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Latest Newsletter- 23 May 2016

Our latest newsletter, out today, has new and forthcoming titles from Eamonn Doyle, Paul Hart, Ken Grant, John Gossage, Eikoh Hosoe, Yamamoto Masao, Munemasa Takahashi, Stephen Shore and more.

Featured

Truncated

Paul Hart

Publisher's Description

The forest interior is more architecture than landscape. Amongst the trees, your concept of time is changed. As you move deeper inside, and the outside world disappears, the wind is calmed and noise filtered, temperature is altered, and light is bounced and subdued. Some trees stand like sentinels, others are stolid in ranks, an army of trees appearing out of the dark. This apparent sanctuary of stillness can strangely transform.

It is its own world. Stepping into the forest is always like stepping into the unknown, with the semi-dark concealing much, revealing a little. A place sometimes mysterious, sometimes secretive, but always seductive and always dark.

A prize winner at the 2008 Prix de la Photographie Paris, Paul Hart is fast becoming one of the UK’s leading landscape photographers. His work is used by Ilford-Photo to promote their black and white paper range worldwide.

Born in the UK in 1961, Hart worked for six years in advertising photography, travelling throughout Europe and the USA, before embarking on a freelance career focusing more on the natural world. His images have been used internationally for advertising, publishing and editorial. Since 2000 Hart has concentrated solely on personal projects. Truncated is his first book.

Sample images

Foreword by Gerry Badger

Hardback, 72 pages
34 duotone photos, 295mm x 295mm

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End. (Signed)

Eamonn Doyle

Publisher's Description

Created as both installation and publication, End. is a collaborative work by Eamonn Doyle, Niall Sweeney and David Donohoe. Built around the photographs of Doyle, it also features drawing and sound by Sweeney and Donohoe. End. gives equal significance to the city and its population, their combined forces continuously shaping each other. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the autonomy of their city, while the streets themselves become a kind of sculptural civic mental State. Dublin, its light and its people, carry out dance-like actions, swapping roles in a series of short plays. End. unfolds as a sequence of events — loops of time and place — revealing a city whose concrete is as plastic as the movement of its inhabitants.

End. is a set of 13 sections all brought together in a white leatherette slipcase, with black-embossed drawings and tip-in title sheet, wrapped in yellow cellophane.

Each section is folded to 200 x 280 mm, portrait.

Featuring 273 photographs, 20 ink drawings and a 7” vinyl sound work, these 13 Dublin “moments” comprise:

One yellow book, thread sewn, printed in black duotone with screen-printed drawings.

Two black books, thread sewn, printed with silver inks.

Three full-colour books, thread sewn, with screen-printed drawings.

Four concertina-folded double-sided diptychs in full-colour with screen-printed drawings.

One large full-colour double-sided folded map.

One 7” vinyl record tucked inside a printed and folded glassine poster.

At the centre of the work is a concertina-folded double-sided full-colour triptych.

 Published by D1, Dublin, 2016.

Design by Pony Ltd.

Print production by MM Artbook printing & repro.

Numbered edition of 1,000.

In i, Doyle presented a sequence of images depicting unknowable figures enveloped entirely in their own interior landscape of street, poised in silent choreography. We focussed on the patterns, colours and shapes of wool, polyester, and a certain amount of dust. ON’s black & white giants convulse across the pages, bracing the hard Dublin light. The texture and volumes of the city and the people are somehow hewn from the same rock, though they strike out against it.

End. gives equal significance to the city and its population, but here their combined forces collectively and continuously morph each other in order to survive. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the constructed autonomy of their city, while the streets themselves become a kind of sculptural mental State. End. unfolds like a series of maps — loops of time and place — revealing a city whose concrete is as plastic as the movement of its inhabitants.

End. is a collection of printed and folded sections, with sequences of imagery and illustration that employ a number of different papers and print techniques. There is a 7” vinyl sound work, tracing a coiled beat around the city. The entire work of End. is presented in a numbered slipcase.

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The Rhubarb Triangle & Other Stories (Signed)

Martin Parr

Publisher's Description

Published on the occasion of the exhibition The Rhubarb Triangle & Other Stories: Photographs by Martin Parr at The Hepworth Wakefield. This publication documents The Rhubarb Triangle, a new commission of a series of photographs taken over the last 12 months in an area of countryside known as ‘The Rhubarb Triangle’ in West Yorkshire, which is famous for producing early-forced rhubarb.

Parr’s photographs capture all aspects of the rhubarb business, from the back-breaking work of moving the rhubarb from field to shed, the freezing cold and exhausting labour of picking the vegetable by candlelight (or occasionally by head-torch), and the consumption of the rhubarb by coach parties and food tourists. With a Director’s foreword by Simon Wallis and an essay by Susie Parr which provides a fascinating insight into The Rhubarb Triangle.

Size: 222 x 286 mm

84 pages

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Laying Stones (Signed and Numbered)

Munemasa Takahashi

Publisher's Description

This book, Laying Stones, is dedicated to Munemasa Takahashi’s friend, Kazuto Hoshi.

As a photographer, Munemasa Takahashi has been pursuing his original expression with camera.

Just after his first photobook Skyfish was published, the Great East Japan earthquake hit on March 11th, 2011. The official report confirmed over 15,000 deaths, and the damages and losses were unimaginable. Takahashi felt helpless, his camera and photography were utterly useless in front of such a disaster. A month after the earthquake and tsunami, he began to see many photos that were swept by the tsunami scattered on the ground. These photos are family photos which belonged to someone. He and his team started a project to clean the photos and return them to the original owners (families). While many of the photos were returned, there were those which were too heavily damaged to be returned and had to be thrown into a “Hopeless” box. He took these “Hopeless” photos and turned them into a traveling exhibition “Lost & Found Project” which aimed to raise funds for tsunami survivors. The exhibition has been traveling around the world.

However, in 2014, a good friend of Takahashi who was a core member of the project and also a survivor of the disaster suddenly passed away. It was a suicide. Since 2011, Takahashi had not really worked on his personal photography project, but this incident prompted him to started shooting again.

There is a folk legend in Japan that says a child who dies before his/her parent is punished by having to lay stones after stones on the riverbed in front of the gate to the heaven, only to be demolished by a demon. The parent who lost the child will help out the child by laying stones to alleviate the child’s suffering.

Takahashi bid farewell to his friend and promised him that he will be remembered in his photography. By laying stones, Takahashi wants to turn the death of his good friend into a hope.

Takahashi made this book as a letter to his loved friend.

Size: 210 × 150 mm

80 pages

Japanese binding with envelope 

Art Direction by Takashi Tsukahara

Signed, and Numbered 

Limited edition of 700 copies

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Small Things in Silence (Signed - Japanese edition)

Masao Yamamoto

Publisher's Description

Born in 1957 in Gamagori, in the Japanese prefecture of Aichi, Masao Yamamoto is a photographer who began his art studies as an oil painter under the supervision of Goro Saito in his hometown. Masao subsequently discovered that photography was the ideal medium for the theme that most interested him: images with the ability to evoke memories.

Small Things in Silence offers a perspective on twenty years in the career of one of Japan’s most important photographers. In the words of Yamamoto himself: “I try to capture moments that no one sees and make a photo from them. When I seen them in print, a new story begins.”

Small Things in Silence includes images from each one of Yamamoto’s major projects—Box of Ku, Nakazora, Kawa, and Shizuka—as well as images from some of his original photographic installations.

Publisher: Seigensha

Size: 306 x 246 mm

144 pages

This is Japanese edition published by Seigensha.  English language edition is out of print as of May 2016.

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Luzzara

Stephen Shore

Publisher's Description

In 1993 world renowned photographer Stephen Shore travelled to Luzzara, a comune in the province of Reggio Emilia, Italy. Here Shore photographed the town’s people, streets and squares, just as another American master, Paul Strand had done forty years earlier, when he produced the seminal book Un Paese with the Italian screenwriter of The Bicycle Thieves Cesare Zavattini.

STANLEY/BARKER has revisited Shore’s series with an exquisitely produced limited edition publication of Luzzara, which includes a number never before seen photographs.

Speaking of his purpose Shore said, "There was no way I could approach Luzzara as though I was not familiar with Strand's work. At the same time, even though I was going to Luzzara exactly forty years after Strand, I was not interested in producing a re-photographic survey. In a certain way, Strand's work does not need simple updating, because the kinds of people and farms and landscapes he photographed still exist in very much the same form today. But, they exist side by side with the modern world. A key feature of Italian life, at least to my New World eyes, is the presence of the traditional within the modern. My aim, then, was to produce a companion volume to Un Paese; to produce a group of pictures, which to the limit of the subjectivity of my vision, supplement Strand's work."

Publisher: STANLEY/BARKER

Size: 240 × 300mm

80 pages, 29 duotone photographs

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Confabulations

Torbjørn Rødland

Publisher's Description

A dictionary will tell you that confabulations are memory disturbances; the production of fabricated, distorted memories about oneself and the world, but without a conscious intention to deceive.

“Subjectivity is not the master signifier of the image,” writes Ina Blom of Rødland’s work, “Nor is it lost in a vortex of abstractions: it is quite simply one point of connectivity among many. The camera, with its associated range of lenses, aperture settings, lighting devices, and film types, is another. […] The emphatic sheen, sleek glamour and casual perversity still thrive, but they take on an independent existence as new textural realities – as if to speak of a material world that we can never fully know."

With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.

Publisher; MACK

Size: 216 x 28o mm

112 pages, 64 colour plates

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Dozen Failures, A (Signed)

John Gossage

Publisher's Description

A Dozen Failures is both a singular statement as a photobook and a commentary on a life spent making some of the classic photobooks of our time, among them The Pond, There and Gone, The Romance Industry, and Berlin in the Time of the Wall.

Every photograph is in some way perfect (as a technical feat) and in another way a failure (as representational “residue”). So what makes a picture a “failure” – something worthy of further contemplation? It goes far deeper than merely being a mistake. Failures teach us about life and the self in ways as powerful as – and far more confoundingly than – successes.

Or, as Gossage says, they show us “a love lost through lack of skill and misunderstanding.”

Publisher: TIS Books

Size: 9.5 x 11.5"

48 pages, 18 tritone plates, one fold out tritone poster(17 x 21")

EDITION OF 700

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Chernobyl (Signed with Original Photograph)

Ricardo Arispe

Publisher's Description

This book includes an original certified, printed on photo paper Hahnemühle Luster 30cm x 26.7cm. Once the purchase, you will receive the contact sheets so you can pick your picture (exist only 20 copies of each photograph).

Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.

ИВАН И МЭРИ 30 years after Chernobyl searches human experience through ruins and its geography, beyond explosion impact. Living in such a landscape, setting up a home in the middle of somewhere that was a crucial point of the country, today drifting away in oblivion; not only as an urban place or industrial, but also a historical oblivion. As if letting nature consume its ruins would erase it from the human misfortune pages.

This book travels through a journey that goes from religious to human and from pristine nature to still life. It’s about human life fragility and the abilities to build up a home among ruins of our own civilization.

Size: 200 x 280 mm

92 pages

Edition: 50

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Chernobyl (Signed)

Ricardo Arispe

Publisher's Description

Chernobyl is a world heritage of disaster, the historical moment and the place where it took place are important elements for the construction of its iconography which has left behind what meant and means 30 years later for the domestic life of thousands of people.

ИВАН И МЭРИ 30 years after Chernobyl searches human experience through ruins and its geography, beyond explosion impact. Living in such a landscape, setting up a home in the middle of somewhere that was a crucial point of the country, today drifting away in oblivion; not only as an urban place or industrial, but also a historical oblivion. As if letting nature consume its ruins would erase it from the human misfortune pages.

This book travels through a journey that goes from religious to human and from pristine nature to still life. It’s about human life fragility and the abilities to build up a home among ruins of our own civilization.

Numbered, stamped and signed.

Size: 200 x 250 mm

92 pages

Edition: 150

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Topical Times for these Times Book of Liverpool Football (Special Edition - with signed print)

Ken Grant

Publisher's Description

Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city. From youth games and local bar teams playing in district park leagues, to the weekly rituals of match days at Liverpool and Everton, he has photographed the sport - and the city’s relationship with it - in all its forms. Rarely going inside the stadia, he has instead photographed in the streets and bars outside, at the pitch sides and on buses across the city over decades.

With football serving as a central thread in the working and social lives of his contemporaries, it has always been an element of Grant’s wider work about the city. This book brings together his pictures of the game, the land and the people who populate it. A Topical Times for these Times, taking its title from boys sports annuals and the football yearbooks that prospered and inspired in the 1970s and 80s, draws on the changing landscape of Liverpool as it negotiated success and tragedy, and as a new commercial era took hold. The book is a devoted appreciation of football in the city, the game itself and those who are part of each.

An essay by the writer Niall Griffiths and a short piece by Ken Grant accompany the photographs.

Publisher: RRB Photobooks Publishing

Size: 195 x 230 mm

176 pages, 170 images

Edition of 100

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Topical Times for these Times Book of Liverpool Football (signed)

Ken Grant

Publisher's Description

Since the 1980’s Ken Grant has photographed football culture in Liverpool, his home city. From youth games and local bar teams playing in district park leagues, to the weekly rituals of match days at Liverpool and Everton, he has photographed the sport - and the city’s relationship with it - in all its forms. Rarely going inside the stadia, he has instead photographed in the streets and bars outside, at the pitch sides and on buses across the city over decades.

With football serving as a central thread in the working and social lives of his contemporaries, it has always been an element of Grant’s wider work about the city. This book brings together his pictures of the game, the land and the people who populate it. A Topical Times for these Times, taking its title from boys sports annuals and the football yearbooks that prospered and inspired in the 1970s and 80s, draws on the changing landscape of Liverpool as it negotiated success and tragedy, and as a new commercial era took hold. The book is a devoted appreciation of football in the city, the game itself and those who are part of each.

An essay by the writer Niall Griffiths and a short piece by Ken Grant accompany the photographs.

Publisher: RRB Photobooks Publishing

Size: 195 x 230 mm

176 pages, 170 images

Edition of 1000

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Farmed (Signed)

Paul Hart

Publisher's Description

The Fens, a region of reclaimed marshland in eastern England, is one of the richest arable areas in the UK. Paul Hart has been photographing this landscape of agribusiness over the last six years. In Farmed he explores this wide-open environment, a linear landscape of straight lines and flat horizons, which is monoculture at it’s core. Hart’s narrative pinpoints the objects that remain when all that surrounds has been cleared by modern agricultural practice. He conveys nature’s vulnerability within this unsheltered and unprotected environment. 

Hart explores our relationship with the landscape in both a humanistic and socio-historical sense. His working method is in the vein of documentary, exploring our relationship to the landscape by highlighting elements that are so often overlooked. He employs the analogue process and traditional darkroom techniques, to convey something of the soulful in a landscape that is rarely considered. As Steven Brown says in his introductory essay: “Hart’s photographs raise important questions about possession, ownership, mobility, stewardship, history, memory, perspective – the list goes on. But none of these would matter much if the photographs were not, in their attention to the poetry of the place, earnest and moving.”

Sample images

Signed copies

Publisher: Dewi Lewis Publishing

Size: 295 x 295 mm

108 pages, 56 duotone plates


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Political Abstraction

Ralph Gibson

Publisher's Description

Political Abstraction is the name of a recent series of color and black-and-white photographic diptychs by acclaimed fine art photographer Ralph Gibson. In these works, the viewer experiences several simultaneous visual motions dealing with the migration of color and shape across seemingly simple imagery. The series is born out of a response to the search for visual identity in a digital age. Gibson has devoted his pursuit to the idea that the viewer of the work is the actual subject of the piece itself. Thus, the photographs are relative but not restricted to the intention of the subject or the photographer. These works have been made during travels in eight countries, yet they remain remarkably unified in their perception. In this way, Gibson’s visual signature remains intact throughout the entire series.

Publisher: University of Texas Press

Size: 8.5 x 12.5'

88 pages, 40 duotones, 40 color plates

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Tokyo: Vision of its Other Sides 2

Masatoshi Naito

Publisher: Superlabo

Size: 216 x 280 mm

44 Pages, 25 Images(b/w)

Limited edition of 1000

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Last Year’s Photographs (limited Edition)

Araki

Publisher's Description

The special, hardcover edition of Araki’s Last Year’s Photographs is limited to 500 copies and comes in a case made after the original box the photos were stored in for over 40 years.

Hidden away in a box labelled “Kyonen no shashin” (Last Year’s Photographs), 38 pictures Nobuyoshi Araki has taken in 1975 spent a quiet life, to surface as a time capsule of the prolific Japanese photographer’s early work period.

The photos - mostly snapshots of people in streets and trains, in stark black and white - capture private moments in Tokyo’s public life with an unintruding, unassuming eye. A beautiful look into the recent past of one of the world’s biggest megacities, and into the early career of one of its most talented photographers.

Publisher: Case Publishing

Size: 262 x 180 mm

80 pages, 38 images

Limited Edition: 500

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MAN and WOMAN (reprint)

Eikoh Hosoe

Publisher's Description

A vital, long awaited reprint (original first edition: 1961) on the occasion of the 2006 solo exhibition “The World of Eikoh Hosoe” at the Metropolitan Museum of Photography in Tokyo.

Amidst the confusion surrounding the US-Japan Peace Treaty protests, a photographer and his models cross swords, and out of most unusual circumstances, a photography style the world has not seen before are born.
The pictures would go on to form not only the prototype to Hosoe’s own work, but to become one of the prototypes of photographic expression.

Publisher: NADiff

Size: 190 x 250 mm

62 pages

Language: Japanese

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Family Photography Now

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

The images are thoughtful, disturbing, and funny in turn; there is a great variety of work to explore’ – Royal Photographic Society Journal
A thorough deconstruction of what family photos habitually are’– Telegraph
A journey through the modern world … every picture tells a thousand words about the way we live’– Motherland

'Family Photography Now' presents 40 international image-makers who have turned their lens on the complex dynamics of the family, whether their own or other people’s. 

Here you will find Swedish stay-at-home dads and Congolese first-time mothers, families with same-sex parents and families with identical twins, blended families and extended families, portraits made via Skype and portraits of imaginary families. Sophisticated art projects appear alongside highly personal images.

From Magnum member Trent Parke’s darkly amusing shots of life in suburban Australia and Denis Dailleux’s portraits of Egyptian bodybuilders and their mothers to Elina Brotherus’s devastating records of failed IVF and Nadia Sablin’s elegy to her elderly aunts in rural Russia, this book takes readers on powerful journeys that are by turns moving, funny, thought-provoking and inspiring, encouraging us to reflect on how we photograph our own families.

Complete with profiles revealing each photographer’s story and working methodology, and two essays analyzing the complications of family attachments and the ways in which these have been captured in photography of many genres and moods.

Publisher: Thames & Hudson

Size: 240 x 270 mm

240 pages, with over 320 illustrations in colour and black and white

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Flatlands

Adam Jeppesen

Publisher's Description

Flatlands chronicles Adam Jeppesen’s solitary, 487 day journey from the Arctic to Antarctica with a series of hauntingly beautiful and ethereal landscape photographs - permanently evading all demarcations of time, space and fixed bearing.

The monograph features 46 masterful off-set reproductions, traditional letterpress text and a handmade, embossed and riveted sleeve out of original 1947 dead-stock fibre carton – same year as the large format field camera utilised by Adam throughout his journey.

Limited edition of 500

Sample images

Printed by Narayana Press Yoga Ashram
128 pages
Paper: 120g Zerkall Bütten, 350 Colorplan,170g Munken Pure Rough
Format: 33 cm x 24,5 cm

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Affinity and Kindred: Lives Shaped by Sea and Faith

Richard Denyer

Publisher's Description

This highly original book of photographs interweaves images of landscapes, interiors and people with commentary on craft skills and belief systems encountered in the east of England and the Scottish Western Isles, commonly known as the Outer Hebrides. Significantly, both places sit on the edges of the United Kingdom. Richard Denyer has been investigating relationships between land and water throughout his career, beginning with photographic commissions for the Norfolk and Suffolk Broads Authority in the 1980s. The introduction by Professor David Matless traces the antecedents to this new collection and situates Denyer’s practice in a tradition of documentary photography going back to PH Emerson. A desire to complement the photographs with an imaginative text led to the essay by Will Self. To begin with the writing seems to have little connection to Denyer’s images, but the author imperceptibly draws the written and visual elements together by foregrounding his own life experiences and travels to inform a commentary which is as idiosyncratic and colourful as the photographs.

Sample images

Size: 297 x 310 mm

128 pages, 97 colour plates 

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Bestsellers

Songbook (Signed)

Alec Soth

Signed copies, 2nd printing

Publisher's Description

Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks.

With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united.

SIGNED COPY

Sample images

Publisher: Mack Books

Size: 285 cm x 273 mm

144 pages, 75 tritone plates

France (standard edition)

Michael Kenna

Overseas deliveries  Please note that, as this is an extremely heavy item, overseas postage will be charged at three times our standard rates.

SHIPPING OCTOBER 2014. Nazraeli Press is thrilled to announce Michael Kenna’s long-anticipated monograph on France. Kenna first visited France in 1973 and has been photographing there since the early 1980s. He has produced thousands of photographs on subjects such as Mont St Michel, Le Notre’s Gardens, the Calais Lace Factories and Chateau Lafite Rothschild. France encompasses work from these projects and many others. Comprising 275 duotone plates, this gorgeous new book was edited by the artist himself, who selected both well-known and previously unpublished material from his own archive. It coincides with an exhibition of his Paris studies at Le Musée Carnavalet opening October 2014. 

Casebound in burgundy-dyed silk cloth and housed in an elegant gold-stamped black slipcase, France is printed in duotone on matt art paper. The book opens with an introduction in French and English by renowned historian and curator Jean-Claude Lemagny.

Michael Kenna is widely considered to be the most influential landscape photographer of his generation. The subject of some 50 monographs, Kenna’s work is included in the permanent collections of over 100 museums and institutions worldwide, and has been widely exhibited and written about internationally since the mid-1970s. Michael Kenna was presented with the prestigious Chevalier of the Order of Arts and Letters by the French Ministry of Culture in 2000.

A selection of Kenna’s images of France

312 pages, 275 images, 12 by 13 inches

Nazraeli Press

River Winter, The SIGNED

Jem Southam

SIGNED COPIES

Publisher's Description

“Winters, like ice ages, are Janus faced, for after the freeze comes thaw and flood, as water is returned to life and movement. Freeze, thaw, flood: the great climatic cycles that created the topography of the northern hemisphere, and which continue to shape the idea of winter that lies deep in our cultural imagination.”
Richard Hamblyn

In November 2010, after a photographic lull of half a year, Jem Southam took a photograph which became the first in this series, The River  Winter and which spurred him to make one of the most concentrated bodies of work in his career. From late autumn through to the earliest signs of spring, along the banks of the river Exe in Devon, Southam chose locations and took photographs, returning at regular intervals. This pattern continued for the next five months with Southam documenting the subtle agencies of change transforming the landscape. By the end of January 2011 he realized this had become a new work, one that caught the effects of the Earth’s turn on film, one which followed the passage of a single winter.

The shift in seasons is presented through a sequence of ten by eight colour contact prints, with which an essay by Richard Hamblyn explores how, since the last ice-age, winter has embedded itself into our cultural psyche.

Jem Southam (b. 1950) is a key figure in British landscape photography, working across twenty-five years. His work is included in many important collections including Rijksmuseum, Museum Folkwang, and the Yale Centre for British Art. He has been the subject of numerous solo shows including Tate St. Ives in 2004 and The Victoria & Albert Museum in 2006.

Publisher: MACK Books

Size: 330 x 277 mm

96 pages, 40 colour plates

Michael Kenna Calendar 2016

Michael Kenna

Publisher's Description

Michael Kenna's intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our twentieth calendar featuring his work. The 2016 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using Daido black ink. It features thirteen photographs: Eloquent Trees, Kussharo Lake, Hokkaido, Japan. 2013; Mountain Snow Storm, Okushunbetsu, Japan. 2013; Two Hundred and Seven Sheep, New Zealand. 2013; The Matterhorn, Pennine Alps, Switzerland. 1994; Eleven Hours, Te Kaha, Eastlands, New Zealand. 2014; Solar Eclipse, Tokyo, Honshu, Japan. 2012; Eighteen Hedges, Versailles, France. 1998; Crumbling Boardwalk, Shiga, Honshu, Japan. 2003; Ten Balloons, Albuquerque, New Mexico, USA. 1993; Early Morning Storm, Calais, France. 1998; Clouds, Fence and Snow, Nakafurano, Japan. 2013; Chateau Lafite Rothschild, Study 27, France. 2012; Snow Covered Forest, Heilongjiang, China. 2012. 

Sample images

Publisher: Nazraeli Press

Size; 430 x 350 mm

13 duotone plates

2014 Michael Kenna Wall Calendar

Michael Kenna

Publisher's Description

Michael Kenna’s intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our eighteenth calendar featuring his work. The 2014 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using “Daido black” ink. It features thirteen photographs: Two Leaning Trees, Kussharo Lake, Hokkaido, Japan. 2013; Yuanyang, Study 1, Yunnan, China. 2013; Alley of Trees, Damyang, Jeollanamdo, South Korea. 2012; Skyline, Shanghai, Study 5, China. 2011; Bamboo and Tree, Qingkou Village, Yunnan, China. 2013; Three Posts and Island, Jangsan-do, Shinan, South Korea. 2013; Chateau Lafite, Study 5, Bordeaux, France. 2012; Sand Dune, Wooi-do, Shinan, South Korea. 2012; Baby Elephant, Phuket, Thailand. 2011; Moai, Study 50, Ahu Tongariki, Easter Island. 2001; Pont Neuf, Study 3, Paris, France. 2011; Sadakichi‘s Docks, Otaru, Hokkaido, Japan. 2012; and Snow Clad Trees, Heilongjiang, China. 2012.

Publisher: Nazraeli Press

Size: 14 x 18"

13 duotone plates

Silent Landscape SIGNED

Jan Tove

We have signed copies of the first printing only.  A decision has yet to be made on a second printing. Remaining copies have slight imperfections on the cover or in the printing.  We will send you the best copy we have.

Jan Tove's first published work for several years, Silent Landscape represents a significant maturation in his vision.  If, in Riverside, the relatively traditional nature photography of Beyond Order coexisted with work influenced by contemporary American landscape photographers, here they are successfully integrated.  Photographs mostly from Sweden but also from Norway, Denmark and Scotland.  See here for all the spreads from the book.

Michael Kenna 2013 calendar

Michael Kenna

Please note this is the 2013 calendar.

Michael Kenna’s intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our seventeenth calendar featuring his work. The 2013 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using “Daido black” ink. The subject of this year's calendar is France: Homage to Atget, Parc de Sceaux, France. 1988; Intra Muros, St. Malo, France. 1993; Dawn Mist, Mont St. Michel, France. 1994; Fontaine du Palmiere, Study 2, Paris, France. 2007; Sunrise, St. Valery sur Somme, France. 2009; Printemps, Bargeme, France. 2011; Pebbles and Beach House, Cayeaux sur Mer, France. 2009; Tidal Pool and Posts, Berck Plage, France. 2003; La Trappa, Vielle Ville, Nice, France. 1996; Abbey Façade and Star Trails, Hautvillers, France. 2001; Night Shadows, Saint Malo, France. 2000; Ciel d’Orage, Bargème, France. 1996; In-Between, Courances, France. 1997.

Silent Respiration of Forests

Takeshi Shikama

Signed Copies

Publisher's Description
'The depth of the forest was filled with an uncanny air For something seemed to be lurking there.'

This series of photographs is an expression of my search for the soul of the deep forests.

One day in early autumn in 2001, just as twilight was setting in, I had lost track of the mountain paths. I happened to wander into a shady forest, where I found myself suddenly seized with a strong desire to take photographs. The following day, I set out once again, carrying my camera with me this time, and searched for the same forest. This experience made me realize that I was not taking photographs of the forest out of my own will, but that the forest was inducing me to take its photographs.

Looking back in retrospect, I have a feeling that this might have all begun with my decision to build a mountain lodge with my own hands. In order to clear a plot of land for constructing a lodge inside a small forest, I had to fell Japanese red pine trees some eighty years old. Although many years have elapsed since then, I still vividly remember the sensation I had as I sat astride the felled down trees, stripping them of their barks. The trees collapsed onto the ground with a huge thud, making my entire body tremble; I looked up and remained motionless for a while, totally overwhelmed by the vastness of the sky. Almost as if stained by the blood rushing from another person's wound, I was covered with splashes of tree sap spurting from the edge of the blade of my hatchet. This made me acutely aware of the living energy of the trees, and I immediately decided to make the most of this power in the lodge I was about to build.

It took me some ten years to finish constructing the lodge. Thirty-six Japanese red pine trees growing in that forest were used for the ground sills, the central pillar and the beams. This probably explains why it is so very cozy and comfortable inside my mountain lodge. While continuously handling wood for building my lodge, I believe that I have come to feel things I could neither see nor hear before. And it could well be that, lured by this strange power, I started to travel all over Japan visiting the depth of forests.

The Silent Respiration of Forests is a collection of photographs which I was able to take, inspired by this power of the forest.

Takeshi Shikama

Publisher: TOSEI-SHA Publishing Co
Size: 270 x 380 mm
64 pages

Publisher's Price: £ 50.00

Period of Juvenile Prosperity, A

Mike Brodie

Overseas deliveries  Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.

Publisher's Description

But I needed to find out for myself. Two weeks later I was gone, witnessing my new world wizz by, especially at dusk, then darkness as I watched the sum of all the city lights cast my silhouette across the pine trees of the Florida panhandle. This was it, I was riding my very first freight train. And soon, what would begin as mere natural curiosity and self-discovery would evolve into a casting call of sorts, taking photographs of my newfound friends.
Mike Brodie

For sample images, see Mike Brodie's website

Publisher: Twin Palms

2nd printing

Size: 11 x 13 Inches

104 Pages, 60 Four-colour Plates



Mountain Light: In Search of the Dynamic Landscape

Galen Rowell

25th anniversary edition, with new foreword by David Muench

Publisher's Description

Mountain Light is the best-selling classic that captures the unique artistic vision of Galen Rowell, one of the world's most celebrated nature photographers. This remarkable collection offers 80 of Rowell's finest photographic images, as well as the stories behind them - what he was after and how he achieved it.

Rowell arranges the photographs, with details of their creation, in eight exhibits according to visual themes, reflecting his fascination with the infinitely varying qualities of light found in mountain landscapes. He recounts his development as a photographer, his philosophy and techniques for creating "dynamic landscapes," and his adventures in remote, dangerous, and beautiful places, from California's Yosemite Valley to almost inaccessible peaks in China.

Rowell also explains how film and the human eye see differently, how he selects and composes the content of his work, how to work with optical phenomena and natural light, and how equipment and adventure interact in the field.

"A splendid blend of autobiography, personal philosophy, and superb color photographs of high, wild places."
- The New York Times

Publisher: Sierra Club

Size: 236 x 304 mm

240 pages, 80 colour photographs

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