The city of Ordos in China, only exists since a few years, but is already a ghost-town. One of countless new city projects in China, Ordos is the biggest, the most megalomaniac, and the worst situated one: in the middle of inner Mongolia’s vast steppe, in a region lacking water and trees. Originally, Ordos was set to welcome at least a million inhabitants but repelled by its harsh climate and exorbitant prices, barely a few thousands ever settled. There is no activity in Ordos, except building Ordos. Relentlessly, high-rise condominiums reproduce in the hostile plain, while the wide avenues in the blank city center stay empty. The skyscrapers of the hypothetical Central Business District are not even connected to the power network. Ordos is a gigantic real estate bubble, of a breed that could ruin the economy of a whole country, but the Chinese government ploughs on with its chimera. In the meanwhile Ordos, the city, where everything is better and bigger, still awaits the essential: its inhabitants.
Adrien Golinelli (b. 1987) lives and works in Switzerland. In his works, that amongst others include essays on Bhutan, Afghanistan and North Korea, he combines fine art and documentary photography.
Authors: Adrien Golinelli, Christian Caujolle, Gabriel Grésillon, Hudson LockettDesigned by Neo Neo (Xavier Erni, Thuy-An Hoang)
Publisher: Kehrer Verlag
Size: 245 x 300 mm
216 pages, 128 colour illustrations;
James and Karla Murray
James and Karla Murray have been capturing impeccable photographs from the streets of New York City since the 1990s; Store Front II chronicles their continued efforts to document a little-known but vitally important cross-section of New York’s “Mom and Pop” economy. The Murrays’ penetrating photographs are only half the story, though. In the course of their travels throughout the city’s boroughs the Murrays have taken great care to document the stories behind the scenery. Their copious background texts, gleaned largely from interviews with the stores’ owners and employees, bring wonderful color and nuance to the importance of these unique one-off establishments. The Murrays have rendered the out of the way bodegas, candy shops and record stores just as faithfully as the historically important institutions and well known restaurants, bars and cafes. From the Stonewall Inn to the Brownsville Bike Shop and The Pink Pussycat to Smith and Wolensky, the Murrays reveal how New York’s long-standing mom & pop businesses stand in sharp contrast to the city’s rapidly evolving corporate facade.
The authors’ landmark 2008 book, Store Front, was recently cited in Bookforum’s 20th Anniversary issue as having “…demonstrated the paradoxical power of digital photo editing to alter actual views in order for us to see more clearly what is really there.” James and Karla Murray live in New York City and were awarded the New York Society Library’s prestigious New York City book award in 2012 for their last book, New York Nights.
Introduction by David Lopes
Publisher: Gingko Press
Size: 13 1/4" X 12"
348 pages, 250 Illustrations;
Robert Huber & Stephan Vanfleteren
In 1999, photographers Robert Huber and Stephan Vanfleteren travelled through the US in the wake of their hero, Elvis Presley. Elvis (Huber) and Presley (Vanfleteren) invite you to share their journey across the American landscape, from Times Square to Death Valley.
Decked out in glittering jumpsuits, sunglasses, and big hair, this is the story of two European photojournalists who travelled across eleven states taking pictures of each other, Stephan Vanfleteren using black and white film, Robert Huber, colour. This is the ultimate pop idol on a tour of America, interacting with the people, the places, the history, the cool glances, the warm embraces, the hot coffee and the cheap motels that define modern life.
Robert Huber is a Swiss photographer. He studied at the CEPV (Centre d'Enseignement Professionel de Vevey) in Switzerland (1991-1995). Two years later he moved to New York to work as an editorial photographer. From 2004 until 2006 he lived in Istanbul to pursue his career, and worked for several European and American magazines. He now lives in Zürich and works there as a commercial and editorial photographer and works on his own projects as well. Stephan Vanfleteren specialises in black-and-white portraits and reports extensively at home and abroad. He is currently working mainly for foreign newspapers and magazines. In 1998, Vanfleteren won the European Fuji Awards; in 1996, 1998 and 2000, he won five World Press Photo Awards and several Belgian press awards. He also won the German Henri Nannen Prize in 2011. In 2012, he received the five-yearly Culture Award for the Province of West Flanders and the National Portrait Award in the Netherlands. In 2013, he has won the World Press Photo Award for his series "People of Mercy" in the category "Staged Portraits".
Size: 280 x 280 mm
From his very first photograph in New York in 1936 to his recent work in the Alpilles forest, this monograph testifies of the wealth of Louis Stettner's work. He makes the link between the humanist photography and the American street photography by giving a poetic and uncluttered vision of the world which surrounds us.
Through his long career, Stettner knew how to catch with an incomparable eye the urban atmospheres, from the post-war Paris to the boiling city of New York at the same time, then the beat generation of East Village, movements of political contestations in the 1970s in the United States or the gestures of the work in the series Workers on both sides of the Atlantic ocean.
Photographer and art critic at the same time, the book also presents a long interview of the artist with Clément Chéroux and Julie Jones where Stettner evokes his influences, his inspirations and his reflections on the photography. In a selection of articles published during his collaboration with the american magazine Camera 35 in the 1970s, Louis Stettner broaches, without waffle, the artistic context of the time, his friendship with Brassaï, Lisette Model and Weegee. He claims the influence of the Photo League and defends the social commitment in photography.
Exhibition at the Centre Pompidou, Paris
June, 15 - September, 12 2016
Publisher: Editions Xavier Barral
Size: 190 x 275 mm
160 pages, 90 black & white photographs
Texts : interview between the artist, Clément Chéroux and Julie Jones;
Cristina de Middel
In the work Muchismo, the photographer Cristina de Middel digs around in her studios and brings all of her images to light, exactly the way she has them stored, in colossal, gorgeous chaos, to show them in the exhibition of the same name to be held in June at the Teatro Fernán Gómez in Madrid. This is a sui generis display of her entire oeuvre, with neither a curator nor any apparent order, which seeks to question the art market and its rules.
At the same time, the artist is holding another exhibition of the Antipodes series in La Fábrica (Madrid), a series made up of pictures taken in New Zealand in which the artist strives to bring depth back to landscape photography by using mirrors and her own devices. Both works are captured in this publication, a book that had become an object of desire even before it materialised, as always happens with the works of one of the most fascinating photographers on today’s scene.Size: 170 x 240 mm
180 pages, 120 images
Language: Spanish / English;
"In my experience, the two most significant characteristics of war are horror and absurdity," says Christoph Bangert, the German photojournalist who has been documenting crises for international publications such as the New York Times for ten years. Following his examination, in his critically acclaimed book War Porn (Kehrer 2014) of the way our society deals with horrific images, in his new work hello camel he now confronts the bitter absurdity of war. He opposes our clichéd notion of modern war as a dynamic, dramatic, and heroic experience with his calm and composed, but equally odd and alien images of the wars in Afghanistan, Gaza, Darfur, Lebanon, and Iraq. Simultaneously, hello camel is a documentary of human striving to create something approximating normality in the face of violence and chaos.
Publisher: Kehrer Verlag
Size: 240 x 320 mm
96 pages, 44 colour illustrations;
The definitive biography of the beguiling Diane Arbus, one of the most influential and important photographers of the twentieth century, a brilliant and absorbing exposition that links the extraordinary arc of her life to her iconic photographs
Diane Arbus: Portrait of a Photographer brings into focus with vividness and immediacy one of the great American artists of the twentieth century. Arbus comes startlingly to life on these pages, a strong-minded child of disconcerting originality who grew into a formidable photographer of unflinching courage. Arbus forged an intimacy with her subjects that has inspired generations of artists. Arresting, unsettling, and poignant, her photographs stick in our minds. Why did these people fascinate her? And what was it about her that captivated them?
It is impossible to understand the transfixing power of Arbus’s photographs without exploring her life. Lubow draws on exclusive interviews with Arbus’s friends, lovers, and colleagues; on previously unknown letters; and on his own profound critical insights into photography to explore Arbus’s unique perspective and to reveal important aspects of her life that were previously unknown or unsubstantiated. He deftly traces Arbus’s development from a wealthy, sexually precocious free spirit into first, a successful New York fashion photographer and then, a singular artist who coaxed secrets from her subjects. Lubow reveals that Arbus’s profound need not only to see her subjects but to be seen by them drove her to forge unusually close bonds with these people, helping her discover the fantasies, pain, and heroism within each of them, and leading her to create a new kind of photographic portraiture charged with an unnerving complicity between the subject and the viewer.
Diane Arbus: Portrait of a Photographer brushes aside the clichés that have long surrounded Arbus and her work. It is a magnificently absorbing biography of this unique, hugely influential artist.
“In a fast-moving narrative style that reads like an eyewitness account, Lubow gets inside both the person and the persona. This book both analyzes and contributes to the notoriety and fascination with one of the most complicated figures in the history of photography.” — Jeff Wall
“Lubow turned a routine magazine assignment for the New York Times into the defining biography of photographer Diane Arbus . . . Lubow provides not only a comprehensive assessment of her groundbreaking work but, perhaps more significantly, a revealing documentary of Arbus’s often-tortured life.” — Publishers Weekly
Publisher: Harper Collins
Size: 6 x 9"
Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum’s Diane Arbus Archive—a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence—it is an essential contribution to our understanding of Arbus and her oeuvre.
diane arbus: in the beginning showcases over 100 of the artist’s early photographs, more than half of which are published here for the first time. The book provides a crucial, in-depth presentation of the artist’s genesis, showing Arbus as she developed her evocative and often haunting imagery. The photographs featured in this handsome volume reveal an artist defining her style, honing her subject matter, and in full possession of the many gifts for which she is now recognized the world over.
Publisher: The Metropolitan Museum of Art
Size: 9 1/4 x 11"
256 pages,160 color + tritone illustrations
Rest 3000~ Stay 5000~ sees Tokyo based photographer Tokyo Rumando explores the world of the Tokyo’s love hotels. Visiting more than 20 love hotels in areas such as Shinjuku, Ikebukuro and Yoshiwara, Tokyo Rumando explores the historical and cultural aspects of the hotels through self-portraiture. Exposing the private worlds of intimacy where excitement, fantasy and love are sought out behind the facade of Japan’s well ordered and clean society.
Publisher: Zen Foto Gallery
Size: 257 × 182 mm
'A truly unique document recording many of Britain’s most enduring seasonal customs and events, in all their uncanny yet prosaic glory.'
Simon Costin, Director of The Museum of British Folklore
'Probably the best study of English folklore and ritual.'
Peter Hamilton in The British Journal of Photography
Once a Year, Some Traditional British Customs was first published in 1977 establishing Homer Sykes as one of the UK’s leading young photographers. Over a period of almost seven years he travelled the country photographing around 100 traditional British customs, with over 80 appearing in the book.
Though inspired by the 19th century photographer Benjamin Stone, Homer Sykes approached the events with a distinctly modern sensibility, creating dynamic images which focus mainly on the tradition that is being re-enacted against a background of everyday life.
In recent years Homer Sykes’s photographs have become recognised as one of the most important archives of British traditional customs as well as a fascinating insight into life in 1970s Britain. Homer Sykes has exhibited widely both in the UK and internationally and has published 14 books, including many which cover other aspects of British life.
Publisher: Dewi Lewis
Size: 290 x 235mm,
216 pages, 134 duotone photographs;
“a properly nostalgic vision, but one that is devoid of any sentimentality... to many it may seem bleak and unduly pessimistic” – Gerry Badger
Between 1968 to 1978, Paddy Summerfield photographed Oxford students in the summer terms. No older than his subjects, he shared their uncertainties: “I was young and unsure and found a way to show this. I felt like an outsider, and lonely, that there was always something going on, parties and drinking, but elsewhere. Often, I sensed a loneliness in the students I photographed. We were all lonely together.”
Though he found his subjects beside the rivers and on sunlit college lawns, Summerfield’s images primarily express the insecurities and pain of youth. His psychological approach is driven by the tension between the yearning for love, and sexual anxiety. Solitary figures represent his own isolation, an experience that many will recognise. Rituals are played out, frivolity and romance give way to revision and exams, then celebrations that collapse into debauchery, and regret. The students depart and are replaced; only the stones remain.
Oxford-based, Summerfield, trained at Guildford School of Art in the Photography and the Film departments. Photographs he took in 1967, when still a first year student, were published in Album, and spreads in Creative Camera received encouraging recognition. His work has been shown in many galleries, including the ICA, The Barbican, The Serpentine Gallery, and The Photographers’ Gallery. In 1976, Sir Nicholas Serota (then director of MOMA, Oxford) invited Summerfield to exhibit ‘Beneath The Dreaming Spires’, his first one-man show. His work is in the collections of the Arts Council and of the V&A, as well as in numerous private collections. His first book, Mother And Father (2014. Dewi Lewis Publishing) was widely reviewed, and included in several lists of the ‘Best Photobooks of 2014’.
Publisher: Dewi Lewis
Size: 220 x 245mm
96 pages, 57 duotone photographs;
Cristina de Middel
In 1964 a Zambian science teacher named Edwuard Makuka decided to train the first African crew to travel to the moon. His plan was to use an alluminium rocket to put a woman, two cats and a missionary into Space. First the moon, then Mars, using a catapult system. He founded the Zambia National Academy of Science, Space Research and Astronomical Research to start training his Afronauts in his headquarters located only 20 miles from Lusaka.
This self published book was finalist of Paris Photo Aperture First book award in 2012, was finalist of the Deutsche Börse award and obtained the Infinity award from the ICP in NYC in the same year.
Size: 17 x 23 cm
In this book Ramírez explores the difficulties associated with of living in an overpopulated city that is expanding at tremendous speed. Jakarta is currently the 2nd largest megalopolis on the planet, after Tokyo-Yokohama. The photos in this book show the modest interventions and minor improvisations Jakartans have developed to get by while living in a city that offers a quality of life that is far from perfect. For 2 years, between 2014 and 2015, Ramírez made numerous trips to Jakarta to create this body of work.
Isidro Ramírez is a Spanish photographer who, after 20 years spent living, working and studying in the UK, is now based in Singapore. Alongside developing his practice as a contemporary urban photographer, Ramirez also lectures at Temasek Polytechnic. Ramírez’s works have been exhibited widely in major cities across Europe and the USA, including Barcelona, Bogota, Vienna, Berlin, New York and Los Angeles. Ramírez is a member of the Association of Urban Photographers, an international collective focusing on aspects of urban life in their work.
Publisher: Velvet Cell
Size: 250 x 200 mm
Swiss Binding, 4 Colour Offset
Limited Edition of 500;
Wolf Suschitzky, Dorothy Bohm and Neil Libbert
The fist publication to bring together the three major twentieth-century photographers Wolf Suschitzky, Dorothy Bohm and Neil Libbert, presenting their artistic responses to three great world cities across three crucial decades.
Catalogue accompanying Ben Uri exhibition Unseen London, Paris, New York, 1930s-60s, curated by Katy Barron.
Contributors: Katy Baron, Michael Berkowitz, Zeldza Cheatle, Jessica Feather & Saskia Rubin
Publisher: Ben Uri
Jessica Backhaus (b. 1970) examines, with her latest photographic series "Six degrees of freedom", universal questions of human existence. Based on her own life story she inquires after the sig- nificance of knowing the roots of one’s own existence and to what extent it is possible to re-elaborate these – usually prescribed – roots.
Initially unconsciously, then ever more purposefully the photographer, who grew up in a family of artists, at some point in her life set off in search of her own background. On this journey she visits places of her childhood and youth and fills the gaps in her memories.
With her photographs she symbolically captures the essence of this search and of her life stages. Simultaneously, she pulls off the balancing act of keeping the images open for the beholder. Her photographs possess metaphoric potential and work against the grain of a classic social documentary photography. They alternate between realism and abstraction.
Jessica Backhaus is regarded as one of the most important representatives of contemporary photography in Germany. Her works are internationally exhibited, published and are found in major collections. "Six degrees of freedom" is her sixth photobook at Kehrer Verlag and deals with the great universal themes of background, yearning, identity, and destiny.
Publisher: Kehrer Verlag
Size: 228 x 274 mm
132 pages, 64 colour and b/w illustrations
Overseas deliveries Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.
With Houses Rooms Voices, Stefan Koppelkamm not only collects basic elements of urban space. The catalogue also uses them to stage a game with different times. It focuses on the Local Time project, which the photographer initiated in 1990. Shortly after the fall of the Berlin wall, he travels through eastern Germany and captures houses, streets, and squares in black-and-white photographs. Ten years later, he seeks out these places a second time and takes pictures of them from exactly the same position. The changes are remarkable: social and economical transformations permeate each of these images. Supplemented by contemporary urban impressions—enormous window façades and huge billboards—as well as urban sound collages, Koppelkamm creates a panorama that embraces not only space, but time as well.
Publisher: Hatje Cantz
Size: 210 x 306 mm
207 pages, ca. 100 illustrations
During her time in North East China, Oskar Barnack Newcomer award winner Wiktoria Wojciechowska photographed intrepid, rain drenched cyclists as they fleetingly passed her by during the typhoon season. Although in China Wojciechowska had found an unexpected sense of home, she also found it eternally difficult to connect with people. Influenced by the words of Polish novelist Wiesław Myśliwski, Wojciechowska set out to capture a physical reference to the human faces that sped past her, using a flash on her camera. The result is a collection of photographs that are initially exciting, vibrant and seemingly playful, but infact embody a melancholic metaphor for a wistful sense of place. The work exists as a typological document and, as Wojciechowska describes, a collection of faces for memory, building ‘a new family album to remember the people she never knew’.
'There are infinitely many of these faces I carry inside myself. Conceived in short flashes. I don’t know whose, where, or when. I know nothing about them. But they live in me. Thoughtfulness, gazes, sorrows, pallor, grimaces, bitterness - they live in me, detained like on photographies.' - Wiesław Myśliwski, A Treatise on Shelling Beans, 2006
Limited Edition: 1000 copies.
Katrin Koenning, Sarker Protick
Astres noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue. This book presents photographs taken on mobile phone cameras, devices used to capture their everyday in an impulsive and almost obsessional way, documenting life from their doorsteps to far afield.
Their photographs capture the commonplace such as water stains on asphalt, dust clouds and rays of light, and transform these into mesmerising frames – elusive fragments that evoke an imaginary creature, a milky way, a phosphorescent silhouette…
Presented together, their combined voices lead us on a journey into unexplored territory, somewhere between the everyday and paranormal, between night and day. Amongst enveloping darkness, lightness is revealed, dazzling and miraculously caught by discerning eyes.
Publisher: Chose Comune
Size: 160 x 220 mm
168 pages, 79 duotone plates
Bilingual: English, French
Early Times is the first chapter of Vasantha Yogananthan’s long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology.
Since 2013, Yogananthan has been travelling from north to south India, retracing the itinerary of the epic’s heroes. Between fiction and reality, he deliberately blurs the lines through multiple aesthetic approaches: colour, black and white, hand-painted and illustrated photographs are interspersed with vernacular images to compose the layers of this timeless story.
This first book addresses the beginnings: it tells of the youth and education of Rama, son of King Dasharatha, and of Sita, daughter of King Janaka, who do not yet know each other but are destined to meet and fall in love. The Ramayana has been continuously rewritten and reinterpreted through time, and for Yoganathan’s book has been retold by Indian writer Anjali Raghbeer. Yogananthan commissioned Mahalaxmi & Shantanu Das, Indian artists specialising in the tradition of Madhubani painting, to create original illustrations for display alongside his photographic work.
A Myth of Two Souls will be published in seven photobooks between 2016-2019, one per chapter of the epic.
Publisher: Chose Comune
Size: 245 x 300 mm
104 pages, 48 photographs
French / English
Signed copies, 2nd printing
Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks.
With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united.
Publisher: Mack Books
Size: 285 cm x 273 mm
144 pages, 75 tritone plates
Overseas deliveries Please note that, as this is an extremely heavy item, overseas postage will be charged at three times our standard rates.
SHIPPING OCTOBER 2014. Nazraeli Press is thrilled to announce Michael Kenna’s long-anticipated monograph on France. Kenna first visited France in 1973 and has been photographing there since the early 1980s. He has produced thousands of photographs on subjects such as Mont St Michel, Le Notre’s Gardens, the Calais Lace Factories and Chateau Lafite Rothschild. France encompasses work from these projects and many others. Comprising 275 duotone plates, this gorgeous new book was edited by the artist himself, who selected both well-known and previously unpublished material from his own archive. It coincides with an exhibition of his Paris studies at Le Musée Carnavalet opening October 2014.
Casebound in burgundy-dyed silk cloth and housed in an elegant gold-stamped black slipcase, France is printed in duotone on matt art paper. The book opens with an introduction in French and English by renowned historian and curator Jean-Claude Lemagny.
Michael Kenna is widely considered to be the most influential landscape photographer of his generation. The subject of some 50 monographs, Kenna’s work is included in the permanent collections of over 100 museums and institutions worldwide, and has been widely exhibited and written about internationally since the mid-1970s. Michael Kenna was presented with the prestigious Chevalier of the Order of Arts and Letters by the French Ministry of Culture in 2000.
312 pages, 275 images, 12 by 13 inches
“Winters, like ice ages, are Janus faced, for after the freeze comes thaw and flood, as water is returned to life and movement. Freeze, thaw, flood: the great climatic cycles that created the topography of the northern hemisphere, and which continue to shape the idea of winter that lies deep in our cultural imagination.”
In November 2010, after a photographic lull of half a year, Jem Southam took a photograph which became the first in this series, The River Winter and which spurred him to make one of the most concentrated bodies of work in his career. From late autumn through to the earliest signs of spring, along the banks of the river Exe in Devon, Southam chose locations and took photographs, returning at regular intervals. This pattern continued for the next five months with Southam documenting the subtle agencies of change transforming the landscape. By the end of January 2011 he realized this had become a new work, one that caught the effects of the Earth’s turn on film, one which followed the passage of a single winter.
The shift in seasons is presented through a sequence of ten by eight colour contact prints, with which an essay by Richard Hamblyn explores how, since the last ice-age, winter has embedded itself into our cultural psyche.
Jem Southam (b. 1950) is a key figure in British landscape photography, working across twenty-five years. His work is included in many important collections including Rijksmuseum, Museum Folkwang, and the Yale Centre for British Art. He has been the subject of numerous solo shows including Tate St. Ives in 2004 and The Victoria & Albert Museum in 2006.
Publisher: MACK Books
Size: 330 x 277 mm
96 pages, 40 colour plates
Michael Kenna's intimate, exquisitely crafted black-and-white photographs reflect a sense of refinement, respect for history, and thorough originality. We are pleased to present our twentieth calendar featuring his work. The 2016 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using Daido black ink. It features thirteen photographs: Eloquent Trees, Kussharo Lake, Hokkaido, Japan. 2013; Mountain Snow Storm, Okushunbetsu, Japan. 2013; Two Hundred and Seven Sheep, New Zealand. 2013; The Matterhorn, Pennine Alps, Switzerland. 1994; Eleven Hours, Te Kaha, Eastlands, New Zealand. 2014; Solar Eclipse, Tokyo, Honshu, Japan. 2012; Eighteen Hedges, Versailles, France. 1998; Crumbling Boardwalk, Shiga, Honshu, Japan. 2003; Ten Balloons, Albuquerque, New Mexico, USA. 1993; Early Morning Storm, Calais, France. 1998; Clouds, Fence and Snow, Nakafurano, Japan. 2013; Chateau Lafite Rothschild, Study 27, France. 2012; Snow Covered Forest, Heilongjiang, China. 2012.
Publisher: Nazraeli Press
Size; 430 x 350 mm
13 duotone plates
Michael Kenna’s intimate, exquisitely crafted black-and-white photographs reﬂect a sense of refinement, respect for history, and thorough originality. We are pleased to present our eighteenth calendar featuring his work. The 2014 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using “Daido black” ink. It features thirteen photographs: Two Leaning Trees, Kussharo Lake, Hokkaido, Japan. 2013; Yuanyang, Study 1, Yunnan, China. 2013; Alley of Trees, Damyang, Jeollanamdo, South Korea. 2012; Skyline, Shanghai, Study 5, China. 2011; Bamboo and Tree, Qingkou Village, Yunnan, China. 2013; Three Posts and Island, Jangsan-do, Shinan, South Korea. 2013; Chateau Lafite, Study 5, Bordeaux, France. 2012; Sand Dune, Wooi-do, Shinan, South Korea. 2012; Baby Elephant, Phuket, Thailand. 2011; Moai, Study 50, Ahu Tongariki, Easter Island. 2001; Pont Neuf, Study 3, Paris, France. 2011; Sadakichi‘s Docks, Otaru, Hokkaido, Japan. 2012; and Snow Clad Trees, Heilongjiang, China. 2012.
Publisher: Nazraeli Press
Size: 14 x 18"
13 duotone plates
We have signed copies of the first printing only. A decision has yet to be made on a second printing. Remaining copies have slight imperfections on the cover or in the printing. We will send you the best copy we have.
Jan Tove's first published work for several years, Silent Landscape represents a significant maturation in his vision. If, in Riverside, the relatively traditional nature photography of Beyond Order coexisted with work influenced by contemporary American landscape photographers, here they are successfully integrated. Photographs mostly from Sweden but also from Norway, Denmark and Scotland. See here for all the spreads from the book.
Please note this is the 2013 calendar.
Michael Kenna’s intimate, exquisitely crafted black-and-white photographs reﬂect a sense of refinement, respect for history, and thorough originality. We are pleased to present our seventeenth calendar featuring his work. The 2013 Michael Kenna Wall Calendar is printed on an exclusive, uncoated, natural Japanese paper using “Daido black” ink. The subject of this year's calendar is France: Homage to Atget, Parc de Sceaux, France. 1988; Intra Muros, St. Malo, France. 1993; Dawn Mist, Mont St. Michel, France. 1994; Fontaine du Palmiere, Study 2, Paris, France. 2007; Sunrise, St. Valery sur Somme, France. 2009; Printemps, Bargeme, France. 2011; Pebbles and Beach House, Cayeaux sur Mer, France. 2009; Tidal Pool and Posts, Berck Plage, France. 2003; La Trappa, Vielle Ville, Nice, France. 1996; Abbey Façade and Star Trails, Hautvillers, France. 2001; Night Shadows, Saint Malo, France. 2000; Ciel d’Orage, Bargème, France. 1996; In-Between, Courances, France. 1997.
'The depth of the forest was filled with an uncanny air For something seemed to be lurking there.'
This series of photographs is an expression of my search for the soul of the deep forests.
One day in early autumn in 2001, just as twilight was setting in, I had lost track of the mountain paths. I happened to wander into a shady forest, where I found myself suddenly seized with a strong desire to take photographs. The following day, I set out once again, carrying my camera with me this time, and searched for the same forest. This experience made me realize that I was not taking photographs of the forest out of my own will, but that the forest was inducing me to take its photographs.
Looking back in retrospect, I have a feeling that this might have all begun with my decision to build a mountain lodge with my own hands. In order to clear a plot of land for constructing a lodge inside a small forest, I had to fell Japanese red pine trees some eighty years old. Although many years have elapsed since then, I still vividly remember the sensation I had as I sat astride the felled down trees, stripping them of their barks. The trees collapsed onto the ground with a huge thud, making my entire body tremble; I looked up and remained motionless for a while, totally overwhelmed by the vastness of the sky. Almost as if stained by the blood rushing from another person's wound, I was covered with splashes of tree sap spurting from the edge of the blade of my hatchet. This made me acutely aware of the living energy of the trees, and I immediately decided to make the most of this power in the lodge I was about to build.
It took me some ten years to finish constructing the lodge. Thirty-six Japanese red pine trees growing in that forest were used for the ground sills, the central pillar and the beams. This probably explains why it is so very cozy and comfortable inside my mountain lodge. While continuously handling wood for building my lodge, I believe that I have come to feel things I could neither see nor hear before. And it could well be that, lured by this strange power, I started to travel all over Japan visiting the depth of forests.
The Silent Respiration of Forests is a collection of photographs which I was able to take, inspired by this power of the forest.
Publisher: TOSEI-SHA Publishing Co
Size: 270 x 380 mm
Overseas deliveries Please note that, as this is a heavy item, overseas postage will be charged at twice our standard rates.
But I needed to find out for myself. Two weeks later I was gone, witnessing my new world wizz by, especially at dusk, then darkness as I watched the sum of all the city lights cast my silhouette across the pine trees of the Florida panhandle. This was it, I was riding my very first freight train. And soon, what would begin as mere natural curiosity and self-discovery would evolve into a casting call of sorts, taking photographs of my newfound friends.
— Mike Brodie
For sample images, see Mike Brodie's website
Publisher: Twin Palms
Size: 11 x 13 Inches
104 Pages, 60 Four-colour Plates
25th anniversary edition, with new foreword by David Muench
Mountain Light is the best-selling classic that captures the unique artistic vision of Galen Rowell, one of the world's most celebrated nature photographers. This remarkable collection offers 80 of Rowell's finest photographic images, as well as the stories behind them - what he was after and how he achieved it.
Rowell arranges the photographs, with details of their creation, in eight exhibits according to visual themes, reflecting his fascination with the infinitely varying qualities of light found in mountain landscapes. He recounts his development as a photographer, his philosophy and techniques for creating "dynamic landscapes," and his adventures in remote, dangerous, and beautiful places, from California's Yosemite Valley to almost inaccessible peaks in China.
Rowell also explains how film and the human eye see differently, how he selects and composes the content of his work, how to work with optical phenomena and natural light, and how equipment and adventure interact in the field.
"A splendid blend of autobiography, personal philosophy, and superb color photographs of high, wild places."
- The New York Times
Publisher: Sierra Club
Size: 236 x 304 mm
240 pages, 80 colour photographs