinto rituals as an anchor for a larger exploration of spirituality. In Halo, Kawauchi expands this inquiry, this time grounding the project with photographs of the southern coastal region of Izumo, in Shimane Prefecture, interweaving them with images from New Year celebrations in Hebei province, China—a five-hundred-year-old tradition in which molten iron is hurled in lieu of fireworks—and her ongoing fascination with the murmuration of birds along the coast of Brighton, England. Cycles of time, implicit and subliminal patterns of nature and human ritual, are mesmerizingly knit together in these pages.

Contemporary Japanese photography has not often been concerned with the natural landscape; the seemingly ever-expanding cityscape of Tokyo was more of a preoccupation up until 2011, a moment when the presumed order of things—natural, civic, and otherwise—was upended by the combined disasters of tsunami, earthquake, and human miscalculation. Kawauchi’s most recent work is not a commentary on natural disaster and unnatural

Publisher: Aperture

Size: 8 ⅝ x 13 ³⁄₈"

80 pages, 45 four-color images

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Blind Spot

Teju Cole

Publisher's Description

In this innovative synthesis of words and images, the award-winning author of Open City and photography critic for The New York Times Magazine combines two of his great passions.



One of Time’s Best Non-Fiction Books of 2017 So Far



When it comes to Teju Cole, the unexpected is not unfamiliar: He’s an acclaimed novelist, an influential essayist, and an internationally exhibited photographer. In Blind Spot, readers follow Cole’s inimitable artistic vision into the visual realm as he continues to refine the voice, eye, and intellectual obsessions that earned him such acclaim for Open City.



Here, journey through more than 150 of Cole’s full-color original photos, each accompanied by his lyrical and evocative prose, forming a multimedia diary of years of near-constant travel: from a park in Berlin to a mountain range in Switzerland, a church exterior in Lagos to a parking lot in Brooklyn; landscapes and interiors, beautiful or quotidian, that inspire Cole’s memories, fantasies, and introspections. Ships in Capri remind him of the work of writers from Homer to Edna O’Brien; a hotel room in Wannsee brings back a disturbing dream about a friend’s death; a home in Tivoli evokes a transformative period of semi-blindness, after which “the photography changed. . . . The looking changed.”



As exquisitely wrought as the work of Anne Carson or Chris Marker, Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature.



Publisher:Random House

Size: 6-1/4 x 8-3/4"

352 pages

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Henri Cartier-Bresson: Interviews and Conversations,1951–1998

Henri Cartier-Bresson

Publisher's Description

Presented for the first time in English, this volume brings together twelve notable interviews and conversations with Henri Cartier-Bresson carried out between 1951 and 1998. While many of us are acquainted with his images, there are so few texts available by Cartier-Bresson on his photographic process. These verbal, primary accounts capture the spirit of the master photographer and serve as a lasting document of his life and work, which has inspired generations of photographers and artists.
Here, Cartier-Bresson speaks passionately, with metaphors and similes, about the world and photography. A man of principles shaped by the evolving eras of the twentieth century, his major influences included Surrealism, European politics of the 1930s and ’40s, the Second World War, and his experiences with Magnum as cofounder and reporter. This book illuminates his thoughts, personality, and reflections on a seminal career.
In his own words: “[Photography] is a way of questioning the world and questioning yourself at the same time. . . . It entails a discipline. For me, freedom is a basic frame of reference, and inside that frame are all the possible variations. Everything, everything, everything. But it is within a frame. The important thing is the sense of limit. And visually, it is the sense of form. Form is important. The structure of things. The space.”

Interviews with Daniel Masclet, Richard L. Simon,Byron Dobell, Yvonne Baby, Sheila Turner-Seed, Yves Bourde, Alain Desvergnes, Gilles A. Tiberghien, Gilles Mora, Philippe Boegner, and Pierre Assouline

Publisher: Aperture

Size: 4 ³⁄₄ x 7 ¹⁄₄ "

128 pages

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Seaworks 1998-2013 (Luxury Edition)

Pail Kenny

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Paul has for many years made studio works using material gathered from the landscape, stones, shells, and driftwood. In common with many people, always taking home treasures from the sea. For him, they act as an aide – memoir, bringing the landscape into the studio, a mere glimpse or touch recalling the feelings of being alone, being remote. Over many years Paul has been developing this project, this body of work, for the first time a full account of this ever developing art is being published in book form, Paul calls them Seaworks.

‘The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object.’
 Paul Kenny


30 available with two Jack Lowe printed A3 print of #80 edition & #30 edition – book and both prints embossed and signed. In limited edition slipcase.

Publisher: Triplekite

Size 270 x 345 mm

160 pages

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Seaworks 1998-2013 (Special Edition)

Paul Kenny

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Paul has for many years made studio works using material gathered from the landscape, stones, shells, and driftwood. In common with many people, always taking home treasures from the sea. For him, they act as an aide – memoir, bringing the landscape into the studio, a mere glimpse or touch recalling the feelings of being alone, being remote. Over many years Paul has been developing this project, this body of work, for the first time a full account of this ever developing art is being published in book form, Paul calls them Seaworks.

‘The work, building on themes developed over thirty-five years, tries to find the awe-inspiring in that which is easily passed by. It contains issues of fragility, beauty and transience in the landscape: marks and scars left by man and the potential threat to the few remaining areas of wilderness. Looking at the micro and thinking about the macro, I aim for each print to be a beautiful, irresistible, thought provoking object.’
 Paul Kenny


50 available with Jack Lowe printed A3 print of #80 edition – book and print embossed and signed. In limited edition slipcase.

Publisher: Triplekite

Size 270 x 345 mm

160 pages

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Beyond Drifting (Signed)

Mandy Barker

Publisher's Description

Beyond Drifting: Imperfectly Known Animals encapsulates in miniature the much larger environmental problems of an imperfect world. This work presents a unique collection of plankton specimens related to the pioneering discoveries made by naturalist JV Thompson in Cork Harbour during the 1800s. These recently found specimens are deceptive, however, and mysteriously conceal their true origin.

Plankton form a diverse group of microscopic marine organisms that are unable to swim against powerful ocean currents; they exist in a drifting, floating state, enveloped in the black deep.

As fragile as they are, current scientific research shows that plankton ingest microplastic particles, mistaking them for food. Plankton are a crucial source of food for larger creatures up the food chain – compounding the grave impact of plastics on marine life and, ultimately, humans. Plastic debris is now ubiquitous in the Anthropocene, the period since humanity has had a significant impact on our global environment, and today nearly all living creatures are affected by its widespread contamination.

The plankton specimens in this work are beautifully photographed objects of marine plastic debris, recovered from the same location as naturalist John Vaughan Thompson’s plankton samples from 200 years ago. Long-exposure photographs record movements of recovered plastic objects floating in a black void, captured on expired film and with faulty cameras. Film grain is intentionally visible, alluding to microplastic particles being ingested. Each specimen has a new scientific name reflecting early Latin origins and containing the word ‘plastic’ hidden within its title.

Designed by Mandy Barker + Tiffany Jones

TRADE EDITION Hardcover, 104 pages, 23 x 17.5 cm portrait
Section-sewn binding with book ribbon; interior tip-in; dust jacket; hand finishes
59 colour photographs + illustrations throughout
Published 1 May 2017 

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Abruzzo (Limited Signed and Numbered Edition)

Michael Kenna

Publisher's Description

Signed and numbered edition of 100 copies, presented in a custom clamshell box.

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. 

In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. As Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de Pompeis writes in the book’s introduction,  “Abruzzo’s heritage, together with its impressive natural scenery, brings to mind romantic connotations that have historically attracted many international landscape artists, particularly in the 19th century. Michael Kenna fits perfectly into this rich historical vein of celebrated landscape artists who have worked in Abruzzo. Kenna’s work often evokes the influences of Romanticism. In his photographs of historic rural landscapes, for example, there is an air of melancholy, which accompanies memories from the past. His images of ruins stir up feelings of passing time, of the constantly evolving  ties between history and nature.” 

Sample images

Publisher: Nazraeli Press

Size: 320 x 300mm

80 pages, 65 duotone plates

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Stephen Shore: Selected Works, 1973–1981

Stephen Shore

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Stephen Shore’s Uncommon Places is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore’s unique vision of America as transmuted in this totemic series.
 
Texts and image selections by Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Lê, Michael Lesy, Hans Ulrich Obrist, Richard Prince, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, Lynne Tillman

Publisher: Aperture

Size: 12 x 15"

272 pages, 150 four-color images

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a shimmer of possibility (Installment payment)

Paul Graham

The new Mack edition is published in November 2017. The publisher's price is £300. We are offering it at £270. In order to make purchase more feasible for our customers, we are offering the option of payment by instalments of £45 each. (You are welcome to purchase more than one instalment at a time if you prefer.) We will keep a record of the payments you have made and send you a monthly reminders of what you still need to pay. Our system automatically adds an amount for postage - this can be deducted from your final payment.

Publisher's Description

Paul Graham’s a shimmer of possibility is regarded as one of the defining photography books of the 21st century. Awarded the Paris Photo-Aperture Prize for the most significant photobook published in the past 15 years, the original 12 volume set sold out in 10 weeks, and has been out of print since.

Re-published on the occasion of its 10th anniversary, shimmer comprises of 12 individual books, each volume a photographic short story of everyday life in today’s America. Modest sequences of images, such as a man smoking a cigarette while waiting for a bus in Las Vegas, or a woman collecting her mail from a mailbox in leafy New England, reflect the poetic ebb and flow of life. Now and then, the quiet narrative slides unexpectedly into the sublime: as a man mows a large green expanse, the sunlight breaks through clouds to illuminate a curtain of glowing raindrops. These filmic haikus avoid the forceful summation we usually find in photography, shunning a tidy packaging of the world into perfect images, to speak instead about the unexamined depths of quotidian life.

Whilst the 12 books are all an identical size, they vary in length from just a single photograph to 60 pages of images made at one street intersection. The radical form of this multi volume publication embraces the unique nature of Graham’s work, giving the flow of life precedence over conclusiveness, where nothing much happens, but nothing is foreclosed either, where everything shimmers with possibility.

Publisher: Mack Books

Size: 242 x 318 mm

376 pages, 167 colour plates

Publication date: November 2017

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Japanscapes

Toshio Shibata

Publisher's Description

Toshio Shibata was born in Japan in 1949. He later studied at the University of Arts in Tokyo and the Royal Academy of Fine arts in Gent, Belgium. He returned to Japan in 1980. Shibata’s work is included in the permanent collections of museums around the world, including The Museum of Modern Art, New York and the Victoria and Albert Museum.

Publisher: The Velvet Cell

Size: 200 x 250 mm

64 pages, Four Colour Offset

Limited Edition of 500

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A Guide to Infrastructure & Corruption

Alejandro Cartagena

Publisher's Description

"The super highways, overpasses, and large expressways will explain the extinction of the society that traveled by car towards progress."

Publisher: Velvet Cell

Size: 140 x 210 mm

192 pages, Four Colour Offset

Limited Edition of 500,

Text: Ximena Peredo

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Hotel Okinawa

Greg Girard

Publisher's Description

Okinawa is home to a large number of US military bases. Some huge, some not so huge. Half of the 50,000 US troops stationed in Japan are based in Okinawa, and it’s a small island so the impact of the bases registers more than in other places that host the US military. About 20% of the land is occupied by these bases.

Long after mainland Japan was returned to Japanese administration in the years following the end of WWII, Okinawa remained under US control, and was only returned to Japan in 1972. Given the large number of bases that remain there today, and the legacy of those years as an American-run territory, the social and physical landscape is shaped by this relationship with the bases, and the US, like nowhere else.

Greg Girard is a Canadian photographer whose work has examined the social and physical transformations in Asia’s largest cities for more than three decades.

Publisher: Velvet Cell

Size: 210 x 250 mm

192 pages, Four Colour Offset

Limited Edition of 500
978-1-908889-41-6

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Blind Date

Lieko Shiga

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

It was the summer of 2009 in Bangkok, Thailand, that Shiga photographed couples on motorbikes.

In this city Shiga exchanged glances with hundreds and thousands of people on the back seat of motorbikes. The camera seemed to be the ideal tool for getting closer to that strange feeling of receiving glances without physically connecting with them.

She continued for a week and managed to photograph around 100 couples.

Continuing to exchange glances with unknown strangers had an effect on her and she felt as though she was rediscovering the sense of wildness that resided in the depths of her heart. It was a rich experience, as if she was touching something very sensual.

How much does the eye control us?

"I was told that I cannot see.
Does the reason for this relate to a previous life that I can no longer recall?
I wanted to know the truth, so I attended university and learned about many religions around the world.
Many, many things were said about life and death, but I felt uncomfortable about all of them.
They didn’t quite match how I am."

from the text Blind Date

Born in 1980, Aichi prefecture of Japan. Since 2008, Shiga moved to Miyagi in 2008, and has been working there.  Blind Date is the first book since Shiga’s legendary  Rasen Kaigan album (2013, Akaaka) was published.

Publisher: T&M Projects,

Size: 364 x 257 mm

100 pages

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Abruzzo

Michael Kenna

Publisher's Description

In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de Pompeis writes in the book’s introduction, “Abruzzo’s heritage, together with its impressive natural scenery, brings to mind romantic connotations that have historically attracted many international landscape artists, particularly in the 19th century. Michael Kenna fits perfectly into this rich historical vein of celebrated landscape artists who have worked in Abruzzo. Kenna’s work often evokes the influences of Romanticism. In his photographs of historic rural landscapes, for example, there is an air of melancholy, which accompanies memories from the past. His images of ruins stir up feelings of passing time, of the constantly evolving  ties between history and nature.”

This gorgeous new monograph by renowned landscape photographer Michael Kenna is published to coincide with a major museum exhibition opening in July, 2017 in Loreto Aprutino, Italy. Richly printed in duotone on matt art paper, and presented in an olive-green cloth slipcase, “Abruzzo” presents 65 images from the series, published here for the first time. “Abruzzo” opens with a bilingual essay by curator Vincenzo de Pompeis. This first printing is limited to 2,500 copies.

Sample images

Publisher: Nazraeli Press

Size: 320 x 300mm

80 pages, 65 duotone plates

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Indian Bingo (One Picture Book #53)

Joe Deal

Publisher's Description

In 1983, as the inland basin of southern California was being subdivided by developers and filled in with new waves of residents, a sign at its outskirts appeared that was unusual both in meaning and appearance. The sign, “Indian Bingo,” came into view as you emerged from the basin traveling east through the San Gorgonio Pass into the Coachella Valley headed for Palm Springs. .

Publisher: Nazraeli Press

Size: 5 1/2 x 7 1/4"

16 pages, 4 duotone plates, 1 original print

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Bestsellers

Ravens

Masahisa Fukase

In stock - new edition from Mack of this photobook classic (publication May 2017).

Masahisa Fukase’s Ravens (sometimes The Solitude of Ravens) was voted the best book of the last 25 years by the BJP’s panel of experts in 2010. As the last edition was published in 2008 and went quickly out of print, many photobook enthusiasts will not have seen a copy. Mack are publishing a bilingual facsimile of the first hardback edition, accompanied by a booklet positioning it in the history of Japanese photography and Fukase’s work. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan. As they were made in the immediate aftermath of Fukase’s separation from his wife, who had been a central subject of his earlier photography, they can also be seen as foreshadowing his subsequent emotional and metal decline.

Sample images

Publisher's Description

Consistently proclaimed as one of the most important photobooks in the history of the medium, Solitude of Ravens by Japanese photographer Masahisa Fukase was first published in 1984 and the two subsequent editions have both been short runs and have sold out immediately. This bilingual facsimile of the first hardback edition is accompanied by a booklet positioning the body of work in the history of Japanese photography and Fukase’s oeuvre. 

Fukase’s haunting series of work was made between 1975 and 1982 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan. 

Masahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. Fukase became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Shinsha Publishers. His major books include Yugi [Homo Ludence] (Chuokoronsha, 1971); Yoko (Asahi Sonorama, 1978), and Karasu [Ravens] (Sokyusha, 1986). Countless solo exhibitions have been dedicated to Fukase’s work, and his photographs have been included in group exhibitions at the MoMA, NY; Oxford Museum of Art; Fondation Cartier pour l’Art Contemporain, Paris; V&A, London. Fukase also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.

Sample images

136 pages
80 black & white plates
26.3 cm x 26.3 cm

Publication date: May 2017



Sleeping by the Mississippi

Alec Soth

Publishing September 2017 – available to pre-order

Publisher's Description

Evolving from a series of road trips along the Mississippi River, Alec Soth’s Sleeping by the Mississippi captures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format color photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, Sleeping by the Mississippi elicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’

Like Robert Frank’s classic The Americans, Sleeping by the Mississippi merges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust.

This book is one of the defining publications in the photo-book era.

Publisher:Mack

Size: 280 x 275 mm

120 pages, 46 colour plates

Publication date: September 2017

Abruzzo

Michael Kenna

Publisher's Description

In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de Pompeis writes in the book’s introduction, “Abruzzo’s heritage, together with its impressive natural scenery, brings to mind romantic connotations that have historically attracted many international landscape artists, particularly in the 19th century. Michael Kenna fits perfectly into this rich historical vein of celebrated landscape artists who have worked in Abruzzo. Kenna’s work often evokes the influences of Romanticism. In his photographs of historic rural landscapes, for example, there is an air of melancholy, which accompanies memories from the past. His images of ruins stir up feelings of passing time, of the constantly evolving  ties between history and nature.”

This gorgeous new monograph by renowned landscape photographer Michael Kenna is published to coincide with a major museum exhibition opening in July, 2017 in Loreto Aprutino, Italy. Richly printed in duotone on matt art paper, and presented in an olive-green cloth slipcase, “Abruzzo” presents 65 images from the series, published here for the first time. “Abruzzo” opens with a bilingual essay by curator Vincenzo de Pompeis. This first printing is limited to 2,500 copies.

Sample images

Publisher: Nazraeli Press

Size: 320 x 300mm

80 pages, 65 duotone plates

Think of Scotland (Signed)

Martin Parr

Publishing Sept 2017 - taking advance orders

Publisher's Description

For over 25 years Martin Parr has been taking photographs in Scotland. From the streets of Glasgow, to an island agricultural show in Orkney, Parr has built a huge archive of photographs. Now for the first time these images are to be published in this upcoming book to co-incide with his Think of Scotland exhibition at the newly opened Aberdeen Art Gallery. This body of work is Parr’s largest archive that has remained unpublished and weaves together some of the expected visual iconography of Scotland such as highland games and stunning landscapes, but all given the Parr twist that makes the expected look so unfamiliar.

Publisher: Damiani

Stones and Marks

Peter Elliston

Back in stock, April 2017

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

Australian physicist and photographer, Peter Elliston, packed his cumbersome 8×10-inch view camera and travelled over many years to eighteen countries on four continents seeking out and photographing petroglyphs and pictographs, standing stones, monuments, and ancient ruins. Each photograph in this beautiful oversized book is accompanied by commentary by Elliston on the historical importance of each of the sites, or by accounts by the nineteenth century archaeologists and explorers who first discovered many of these places. The combination of photographs and writing provide an extremely rich experience.

An enduring curiosity about our past has led Peter Elliston to locate, research, decode, and record the historically significant visual and textual information found in Stones and Marks. In this book, Elliston’s exquisite photographs are powerfully combined with his scholarly writing. His sharp-focused photographs, made with an 8 x 10-inch view camera, convey valuable descriptive information while revealing great beauty. His research and writing enhance our knowledge about the sites by drawing on the sketches and writings that early explorers and modern archaeologists created in the same locations, and by providing translations of ancient inscriptions, with information about who made them and when. Perhaps most important, the remnants of the ancient monuments link us to our past and offer profound connections. In Stones and Marks, we learn about our ancestors—and, ultimately, about ourselves as their successors.

The photographs in Stones and Marks have been reproduced to the highest possible standards: incomparable 600-line screen quadtone printed on heavy coated stock with specially modified inks on a unique, custom-designed Heidelberg press. A sturdy French-fold dust jacket complements and protects the book.

Publisher: Lodima Press

Size: 13″ x 11″

172 pages, 77 reproductions

Photobook Phenomenon

Publisher's Description

Photobooks have become increasingly popular in recent years and occupy a central place in contemporary photography. Nowadays, more photobooks are produced, bought and sold, swapped and collected than ever before. Independent publishing

and the self-publishing of books and fanzines have become a phenomenon that has had a considerable impact on both the publishing industry and the art world, and there is an evident return to the printed object, even though we are at the height of the digital era. Many artists have found this format to be not only a good tool for showing their work, but also the perfect place for experimentation and creativity. In addition, there is a growing interest in reinterpreting the history of photography through the role of the photobook and printed photographs.

1. Photobook Phenomenon - Moritz Neumuller and Lesley A.Martin

2. Reading New York. A PhotoBookStudy on William Klein's “Life is Good & Good for You in New York” - Marcus Schaden and Frederic Lezmi

3. The Collector’s Vision - Martin Parr’s Best Photobooks

4. The Library Is The Museum - Horacio Fernandez

5. Five Aspects of Japanese Photobooks - Ryuichi Kaneko

6. Propaganda books versus protest books - Gerry Badger

7. Fascinations and Failures - Erik Kessels

8. Contemporary Practices - Irene de Mendoza and  Moritz Neumuller

Publication date: 2017
Pages: 112
Dimensions: 24 × 30 cm.
Edition: CCCB, Fundació Foto Colectania, RM Editores

 

Pictures From Home

Larry Sultan

Larry Sultan was responsible for two very influential photographic books. The first, Evidence, was created in collaboration with Mike Mandel. The second, Pictures from Home, was published in 1992 and there have been no more editions since then. Mack’s new edition offers a new edit and includes previously unpublished images. It is built around images created in a series of visits to his parents’ home in the 1980s but these are combined with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. It has been especially influential in its melding of documentary and staged elements.

Sample image

Publisher's Description

First published in 1992 to wide critical acclaim, Pictures From Home is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence he presents moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly porous.

“What drives me to continue this work is difficult to name,” wrote Sultan. “It has more to do with love than with sociology. With being a subject in the drama rather than a witness. And in the odd and jumbled process of working, everything shifts: the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows.”

This new edition – the first released since 1992 – offers a new edit of Sultan’s work and includes previously unpublished images.

Publisher: Mack Books

Size: 230 x 270 mm

196 pages, 140 colour plates

Sverige signed

Gerry Johansson

Photographs from Sweden between 1988 and 2005

Publisher: Johansson & Jansson

Size: 240 x 170 mm

320 pages, 176 photographs

Tokyo (Signed)

Gerry Johansson

Publisher's Description

“In the stately ways of our shining capital the dwellings of high and low raise their roofs in rivalry as in the beginning… how often does the mansion of one age turn into the cottages of the next.” 
Kamo no Chomei

Tokyo is a visual journey through a city at once futuristic and obsolete, its visionary design worn out – like that of a past era. Johanasson uses photography to index the city, finding form and pragmatic order through accumulation and sequence, revealing the city's hidden, modular logic: lego-like segments, a basic square unit repeated indefinitely and in various sizes. These images are unpeopled, showing only the architecture of the city, a container of 13 million people, organised around mass movement and the funnelling of human traffic. Between the concrete, glass and steel, the occasional green life sprouts – miniature gardens in the narrow alleyways, or a cluster of flower pots lining the sidewalk. The architecture creates its own topography, and the city is glimpsed as the last outpost of a fading, mechanised world

Sample images

Publisher: only photography

Size: 
240 x 300 mm

160 pages, 
101 black & white plates

Fragile

Valda Bailey

Publisher's Description

‘The work in this book is an attempt to reconcile some of the conflicting aspects that are of interest to me in the landscape. The images here are an investigation into how the most fragile elements seem to have their very existence challenged and their vulnerability magnified when set against the strength and solidity of their surroundings’.

Valda Bailey is a freelance photographer living in Sussex who first became passionate about photography when she was 14. Her approach to photography is greatly informed by her background in painting and her influences come as much from artists as photographers. She is largely motivated by colour and form and the tension and dynamism that these components can bring to an image.

Her objectives are to portray an interpretation of a scene rather than a literal representation. She makes her images using camera movement and multiple exposure – two techniques which help to create abstract shapes and blur extraneous detail.

She has spent time in New York under the expert tutelage of noted street photographer, Jay Maisel and has been greatly influenced by his teaching about light, colour and gesture.

Her work has been featured in broadsheet newspapers, national and international publications and she has recently been invited to teach for Light & Land Photographic Workshops run by Charlie Waite. She has exhibited most recently in London and last summer was the first woman to be invited to join six other photographers to exhibit at the biennial Masters of Vision in Southwell.

She has images in private collections worldwide and her work has been purchased by notable members of the art and photographic community.

Publisher: Triplekite

Size: 240 x 240 mm

48 pages, 25 plates

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